Touring
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Drake is heading back to Australia and New Zealand in early 2025.
On Thursday (Nov. 28), the Canadian superstar revealed the dates for his upcoming The Anita Max Win Tour, which marks first visit to the region since 2017.
The Live Nation-produced tour launches with two nights at Melbourne’s Rod Laver Arena on Feb. 9-10 and wraps with back-to-back shows at Auckland’s Spark Arena on Feb. 28 and March 1. The seven-date tour will also make stops in Sydney and Brisbane. See the full tour itinerary below.
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Tickets will be available for purchase through various presales beginning Tuesday (Dec. 3). The general onsale begins Dec. 6 at 12 p.m. local time.
The Anita Max Win Tour is named after a viral moment from Drake’s December 2023 livestream on Kick, where he introduced a new “alter ego” named Anita Max Win. The name is a playful pun on the gambling phrase “I need a max win,” referring to hitting the maximum payout on a slot machine.
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Drizzy first hinted at the tour on Nov. 24 during a livestream with gaming streamer xQc, saying, “February 9th for anybody that’s watching from Australia, I’m coming back to Australia for the first time in eight years. Coming back to Australia on tour. Melbourne, Sydney, Gold Coast… February 9 ’til like… March something.”
This marks a major return for Drake’s Australian and New Zealand fans, who last saw him live during the Boy Meets World Tour in 2017. “Funny enough, it’s actually called the Anita Max Wynn Tour,” the Toronto MC said during the xQc livestream.
In August, Drake also announced his forthcoming collaborative album with PARTYNEXTDOOR. PND recently went live on Instagram, sharing exciting news about the joint project. “Guys, I have one more show left on this tour,” PARTYNEXTDOOR told his followers. “Then the album is getting finished. That’s all I gotta say.”
Drake’s tour announcement is especially noteworthy as it coincides with Kendrick Lamar’s highly anticipated Super Bowl Halftime Show performance on Feb. 9 — the same date as the start of Drake’s tour. The two rappers have been at the center of a well-publicized rivalry in 2024, trading shots through diss tracks like Lamar’s “Not Like Us” and Drake’s “Push Ups.” Lamar also recently dropped his surprise album GNX, adding more fuel to the fire.
See Drake’s Anita Max Win Tour dates below.
Feb. 9: Melbourne, Australia (Rod Laver Arena)Feb. 10: Melbourne, Australia (Rod Laver Arena)Feb. 16: Sydney, Australia (Qudos Bank Arena)Feb. 17: Sydney, Australia (Qudos Bank Arena)Feb. 24: Brisbane, Australia (Brisbane Entertainment Centre)Feb. 28: Auckland, New Zealand (Spark Arena)March 1: Auckland, New Zealand (Spark Arena)
11/28/2024
The singer launched her ‘Brat’ tour at the northern city’s 23,500-capacity Co-op Live venue.
11/28/2024
It looks like Brat Summer will roll well into 2025: Charli XCX has been announced as a headliner at another U.K. festival, this time heading up the bill at Manchester’s Parklife Festival (June 14-15), the largest city festival in Europe.
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The British star leads the announcement for the Heaton Park festival, which includes other electronic names such as Confidence Man, Interplanetary Criminal, salute, DJ Heartstring and more. Elsewhere Girls Don’t Sync, Prospa, Chaos In The CBD, KI/KI, Antony Szmierek, Sim0ne, Bakey, Jodie Harsh and Gina Breeze will join the bill. The festival’s full lineup will be announced in January.
Tickets for the event go on general sale at Parklife’s website on Nov. 29 at 10 a.m. (GMT) and can be purchased here. 2024’s edition of the festival was headlined by Doja Cat and Disclosure.
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It’s the latest booking for Charli following an announcement that she will be bringing her Party Girl series to London’s new LIDO Festival in Victoria Park, which takes place over the same weekend on June 14.
The announcement comes ahead of a run of arena dates in the U.K. this week, kicking off in Manchester this evening (Nov. 27) before heading to London, Glasgow and Birmingham. She’s also announced a new run of North America arena dates for next spring, where she’ll perform in Brooklyn, Chicago, Minneapolis and Austin, as well as a big slot at Coachella Festival.
Charli’s Brat album was recently nominated for seven Grammys at the upcoming ceremony in February, including a nod for album of the year. She recently appeared on Saturday Night Live as host and the performing musician, as well as completing a co-headline tour throughout North American with close collaborator Troye Sivan.
Charli XCX revealed as the first headliner at PL25 next June, confirming Brat summer 2.0 is officially back for 2025 💚The iconic partygirl will be joined by Confidence Man, Girls Don’t Sync, Interplanetary Criminal, KI/KI and 100+ artists revealed in January 👀 pic.twitter.com/a2ESeu153m— Parklife 🪩 (@Parklifefest) November 26, 2024
Travis Scott closed out the Circus Maximus Tour on Halloween after more than a year of cross-continental shows. According to figures reported to Billboard Boxscore, the trek grossed $209.3 million and sold 1.7 million tickets over 76 dates.
Those numbers are massive without qualification, but they are monumental in hip-hop. No solo rapper has ever sold that many tickets on one tour. Previously, Jay-Z cracked two million while co-headlining the On the Run II Tour with Beyoncé in 2018. The only other unaccompanied rapper to report more than a million tickets on a single tour is 50 Cent on last year’s The Final Lap Tour (1.1 million), celebrating the 20-year anniversary of Get Rich or Die Tryin.’
Though the Circus Maximus Tour began in arenas, Scott interspersed stadium dates as 2023 rolled into 2024. First, amid 43 arena shows in the U.S. and Canada, he sold out SoFi Stadium in Inglewood, Calif. (12 miles from downtown Los Angeles). And while his European leg began indoors, he broke stadiums in London, Koln, and Milan, selling more than 71,000 tickets in the lattermost city.
Stadiums followed in Sao Paulo, Mexico City, New York and across Oceania. The last nine shows of the tour in September and October moved 415,000 tickets, or 24% of the tour’s total attendance, despite accounting for just 12% of the trek’s shows.
Melbourne, Australia, was the biggest stop of Scott’s tour. Two shows on Oct. 22-23 grossed $12.6 million and sold 115,000 tickets.
The scale of the Circus Maximus Tour – stadiums on four continents – is unprecedented in hip-hop. 50 Cent and Nicki Minaj, each of whom cracked $100 million on tours of their own over the last two years, played in North America and Europe. Drake, who has crossed the nine-figure mark multiple times, only played in the U.S. and Canada on It’s All a Blur. The language barrier for a particularly wordy genre could mean that extensive touring in Europe and Latin America is difficult, but Scott’s global hits and onstage spectacle helped translate his show to international audiences.
Even stateside, Scott’s 2023-24 stadium shows are groundbreaking for rappers. Eminem and Jay-Z have played similar venues, but the former toured alongside Rihanna and the latter has done it next to Beyonce and Justin Timberlake. Eminem and Jay-Z did play stadiums together in 2010 during a commercial boom for both, but just two in Detroit and two in New York on The Home & Home Tour.
As a soloist, Eminem played two shows at Detroit’s Ford Field in 2003, plus a show in Hawaii in 2019. He’s also a proven stadium sellout in Australia and New Zealand. 50 Cent has one reported solo stadium show in Sao Paulo.
Scott’s world tour improved upon his previous outing in every conceivable way. Scott sold 53% more tickets per show on The Circus Maximus Tour than on Astroworld: Wish You Were Here in 2018-19 (22,494 vs. 14,692), he played more than 20 more shows (76 vs. 55) and commanded 65% more per ticket ($122.46 vs. $74.43).
In total, the Circus Maximus Tour sold more than twice the tickets of its predecessor (1.7 million vs. 808,000) and grossed more than three times as much ($209.3 million vs. $60.1 million).
The Circus Maximus Tour was in support of Utopia, Scott’s fourth studio album. The set debuted atop the Billboard 200 and stayed there for four weeks, and sent three songs – “Meltdown,” featuring Drake; “FEIN!,” featuring Playboi Carti; and “K-Pop” featuring Bad Bunny and The Weeknd – to the top 10 of the Billboard Hot 100.
Dating back to a sold-out show at Los Angeles’ The Fonda Theatre ($42,000; 1,200 tickets), Scott has grossed $275.3 million and sold 2.6 million tickets.
On Nov. 20, P!nk played the last of 128 shows over the last year and a half. The run was sprawling, from the Summer Carnival Tour, which took place in stadiums, to the Trustfall Tour and P!nk Live, both of which brought her to arenas. Altogether, she earned $693.8 million and sold more than 4.8 million tickets, according to figures reported to Billboard Boxscore. One of her many box office achievements is recent: The nine shows she played in October make her the biggest touring act of the month.
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Across nine shows between Oct. 1-18, P!nk grossed $44.2 million and sold 254,000 tickets, putting her at No. 1 on Billboard’s monthly Top Tours chart. That haul includes four stadium dates, including an Oct. 3 show at MetLife Stadium ($9.1 million; 60,400 tickets), and three arena stops, including double-headers at Detroit’s Little Caesars Arena and St. Paul’s Xcel Energy Center.
Another nine shows in November make P!nk eligible for one last monthly chart in 2024, when the November report is published next month.
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When separated by tour, P!nk’s 2023-24 run breaks down to $584.7 million for the Summer Carnival Tour, $60.8 million for last year’s Trustfall Tour and $48.3 million for this fall’s Live 2024 run. Since launching last June, Luis Miguel is the only musician who has played more shows.
The Summer Carnival is the second-highest grossing tour in history among women, accounting for Billboard’s billion-dollar-plus estimate for Taylor Swift’s as-yet-unreported The Eras Tour. P!nk narrowly passes Beyoncé’s Renaissance World Tour, which grossed $579.8 million last year during a comparatively brief 56-show sweep. Madonna’s Sticky & Sweet Tour (2008-09) and P!nk’s own Beautiful Trauma World Tour (2018-19) follow next, hovering on opposite sides of the $400 million threshold.
Among all artists, and including estimates for Swift, The Summer Carnival Tour ranks eighth in revenue, and just outside the top 10 based on attendance.
The Summer Carnival Tour spanned five legs – each of which grossed at least $100 million – across three continents. The biggest was a 22-show run in North America, bringing in $150.7 million from July to October of 2023. Ultimately, the U.S. and Canada delivered $266 million, Europe accounted for about $214 million and 20 shows in Oceania added $104.3 million.
Travis Scott follows on October’s Top Tours chart, scoring the highest monthly rank for a rap artist since returning from the pandemic shutdown. He grossed $41.2 million and sold 352,000 tickets on the final dates of the Circus Maximus Tour.
Scott kicked off the month with an Oct. 9 show at MetLife Stadium in East Rutherford, N.J. (13 miles from New York City), bringing in $8.7 million from 61,700 tickets sold. That’s $400,000 less, but 1,300 more tickets than stats for P!nk’s October show at the same venue.
He then brought his world tour to three cities in Australia, plus a closing-night performance in Auckland, New Zealand. The Oceania leg grossed $32.5 million and sold 291,000 tickets, which is slightly more than half of the European leg (June-August), but more than double the Latin American run from September.
Usher is next at No. 3, with $36.6 million for Usher: Past Present Future. Since kicking off on Aug. 20, the tour has earned $90.6 million. With North American shows scheduled through mid-December and a European leg in the spring, it’s likely to close in on $150 million.
Future tourmates Post Malone and Jelly Roll round out the top 5 at Nos. 4 and 5, respectively. Last week, Post announced The Big Ass Stadium Tour with Jelly Roll as direct support, which will bring both acts to – you guessed it, stadiums – for the first time in their careers. Combined, they’ve brought in over $130 million this year, but they’ll head closer to $200 million in 2025.
And just outside the top five, Sabrina Carpenter makes her Top Tours debut at No. 6. The first handful of dates from the Short n’ Sweet Tour left her just outside the top 30 in September, but a full slate of shows lifts her into the top 10 for October, with a full gross of $27.8 million from 221,000 tickets sold. The first leg wrapped up on Nov. 18 at the Kia Forum in Inglewood, Calif., and 14 shows are set for March throughout Europe.
Melbourne, Australia’s Marvel Stadium the month’s top-grossing concert venue, thanks to a trio of double-headers. On Oct. 5-6, The Weeknd sold 92,100 tickets and earned $12.5 million. A couple weeks later, Travis Scott played on Oct. 21-22, upping the ante to 115,000 tickets and $12.6 million. And on Oct. 30-31, Coldplay played the first two shows of a four-night run, bringing in $14.4 million from 115,000 tickets. All three are among the top five on Top Boxscores.
Madison Square Garden returns to the summit among indoor venues, grossing $23.4 million from 13 shows in October. That includes a Halloween show by Duran Duran, a farewell performance from Cyndi Lauper (Oct. 30), and a get-out-the-vote concert from Stevie Wonder (Sept. 10).
MSG’s banner month pushes its Las Vegas sister-venue Sphere back to No. 2, supported by just four shows of Eagles’ residency. Those dates grossed $18.9 million, adding to the $23.2 million in September.
A quartet of American venues top the smaller-capacity rankings. Austin’s Moody Center is tops among rooms with a cap of 10,001-15k, Red Rocks Amphitheater in Morrison, Colo., Is No. 1 on the 5,001-10k chart, Atlanta’s Fox Theatre rules the 2,501-5k tally, and Grand Rapids, Mich., wins gold on the 2,500-or-less survey via DeVos Performance Hall.
In a blaze of green neon, Fontaines D.C.’s fourth LP, Romance, tumbled down to Earth in August, ushering in a majestic new era for an act ready to level up in all aspects of its career.
In the months that have followed, the groundswell of adoration behind the Dublin band has felt formidable: A cursory scroll through TikTok will show videos of young fans mimicking the five-piece’s space-grunge aesthetic, clad in baggy, brightly colored sportswear while belting out the band’s songs from the heart of the mosh pit. Fontaines D.C.’s story has been one of resolve, of growing in confidence and spirit and always trying to stand taller than before.
This sea change in the band’s global popularity has signaled a crossroads for the group in more ways than one. Upon release, Romance charted at No. 97 in the U.S. – the band’s highest entry to date on the Billboard 200 – while earlier this month, the group was nominated for two Grammys (best rock album; best alternative music performance for lead single “Starburster.”) Fontaines D.C. has invested the resources afforded by a new deal with seminal label XL Recordings (FKA Twigs, King Krule) into exploring the depths of its creativity, expanding on the gnarly, tender guitar anthems of the band’s first three records by leaning into elements of pop and nu-metal.
Fontaines at Alexandra Palace on Nov. 22, 2024.
Pooneh Ghana
When the band first emerged onto the festival touring circuit with 2019 debut Dogrel, Fontaines D.C. often looked uneasy on stage, permitting only the briefest of smiles. Frontman Grian Chatten would grasp the air, stare into the middle distance and swing his feet in small, lolling circles — vibrating with discomfort and nervous energy, barely muttering a word to his audience. The feeling remained, though, that these early shows were only speed bumps on the road to somewhere else.
Five years on, as Fontaines D.C. headlined the first of two nights at London’s Alexandra Palace on Nov. 22, the chat may have remained at a minimum, but elevated stage production added to a rich, ubiquitous feeling of a band in its imperial phase. The addition of touring member Chilli Jesson on keyboard and backing guitar, too, only deepened the songs’ darkness.
These were the very best moments from the night.
There’d Better Be a Mirrorball
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Sam Fender has announced he’ll embark on a run of huge stadium shows in the U.K. next summer.
After selling out his U.K. and Ireland arena tour slated for December, the 30-year-old will next year perform at London Stadium (June 6) and Newcastle’s St. James Park (June 12 and 14). The former will mark Fender’s first stadium show outside of his home city, and the biggest headline show of his career thus far with a venue capacity of 75,000.
The new dates will also mark the third and fourth time the North Shields musician has performed at St James’ Park, meanwhile, having sold-out two nights there back in 2022. Fender first teased the dates yesterday (Nov. 20), sharing a clip to his Instagram account of a saxophone player performing in the media area of St James Park.
Support for all three shows will come from Mercury Prize-nominated singer CMAT, while Philadelphia rockers The War On Drugs – who produced Fender’s new single “People Watching” – will appear at the London date and night two of the Newcastle leg.
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Details of a special fan presale will be shared with those signed up to Fender’s newsletter, while remaining tickets will go live at 9.30 a.m (GMT) on Nov. 29. Further ticket sale information can be found via Fender’s official website.
Last week (Nov. 15), Fender confirmed news of his third LP People Watching (due Feb. 21 via Polydor Records) alongside sharing its eponymous lead single. The track is on course to debut inside of the Top 10 of the U.K.’s Official Singles Chart later today (Nov. 22).
Following his upcoming arena trek, Fender will then head to New York’s Webster Hall for a show on Feb. 11, before continuing the second leg of the tour in Europe through March 2025. The following month, he’ll return to North America for a further seven dates. He is also confirmed to appear at Germany’s Rock Werchter in early July, fuelling rumors that he may return to Glastonbury Festival in Somerset, south-west England, the week prior (June 25-29).
Fender released his second record, Seventeen Going Under, in 2021, which saw him top the U.K. Official Album Charts and put out a live album of his massive gig at London’s Finsbury Park. Earlier this year, he collaborated with Noah Kahan on joint single “Homesick.”
Sam Fender U.K 2025 tour dates:
June 6 – London, England @ London StadiumJune 12 – Newcastle, England @ St. James’ ParkJune 14 – Newcastle, England @ St. James’ Park