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Source: Miami-Dade Corrections / Miami-Dade Corrections
Camila McMillie, a mom of two traveling out of Miami International Airport, was arrested after losing her children and having an outburst this week. In a now-viral video clip, McMillie was seen destroying equipment at the airport after she couldn’t locate her children and faces a number of charges.
As reported by the outlet Local 10, Camila McMillie, 25, was traveling to New York out of Miami on Tuesday (Dec. 20) and became irate with American Airlines workers after she couldn’t locate her children. According to reports, the children went to the bathroom without informing their mother, promoting her to request help from the staff. It isn’t known or wasn’t shared in the reporting if airline workers attempted to assist McMillie, but the moment sparked a violent fit of rage.
The video that surfaced online shows McMillie grabbing a computer monitor from a counter and throwing it at an airline employee, and snatching the digital boarding pass reader from its base. The video was obtained by the online account @OnlyInDade and is making its rounds on social media.
McMillie’s children, ages six and eight, were found to be unharmed. However, McMillie was detained by a U.S. Customs and Border Protection officer and arrested by local police.
Camila McMillie faces a number of charges, including aggravated assault, criminal mischief, and more.
On Twitter, the reaction to the video is ongoing, which can be viewed below.
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Photo: Miami-Dade Corrections
Ozzy Osbourne earned four Grammy nominations for his Patient Number 9 album, and he tells Billboard that the nods were an unexpected, yet welcome, surprise.
“The whole thing shocked me,” he says in a new interview with Lyndsey Havens. “I mean, if I won anything for the album I’ll be floored.”
“That’s what I like about the business. It’s never short of — I love surprises,” he adds in the clip of the Q&A above.
Osbourne says he’s “kind of excited for being nominated for the best rock album” for Patient Number 9, which topped Billboard‘s Top Rock Albums chart in September. He’s also nominated for best rock song and best rock performance, for the song “Patient Number 9” featuring Jeff Beck, as well as best metal performance for “Degradation Rules” with Tony Iommi. (A full list of nominations for the 2023 Grammy Awards can be seen here.)
Asked whether he’ll prepare a speech or wing it on Grammy night, should he win any awards, Osbourne admits that giving speeches isn’t really his specialty.
“I’m not good at making speeches,” he says. “I always end up saying it twice or blowing it or whatever. I’m sure my wife will have it worked out. Behind me is my wife. My wife pulls my strings.”
Elsewhere in the interview, the 74-year-old rocker noted that the album’s title, Patient Number 9, is “me, I suppose. The last four years have been sheer hell for me. I’ve been in such a bad… healthwise. Plus I got [a] Parkinson’s diagnosis. But I’m, you know, takes a lot to hold me down.”
Watch the full interview in the video above.
Video: Shanquella Robinson’s Father Describes Seeing Her Injuries Nearly two months removed from Shanquella Robinson‘s death, her grieving father Bernard Robinson opened up about the devastating moment he saw his daughter’s beaten and battered body, while the friends she was traveling with blamed her death on alcohol poisoning. Robinson said he knew the cause of […]
When Taylor Swift asked her devoted fans to meet her at midnight, Swifties showed up in droves to support her. But how did Swift arrive at her 10th studio album Midnights? And, more importantly, how did her previous nine LPs prime her to have the biggest album of her career?
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It all started with Swift’s self-titled album, which she released in 2006 at age 16. The album peaked at No. 5 on the Billboard 200 chart, and keeping up that momentum, the then-rising star returned in 2008 with her sophomore album Fearless, which spent 11 nonconsecutive weeks at No. 1 on the Billboard 200. The accolades didn’t stop there: The project earned four Grammy Awards, including the coveted album of the year award, making her the youngest artist at the time to receive the honor.
The year 2010 saw the release of Swift’s Speak Now. In addition to once again hitting No. 1 on the Billboard 200, the record additionally sold 1 million units in its debut week. Red, her 2012 follow-up, saw Swift headed in a new direction musically, combining the best of her country roots with pure pop. The record resulted in her first No. 1 hit on the Billboard Hot 100 with “We Are Never Ever Getting Back Together.” Though Red was commercially successful, it failed to pick up any Grammys, leading her to focus on creating a more cohesive body of work with 1989, and her concentrated efforts paid off — it was her second album of the year winner and included three Hot 100 No. 1s: “Shake It Off,” “Blank Space” and “Bad Blood.”
The latter half of Swift’s discography spans Reputation, Lover, Folklore and Evermore — in addition to her re-recorded Taylor’s versions of Red and Fearless. Learn more about these projects in the latest installment of Billboard Explains in the video above.
After the video, catch up on more Billboard Explains videos and learn about how Beyoncé arrived at Renaissance, the evolution of girl groups, BBMAs, NFTs, SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.