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Regardless of where she placed, there’s no question that Plane Jane left an impact on season 16 of RuPaul’s Drag Race.
As one of the two most winning queens of the season, Plane entered the finale (which aired Friday, Apr. 19) with plenty of well-earned confidence. She showed off her performance skills with a solo number titled “Bodysuit” (featuring pop singer and TikTok star Chrissy Chlapecka on vocals), making fun of the judges’ critique on her fashion choices. But only two queens could advance to the final lip sync, and the Boston drag star’s time on the show came to an end.

Plane’s run on the show was certainly impressive — she nabbed a whopping four challenge wins, including in the iconic Snatch Game, and earned constant praise from the judges panel for her sharp wit and killer performer’s instinct. But the queen also earned a reputation — both among her competitors and the fans — for her catty behavior. Whether it was in the work room, during Untucked or even on the main stage, the queen reveled in taking almost every opportunity to throw shade and read her competitors for filth.

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Below, Plane Jane catches up with Billboard after the finale to talk about fans calling her “self-produced,” the viral meme of her comforting her cast mate, and why she’s proud of showing every part of herself on the show — or as she puts it, “the good, the bad, the gorgeous, the ugly and the nasty.”

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The season is officially over, and you made it to the top three! How are you feeling after watching the finale?

It was a very exhausting, physically straining and draining weekend. But I actually feel really great. I’m so happy for my sister Nymphia for winning the crown, it was so well-deserved. She undeniably won … even if she didn’t do “the best” throughout the competition, she definitely brought it home during the finale. Her performances were absolutely fantastic, so I couldn’t be happier for her. 

That being said, I’m happy for myself as well. I did a great job throughout the entire season, and I think I had a pretty good showing through the finale as well! There can only be one winner, so, all I can say is I did my absolute best, and I’m very proud of myself. 

Your song “Bodysuit” was so different from the other top three numbers — it felt a little like hyperpop, and it had that Plane Jane blend of “fierce drag performance meets something that is at least a little bit stupid.” 

Yes, exactly! Personally, it is my favorite song of the top three solo numbers. Not going to lie, I have been listening to “Bodysuit” all weekend. But yes, why take ourselves so seriously? Drag is supposed to be fun and dumb!

Every year we crown a winner, and we crown a Miss Congeniality, but I genuinely think there should be an award for the queen who brought us the best TV of the season, which you would have handily won. What was it like to watch yourself back as you created these heightened, dramatic moments on the show?

Well, it’s interesting because it feels like two completely different realities, living through those moments and watching them back. Honestly, there were some parts of the season where I would watch it and go, “Oh, God, I fully forgot that I said that, whoa girl.” And then there were moments that I thought would be so much more dramatic and intense, and they came across as tame! It was definitely interesting, I found myself cringing at some of the stuff I said and laughing at everything else. 

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Part of that process means contending with what fans had to say about your performance as well. Fans had a lot to say, both good and bad — what did you make of their reactions to you?

Throughout the season, there were a gaggle of people online who were accusing me of being very self-produced, very calculated — I actually think it was pretty much the opposite. I was quite unhinged! If there was any element of self-production to what I was doing on the show, it was just me reminding myself to not hold anything back. Like, “this is your moment, and it’s time for you to show the world everything that you are.” I wanted to be unapologetic and unhinged, and I think that is what makes for great reality television at the end of the day. So, to those people, I would say that I acted the way that I did because that’s who the f–k I am, and I’m a star! That’s what got me ahead, babe. 

As the season went on, fans also watched you get vulnerable with the other queens and the audience, which in some cases required you to disengage the more cutting parts of your persona. What helped you get to that place while filming?

Being on reality television for the first time, for anybody, is a learning curve. I came into the competition being very hyper aware of my environment, and I realized quickly that I was being a little too intense with the shade and the reading. So, like I said, I had the thought about wanting to show all of the parts of myself, and that there was much more to me than just being a shady, c–ty, bitchy drag queen. I mean, there was a lot of negativity that I was … I don’t know, I guess “spewing,” if you will? So when I realized it was getting a little out of hand, I just had to remind myself that I was supposed to be having fun, and so were the other girls. That’s what got me to reel it in a little bit. 

That vulnerability also gave us one of the most out-of-control memes of the season with “Mama, kudos for saying that, for spilling.” What has that been like, to watch this heartfelt moment between you and Q get spun out into a meme?

Apparently, I have a very unique way of showing vulnerability! [laughs] I think it’s so funny. What’s weird is it did show this culturally relevant thing about how a lot of gay people speak nowadays. We’ve developed such a particular lingo within our community, to that point where, even when we’re comforting each other, it’s so wildly different than how the boring straights do it. It’s special! 

Looking back, you had a lot of big standout moments throughout the season — is there one in particular that stands out as the Plane Jane moment on Drag Race?

It is hard to pinpoint one moment, because all of those memories are special. But honestly, I would say the moment where I thought, “Oh, she’s taking it,” was definitely Snatch Game. It was a situation where, as we were in it, I knew that both Sapphira and I were killing it up there. Like, we were both doing so well that I genuinely didn’t know which one of us would take the win. So, when Ru said my name, that gave me such a huge boost of self-confidence. It’s such an iconic challenge to win, so it really felt like I was leaving my mark on the show with that performance.

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Even Jelena Karleuša herself reposted the clip and said that she loved your impression of her. 

That was so awesome. I feel like the winners of Snatch Game end up getting immortalized in the universe and lore of Drag Race, and it was such an honor to portray somebody who I am truly such a big fan of. To see her living for it and to know that it would be a huge part of Drag Race history was so cool. 

As you’ve been watching the show, are there any particular songs you’ve found yourself listening to a lot?

I don’t want to say this is “old school,” because we don’t want to offend the oldies out there, but I’ve been re-listening to the Pussycat Dolls’ PCD album a lot lately. I mean, that album was genuine pop perfection. “Don’t Cha,” “Beep,” “Buttons,” it’s just hits. It feels like such a sexy, early-to-mid 2000s pop class. 

With Drag Race over, what can fans expect to see next from Plane Jane?

More tomfoolery, buffoonery and shenanigans. I’m somebody who wants to do it all, as you saw on the show — I’m a jack of all trades. And I’m actually kind of happy now that the season’s over, because it means that I can move on to do literally whatever I want from here. 

Sapphira Cristál entered the RuPaul’s Drag Race season 16 finale as the clear frontrunner for the top prize. As she tells it, she walked away a winner — even if she wasn’t declared America’s Next Drag Superstar.
In the high-octane finale (which aired Friday, Apr. 19), Cristál nearly nabbed the $200,000 cash prize, advancing her way to one final lip sync showdown with Nymphia Wind to Kylie Minogue’s “Padam Padam.” But Wind swept away with the title in the end, despite Cristál’s hilarious, vampiric performance.

But all was not lost — before her showdown with Wind, Cristál made Drag Race history when she and Xunami Muse both won Miss Congeniality, a title bestowed on the queen deemed the kindest by her fellow competitors. It also marks the first time that a finalist has won the prize since season one, when Nina Flowers was crowned as the show’s inaugural Miss Congeniality.

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Below, Cristál chats with Billboard about her performance on the show, her love for character shoes, her strange connection to Beyoncé and how she hopes to use her platform to promote unabashed self-love.

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Congratulations on making it to the final lip sync, and on your Miss Congeniality win! How are you feeling after watching this weekend?

I’m feeling great. There were two possible outcomes, and the one that I didn’t wish for was the one that we got. But … as Xunami said [during the finale], “I might not have won the crown, but I have won the crowd.” I did win the hearts of America, and I really love that. 

I’m very proud of Nymphia, I’m constantly in awe of her talent. She is really quite a beauty, quite a queen, and I cannot wait to see what she does with this platform. And I know that, as part of the top two, I have a platform, and we are going to do many great things with it.

If I’m being honest, it felt like an absolute no-brainer that you would take home Miss Congeniality. With that title being voted on by your fellow competitors, what does it mean to you that they picked you?

I feel very seen! Not only to be Miss Congeniality, but to also still be in the top two with that prize, is huge — that hasn’t happened since season one of the American seasons! It feels amazing to know that people knew everything I did was genuine, and that they didn’t think I had some ulterior motive. Honestly, I was just being me, and they could see that. Some people had some things to say about how nice I was being at certain times in the competition, but at thFee end of the day, if someone comes to me asking for help I am going to give it to them. If they don’t ask me for help but I can see that they need help, I’m going to give it! 

There really was a running theme of you being the “mother” of the season. Is that a role you’re used to playing outside of the show, or did that come about while you were filming?

Oh, I am a mother of quite a few drag children. But I am also the only Libra on this cast, and I do seek balance at all times. If I see that things are imbalanced, or if people are having moments where they’re just not in it to win it, I gotta get them out of there. Because I was not there to compete with people who were stuck in their own way, I wanted to compete with people who were in the game. 

Out of the four challenges that you won, which one stands out as your favorite?

Definitely the “Power” performance. Not only was that song about inspiring people to vote, but I also just loved getting to sing, and to dance, and live my full blown fantasy! And now I’m getting to do it in real life — I just teased my new single “Enough” and a six song EP, and y’all are not ready for this music! When I think about the kinds of things I want to do as a performer, it always comes back to inspiring people with my music and performances, and helping people know that they are enough — and that’s what we did with the “Power” number. 

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A really important question I have for you — did your character shoes survive the filming of the show?

Yes, they survived, they are alive and well … and I also already had two other pairs! Listen, the thing about the character shoes is, yes, I am going to wear them all the time. I am not 150 pounds — I have to wear something that is going to properly support my weight. I have broken many a shoe, because I am a stunt queen and I do many things that make it so I constantly bust my shoes. Also, I need to make sure I can do all the same stuff I do now when I’m 40 … and I’m 35! [laughs] 

You got so creative with all the ways you managed to disguise your shoes throughout the competition, it almost became a fun game for viewers!

Exactly! I mean, if you think about it, there are so many girls who wear the same shoe over and over on the show. They’ll paint it one week, they’ll add some glitter another week, they’ll do what needs to be done. I had a lot of shoe covers, because I knew that I was going to wear these shoes many many times. Like, these are $300-$400 shoes. I’m not trying to own 50 different pairs of these! 

Your solo performance for the finale, “Dance!,” was so fun — tell me a little bit about how you approached putting the whole number together.

Yeah, I loved that number. What happened was we gave them a lot of references from our time on the show, laying out what we wanted to talk about in our numbers. And I wanted to talk about self-love, coming into oneself and accepting who you are, because that is very much my platform. Especially in this world of social media, it’s really hard to compare yourself to others and to not feel less-than. So I wanted to make sure the song was a big self-love anthem, and I was so happy with how it turned out. 

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It was so good, as was your performance in the final lip sync. When you started thinking about this final battle, how did you come up with this lusty vampire concept?

Well, we knew the final song was “Padam” — and let me be very clear, I did not know the song that well, because we were all off filming when the song absolutely blew up! So when they gave us the song, we were like, “Wait, what is this?” Everything is different when you’re a part of the sensation as it’s happening, and we were not part of that sensation. So, coming into it without knowing what’s happening, it gives you a fresh perspective.

The more I thought about the line, “I can hear your heart beating,” I was like, “Who really hears and listens to hearts?” Because of that, and because it’s such a seductive song, I started thinking of Blade, of From Dusk Till Dawn, of Interview With a Vampire, all these kind of sexy vampire movies! I was laughing the other day because I saw a meme of my face that said, “The new Nosferatu looks sickening.” 

I know you mentioned a few of your upcoming projects, but what else do you have coming up for fans to look forward to?

I have been so focused on my new music and my tour coming up. The Cristál Ball Tour is going to be a magical, musical comedy extravaganza touring in July and August — it is really just my everything right now, and I cannot wait for fans to see it. 

Anything music in particular you’ve been listening to a lot lately?

Cowboy Carter, obviously. So much of my career and my own music has been inspired by Beyoncé — and fun fact, Beyoncé and I went to the same high school! What’s interesting is the song “Caro Mio Ben,” which she sings on the background of “Daughter,” is a song that every single freshman at our high school had to sing. For the first recital, every single freshman would sing “Caro Mio Ben” back-to-back. So I did have this very special connection when I heard her singing it, because I know that when she was a freshman at my high school, she had to sing that song. 

After a competitive season filled to the brim with drag performers at the top of their game, RuPaul’s Drag Race season 16 finally crowned its winner on Friday (April 19) — and fans are going bananas.

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After a series of solo lip syncs and one final Lip Sync for the Crown to Kylie Minogue’s “Padam Padam,” Nymphia Wind was officially crowned America’s Next Drag Superstar and the winner of season 16. The fashionable, yellow-loving queen triumphed over her sister Sapphira Cristál in the final lip sync, dressing herself up as a massive cup of bubble tea and delivering a series of iconic outfit reveals to earn the competition’s coveted prize.

In winning, Wind made history for the show — with her ascension, the queen became the first East Asian performer to win RuPaul’s Drag Race, and the first Asian queen to take home the crown since Raja was crowned on season three, 13 years ago.

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Accepting her scepter from RuPaul, Nymphia addressed the audience during the finale. “To those who feel like they don’t belong, just remember to live fearlessly and have the courage to live your truth,” she said, before declaring “Taiwan, this is for you!”

Below, Nymphia chats with Billboard following her victory, breaking down her excellent showing throughout the season, her love of bananas, her reaction to the President of Taiwan congratulating her, and how she created her memorable finale lip sync.

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Congratulations to you, our current reigning! How are you feeling after a weekend of celebration?

Well, I have two answers. First, I feel very excited to have won this dream of mine, and it’s crazy to be able to live this out for my community and my country. It really means a lot to me to be able to live this. But second, in reality, I am dying. [Laughs.] I want to sleep! I have no feelings anymore! I am dead inside!

I can only imagine that the last 48 hours has been a lot for you. 

Yes, it has been a lot, and the problem is it’s getting to be more and more of a lot. But there are worse problems to have. I am enjoying this torture, because I’m doing something I love.

You spoke before the finale about wanting to break the “Asian curse” on Drag Race, since no East Asian queen had ever won the show, and the last Asian winner was Raja in season three. What does it mean for you to be the one breaking that curse?

It’s truly amazing. That’s why that win means so much to me, because it’s a win for the entire community. Because I remember when I was younger and I would watch the show, I said “I want to be the first East Asian to win this show.” Fast forward to now, and here we are — thinking about it is really crazy. You can dream big, and it will work itself out!

Even the President of Taiwan Tsai Ing-wen congratulated you for your win and thanked you for “living fearlessly.” As someone who has been championing Taiwan throughout this competition, what was that like to see the president say that?

I fully gagged. I screamed so loud, that was truly so crazy. It was such a sweet message, and to be able to get that recognition was absolutely amazing. I mean, she’s the literal President of f–king Taiwan! It makes me feel like I was successful in actually making my country proud. Ugh, it’s so beautiful. 

Congratulations to you, Nymphia Wind @66wind99, for being so accomplished in the difficult art form of drag, and for being the first Taiwanese to take the stage and win on @RuPaulsDragRace. Right after being crowned queen, you said “Taiwan, this is for you.”Taiwan thanks you… https://t.co/hrbG7Vnovd— 蔡英文 Tsai Ing-wen (@iingwen) April 20, 2024

You recently explained your obsession with bananas, saying that you look good in the color yellow and you wanted to combine that with some campy, phallic imagery. How many bananas or banana-themed gifts have fans brought you so far?

Girl, too many! No, it’s really fun to see the fans bring banana things, I love it when I see it. I will say, when they bring me actual, real bananas, I have to tell them that I can’t take them. Like, I will sometimes eat them in front of them because that’s fun, but if you give me a bunch of bananas during a meet-and-greet, I’m sorry, I can’t take those. But I will sign it! Like, traveling with bananas is not happening, sorry. But it is really cute seeing fans bring all these bananas to the shows, because ultimately, Nymphia Wind is a cult! I’m going to make everyone yellow bananas! 

This was a truly phenomenal season for you as a competitor, especially when it came to your runways. You have such a good eye, not only for creating haute couture, high-concept fashion, but for always giving it that little twist that made it so camp. The pussycat wig look comes to mind.

Yeah, usually, I got to read the brief on each runway theme and let my imagination run wild. The question always starts with, “What can I do to make this cool?” And then you build off of that. The inspiration really comes while I’m in the process of making the looks, so the full concept is always still in development while I am putting things together. 

That pussycat outfit was originally made for Chinese New Year celebration for the Year of the Rabbit, and it was supposed to be finished in January. But I wasn’t able to finish it in time for the celebration, so I just kept working on it here and there, but didn’t end up wearing it anywhere. So then, when I got the brief for the pussycat wig look, I just knew I needed to fit something into that slot. So that’s where that look came from.

There was a running theory on the show amongst your competitors, where they were convinced that every time you complained about being stressed heading into a challenge, you were never actually concerned and were really just playing mind games with them. What’s the truth?

I, 100%, felt like I had no idea what I was doing during filming. The other girls were definitely a little annoyed at me and kept saying that I was crying wolf, but I had truly no idea where they were coming from at the time. That is my natural process — I complain, I whine, I stress out, I self-doubt, and then ultimately, I know what I need to do and manage to pull it together. Being on Drag Race is genuinely scary and daunting, because you’re living with this fear of going home or someone outshining you, and the challenge is about pulling yourself together and making it work. So, the work room really became the place for me to get all that panic out of my system. 

It did give us some of the most iconic moments of the season, where you would just do and say truly unhinged things on a regular basis. Have you continued your Spanish lessons with Morphine?

Nope! “Dame más leche” is still the only thing I know how to say in Spanish!

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This finale reminded me a lot of season 9, where we have a finalist who never lip synced on the show, and then absolutely demolished their first proper lip sync of the season. How did you come up with this bubble tea-inspired concept for your “Padam Padam” lip sync?

I knew that I was either going to be up against Plane or Sapphira, and with Sapphira, I knew that her looks are always these big, parade float-style looks. I knew I needed to come in with something big, too. I also knew I wanted to represent my country with this lip sync, but I didn’t just want to stick a flag onto my dress and call it a day. That, to me, is a bit too cheesy. So, I thought, “Maybe I should be a giant bubble tea,” because that’s the national drink of Taiwan. I talked with a designer, and they came up with the idea of the balloons floating up. 

Then, I knew I wanted to have a second reveal, and I wanted to do it while doing a cartwheel at the same time, because I wanted to make each reveal a little more interesting. We literally built the look with the cartwheel and the stunts in mind, and the rest ended up working itself out.  

Before we let you go, what can fans expect to see during Nymphia Wind’s reign as America’s Next Drag Superstar? 

Honestly? Expect the unexpected. There’s nothing to expect — all you can do is sit back and watch. 

With season 16 of RuPaul’s Drag Race officially in the rearview mirror, it’s time for fans of the franchise to look forward … to even more new episodes of the hit series. On Tuesday (April 23), Paramount+ announced the official cast and release date for RuPaul’s Drag Race All Stars season nine. In the new […]

04/17/2024

From assassinations to reveals to a lot of breastplates, the lip syncs of Drag Race season 16 gave audiences everything they could have hoped for.

04/17/2024

In the final elimination week of RuPaul’s Drag Race season 16, the top four queens were given a crash course in an important part of their post-show lives — the art of branding.
On Friday’s episode (aired April 5), the remaining contestants showed off their personalities by creating covers and excerpts from their own faux memoirs, before giving a series of interviews with Las Culturistas’ Matt Rogers about their books.

For Nymphia Wind, the challenge turned into a triumph, with the judges praising the star’s vulnerability in her interview, as well as her stunning look she wore for her book cover — the queen earned her long-awaited third challenge win and a spot in the finale. Meanwhile, after much hair-splitting from the judges, queens Plane Jane and Q found themselves in the bottom after performances that didn’t quite stack up to those of Wind and Sapphira Cristál.

Lip synching to Tina Turner’s “Better Be Good to Me,” the queens used every weapon in their respective arsenals to try and win the last spot in the show’s grand finale. Ultimately, Plane Jane landed without too much turbulence, leaving fashion queen Q on the tarmac.

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Below, Q chats with Billboard about her time on the show, her approach to making some of the best runway looks on the show, speaking about life with HIV on national television, and how she’s taking online hate from the fanbase “one day at a time.”

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You made it all the way to the top four! How does it feel, looking back on your run, knowing you made it as far as you did?

It felt really great — it’s always been a dream to be on the show. Now, you know what happened, and here I am now, and I guess we’ll see what comes from it in the future.

I did want to check in with you — I know the fanbase was pretty rough on you, and you ultimately decide to deactivate your X account a few weeks back. How are you feeling since making that decision?

Honestly? I’m fine. I’m sort of trying to take all of this one day at a time. I have days where it’s not so great, and then other days where it’s truly not bothering me at all. But it definitely has not been nearly as bad since I left X, and deactivated that account. I don’t know, it definitely has … the online part of all of this has definitely shaped a large part of this experience for me. 

People really have to learn to stop taking this show so seriously. 

Yeah, for sure, I agree. Here’s hoping.

On the show, you got to show off your capability as a seamstress. Your approach to fashion, and more importantly style, feels really refreshing for the show — what do you think makes your skills stand out?

Well first, thank you. I guess, what I see as fashion and style is definitely a lot more theatrical than what somebody else would see as fashion and style. It definitely comes from my background in the theater, and so sometimes, I really try to lean into that, and try to make my costumes that much more grand and costume-y. And that’s where a lot of my taste level comes from, I think.

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Did you have a favorite look you wore down the runway this season?

Oh, man. Yeah, I really, really liked my floral runway. I think that was my absolute favorite I did all season.

This was a very different kind of challenge for this season, where you essentially were tasked not only with branding yourself, but with being really open and vulnerable. How challenging did that feel in the moment?

Honestly, it didn’t feel that challenging — I thought I did good until I hit the stage and got my critiques. But, because there were only four of us left, we literally all thought that we did really great this week before heading to the main stage. When you get there, that’s really the first time that you actually get a gauge on how you did when it’s that late in the competition.

You also had already shared a lot with your sisters already up to this point in the season — how did it feel speaking publicly about living with HIV back in episode 11?

Yeah, it felt really good! I did that because, I figured if I could help one person who felt the way that I felt when I was going through my diagnosis, then it would absolutely be worth it. Having people come up to me now, saying that it helped them, really helped me realize that speaking up about that on the show was really worth it.

What did you think of Plane’s now-viral response in the moment? 

It really didn’t seem like as big of a thing in the moment as it has since become, to be honest. At that point, we had heard a lot more surprising things come out of Plane Jane’s mouth, so that felt like nothing!

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Before we let you go, I wanted to ask — is there any music you’ve found yourself listening to lately?

I mean, I am always the one with Artpop on replay all day since it came out. I’m big on “Venus,” personally.

Dionne Warwick may have once asked of listeners “Don’t Make Me Over,” but the judges on RuPaul’s Drag Race seem to feel differently.
On last week’s episode (aired March 29), the five remaining contestants of RuPaul’s Drag Race were tasked with giving members of the Pit Crew dancers from RuPaul’s Drag Race Live in Las Vegas full drag makeovers. Transforming hunky men into fellow queens — with a strong family resemblance, of course — the girls also had to teach their new drag daughters how to work the runway with a short choreographed number.

Continuing her winning streak, Plane Jane impressed the judges with her drag daughter Lazi Susan, earing her fourth challenge win of the season. Meanwhile, Sapphira Cristál stumbled in presenting her daughter Shakira Cristál, while Morphine Love Dion’s introduction of her protegé La Tina didn’t thrill the panel, putting both queens in the bottom two.

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Lip synching to guest judge Kelsea Ballerini’s “Miss Me More,” Sapphira’s less-is-more approach to the artform paid off in dividends, earning her a spot in the coveted top four queens of the season. Meanwhile, Morphine’s string of lip sync assassinations finally came to end, with the “BBL queen of Miami” finally leaving the competition.

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Below, Morphine chats with Billboard about her time on the show, making it this far in the competition without a challenge win, her viral lip sync against Dawn and her approach to drag makeup that fans have been fawning over since she entered the work room.

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Congrats on making it to top five, Morphine! How does it feel getting to say that all these months later?

You know, while filming I had such a great time — obviously, not winning any challenges or any mini challenges was tough. I was like, “Oh my god, the fans are going to think I flopped.” But, the love I’ve been receiving has been so immense and intense and amazing that, honestly, I don’t think they even care about my track record, I feel like a lot of people just fell in love with my personality. Honestly, my run was perfect — well, obviously I should have made top four, but otherwise I’m very happy with how everything went down. 

We gotta talk about your mug. You have clearly perfected the art of drag makeup — what advice would you give to young queens looking to emulate your look?

So, funny enough, I just posted a photo of myself the first time I was in drag, and girl, it was crunchy. That should inspire everyone that it is possible to go from rough mug to really sickening paint — it does, in fact, get better!

But yeah, it was a lot of practice and watching a lot of YouTube videos of now-cancelled influencers online. I also just grabbed a lot of different inspirations. Like, I will always say that Valentina is my No. 1 mug inspiration, her paint is one of my favorites besides Raven. They both are just … they molded me into my mug. It just took me a while to kind of perfect my own face, and the fact that I’m getting so much love for it is amazing. 

Your paint is so good that Trixie Mattel adopted you on sight via The Pit Stop. 

I know! I want that Trixie Cosmetics sponsorship, honey. But that’s Mother, so whatever she wants to give me, she can put me on her list — she can make me co-signer for Trixie Motel, whatever she wants I will be there for her. Love you, Mom!

But the other you thing you became very quickly known for on this season was your killer lip syncs. Did you have a favorite lip sync you got to do?

Oh, mine is obviously “Body” against Miss Dawn. I literally felt the spirit of Megan Thee Stallion consuming my body; like, she possessed me. I remember Sapphira telling us that she started crying for Dawn before the song even started.

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Oh, Dawn herself told us that the only thing she could think about during the lip sync was which wig she would put in which suitcase once it was over.

You know, the thing was, it would not have mattered who I lip synced against; that song in particular plays in Miami almost as a national anthem. Every morning, I wake up by paying homage to the Hotties by playing that song. It’s literally built into my nervous system at this point. So, when they told us what song was happening that day, I was like, “Oh, okay. I’m safe another week.” 

I mean, I started out doing amateur drag contests competing against other girls, and Miami is known for having some of the best lip sync artists ever. So, coming up getting to watch these queens perfectly execute timing, knowing how and when to do a reveal or a split or punch someone in the face, was crucial. I learned from all of them, and then I ended up using those same tricks on them in my competitions, and won almost every battle contest I competed in in Miami. 

On this episode, you and the other girls were tasked with a makeover challenge, which very much seemed like your exact vibe. When you’re not under the pressure of a reality television show, are you the kind of queen who enjoys giving makeovers?

It is one of my favorite things to do, absolutely. I do it often, and I don’t want to be dramatic, but I can change people’s lives — at least makeup-wise! I have done my makeup on other queens before, and they’ve changed their entire approach as a result. Almost every person that I’ve done looks exactly like me, so I was excited for this challenge, because I thought I was absolutely winning the makeover challenge right at the end. I’ve done weddings, I’ve done quinceañeras, I’ve done it all. 

It’s helpful that your partner Miguel was simply so hot, and you were very aware of that fact.

Girl! Straight up, I think that’s why I lost this challenge, because I was too busy ogling. I was fully ready to leave set and start a new life with him. What’s so funny is he has truly the manliest face. For some, that would have been the hardest challenge, but I was slowly falling in love with him and saying, “I will do whatever it takes to make this man pretty.” And I don’t know, he really just was … I was so lost the whole episode because he was just so fine. 

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Before I have to let you go, I’d love to know — what music have you been listening to lately?

Other than “Body” by Megan Thee Stallion, I have been obsessing over the new Kali Uchis album, ORQUÍDEAS, because it is insanely good. And also, Ariana’s “The Boy Is Mine” is supreme. It’s a bop. 

With only a few episodes left until the grand finale, RuPaul’s Drag Race season 16 needed to take a short bathroom break.
On last week’s episode (March 22), the top six contestants were paired off into duos and asked to makeover gender-neutral bathrooms for an HGTV-style renovation comedy challenge. Designing a space rather than their outfits, the girls needed to come up with cohesive themes and larger-than-life presentations to make the judges laugh.

Thanks to their 1920s speakeasy-inspired bathroom — and a pair of well-crafted characters — Sapphira Cristál and Plane Jane nabbed a dual win, making them the two most-winning queens of the season so far (Sapphira with four wins, while Plane follows with three). Meanwhile, Dawn’s performance in the Museum of Modern Fart fell short of the judges’ high expectations, while Morphine Love Dion couldn’t find her spark in her her hellish commode.

Finding themselves in the bottom, Morphine and Dawn lip-synched to Megan Thee Stallion’s hit song “Body.” Weaponizing her curvy figure and slick dance moves, Morphine owned every second of the booty-bouncing track, earning her spot in the hotly contested top five. That meant Dawn turned to dusk, and the Brooklyn queen was sent packing.

Below, Dawn chats with Billboard about her time on the show, becoming the unofficial narrator of the season through her confessional clips, her explosive “doo doo clown” fight with Plane Jane, and why she thinks she never stood a chance against Morphine in that Lip Sync for Your Life.

Trending on Billboard

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Dawn, you made it to top six! How do you feel about your run on the show?

Thank you, my greatest accomplishment! Looking back on the whole run, I have nothing but gratitude and happiness. I feel incredible, I could not be happier about how it all happened. Obviously, I didn’t get any wins, I guess I didn’t “make my mark” in that capacity. Like, there was no moment that was “about Dawn,” but even through that, I made it to top six on an incredibly stacked season! I have watched every single episode and been so happy and satisfied with what I was able to provide for the audience.

I hear you, but I wholeheartedly disagree on you not “making your mark” — because not only were killing a lot of these challenges, but your confessionals were maybe the most entertaining parts of every episode. 

[Laughs.] I guess that’s my win — do they give out challenge wins for best confessionals? 

You were the narrator of the season without a doubt, because you were simply unafraid to be unfiltered and occasionally unhinged in those clips. What was the energy you were trying to bring to those sessions?

OK, the keyword there is trying — because let me tell you, I was not trying to do anything! I rolled into that confessional chair and I was just excited, happy to be there, ready to cut up and shoot the s–t. Sometimes, I was definitely a little too comfortable in that confessional chair. But, it worked out for me, because what you are seeing is deeply authentic to me as a person. That’s how I talk to my friends and the people I love. I’m not sitting there timid, scared to say how I feel. 

I mean you really came after us theater gays in that one episode. 

I’m sorry! [Laughs.] There’s one specific moment of that particular confessional that happened — when I was about to start talking s–t, there is a twinkle in my eye, and then suddenly I go, “No, wait, I shouldn’t say that.” It was so funny. 

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You also did one of my favorite things that queens do on this show, where you would walk into a scene, ask the other girls a very pointed question, and then slink back into the background to watch the drama unfold—

That was crazy, because I straight up didn’t even realize I was doing that until I watched the season back! What I like to say is, “I will never start drama, but I will make sure as hell that it never ends.” 

But there was one exception to this trend, which was the now iconic “doo doo clown mess” moment between you and Plane Jane. You really just called her dress boring and she cracked. What was that legendary reading session like in person?

That might have been my favorite moment on this season, just the way that I said something so … benign, honestly! I just said “the dress is ugly,” and I figured she would just say, “Okay, I hate you,” and move on. She cracked so effortlessly! She stands up like a vulture and circles me, and I’m just sitting there cackling, like, “Yeah, girl, keep going!”

What’s so funny is she kept “reading” me, but ultimately she was just stating facts. She said I was dressed like a clown — correct, I was. You’re saying I’m wearing children’s fabric — also correct, and exactly the point of the outfit, thank you, girl. She was not saying anything that hurt my feelings, because I was like, “You understand the concept behind the outfit, amazing! Now please sit down!”

When this latest episode started, you and Morphine were the only girls without wins — how does that factor into your state of mind, especially this far into the competition?

Interesting. One thing I was feeling a lot around that time, probably like episode 11 to 12, was that … I don’t mean this in a pessimistic way, but I’d kind of given up on winning a challenge. My main goal, at that point, was just to have as much fun as I possibly could. In my experience, that is what would translate to the judges and to the audience. I remember thinking that I wasn’t letting go enough. In episode 11, I wanted to let go more, but then I got paired with Mhi’ya, so I said, “We will try again in episode 12.” And then I made it to the next week, and “Body” happened — so what’s a girl to do?

Oh we are going to discuss the “Body” of it all, but before we do, I just want your take on this challenge. I think this bathroom makeover HGTV parody might be one of the strangest main challenges Drag Race has done in a while — do you like it when the show gets a little unhinged with its challenges?

Girl, I haven’t been able to enter a public bathroom since this challenge, the trauma. I mean, I had Nymphia to reign in, who wanted to, like, paint poop on the walls! But there’s something about this show, where they’re sometimes telling us, “Please, let’s not do fart jokes, let’s not do piss jokes,” and then they ask us to decorate a bathroom and make it funny — we’re gonna make fart jokes, girl!

But all of this is to say: As absurd as it was, and as frustrating as it was to go home on this challenge, I also think that one of my favorite aspects of Drag Race is the absurdity of it all! When we get into these kind of challenges, it’s actually iconic.

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Which brings us to the lip sync. Once you were in the bottom, in that tight dress, against Morphine lip synching to Megan Thee Stallion’s “Body,” was there any part of you that thought, “I can win this?”

No! [laughs] Are you kidding? What was going through my head was, “Which wig am I going to put in which suitcase?” Like, as much as I want to think and I want to say … actually, no, I won’t even say that! I am never going to beat Morphine to “Body” by Megan Thee Stallion! The BBL queen of Miami? It’s a wrap for me, sis! She could’ve been on her sixth lip sync with a broken leg, and I still would have gone home. I just have to be at peace with that!

Before I let you go, I’d love to know — what music have you been listening to lately?

I have been streaming Eternal Sunshine on repeat, no skips, over and over. It is crazy. My favorite songs are definitely “Supernatural” and “We Can’t Be Friends.” But other than that, I’ve also been listening to a lot of Beabadoobee, and I’ve been getting very into this first new song from Rainbow Kitten Surprise in six years. That’s been my playlist, lately. 

Attention, staff! It’s time for us to circle back to the latest episode of RuPaul’s Drag Race, where the contestants brought all the corporate synergy they could to the main stage.
On Friday’s episode (March 15), the seven remaining queens of season 16 were tasked with performing in a series of employee training seminars to help the staffers of the world learn how to handle drag in the workplace. Whether they were giving a much-needed history lesson about the art of drag or teaching their corporate underlings what to do (or more importantly, not do) in the presence of a queen, the girls pulled together an informative all-hands meeting for their loyal viewers.

With a hilarious performance centered around teaching employees whether or not they are drag queens, Sapphira Cristál took home her third challenge win of the season, making her the winningest contestant of the season thus far. Meanwhile, after a pair of less-than-ideal showings, Morphine Love Dion and Mhi’ya Iman Le’Paige were put under performance review by the panel of judges.

Trending on Billboard

Lip synching to Donna Summers’ 1979 hit “Dim All the Lights,” Dion and Le’Paige pulled out all of the stops (and in some cases, parts of their own costumes) to earn their employers’ adoration. At the end, Dion kept her spot in the company, while Le’Paige was handed a cardboard box and asked to collect her things by EOD.

Below, the Queen of Flips breaks down the art of lip synching, what it means to be season 16’s unquestioned lip sync assassin, and how it felt being labelled the “quiet” queen of the season.

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You made it to the top seven on this season! How are you feeling about your run on the show?

I’m feeling good about everything. I know I made my family and my friends proud, and Florida. I feel like I could have done better, but you know, it is what it is!

Well, you made history by joining a very elite group of Drag Race queens who won three or more lip syncs, including queens like Jujubee, Alexis Mateo and Coco Montrese, among others. What does it mean for you to be in that esteemed company?

I’m so honored, first and foremost. Yeah, I hadn’t even thought about that, if I’m being completely honest! But the names that you just said, it is an honor to be a part of that group of girls. It’s great to be a lip sync assassin, I’ll be honest. [Laughs.]

Yeah, it felt like the girls were genuinely scared to be in the bottom with you, and rightfully so. 

Yes they were! They even told me, on the show, that they never wanted to go against me in the bottom. Like, with Dawn for example … I kind of told her that if she was in the bottom because of me this week, and we had to lip sync, I said that I was going to beat her. But if the judges said, “Mhi’ya, shantay you stay,” I would’ve refused and asked them to let Dawn stay. I felt like she deserved it more, and it was my fault we were in the bottom. 

I’m always fascinated by the art of lip synching and what makes them so entertaining. So, as someone who nails almost every lip sync you do, what do you think is the key to giving a top-tier lip sync performance, on or off the show?

For me, when I was lip syncing, it was all about selling the song to the judges. Whatever song I was lip syncing to, there were a couple of things I had to make sure I was doing; I wanted to make sure I was on beat, I wanted to make eye contact with the judges, and I wanted to take over the whole stage. That, to me, is what it’s all about, is dominating the stage and pretending like no one is there but you and the judges. 

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Which brings us to this particular lip sync, where you were definitely aware of the other queen on the stage, to the point where you threw your detached train onto Morphine mid-song. Between that, and her throwing her chicken cutlets at you, this felt like peak Drag Race shenanigans. How aware were you in the moment about the iconic moments you were both serving?

Oh, let me tell you, none of that was planned for this lip sync. I knew that the train was detachable, so I knew at some point it was coming off. But when I saw her down on the floor, I said, “Oh, okay, here’s my chance to throw her off her game.” So I spun around and threw that train! It kinda became a little catfight. [Laughs.]

We absolutely also need to talk about that Cher-meets-Kermit the Frog impression you attempted while on stage. After you filmed that moment, did you anticipate fans running with this moment as much as they have since?

I mean, I made literal merch out of it, and everywhere I go, I am asked to do that Cher impersonation. Everywhere I’m going people are asking me to do Cher on the mic, and people just fall out when I do it. So, I’m happy to see it! 

Throughout the season, I noticed you got more than a few critiques, either from the judges or the other girls or even the fans online, about you being a “quiet” queen. Did that ever feel difficult to hear, either on set or online?

Yeah, it was definitely difficult to hear the judges say it as much as they did. But, I will say, there were times when I would try to come out of my shell, and prove to the judges that I’m not as quiet or timid as some people might think I am.

I mean, Snatch Game seems like a pretty excellent example of that!

Yes, I was so proud of myself after Snatch Game. Honestly, before we started filming, I was fully s—ting bricks. I was so, so nervous, and had no idea what I was going to do. But once they said action, something just came over me, and it really felt like I became this other person. It was so much fun. 

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Before we let you go, I’d love to know — what music have you been listening to lately?

Oh, the album I’ve listened to every day for the last few weeks is Doja Cat’s Scarlet. I love it so much. The song, though, is probably “Ouchies” — I am obsessed with that whole song.