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Taylor Swift & Matt Healy have reportedly split and the pop star reveals the track list for her upcoming ‘Speak Now (Taylor’s Version)’ album, Nicki Minaj gives a release date for her first album in five years, BTS’ “Take Two” goes to No. 1 on the Hot Trending Songs chart, what you should know about […]
A diamond’s gotta shine! Taylor Swift took to social media following her three-night stint at Chicago’s Soldier Field to share a series of stunning photos from the Eras tour stop. Explore Explore See latest videos, charts and news See latest videos, charts and news “Chicago that was sooooo epic. Playing 3 nights at Soldier Field […]
After topping the chart for five weeks in late 2022 — including a decade-best debut in November, with over 1.5 million equivalent album units moved — Taylor Swift‘s Midnights returns to No. 1 on the Billboard 200 albums chart this week (chart dated June 10), interrupting Morgan Wallen‘s 12 straight weeks atop the ranking with One Thing at a Time.
While the album didn’t have far to climb — it was No. 3 on the June 3 chart, and has spent all of 2023 in the top 10 — Midnights‘ return to No. 1 comes off a 389% spike in equivalent album units in the United States this week, up to 282,000. That’s thanks to a variety of new physical and digital re-issues of the album, released May 26. Those included the new “love potion” purple marble variant of Midnights that was available in independent stores (and was also briefly for preorder sale on her web store earlier in the week), as well as two new deluxe editions.
There’s also the Til Dawn edition of Midnights that includes three bonus tracks: another version of the original album’s Lana Del Rey-featuring “Snow on the Beach” (this time with more Del Rey), a remix of “Karma” featuring buzzy rapper Ice Spice and “Hits Different,” previously available only on the Target-exclusive physical edition of Midnights.
And there’s also Midnights (The Late Night Edition) — which was very briefly for sale as a digital download on Swift’s web store, and then in CD form at her three live shows at New Jersey’s MetLife Stadium on May 26-28 — which includes those new takes on “Snow” and “Karma,” and an original bonus cut, “You’re Losing Me,” which is not yet available for streaming.
This is all in addition to the previously existing 3am Edition of Midnights, originally released just hours after the set’s standard edition.
All those variants combined to give Midnights its biggest week of the year, as well as — in terms of pure sales — the biggest single-week number for any album since Midnights debuted in November. Of the week’s 282,000 equivalent album units, nearly 70% came from album sales (196,000) — with a decent chunk also coming in streaming equivalent albums (SEA) and a much smaller sliver also in track equivalent albums (TEA).
Of those 196,000 total unit sales, 62% were digital with 122,000 units, while the venue sales during those three MetLife dates also contributed about 22% for 43,000 units and internet/mail order purchases made up almost 11% for 21,000 units.
Breaking it down by format, digital still ruled the day for Midnights the past week, with 122,000 units sold — followed by CD (45,600) and vinyl (27,300), with cassette sales (100) making up only a small fraction of the pie.
Of the four editions of Midnights available for sale, the most purchased version was the Late Night Edition that was for sale at the MetLife shows and featured the previously unreleased “You’re Losing Me.” That version accounted for almost 75% of all sales with 146,300 units. The album’s standard edition sold 30,600 units, making up almost 16%; and the Til Dawn Edition sold 18,500 units for over 9% of all sales.
When you look at total sales of all four editions of the album since its Oct. 21 release, however, the standard edition is still dominant. That version has sold over 2 million units, while the 3am Edition and Late Night Edition follow with 162,800 and 146,300 units, respectively.
Breaking down Midnights’ total overall sales since release, vinyl leads with 1,167,300 units, followed by CDs with 786,900 units and digital sales with 391,300 units.
* Midnights (standard edition) = (13-tracks, physical + digital) – inclusive of: the newly released the “Love Potion” color vinyl variant; plus the previously released iTunes-exclusive version with a bonus spoken word track, four standard CD editions (each with a different cover); four vinyl LP editions (each with a different cover and colored vinyl) and a cassette tape; a Target-exclusive “Lavender” edition of the album on CD and colored-vinyl LP, with the CD including three bonus tracks; signed copies of the four standard CD albums and the four standard vinyl LPs; and a deluxe boxed set with a CD edition of the standard album and a Swift-branded T-shirt, exclusively for Capital One cardholders; four digital alternative cover variants, each with a “behind the song” spoken word bonus track from Swift.
Midnights (The 3am Edition) = (20 tracks: 13 standard tracks + 7 bonus tracks; digital sales only, not available as a physical album)
Midnights (The Til Dawn Edition) = (23 tracks: 13 standard tracks + 7 ‘3am Edition’ tracks + 3 new bonus tracks; Digital Sales Only, not available as a physical album)
Midnights (The Late Night Edition) = (21 tracks: 13 standard tracks + 5 ‘3am Edition’ tracks + 3 bonus tracks; Physical + Digital)
Additional reporting by Keith Caulfield.
The whirlwind — and still unconfirmed — romance between Taylor Swift and Matty Healy has come to an end, according to multiple reports. 06/05/2023 According to TMZ, who first reported the news, Swift is single again, though there wasn’t any information as to why the two have broken up. Billboard has reached out to Swift […]
For the third and final night of Taylor Swift’s Chicago outing — which took over Soldier Field and the surrounding South Loop area — the superstar pulled out all the stops.
On her first night in the Windy City, Swift celebrated the start of Pride month by sharing a special, and urgent, message to the sold-out stadium. “I’m looking out tonight, I’m seeing so many incredible individuals who are living authentically and beautifully and this is a safe space for you,” Swift said “This is a celebratory space for you.”
“One of the things that makes me feel so prideful is getting to be with you, and watching you interact with each other, and being so loving, and so thoughtful, and so caring,” she continued, later adding, “I wish that every place was safe and beautiful for people in the LGBTQ community.”
For her second night, she welcomed country star Maren Morris to the stage for one of her surprise songs, the live debut of “You All Over Me,” a From The Vault track included on Fearless (Taylor’s Version). Following the long-awaited moment, Morris posted a black and white photo of the pair on Instagram, writing: “We finally got to play ‘You All Over Me’ and I won’t ever be shutting up about it. Love you Taylor Swift and love you always, Chicago.”
As for the third night (Sunday June 5), two opening acts the city had yet to see took to the stage: Gracie Abrams and MUNA (lead vocalist Katie Gavin, who is from the Chicago suburbs, noted the specialness of a hometown show). And while Swift’s set featured minor hiccups — from a mic malfunction to a surprise mid-set snack (the accidental swallowing of a bug) — Swift handled such moments with humor and grace, only making them that much more memorable. And proving that even a superstar like Swift, who can perform to tens of thousands of fans night after night, is also, somehow, still relatable.
Below are the seven best moments from her Chicago finale, of which Swift said: “When we have three in a row, there’s always a special reserve of energy we are saving for the third night… this is it.”
The Humorous Mishaps
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Azealia Banks is one of the most talented recording artists of her time but has found more infamy in her social media responses and commentaries on pop culture. The Harlem star took a shot at The 1975 band member Matty Healy over his insensitive comments toward Ice Spice.
Azealia Banks went to her familiar space of Instagram Stories to unload off a series of shots toward Healy, who back in February of this year had some pretty unsavory things to say about Ice Spice. Adding to this, the Bronx rapper was recently added to a remix of Taylor Swift’s “Karma” from her Midnights album. Further, there are rumors that Healy and Swift are dating, which added fuel to Banks’ attack.
“Does Matt Healy know that no one thinks The 1975 makes good music and that he’s a lame poser with a trash cliche band name that actually means nothing,” Banks said, adding, “He’s clearly so pressed that a black girl who knows nothing about him or his music is making more moves and more money than him.”
Banks continued, “Does he know that black women are more coveted in the industry because there’s BIG BUSINESS in female rap. He is so obviously weak in the knees, thin-jawed, and drug addicted that it’s easy to catch his crusty ass lackin.”
Healy was a guest on The Adam Friedland Show earlier this year where the hosts referred to Ice Spice as “Inuit Spice Girl” and a “chubby Chinese lady,” prompting laughter from Healy. Healy did apologize for his comments on the now-deleted episode but hit back at critics in a new profile piece in New Yorker.
In the piece, Healy says of the controversy, “But it doesn’t actually matter. Nobody is sitting there at night slumped at their computer, and their boyfriend comes over and goes, ‘What’s wrong, darling?’ and they go, ‘It’s just this thing with Matty Healy.’ That doesn’t happen.”
On Twitter, reactions to Azealia Banks banging the gat on Matty Healy cropped up and we’ve got a few of them listed below.
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Photo: Tim Mosenfelder / Getty
Taylor Swift’s “Cruel Summer,” from her 2019 LP Lover, is back on the Billboard Hot 100, returning to the chart dated June 3 at No. 49.
Fittingly timed to the lead-up to Memorial Day weekend, the unofficial kickoff to summer, the song re-enters with 8.9 million official streams (up 2%), 898,000 radio airplay audience impressions (up 128%), and 1,000 downloads sold (up 18%) in the United States in the May 19-25 tracking week, according to Luminate.
“Cruel Summer” spent two weeks on the chart during its initial chart run. It debuted at its No. 29 high on the Sept. 7, 2019, Hot 100 – the week that Lover debuted at No. 1 on the Billboard 200, becoming Swift’s sixth leader – and fell to No. 71 the following week.
All 18 songs from Lover landed on the Hot 100 when the album debuted atop the Billboard 200, with “Cruel Summer” one of six to chart in the Hot 100’s top 40 that week.
“Cruel Summer” has been gaining momentum in recent weeks, as Swift has been performing the song on her Eras Tour. The concert encompasses 10 acts, covering nine of her LPs. The Lover era kicks off the show, with her performing, in order, “Miss Americana & the Heartbreak Prince,” “Cruel Summer,” “The Man,” “You Need To Calm Down,” “Lover” and “The Archer.”
Swift charts two additional songs on the latest Hot 100, both from last year’s Midnights: former eight-week No. 1 “Anti-Hero” – her longest-leading hit – at No. 12 and latest single “Karma,” up 32-27. The latter, which debuted at its No. 9 high in November, is slated to soar on next week’s, June 10-dated chart, thanks to a new remix featuring Ice Spice, released May 26. The pair performed the team-up together live May 26-28 at the tour’s latest stops at MetLife Stadium in East Rutherford, N.J.
Since its release (through May 25), “Cruel Summer” has drawn 364.1 million official on-demand streams and 13.7 million in airplay audience (while not being formally promoted to radio) and sold 34,000 downloads in the U.S.
Twenty-four hours after Taylor Swift debuted her Ice Spice-powered “Karma” remix, she’s unleashed the music video for the Midnights (Til Dawn Edition) collaboration at, of course, midnight. The first lucky Swifties to see the video were the tens of thousands of fans at Friday’s (May 26) first of three Eras Tour stops at MetLife Stadium […]
Taylor Swift is a queen of the modern pop world. But when she joins forces with other artists, especially ones at the top of their game, the songs are automatically a cultural event. Big or small, artists who work with Swift always seem to pair with her voice perfectly — which is probably why she’s […]
