UnitedMasters
UnitedMasters has announced the promotion of music industry veteran Gerardo Mejía to the newly created position of senior lead of Latin music. This advancement recognizes Mejía’s significant contributions to the company’s growth and influence in Latin music.
Mejía, previously serving as an A&R at UnitedMasters, has been instrumental in expanding the company’s reach within the Spanish-language genre, boasting several achievements including discovering and signing 2024 breakout Latin superstar FloyyMenor, a teenaged rapper from Chile.
“UnitedMasters has really granted me the runway and latitude to follow my instincts and seek out artists who are unconventional, yet undeniable,” said Mejía in a press release. “They’ve given me the utmost trust, and it’s been incredible to continue my journey here. I’m very thankful and excited for what the future holds. The sky is most definitely the limit.”
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Under his guidance, FloyyMenor’s viral hit “Gata Only,” featuring Chris MJ, put Chilean reggaetón on the global map. Additionally, it won the Billboard Latin Music Award for Global 200 Latin Song of the Year and held the No. 1 spot on the Hot Latin Songs chart for 14 consecutive weeks, marking a historic achievement as Floyymenor and Chris MJ became the first Chileans in 25 years to top this list.
“Gerardo lives and breathes music. He has been a major force in the explosion of Latin music globally,” said UnitedMasters founder/CEO, Steve Stoute, in a press release. “He has an impeccable ear for talent and a knack for artist development while empowering his artists to exceed their potential time and time again. It’s a pleasure to announce this much-deserved promotion.”
UnitedMasters vp of music/head of A&R, Mike Weiss added, “We are incredibly proud to be promoting Gerardo to this role. Gerardo has continued to reinvent himself while discovering star artists for many years. This success did not happen overnight, and we can’t wait for the future in our Latin Music business.”
As Mejía steps into his new position, he carries a robust record of multi-industry achievements. He first gained international attention as a young Ecuadorian immigrant turned U.S. pop sensation with his 1990 hit “Rico Suave.” The track not only charted impressively—peaking at No. 7 on the Billboard Hot 100, No. 2 on Hot Rap Songs, and No. 12 on Dance Singles Sales—but also played a pivotal role in ushering Latin music into the U.S. mainstream. Transitioning from Latin pop performer to Latin Power Player, Mejía’s strategic roles in artist development and A&R at major labels have continually shaped the evolving landscape of the music industry.
His tenure at Interscope Records was marked by facilitating Enrique Iglesias’ U.S. breakthrough, and he further impacted Latin’s growth by fostering the reggaeton movement during his time at Univision Records. Transitioning seamlessly into entrepreneurship, he also launched Rico Suave Coffee, intertwining his music and business acumen. This breadth of experience underscores his ability to shape the future of Latin music at UnitedMasters with a strategic and innovative approach.
Read our previous profile of Gerardo Mejía here.
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Social media giant TikTok announced a partnership deal with UnitedMasters to provide users with more access to numerous independent artists.
In a press release, the social media platform TikTok announced that they reached a deal on a partnership with UnitedMasters. The direct partnership will give TikTok access to UnitedMasters’ full catalog of independent music artists numbering over 2 million, which includes Brent Faiyaz, Tobe Nwigwe, and FloyyMenor among others in a multi-year collaboration. Artists with UnitedMasters will also have access to TikTok’s own Commercial Music Library.
“Our partnership with TikTok provides UnitedMasters artists unparalleled access to a vast global audience, while TikTok creators and users gain early exposure to some of the most impactful independent music today,” explained Steve Stoute, Founder and CEO of UnitedMasters in the press release. “TikTok recognizes the power of music and creativity, which is why we are excited to formalize this partnership.” According to Social Media Today, the move is inspired by TikTok users’ predilection to find and share new music within the app. An internal report from the social media platform stated that approximately 75% of its users learn about new artists while viewing clips in the app. The partnership also gives those artists with UnitedMasters more exposure to global brands with a presence on the platform, including Diageo, Bose, Walmart, ESPN, Coca-Cola, IKEA, and Dove.
“We want to make the world’s best music available to our global community of over a billion music fans,” said Ole Obermann, Head of Music Business Development at TikTok in the statement. “That’s why we are so excited to be entering into a direct deal with a prominent independent label like UnitedMasters, with its deep, diverse roster of independent artists. Together, we’re ready to amplify these voices and bring their music to a global stage, unlocking new opportunities for discovery.”
UnitedMasters has reached a new multi-year licensing agreement with TikTok. News of the deal comes just weeks after Billboard broke the news that TikTok “walked away” from talks to renew its license with Merlin, a collective that negotiates digital licensing deals for more than 30,000 indie labels and distributors.
Instead, TikTok noted that it wished to forge deals with most of the labels and distributors individually and cited previous issues with Merlin’s members delivering “fraudulent content” as the reason why they were not renewing with Merlin. Merlin read this move as TikTok “fragmenting” its membership to try to “minimize” licensing payments for indie music.
UnitedMasters — which has worked with more than 2 million independent artists, including FloyyMenor, Brent Faiyaz, BigXthaPlug, Tobe Nwigwe and Anycia — will include its full, expansive catalog in the new deal. The agreement will also provide additional commercial opportunities for UnitedMasters artists via TikTok’s Commercial Music Library.
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A press release states that TikTok and UnitedMasters “share the vision and understanding that commercial use of music on platforms offers significant revenue and promotional opportunities for artists” — and that having access to TikTok’s Commercial Music Library will give UnitedMasters talent access to new revenue and promotional streams for their talent.
Beyond just TikTok, licensing music for commercial purposes is a crucial focus for UnitedMasters. Previously, it has landed its artists deals with major brands like Bose, Walmart, ESPN, Coca-Cola, IKEA, Dove and more.
“Our partnership with TikTok provides UnitedMasters artists unparalleled access to a vast global audience, while TikTok creators and users gain early exposure to some of the most impactful independent music today,” said Steve Stoute, founder/CEO of UnitedMasters, in a statement. “TikTok recognizes the power of music and creativity, which is why we are excited to formalize this partnership.”
“TikTok has proven that it’s a launchpad for artists, turning viral moments into chart-topping hits,” Stoute added. “With this partnership, I look forward to seeing our artists thrive on TikTok and extend their reach and influence across the music industry. We’re building a future where they can own their success and grow their careers on their own terms.”
“We want to make the world’s best music available to our global community of over a billion music fans,” added Ole Obermann, head of music business development at TikTok. “That’s why we are so excited to be entering into a direct deal with a prominent independent label like UnitedMasters, with its deep, diverse roster of independent artists. Together, we’re ready to amplify these voices and bring their music to a global stage, unlocking new opportunities for discovery.”
Merlin’s license with TikTok is set to expire on Oct. 31. Labels or distributors that have not reached an individual agreement with TikTok by then will become unlicensed and removed from the platform.
UnitedMasters is looking to add to their expansive roster and give independent artists a chance to join the software and service platform’s team. Billboard learned on Tuesday (Aug. 13) that UnitedMasters has launched the DEBUT+ app in the United States, which will equip emerging artists with UM’s resources and forward-thinking tools needed to properly elevate […]
LaTrice Burnette has been appointed to the newly created post of executive vp/head of music at UnitedMasters. In this role, Burnette will helm the artist services division for the software and services platform’s global roster of independent artists.
In announcing the appointment, UnitedMasters founder and CEO Steve Stoute said, “LaTrice brings with her a wealth of experience by having played every single position inside a record company, from assistant to president. Every artist that I’ve spoken to that she has worked with has had nothing but great things to say about her keen understanding of the industry, of marketing and helping them grow their careers. With our artist services business at UnitedMasters, having somebody like LaTrice on board, with her level of experience, is going to do nothing but help make our artists go further in their careers. This is another big move for us and our commitment to independent artists.”
In addition to Stoute, Burnette will be working alongside vp of music/head of A&R Mike Weiss and vp of music & marketing David Melhado. “I’m beyond excited to join the UnitedMasters team to help drive the next phase of growth for their global independent artist community,” said Burnette. “Having worked with so many amazing artists throughout my career, I’ve seen firsthand the increasing desire for independence while still receiving top-level label services. UnitedMasters has pioneered a model that gives artists the best of both worlds. I’m looking forward to collaborating with the UnitedMasters team to elevate artist development to new heights and empower the next generation of artists to own their futures.”
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Burnette most recently served as executive vp at Def Jam Recordings before joining UnitedMasters. Her more than two decades of music industry experience also include senior executive posts at Island Records, Epic Records, Atlantic Records and Roc-A-Fella Records. During that time, she’s worked with a host of star talents such as Jay-Z, 2 Chainz, Pusha T, Yo Gotti, Travis Scott, Future, Muni Long and DJ Khaled. Burnette also brings marketing experience to her new role, having contributed to strategic partnerships and campaigns with brands like Diageo and the WNBPA (Women’s National Basketball Players Association).
Over the last three years, UnitedMasters has signed partnerships with Brent Faiyaz and Earthgang, among others. It has also expanded internationally through foundational partnerships with artists such as Davido and Sarz in Nigeria; Veigh, Nagalli, and Supernova in Brazil and FloyyMenor and Nickoog in Chile. With over 2 million artists on its platform, UnitedMasters also has brand partnerships with Diageo, Ally and ESPN.
When Steve Stoute connected with Davido at his UnitedMasters SelectCon event last year, he didn’t flinch at the opportunity to build with the Afrobeats superstar; after their initial encounter, the executive visited Davido’s homeland of Lagos, Nigeria and dared the “Fall” singer to dream bigger. Stoute envisioned Davido, adept at crafting sugary melodies with a Nigerian flair, leading nothing less than a global takeover — not just as a premier artist but as a businessman.
Starting Wednesday (April 17), the three-time Grammy nominee will embark on a new chapter as a full-fledged executive, signing a deal with UnitedMasters (which recently launched in Nigeria) to start a new label, Nine+ Records. Stoute and Davido are clear that they won’t limit themselves to Afrobeats but will venture into the realms of hip-hop, R&B, Latin, country and more, casting a wide net for new talent.
“I think the music that Davido has been able to make, produce and share with the world has been amazing,” says Stoute. “For me, I think his connection between Nigeria and Atlanta, and everything he’s gone through has brought unique experiences that I can hear and feel through his lyrics and production. I didn’t even know that [at the time], I just knew there was something different about his sound and the way he structured his songs.”
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According to Stoute, it didn’t take much convincing: He sold Davido on the possibilities of building a label reminiscent of the hard-nosed rap imprints he witnessed first-hand in the ’90s and ’00s.
“There’s such a big opportunity globally and I see him as an entrepreneur that could build the next Bad Boy, the next Death Row and the next label that has significant impact like a Cash Money,” Stoute says. “[I told him to] forget everything you were doing before, let’s commit to building something in a joint venture and that’s the formation of Nine+ and UnitedMasters.”
Billboard spoke to Davido and Steve Stoute about their newly minted partnership, the importance of having a great team and more.
Davido, what made you decide to partner with UnitedMasters for your new label Nine+ Records?
Davido: Shout-out to big bro. There’s one thing that I’ll always love, which is nurturing new talent, bringing them up and helping them grow. I’ve been doing that since Afrobeats wasn’t even Afrobeats, since when you guys didn’t even know what it was. Since I came up from writing my first song, I’ve been helping my two cousins work on their music. I put them under my label, but it got to a point where I felt I needed some knowledge. I need some mentors to advise me. Some artists, all you need is one hit song and your life can change. Sometimes, when you get to that point, you don’t have anybody to advise you on how to move and get good paperwork done. I just felt like that was one thing Steve Stoute represents, and that’s helping the artists and making sure they know the best option when it comes to business. My job is obviously to bring the creatives and deliver, but I do need Steve’s vision on how I’m going to advise on these new artists.
Steve, speak to the tutelage you hope to instill in Davido from an executive lens with the years of experience you have under your belt.
There’s a thin line between what a talent and what an executive has to do. For a lot of talent, it’s very hard to be an executive or it’s hard for them to jump that fence. I’m gonna be there to help him because he comes from a lineage of very, very tight, philosophically sound businessmen.
His father was a G. His father was very special and talented. Davido is also very creative. It takes that sort of left brain and right brain to be a talented musician who could work with talent as well as be a business person. To be able to bring that together to build one of these legacy companies, the greatest artists always had that attribute. He has that attribute.
The best thing that I can do is, you use my experience as a veteran in this business to help put up some guard rails to keep him going because I want him to become the biggest artist in the world and continue his trajectory as an artist, but then build something that’s a legacy outside of that with Nine+.
Before this, I was the president at Interscope. When Jimmy [Iovine] built Interscope, it was all about these labels. Whether it was Pharrell’s label, Organized Noize, Timbaland, or Aftermath, these were labels that were built because Jimmy built The Ruff Ryders. Jimmy believed in that model. So I came from working with talent who had labels and I understand how to build that model just from that experience. I want to pass that along to this young entrepreneur, creative genius.
What’s the best advice you’ve gotten from Steve on accelerating as an executive and building out Nine+ on what you ultimately want it to become?
Davido: First of all, you gotta have a good team. There’s one thing I learned from Steve: I didn’t know you had to get all of this to get a label because where I’m from and where you record, there’s no office. Now…with Steve, we’re getting an office, we’re getting [a lot]. I have a studio and a headquarters, but it’s different from the way I’ve worked.
Steve Stoute: If you wanna scale, you gotta bring structure. He’s a super-talented guy. He’s gonna find talented people. There’s been a lot of people who are talented, but they didn’t have the business structure around them. They never got a chance to see the effects of their talents go all the way. It’s the guys who had structure with talent that were able to actually go all the way. My job is bring that structure to him and hopefully to his team.
He has a great team around him. He has a great team of people with chemistry. Chemistry is undervalued and underrated. It’s very important who you want to work with. We’re here to bring that structure and funding so he can do what he has to do. My job isn’t to go in there and A&R records. If I can get him in the room with the producers and the artists, and I can get it out the room, that’s my job. To get in the room and to get out.
Again, my experience in doing this for a while and being able to help bring that structure, whether it’s an office or not, is what I’m bringing to the table and I’m looking forward to working with him and building something that’s an aspect of his legacy.
With Nine+, are you looking to expand beyond Afrobeats?
Davido: Oh yeah, everything. R&B, trap, etc. Obviously, I’m going to start in Africa, but definitely yeah. I can see us going all the way. I don’t see why not.
Steve Stoute: Look, I told you, my man has roots in Atlanta and Nigeria. This is not going to be limited to anything. When you have creative people who can understand melodies, beats, rhythms and songs, whether it’s country music, trap music, hip-hop music, Latin music, none of these things are off-limits. I think we look at it as global music. I think Davido is a global superstar. He’s going to sell out Madison Square Garden like he sells out London, like he sells out buildings in Africa. That’s what he does. He wants to make global music, so we’re looking for artists that have that potential and it’s not limited to genre. It is limited to great music.
UnitedMasters has officially launched in Nigeria, Billboard can exclusively announce. The global music distribution platform aims to connect independent African artists to the global stage.
With UnitedMasters’ premium music distribution services, innovative technology and first-of-its-kind artist marketing solutions, Nigerian artists will be able to upload and distribute their music to global media parters — such as Spotify, Facebook, Instagram, Apple Music, YouTube, Snap and TikTok — as well as critical African services, like Boomplay, Audiomack, Muska, Music in Ayoba, Anghami and Joox.
“UnitedMasters’ move into Nigeria is the next logical step in making independence the standard setting for the music industry all around the globe,” UnitedMasters CEO Steve Stoute said in a statement to Billboard. “While we’re active in a number of exciting markets around the world, Nigeria is simply second to none when we talk about talent density and untapped potential, both for individual artists and the Naija diaspora as a whole.”
UnitedMasters offers tailored music distribution plans for artists, from the “Debut” tier with 90% royalty retention to “Select” tier, which includes unlimited music releases and brand collaborations. For the special Nigerian launch, UnitedMasters will introduce reduced pricing, with the “Select” tier at 20,000 NGN/year, as part of its commitment to accessible, high-quality music distribution for all independent artists in Nigeria.
“Nigeria is already a musical powerhouse, and our role is to ensure that the cultural command it enjoys today becomes an economic and political annuity for generations to come,” said Stoute. “Our promise that you can shape the future of music without sacrificing your ownership is critical to establish in Nigeria, while artists from around the world seek to emulate the success of these Naija heroes. As we see it, winning with, not just within, Nigeria is the one move that will accelerate our cause in every market.”
Nigerian American rapper Tobe Nwigwe and Nigerian producer Sarz are already on the platform. In June, Billboard exclusively announced that UnitedMasters was partnering with Sarz and his 1789 imprint in efforts to discover, develop and empower the next generation of African artists and producers. Sarz recently released his “Happiness” single, featuring Asake and Gunna, via 1789 and UnitedMasters ahead of his new album, which is due in 2024. “Happiness” arrived three months before his previous “Yo Fam!” single with Crayon and Skrillex.
As part of the launch, Nwigwe and Sarz will perform during a “Live from Lagos” concert on Thursday (Dec. 14) in collaboration with Don Julio, with VIPs being served Don Julio 1942. In the coming months, Don Julio and UnitedMasters will continue working together by unveiling a series of programs aimed at spotlighting independent Nigerian artists and making strategic investments in the future of Nigerian music. UnitedMasters will utilize the brand partnerships they already have with Don Julio, Coca Cola, the NBA and more, while simultaneously building relationships with brands on the ground to support local artists and contribute to the prosperity of the Nigerian music industry.
“Don Julio partnerships are often driven by cultural truths. Don Julio has organically been a part of the Afrobeats scene for years, so when we were looking for meaningful ways to enter into the Nigerian market, the UnitedMasters launch was an obvious choice,” added Sophie Kelly, svp of global tequila and mezcal at Diageo. “This partnership will begin in December, but ultimately expand Don Julio’s presence in the music scene of Nigeria throughout 2024.”
After partnering with Brent Faiyaz earlier this year, UnitedMasters continues to stockpile their roster with more proven talent by joining forces with EARTHGANG. The newly minted partnership between the rap duo and UM will allow the Atlanta MCs to fortify their lanes as independent artists for the first time in their careers while remaining at […]
UnitedMasters is partnering with Nigerian producer Sarz on his 1789 imprint that aims to discover, develop and empower the next generation of African artists and producers, Billboard can exclusively announce today (June 13).
Sarz (real name Osabuhoien Osaretin) has produced records for some of the biggest African artists, such as Wizkid, Burna Boy and Tiwa Savage, and is responsible for spreading the Afrobeats sound to the U.S. and U.K. charts with hits like Drake, Wizkid and Kyla‘s “One Dance,” which became the most-streamed song on Spotify in 2016, and Lojay and Sarz’s “Monalisa,” which received a Chris Brown remix and has amassed 297.3 million official global on-demand streams through June 8, according to Luminate. He also won the producer of the year award at The Headies last year.
LV N ATTN, the parent project of “Monalisa” that Lojay and Sarz released in 2021, as well as WurlD and Sarz’s I LOVE GIRLS WITH TROUBL from 2019 fall under Sarz’s 1789 imprint, which he established in 2018 to discover and develop African artists and producers. (It symbolizes his birthdate: March 17, 1989.) Now, UnitedMasters is coming in to amplify the work Sarz has already been doing by providing its cutting-edge label services and digital distribution technology.
“Sarz, for the last five years, has been developing some of the biggest producers on the continent that have gone on to produce for the Wizkid’s, the Burna’s, the Tems’, the Lojay’s, etc. We wanted to be able to say, ‘How do we add value to you guys and help give you resources so that way you can ultimately develop the talent on the ground?’” David Melhado, vp of music at UnitedMasters, tells Billboard. “You can see why he’s able to spot talent when you hang out with him. His energy is infectious. He’s just doing what he wishes he had. There’s something so powerful in that where he’s like, ‘I’m paying it forward to these producers.’ He’s really creating a movement.”
“I met with David and Julian McLean [director of producer relations/editorial at UnitedMasters], and it just felt right. I could tell we shared the same vision and we’re very passionate about emerging talent,” Sarz tells Billboard, adding that he hopes his new strategic partnership with UnitedMasters will bring “more opportunities to the continent, bring more opportunities to Afrobeats artists and producers globally. I hope to be the bridge between an emerging artist and everything they desire globally.”
Those signed to 1789 will be able to access “everything that you would get from a major label, from marketing to digital marketing to playlist pitching and, when the time is right, we can scale up and do radio campaigns,” says Melhado. He adds that the partnership will also provide artists and producers “transparency around the money they make” through UnitedMasters’ mobile app, where “they’ll be able to see their streams in real time,” as well as “brand partnerships with some of the world’s biggest brands [NBA, ESPN, WhatsApp], and they all have ambitions to be a part of the global music conversation.”
Adds Steve Stoute, UnitedMasters CEO/founder, in a statement: “We are extremely excited to be in partnership with Sarz and 1789. Sarz, a true hitmaker, has a keen ear for talent and has proven that he cares deeply about the artist development process. Our shared mission in supporting artists from Africa through education and resources will empower them to unlock their true potential.”
United Masters began discussing how to enter the African music conversation two years ago, when Stoute sent Melhado Billboard‘s 2021 feature on Wizkid following the global success of his Tems-assisted smash “Essence.” Melhado told Stoute, “‘When it’s time for us to go expand to Africa, I got a big network there.’ He’s like, ‘Yeah, you should go in December,’” Melhado recalls with a chuckle. Melhado and McLean ended up traveling to Nigeria in December 2021, where the two were hosted by Melhado’s good friend Bizzle Osikoya, a Nigerian A&R expert and music executive who founded the talent management and music services company, The Plug. “We went out to really see what the culture was, the music, the food, the fashion, the art, and really engulf ourselves in the community there but really try to figure out, ‘Where can we add value?’ We didn’t want to just go to Africa and throw money at it. We wanted to not be opportunistic from a perspective of, ‘Let’s just go sign some artists,’ but we wanted to be able to make sure that we were going to be really impactful and additive to the music scene there. We wanted to be able to find the right partner, and that’s ultimately what we did with Sarz.”
In 2015, the 34-year-old producer founded The Sarz Academy, a non-profit organization dedicated to cultivating African artists and producers and helping them launch successful careers. “I’ve always been passionate about helping people’s journeys, even unofficially I’ve mentored so many producers in the Afrobeats space before I thought about starting an academy,” he says. “It took me at least 10 years just grinding in the industry to find my position. And I thought, if I can mentor these guys, they could probably do it in two years or three years.” The academy’s esteemed alumni includes Kel-P, Legendury Beatz, P.Priime and Tempoe, who have gone on to work with Wizkid, Burna Boy, Rema, Fireboy DML, CKay, Angélique Kidjo and Teni, among many others. “I plan to break out of Africa. I am doing it for global Afro music,” P.Priime, a 2018 graduate of The Sarz Academy, told Billboard in 2020. Two years later, he was a part of the #YouTubeBlack Voices Songwriter & Producer Class of 2022 and earned credits on Wizkid’s Made in Lagos deluxe album that went on to receive a 2022 Grammy nomination for best global music album. Another 2018 graduate, Tempoe, went onto produce CKay’s “Love Nwantiti (Ah Ah Ah)” the following year, which has since garnered 2.46 billion official global on-demand streams and spent two weeks at No. 1 on Rhythmic Airplay.
After meeting Sarz through their mutual friend Osikoya in March 2022, Melhado and McLean traveled back to Nigeria this past October to witness The Sarz Academy firsthand. “He had producers and artists from all over Nigeria. There were artists that flew in from London, from Costa Rica, to Nigerians who came from Canada to be a part of this experience. They all lived in a house. And they just created some of the most amazing music that I’ve heard in a long time. The collaboration, the desire to get on, the hunger — all these kids had that. It was inspiring overall,” says Melhado. “At that moment, I knew that we had the right partnership and the right partner.”
Sarz says the music coming out of last year’s Sarz Academy will be compiled into an album that will be released next month. Three singles — “Jam One Kele” by Sarz, Millymay_pod, Gimba and Fxrtune; “Good to Me” by Sarz, Perfext and Gimba; and “Body Wicked” by Sarz and Millymay_pod — have already been packaged as The Sarz Academy Presents: Memories That Last Forever 2 and released under 1789 and UnitedMasters on DSPs last week. One of the artists, Gimba, was also recently featured on the single “Blessings” with DJ Tunez and Wizkid.
UnitedMasters’ partnership with Sarz includes supporting his endeavors at The Sarz Academy, as education is one of the company’s core missions, according to Melhado. “We didn’t just come into the business trying to tell everybody they needed to be independent. We had to walk them through what it is like to be independent, and for artists on the [African] continent, we want to be able to help artists with those tools and educate them,” he explains. “Our ambition is to be able to support these artists, see them at the beginning of their career and ultimately take them to global superstardom.”
Superstar Pride’s breakout hit “Painting Pictures” has been one of music’s early success stories so far in 2023, as the song — part of the Mississippi MC’s 5 LBs of Pressure EP that was originally released last October — stormed onto the Hot 100, debuting at No. 99 in the week ending Feb. 25, before leaping to No. 35 the following week and No. 25 last week, reaching No. 7 on the Streaming Songs chart.
The song’s viral success — fueled in part by TikTok — caused a stir, with multiple labels coming in with offers to sign the rising rapper, who had originally uploaded the EP through independent distributor and services company UnitedMasters, launched five years ago by industry entrepreneur and Translation founder/CEO Steve Stoute.
But then, just as the song was beginning to reach new heights and seemingly poised to soar into the upper echelon of the charts, its momentum was briefly halted: The song’s production — which samples the Faith Evans song “Soon As I Get Home,” released in 1995 by Bad Boy/Arista Records — was flagged by Sony Music Publishing for not being properly cleared, the song was removed from Spotify for two days and some versions were also taken down from YouTube, though it remained available on Apple Music, Amazon Music and YouTube Music. The issue in part contributed to a 29% drop in U.S. streams over the prior week, from 14 million to 10 million, and “Painting Pictures” came in at No. 62 on the Hot 100 this week. (While the drop in placement on the Hot 100 is partially due to the streaming hiccup, the strong performance of Morgan Wallen’s new album One Thing At a Time saw its songs flood the Hot 100, meaning a placement jump would have been difficult regardless.)
That sample issue has now been cleared up, Stoute told Billboard this weekend. According to Stoute, Bad Boy chief Sean “Diddy” Combs, who also co-wrote and co-produced “Soon As I Get Home,” met Superstar Pride and “loved him,” and subsequently cleared the Faith Evans sample, paving the way for the song’s return to Spotify. Additionally, Stoute confirmed that Superstar Pride has decided to stick with UnitedMasters and remain independent for now, despite strong interest from major labels to sign him.
Now, Stoute and his UnitedMasters team are focused on re-starting the song’s momentum, with a video to be shot this week and a radio campaign that is now underway. In the past week, sales increased a modest 15% and radio airplay jumped significantly, up 270% week over week to 3.1 million in audience, according to Luminate.
“This video, more playlisting support, radio, that’s the next step to making a top 10 record,” Stoute told Billboard in a conversation last week. “It’s a phenomenal song that has been growing like wildfire. This seismic growth, I haven’t seen anything like this since Lil Nas X’s ‘Old Town Road,’ or something like that. It’s been pretty crazy when you look at the steep, hockey stick growth curve. But I give credit to the platform for being able to allow artists like Superstar Pride the opportunity to put music out, be able to track his performance and have the confidence that he’s distributing music and it’s in good hands.”
Superstar Pride originally uploaded the song on his own through UnitedMasters, before the company started to track its growth and reached out to offer support with playlisting and the TikTok campaign that eventually pushed it onto the Billboard charts. But Stoute sees the song’s success as stemming from its inherent quality — and as further evidence as to how the industry is changing.
“I think the artist should always own their music, because the biggest lift in all of this is the work that they did, which is making the song,” Stoute says. “There’s nothing a record company or anyone can do to make a non-hit a hit. And if the artist has a hit, in today’s music business, it’s less about what a record company can do and more about, how can you support the artist and what they want to do? It’s not like we have this magic silver-bullet idea that the artist doesn’t understand. What are your marketing ideas? What do you believe in? We’ll give you money and support to help accentuate what you believe in. And that’s why [artists] also get a lion’s share of the revenue — because it’s you. With the old record business, they didn’t respect that. The old record business was, ‘You make the song, and we’ll take it from here.’”
Since Stoute launched UnitedMasters in 2018, the music business at large has seen a shift as more services-oriented companies have come into the industry, and some established players shifted their business models toward a more distribution-and-services offering, giving artists more choices to chart their paths than the traditional record label model, while even the majors have increased their distribution offerings to reflect the reality of the marketplace. UnitedMasters, through Stoute’s sister company Translation, has marketed itself as an option with more brand services offerings to artists than its competitors; Translation represents clients such as the NFL, NBA, AT&T and State Farm, among others. But its path towards success also lies within the broader shifts in the industry.
“[The indie path] is much bigger than a cottage industry that is an alternative for people who can’t get a record deal; this is actually a solution that empowers the artist,” Stoute says. “[Superstar Pride’s success] is just another example of an independent artist finding tremendous success without the need to give up his rights, and ownership of his rights, to a record company. And the more successes that are happening like this much more frequently, the more people are seeing that the record companies are nothing more than just banks.”