TV/Film
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If you can’t love (a wax figure of) yourself, then how in the hell can you love somebody else? On Tuesday (Feb. 6), Madame Tussauds London unveiled their new wax figure of drag icon RuPaul. Dressed in a custom-made gown by Ru’s reputable designer Zaldy, the new figure officially debuts as part of the museum’s […]
You won’t have to wait till Sunday to watch Grupo Frontera‘s cameo in Nissan’s Super Bowl ad starring Saturday Night Live breakout Marcello Hernandez.
The 60-second commercial released on Monday (Feb. 5) features Hernandez retelling the riveting story about his unexpected, yet adventurous journey while test-driving the latest Nissan Pathfinder. Just as he hits the road, Hernandez gets calls from his abuela (grandma), sister and uncle asking him — and the Nissan salesperson as his co-pilot — to pick them up. So, they do.
“From the dealership to the mountains, desert and beach, Hernandez and the salesperson make their way through this epic adventure, the Pathfinder navigates various terrains while thrilling everyone across all generations of the family,” an official description of the ad reads.
As he’s telling this nail-biting story in a diner, Grupo Frontera pops up from a booth nearby and asks Hernandez to keep narrating his epic adventure. “Qué? No, sigue, sigue (What? No, keep going, keep going),” the group orders.
The ad will air on TelevisaUnivision on Sunday, Feb. 11, as part of the networks’s Super Bowl 2024 broadcast for Spanish-language viewers.
Univision will also broadcast a pre-kickoff performance — featuring a special performance by Puerto Rican star Myke Towers — presented by Nissan, which will air on Univision at 4 p.m. ET Sunday from the Caesars Palace in Las Vegas.
“At Nissan, we’re always looking for ways to deeply connect with our customers,” said Marisstella Marinkovic, chief marketing Ooficer, Nissan U.S, in a statement. “We’re using the nation’s biggest game day to air an in-language spot that reignites the love of Nissan among bicultural Latinos, who comprise many of our customers. From our partnership with TelevisaUnivision, to the Latino talent and the director we casted, we brought music and sports together to create a thrilling in-language and in-culture experience.”
“This is a significant moment for TelevisaUnivision, and we’re excited for Nissan to debut their Spanish-language creative to our audience,” added John Kozack, executive vice president of multimedia sales at TelevisaUnivision. “Latinos are an economic powerhouse, and this national stage provides the perfect opportunity for brands like Nissan to reach this fast-growing demographic – and further our goal of showcasing the value and importance of in-language and in-culture advertising to this consumer base.”
Watch Nissan’s Super Bowl ad above featuring a cameo from Grupo Frontera.
Queens on RuPaul’s Drag Race “Wannabe” in the top every week — and with the latest episode’s girl group challenge, the contestants had to prove they were “Worth It,” begging the host not to “Say My Name.”
Friday’s episode (Feb. 2) saw the 12 remaining drag stars tasked with writing, recording, choreographing and performing in their own versions of songs off RuPaul’s Black Butta as a series of girl groups. Testing their teamwork and their ability to stand out amongst a crowd, the challenge forced the girls to flex multiple performance muscles at once in order to earn another week in the competition.
With a show-stopping rendition of “A.S.M.R. Lover,” the queens of Thicc and Stick — Mhi’ya Iman LePaige, Geneva Karr, Megami and Nymphia Wind — dominated the challenge and earned themselves a four-way win for the week. As for the bottom two, Ru selected Q, whose dancing left something to be desired, and Amanda Tori Meating, whose pussycat wig runway look fell short in the judges’ estimations.
Lip synching to guest judges Icona Pop’s “Emergency,” Q and Amanda pulled out all of the stops — dancing, emoting and selling every beat of the song to convince Ru that they deserved a second chance. Ultimately, Ru wanted to hear some more A’s from Q, granting her another week in the competition, and determined that Amanda Tori Meating could’ve just been an email, sending her home.
Below, Billboard chats with Amanda about her time on the show, coming out as trans, becoming a meme and why she’s ready for her feud with fellow contestant Plane Jane to end.
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How are you doing after watching your run on Drag Race?
You know, to quote my sister Dawn, I feel so p—y right now!
Love to hear it. Before we get into the episode, I wanted to say I’m so happy for you after talking about your transition this week! How are you feeling after putting that out into the world?
Thank you! Yeah, it’s been a mix — it’s a very personal part of my identity that I have been not necessarily sure of, until coming back from filming Drag Race. That was when I really said, “Oh, I’m trans.” To be on the show and not have a full understanding and acceptance of that, and then gaining that after filming was crazy; I felt like the Amanda that people were seeing on TV was … they were making assumptions about who that is, and what my pronouns are out of drag, so it just felt very nice to just kind of clear it up. The interactions I’ve been having with fans since then, whether it’s online or IRL, it’s just felt a lot more genuine and complete. People can just sort of see me a bit more fully.
I also wanted to talk a bit about the look heard around the world from the premiere episode — I love that you have leaned as hard as you have into meme-ing yourself.
Well, you know what, baby? I was like, “If people are going to clown me for this purple face, then I’d better make some money off of it so I can pay for FFS!”
Period! What’s it been like to watch your face become a meme in real time?
You know, it was something I was kind of expecting after the day on set, and I think I was really dreading to see how it actually looked on camera. All I had were my memories on set, which can get very foggy over the months. But I ended up beating myself up about the whole purple alien situation, and I was expecting it to be so much worse. By the time I actually saw the runway, I was like, “Oh … it’s not good, but it’s not that bad!” At that point, I was like, “People can have their fun and make their jokes — I’m gonna make my coin with this.”
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Throughout this episode, things get pretty heated between you and your “affiliate,” as you called her, Plane Jane. I appreciate that you have kept it 100% real with how you’ve been feeling about it online, because sometimes the on-screen fights spill over into real life. Where are you at with the Plane drama today?
I went into this, before we left for filming, by saying that all I could do was be honest. All I know how to really do is say exactly how I feel. So I said, “If I can do that, I’ll probably be fine.” Plane and I did not really communicate much after filming, to be honest. Through the rest of the summer and the fall, the extent of our relationship was pretty much what you saw on camera. Then, in more recent weeks, we’ve been in talks, we’ve been in negotiations, we’ve been in custody battles offline.
We had a rocky moment with each other in our texts, about two weeks ago. But I do think, after that, we were able to have a dialogue where we were discussing our feelings in an open, honest, genuine way, and not trying to play anything up for cameras that weren’t there.
I also think that the fan base needs to normalize queens on the show being co-workers, not necessarily friends. You don’t have to be friends with everyone!
Yes! It’s interesting because there has been so much discourse around our relationship. There are a lot of fans who think they can just jump online and send a bunch of random hate to people, which is not OK. The response from the girls to a lot of that is usually, “We’re all friends! We all love each other!” And I was sitting in my trailer, reading those tweets going, “Well … I don’t know that we’re all friends!” But, just because we’re not necessarily “friends” doesn’t mean we can’t be co-workers who respect each other.
So, in terms of the relationship with Plane, that’s where she and I have arrived — we might not be “friends” at the moment, though I don’t think either of us has written that off. But, we can be cordial and respectful and mature adults in the workplace, and I’m grateful for that.
I’ll be honest, I have a bone to pick with the judges in this episode, because I loved your robin’s nest look. It was conceptual, the message came across, and it fit the theme — what were you thinking when you were receiving those critiques on the runway?
Can I be honest?
Please be honest.
I was standing there on that stage thinking, “Are they blind? Are they looking at what I’m looking at? This is camp, this is concept, this is cool!” I didn’t necessarily feel very pretty in it, but I thought it was cool! Yeah, I did not agree with them on the critiques. But here we are!
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Before I have to let you go, we’re asking all the girls this season — what music, other than “My Kitty,” have you been listening to in recent weeks?
Well, “My Kitty” is available on Spotify and Apple Music [Laughs]. To be honest, I’m still hooked on Renaissance, I cannot and will not let it go. Because of Drag Race I had to miss the concert this summer, which was one of the devastating losses of my life. I’d give it all back! Take me off the season and put me on season 17 just so I can go see the Renaissance Tour! Every single time I get in drag, I have the album on repeat, and it’s gotten to the point where instead of checking what time it is, I can tell how long it’s been by hearing what song we’re at on the album.
Okay, but importantly, is there any particular song on the album that you find yourself gravitating toward?
“Church Girl.” Now, I love Beyoncé because she’s an album artist, and you know she’s going to give you a body of work that should be listened to in full. Every song on that album is a banger. But there is something about “Church Girl” that just moves my spirit — when I listen to it, I’m crying, and then I am throwing my a–.
As country music fans and the country music community mourn the passing of singer, songwriter and musical iconoclast Toby Keith, who died Feb. 5 at age 62 following a battle with stomach cancer, it is notable the fortitude he possessed in his final months.
On Sept. 28, Toby Keith played what would be his final television performance when he took part in the inaugural People’s Choice Country Awards held at Nashville’s Grand Ole Opry House. Keith was honored with the Country Icon Award during the ceremony.
During the show, Keith’s fellow country artist Blake Shelton called him a “global country superstar, award-winning singer-songwriter, devoted and beloved activist, business powerhouse … Toby Keith is a multi-dimensional artist like no other … a global megastar, a man of the people, and a genuine inspiration. Toby Keith is a true icon.”
In accepting the country icon honor, Keith’s speech was both lighthearted and heartfelt. “I bet you never thought y’all’d see me in skinny jeans,” he joked before getting serious. “I want to thank the Almighty for allowing me to be here tonight. He’s been riding shotgun with me for a little while now. I want to thank my beautiful family that’s here. A lot of people go in and make a career like this of 30 years.”
Keith also gave one of the evening’s most powerful performances as he took the stage to sing “Don’t Let the Old Man In,” a song he wrote solo, and which was included in the 2018 Clint Eastwood movie The Mule. Though the physical toll of Keith’s cancer battle was evident as he stood onstage, his voice was a strong as ever — filled with grit, refined by life — as he offered a musical tribute to living every day to its fullest. “Try to love on your wife and stay close to your friends/ Toast each sundown with wine/ Don’t let the old man in,” he sang.
Following the performance, Keith’s “Don’t Let the Old Man In” hit No. 1 on Billboard’s Country Digital Song Sales in October.
Keith, who was inducted into the Songwriters Hall of Fame in 2015, followed the performance by releasing the album 100% Songwriter — an album filled with songs he wrote — in November 2023. His final concerts came in December at the Dolby Live at Park MGM in Las Vegas, when he spearheaded a trio of sold-out concerts, performing several of his hits, such as “Should’ve Been a Cowboy” and “Red Solo Cup.”
Since his career debut in 1993, Keith notched 20 No. 1 Country Airplay hits. He also earned three Billboard Music Awards during his career, including country singles artist of the year (2002), as well as country artist of the year and country albums artist of the year (both in 2005).
See Keith’s People’s Choice Country Awards performance above.
OMG! Usher‘s forgotten he’s performing at the 2024 Super Bowl Halftime Show in Uber Eats’ new commercial for the Big Game, which dropped on Tuesday (Feb. 6).
The star-studded spot kicks off with Friends star Jennifer Aniston receiving an Uber Eats order from an assistant, who was surprised at all the various items — flowers and lotion, for example — the service can deliver. “You know what they say: ‘In order to remember something, you gotta forget something else,’” the Emmy-winning star shares, before pointing to her head and noting, “Make a little room!”
From there, a range of people erase a little knowledge to keep Uber Eats in mind, including David and Victoria Beckham. “Remember when you used to be a pepper lady?” the soccer star asks Posh, who’s in a white “David’s Wife” T-shirt.
“Wasn’t it the Cinnamon Sisters?” she wonders, before the athlete offers up “Basil Babes,” and the designer-singer suggests “Paprika Girls” instead, to which David answers, “No! That’s absurd!”
As Billboard previously exclusively shared in a teaser, Uber Eats’ ad also features country star Jelly Roll forgetting he has face tattoos. “Did someone doodle on my face?!” the “Son of a Sinner” singer asks, horrified, when he see his reflection in a mirror. As he tries to rub the ink off, he screams, “It’s not coming off!”
At the end of the ad — after Aniston has forgotten major period of her life (and a very good Friend) — the eight-time Grammy winner chills with his Uber Eats meal and says wistfully to his two horrified stagehands backstage, “I hope I get to play a halftime show someday, man.”
Fortunately for Usher, that wish is coming true much sooner rather than later. The R&B icon is set to headline the 2024 Super Bowl Halftime Show at Allegiant Stadium in Las Vegas on Sunday (Feb. 11). The Kansas City Chiefs and San Francisco 49ers will face off in the NFL’s championship game beginning at 6:30 p.m. ET.
Watch Usher, Jelly Roll and more stars in Uber Eats’ Super Bowl ad above.
Ricky Martin enters his high society era in new trailer for the upcoming Apple TV+ series, Palm Royale. The Puerto Rican star is set to play Robert in the comedy series that stars Kristen Wiig, Alison Janney, Laura Dern, Kaia Gerber, Bruce Dern and Carol Burnett, who will be making “extra special guest” appearances. Explore […]
Ben Affleck is entering his new era, and he’s taking some inspiration from his superstar wife, Jennifer Lopez. In a new ad for Dunkin’ that aired during the Grammys on Sunday (Feb. 4), the Oscar-winning star channels Lopez while mocking his viral moment at last year’s ceremony, during which he was spotted looking bored out of his mind.
In the clip, Affleck is watching a news segment about the “Bored Ben” memes from last year’s Grammys ceremony when he growls with an intensity worthy of Batman: “Keeeep laughing. ‘He’s bored.’ NO! He’s steady — always watching.”
He immediately kicks a plan to turn himself into a music star into action. “What’s going on, baby!” he says on a phone call. “I had this crazy dream — you’re gonna laugh. I had come up with, like, some beats, and you were like, ‘Maybe she’ll put that on the record.’ I even had a persona, like J. Lo, or like, B. Lo. That’s the bad version, obviously.” Unsurprisingly, he gets turned down by the person on the other end.
Undeterred, the star shows up at a studio with a burned CD in hand. “These are beats. Right here!” he says confidently, only to be deflated when the producer questions him about the medium he chose. “Big-time music expert, you don’t know where music comes from?!”
But Affleck soldiers on. In a recording studio, he wonders, “Does music have to rhyme?” The star also shows off some ideas for potential red-carpet looks, and works with Charli D’Amelio to learn some dance moves. But there’s one problem with that. “Who is TikTok?” he asks.
Despite hitting multiple bumps in his road to music glory, the director continues on. “They tell you you’re no good, you’re a goofy middle-aged white guy with no rhythm and you can’t sing on key. You’re not coordinated. That means I can’t be a pop star? Underestimate Boston … at your peril,” he warns before dropping a reference to J. Lo’s upcoming album. “This is me now.”
With a hefty chain featuring a giant blinged-out doughnut around his neck a la Flavor Flav’s massive clock necklaces, Affleck stares seriously into the distance, a determined look on his face, as a “To be continued” message appears.
Watch the new Dunkin’ ad starring Ben Affleck above.
Ayo Edebiri is poking fun at herself on Saturday Night Live.
The Emmy-winning The Bear actress, who hosted the Feb. 3 episode of the iconic NBC comedy show, appeared in the sketch “Why’d You Say It,” where game show contestants are asked to explain why they left unsavory comments on other people’s Instagram posts.
After being grilled by the game show’s host (played by SNL cast member Kenan Thompson) about why she left the comment “Die” under a video post where actress Drew Barrymore is enjoying a rainy day, Edebiri’s character Annie tries to give excuses for her negative reaction before finally admitting the truth.
“I meant die, like I’m dying! I love this vid so much,” she says while being interrupted by a wrong answer buzzer. “I meant slay, but I forgot the word. I saw someone being happy and wanted them to feel the exact opposite.”
Thompson quickly responds, “That’s close but it’s not the right answer,” to which Edebiri finally gives the correct reply. “I’m alone a lot, some days I don’t even interact with another human being. And I start wondering, am I dead? Is life even real? So I post comments that I think will get a response from someone because that’s the only way to be certain I am alive.”
Later in the skit, Edebiri’s Annie breaks down and seemingly addresses comments she made in real life about Jennifer Lopez — who also appeared as the SNL episode’s musical guest — during a 2020 appearance on the podcast Scam Goddess, where she told host Laci Mosley that J.Lo’s music career was “one long scam.”
“OK, OK! We get it. It’s wrong to leave mean comments or post comments just for clout — or run your mouth on a podcast and you don’t consider the impact because you’re 24 and stupid,” Edebiri’s Annie says in the sketch. “But I think I speak for everyone when I say, from now on, we’re going to be a lot more thoughtful about what we post online.”
Watch the “Why’d You Say It” SNL skit below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
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Jennifer Lopez delivered another pair of standout performances on Saturday Night Live. During her Feb. 3 appearance on the iconic NBC sketch comedy show, hosted by Emmy-winning The Bear star Ayo Edebiri, the 54-year-old superstar singer and actress performed two songs from her upcoming ninth studio album, This Is Me… Now. For her first dazzling […]
Jennifer Lopez is performing on Saturday Night Live this weekend — or will it be J.Lo?
In promos for Saturday’s new episode, this week’s host — first-timer Ayo Edebiri — introduces Lopez as the musical guest, much to SNL castmember Heidi Gardner’s disappointment.
“Nuts, I thought it was going to be J.Lo!” Gardner laments.
“I am J.Lo,” Lopez informs her, to which Gardner replies, “Lady, she just said your name was Jennifer Lopez.”
After explaining that J.Lo is short for Jennifer Lopez, Edebiri says that her name Ayo is actually short for “I owned the first combination Dunkin’ Donuts/Baskin-Robbins.” “Really?” a stunned Gardner asks. “No,” Edebiri admits.
Elsewhere in the promos, Lopez tells Edebiri she’s really excited to share the episode because “I love your show” — referencing the actress’ Emmy-winning dramedy series The Bear. “I love your everything,” Edebiri shoots back. What does Gardner love? “A brisk fall morning where the light is just beginning to paint the landscape.”
Later, Gardner suggests the trio do “something really funny together this week,” to which Edebiri suggests locking SNL castmember Bowen Yang in a green room. “I already did that this morning,” Lopez says. “Oh, I meant like a sketch — is he OK?” Gardner worries.
While this marks Edebiri’s first time hosting, it will be Lopez’s fourth time on the show — once as the musical guest, once as the host, and twice pulling double-duty in 2001 and 2010.
Lopez is promoting her upcoming ninth studio album, This Is Me… Now, which serves as a sequel to 2002’s This Is Me… Then. Last month, she released the project’s first single, “Can’t Get Enough,” followed by a remix with Latto. In January, Edebiri took home the Emmy for outstanding supporting actress in a comedy series for her role as Sydney in The Bear as well as the Golden Globe for best actress – television series musical or comedy.
Watch the new promos below.
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