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2024 has been a very busy year for Kendrick Lamar as he gave the Hip-Hop culture some new classic diss records and racked up all kinds of accolades as a result.
Looking to close out the year on a high and positive note, Kung Fu Kenny will be taking part in Top Dawg Entertainment’s 11th annual TDE Christmas Concert & Toy Drive along with some of his TDE family members such as SZA, Ab-Soul, Jay Rock and up and coming sensation, Doechii amongst others. Going down on Thursday (Nov. 12) at 1:00pm, the concert is sure to have a horde of fans lining up as the entry fee will be an unwrapped present for the toy drive.
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People will certainly buy a present just to get to see some of their favorite artists do their thing on stage.
While we don’t know how many songs each artist will get to perform or which ones they’ll be, we’d be gobsmacked if Kendrick didn’t perform “Not Like Us” as it’s been the biggest hit of his career thus far.
Aside from the concert and the toy drive, the second day of the event (Dec. 13) will also feature some family friendly activities along with a raffle for gift giveaways, a job fair that’ll offer employment opportunities on site and free haircuts amongst other cool things.
TDE out here doing much good for the community. Props.
Will you be heading to the TDE Christmas Concert & Toy Drive this week? Let us know in the comments section below.
SZA is giving fans something to look forward to with a teaser for her new SOS deluxe release.
Arriving on Monday, Dec. 9, two years to the day since the original release of SOS, SZA shared a video to social media accompanied by an as-yet-unnamed song which samples the Isley Brothers’ “Voyage to Atlantis”.
The clip itself shows SZA in the woods as she squats by a stream to pee. It closes with overlaid text which sees “Lana” appearing above the words “SOS Deluxe”. The video is captioned with the words, “Clock starts now. Happy anniversary.”
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The mysterious nature of the clip has already sent fans of SZA into overdrive as they attempt to decipher a number of unanswered questions. Firstly, despite telling her followers that the “clock starts now”, it’s unclear when the countdown ends and the project ostensibly arrives.
Some fans have pointed out on Reddit that SZA’s shirt features the number five, while a dark section of dirt also appears to highlight the same number. Speculation has therefore seen a potential release date of Dec. 13 entering the conversation, though no official announcement has been made.
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Secondly, confusion is also reigning in regards to whether SZA’s long-awaited Lana project is now arriving as the previously-announced deluxe edition of her SOS album. Previously, Lana had been confirmed as such before being detailed as an entirely separate project, including in a recent interview with British Vogue.
In the same interview, SZA explained that the music she had recorded for Lana was something of a “welcome shift”.
“I think I am making music from a more beautiful place. From a more possible place versus a more angsty place,” she explained. “I’m not identifying with my brokenness. It’s not my identity. It’s shit that happened to me. Yeah, I experienced cruelty. I have to put it down at some point. Piece by piece, my music is shifting because of that, the lighter I get.”
In late November, SZA appeared on Kai Cenat’s livestream where she claimed a “whole new project” was up her sleeve, admitting it “will be out before the year is over”.
More recently, SZA and Kendrick Lamar announced the co-headlining Grand National tour, which will see the pair performing 21 dates over two months.
The Grand National Tour is slated to kick off in Minnesota on April 19, and then rumbles through Houston, Atlanta, Charlotte, Philly, the New York area, Seattle, Los Angeles, San Francisco, Las Vegas, Detroit, Chicago and Toronto before wrapping up in Washington, D.C., on June 18.
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Kendrick Lamar could easily take the next year off, considering the epic year he’s had thus far but that won’t be the case heading into the following year. Kendrick Lamar and frequent collaborator SZA will embark upon the North American 19-city Grand National Tour, kicking off in the spring.
The Grand National Tour was announced on Tuesday (December 3), just over a week since the release of Kendrick Lamar’s first full-length project GNX on his pgLang recording label and entertainment brand. SZA joined Lamar on GNX standout track “luther,” and has recorded hits with the Compton, Calif. native which include crowdpleasers such as “All The Stars,” among others.
It should be assumed that with all the recent fanfare, this will be one of the hottest tickets in town. However, Cash App Visa Card holders will have access to a pre-sale event on Wednesday (December 4) at 10 am local time. Cash App Visa Card holders will also receive 20% off all Grand National Tour merch when purchased with their card during the city stops.
More about the Cash App Visa pre-sale can be found by clicking here. On Friday (December 6) at 10 am local time, the general sale kicks off on www.grandnationaltour.com.
The tour dates and stops for the Grand National Tour are listed below.
Apr 19 – Minneapolis, MN – U.S. Bank Stadium
Apr 23 – Houston, TX – NRG Stadium
Apr 26 – Arlington, TX – AT&T Stadium
Apr 29 – Atlanta, GA – Mercedes Benz Stadium
May 03 – Charlotte, NC – Bank of America Stadium
May 05 – Philadelphia, PA – Lincoln Financial Field
May 08 – East Rutherford, NJ – MetLife Stadium
May 09 – East Rutherford, NJ – MetLife Stadium
May 12 – Foxborough, MA – Gillette Stadium
May 17 – Seattle, WA – Lumen Field
May 21 – Los Angeles, CA – SoFi Stadium
May 23 – Los Angeles, CA – SoFi Stadium
May 27 – Glendale, AZ – State Farm Stadium
May 29 – San Francisco, CA – Oracle Park
May 31 – Las Vegas, NV – Allegiant Stadium
Jun 04 – St. Louis, MO – The Dome at America’s Center
Jun 06 – Chicago, IL – Soldier Field
Jun 10 – Detroit, MI – Ford Field
Jun 12 – Toronto, ON – Rogers Centre
Jun 16 – Hershey, PA – Hersheypark Stadium
Jun 18 – Washington, DC – Northwest Stadium
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Photo: Getty
SZA season is upon us, according to the artist herself. The four-time Grammy Award-winner has confirmed that fans will be hearing new music before the year is out, sharing the news as part of a recent appearance on Kai Cenat’s livestream alongside fellow guest Lizzo. Letting slip that a “whole new project” was up her […]
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Kendrick Lamar shifted the entirety of the culture via his war of words with Drake, with the diss track “Not Like Us” becoming a top-charting smash in the process. In a new interview with SZA for Harper’s Bazaar, Kendrick Lamar opens up about the larger meaning behind “Not Like Us” and what he hopes listeners truly get from him and his message.
Employing the “artist interviews artist” strategy that has seemingly enraged a vocal group of journalists, SZA and Kendrick Lamar’s interview session read as a candid conversation between good friends and artistic collaborators.
After an introduction from writer Kaitlyn Greenidge, SZA and Lamar engage in a breezy serve and volley about creativity, reflections of self, and their journeys into the realms of faith. The conversation then turns into SZA asking the question everyone wanted to know but the answer some surprisingly open-ended in some respects.
From Harper’s Bazaar:
S: Can I ask you a hypermasculine question? You can also tell me to shut the f*ck up. What does “Not Like Us” mean to you?
KL: [Laughing] Not like us? Not like us is the energy of who I am, the type of man I represent. Now, if you identify with the man that I represent …
S: Break the man down for me.
KL: This man has morals, he has values, he believes in something, he stands on something. He’s not pandering.
He’s a man who can recognize his mistakes and not be afraid to share the mistakes and can dig deep down into fear-based ideologies or experiences to be able to express them without feeling like he’s less of a man.
If I’m thinking of “Not Like Us,” I’m thinking of me and whoever identifies with that.
The entire conversation is a vital one because Kendrick Lamar isn’t one to hit the interview circuit at this stage of his career and SZA gamely asks questions that a delivered with the care of a friend. There is also a shared vulnerability between the pair that jumps off the page.
Read the whole discussion here.
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Source: Tasos Katopodis / Getty / Keke Palmer / Issa Rae
Keke Palmer and SZA in a buddy comedy produced by Issa Rae? Sign us the hell up for that.
Deadline exclusively reports the four-time Grammy winner will make her acting debut alongside Palmer in a buddy comedy film that Rae will produce under her HOORAE banner.
ColorCreative’s Deniese Davis, Charles D. King, James Lopez, and Poppy Hanks from Macro Film Studios will also produce.
Rap Sh!t director Lawrence Lamont will sit in the director’s chair for the project, with his Rap Sh!t teammate Syreeta Singleton handling the script.
The news comes after Keke Palmer and SZA recently teamed up for an episode of Saturday Night Live with Palmer hosting while SZA was the night’s musical act.
Deadline notes the film’s plot remains a secret and that the film was a product of the CoCre lab at Sony Pictures.
The lab was created by a previous pact between ColorCreative and Columbia Pictures to find and raise emerging diverse screenwriters and help them develop and write their first studio feature using original ideas.
This Role Was An Opportunity SZA Couldn’t Pass Up
SZA was considering numerous projects before joining the buddy comedy because working alongside Palmer was an opportunity she couldn’t say no to.
As for Rae, she has been the talk of the internet lately after her Insecure co-star, Amanda Seales, mentioned their lack of a relationship on a recent episode of Shannon Shape’s podcast, Club Shay Shay.
It looks like Issa Rae is just focusing on rooting for everyone Black, putting people on, and ignoring the outside noise.
For Palmer, this latest project follows her stellar performance on Jordan Peele’s NOPE, as well as her other successful endeavors like her Emmy Award-winning self-created project Turnt Up With the Taylors, and her gameshow hosting gig, Password, which also earned her an Emmy.
We love to see it.
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Dreamville Festival, the annual music event put together by J. Cole and his Dreamville Records team, makes its return to Raleigh, N.C. next month, and the headliners have been announced. Nicki Minaj, SZA, Chris Brown, and the aforementioned Cole are headlining the two-day event.
Dreamville Festival is one of the leading music events and kicks off festival season lovely while showcasing Dreamville’s roster and also supporting North Carolina nonprofits and businesses. The festival will be hosted once more at Dorothea Dix Park, with opportunities for fans to take in local cuisine, and purchase exclusive merch on the grounds.
Hip-Hop Wired was at the festival last year, and it was one of the best live experiences we’ve had in years. This year promises to be just as epic with things kicking off on April 6 with Lil Yachty, ScHoolboy Q, Sexxy Red, Jeremih, Teezo Touchdown, Amaarae, Luh Tyler, and Domani rocking the stage.
On April 7, Rema, Jeezy, Monica, Rae Sremmurd, Key Glock, Muni Long, TiaCorine, and Chase Shakur are on the bill. Of course, no Dreamville Festival would be complete without the Dreamville musical collective which includes J.I.D, EARTHGANG, Bas, Cozz, Lute, and Omen.
“Some of the biggest names in music will travel to Raleigh in only a few short weeks, bringing about one of the most highly anticipated festivals of the year. Our team looks forward to welcoming all of our Day One fans from around the world back to Dreamville Festival,”
said Dreamville Cofounder and Festival President Adam Roy in a statement.
As we’ve shared on our pages before, the festival is far more than music as the Dreamville team will promote a weekend-long series of free events and educational programming, along with platforming local businesses of all kinds.
To learn more about the festival and to purchase tickets, click here. The full lineup is also below.
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Photo: Dreamville/Getty
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Now that Drake has brought back the baggy pants look from yesteryear, it seems like the man isn’t done with the retro vibes as he’s taken to using an OG camcorder for his directorial work on his latest visuals for the SZA and Sexyy Red assisted, “Rich Baby Daddy.”
For the video celebrating the pregnancy he has with his “wife” Sexyy Red, Drake captures the beautiful moments of their baby shower before Red goes into labor and they dash to the hospital where she gives birth to their little bundle of joy.
To help mark the joyous moment, Drake, Red and SZA are joined by a gang of thick young women who seem to have made their way to the hospital directly from the club as they twerk up and down the hallways of the medical center. Even Sexyy Red joins in on the twerking competition right after pushing a whole little person out her body. That’s… impressive?
Check out the visuals to “Rich Baby Daddy,” and let us know your thoughts on the joint in the comments section below.
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The 2023 Soul Train Awards were full of festive performances, featuring wins from SZA and Usher with honors given to Janelle Monae’ and T-Pain.
On Sunday (November 26), BET aired The 2023 Soul Train Awards from Hollywood, California with Emmy Award-winning actress and entrepreneur Keke Palmer as the host. The night was filled with top-notch performances from Coco Jones, BJ The Chicago Kid, Danté Bowe, Fridayy, Muni Long, and Jermaine Dupri along with SWV who appeared as special guests. The winners’ list was dominated by SZA, fueled by the success of her recent album, SOS. She would take home the Best R&B/Soul Female Artist, Album of the Year, Song of the Year, and The Ashford and Simpson Songwriter’s Award. It’s the second time that SZA has won the Best R&B/Soul Female Artist Award, and the sixth straight time a woman has won the Album of The Year.
R&B superstar Usher followed behind her with three wins in the Certified Soul Award, Best R&B/Soul Male Artist as well as the Best Collaboration Award, which saw him win for “Good Good” which he did in conjunction with Summer Walker and 21 Savage. Victoria Monét would also walk away with two trophies for her hit single “On My Mama”, winning the Best Dance Performance and Video of The Year Awards. Keke Palmer would also perform her single “Ungorgeous” in addition to her hosting duties.
The crowd also witnessed Coco Jones take home the award for Best New Artist, and then get on stage with SWV as part of the iconic trio’s appearance later on in the show.
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Janelle Monáe was honored with the Spirit of Soul Award, which was presented to her by the viral Hip-Hop duo Flyana Boss.
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T-Pain was also honored with the Legend Award. The R&B singer and producer took the stage and delivered a moving speech to the crowd, before taking the stage to perform some of his major hits including “I’m In Luv”, “Good Life” and “Got Money”.
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When producers Carter Lang and ThankGod4Cody worked on SZA’s culture-shifting 2017 debut album, Ctrl, the vibes were cozy and casual.
“We’d all bunker up and pretty much camp out in the stu’ and just be making stuff for weeks, if not months, at a time. Those adventures bonded us for life,” says Lang, 32. Adds Cody, 31: “I don’t even remember what the ultimate goal was except for making a fire album.”
But that “fire album” — one that’s still sizzling on the Billboard 200, 329 weeks after it debuted at No. 3 — created lots of unpredictable “pandemonium,” Lang says, from fans and the industry, and substantially raised the stakes for SZA, who waited five years before she released its follow-up, SOS.
“There was a little pressure to help her complete the tasks that she had at hand and for her to be happy with the final product and not have a sophomore slump,” Cody says. Yet re-creating Ctrl’s mellow, free-flowing and dependable environment was crucial to ensuring the artist felt comfortable enough to produce another masterpiece. Upon its release, SOS spent 10 nonconsecutive weeks at No. 1 on the Billboard 200, bolstering SZA’s superstar status. She earned her first Billboard Hot 100 No. 1 with “Kill Bill,” which she made with Lang and Rob Bisel, 31, both of whom also worked on other SOS top 10 hits “Good Days,” “Nobody Gets Me” and “I Hate U” (the lattermost of which Cody also co-wrote and co-produced).
“The three of us are the people she probably would trust the most to finish the music and bring it home,” says Cody, who with Lang and Bisel has credits on 19 of SOS’ 23 songs. “I feel like we all were involved in everything, except the artwork. It was like a group project in college.”
ThankGod4Cody
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Cody met SZA in 2014, when he was working closely with her Top Dawg Entertainment labelmate Isaiah Rashad, after she heard Cody making a beat in the room next door, came in and spontaneously recorded the song “Sobriety.” A year later, Lang — who had been working with R&B and hip-hop artists from his Chicago hometown like Chance the Rapper and Ravyn Lenae — ran into SZA at a studio and soon after joined her band while she toured her third EP, Z. He eventually met Cody at TDE’s Carson, Calif., headquarters while working on Ctrl.
Around Ctrl’s release, Bisel briefly met SZA while she was recording at Rick Rubin’s Malibu, Calif., studio, Shangri-La, where he had worked his way up from intern to house engineer. The two eventually reconnected at the beginning of 2020, when he flew out to Rubin’s house in Hawaii to help her record SOS. The album was not only made all over the place — from Lang’s Glendale, Calif.-based studio to SZA’s Malibu home to Westlake Recording Studios — but also with a variety of other producers, like Jay Versace, Michael Uzowuru and even Babyface.
“Back in the day, it would be Timbaland or Pharrell [Williams] and one person, or just them. Now it’s you and six other people, and you might figure out that there are two other people you had no idea about afterward,” Cody explains. “You have to be comfortable with collaboration. It’s a must at this point.”
Set the scene when you’re working with SZA. What’s her creative approach like?
Carter Lang: She takes her time to get in her zone, so it’s about being patient with each other. I can just sit there and jam on something or play beats and not feel like we’re giving any invisible pressure to each other to create. The music can really inspire [her], and she’ll just want to riff on something. It feels more like vibing out around a campfire.
How do you all work with each other and the other collaborators SZA brings into the fold?
Lang: We might be in different places, but the day after, we’ll be in communication about what has happened. We’ll send a track around, or she’ll incubate it. Having our own studios and then being able to converge without having to be in the same place is special, and that was created by our friendships and how fond we are of each other. We trust each other’s voices and what we’re going to put on the track.
Rob Bisel: It was a lot of jamming. [With] “Seek & Destroy,” that was all of us hanging out one afternoon like, “All right, we got to make something more upbeat.” It just felt like everyone was doing one thing at once, and, suddenly, a track fell into place.
Lang: That one was like butter. I stepped out of the room for a second and came back and saw all three of you guys [Cody, Bisel and Tyran “Scum” Donaldson] ripping on your parts. I was like, “OK, this is obviously a crazy moment.”
Carter Lang
Nate Guenther
Are you surprised by SOS’ tremendous success?
Bisel: I knew people would love it, but I didn’t know commercially how that would be reflected. I thought it would do well, but 10 weeks [at No. 1] is insane. I’m still processing that one. There was some stat about Aretha Franklin that we beat [becoming the longest-reigning No. 1 on Top R&B/Hip-Hop Albums by a solo woman, beating out Franklin’s 1968 set, Aretha Now] and that one was like, “Whoa.”
Why do you think “Kill Bill” resonated so much?
Lang: It had this personality to it already. You can just see a cartoon playing out in your brain. The fact that people loved it and lifted it up like that echoes the sentiment of being able to put your thoughts out there in the most authentic and even aggressive way, but over such a sweet-sounding, psychedelic-sounding beat.
Bisel: A pretty common piece of wisdom you’ll hear from producers and songwriters [is], “Make the music that you would want to listen to yourself.” And that was 1,000% the case with that song. The first night we made it, I was like, “Wow, I think we really did something special.” I vividly remember [Cody being] one of the early believers in that song.
ThankGod4Cody: I remember we were talking about how to make [the title] appropriate. (Laughs.)
Bisel: I remember thinking, “I wonder if we need to give this a more on-the-nose title, like ‘Kill My Ex’ or something.” But the more we lived with the “Kill Bill” title, I was like, “Ah, this feels cool. I think it’ll stick with people.”
It’s fascinating how cohesive the album is, given how stylistically different the tracks are. How were you able to balance them out?
Cody: Even though it is different, it’s still all of us. We all listen to everything, including her. We’ll come back and be playing new music that each other has found, and it’s the most random music you’ll probably ever hear.
Bisel: But at the end of the day, she’s writing all of these songs and they come from such a genuine place. That is the glue that binds it all together.
Rob Bisel
Nic Khang
How have you seen SZA grow while making SOS?
Lang: She’s always exceeding her own potential. When I finally saw the tour and how insane she was going with her choreography, range and stamina, and then recalling all the moments we rocked out onstage, it really hit me. The transformation was super apparent. She feels refreshed and revitalized and excited to perform her music. She sounds so amazing, always has, but she has grown into her voice so well.
Bisel: She was already a pretty phenomenal writer when I met her, but her pen got sharper and more personal. I also think she got a lot faster, and the process of writing became even more natural to her the more time she spent working on this album. She’d have songs like “I Hate U” or “Kill Bill” where she would write them in under an hour. The ideas flowed more effortlessly from her.
How have you seen yourselves grow?
Lang: I learned a different level of collaboration where I really get a kick out of watching my friends play instruments. [Before], I used to want to be a part of everything and play, play, play. Being a backboard in the most neutral way and just letting the music happen was a different part of the process.
Bisel: [Working on SOS] forced me to step up. [When it comes to] my own creative output, [I] made so much stuff. For every song that I worked on that made the album, I probably made 100. It forced me to be more resilient and knowing you got to keep stepping up to the plate no matter how many times you strike out.
Cody: I learned what producing really consists of and how it’s deeper than music. It’s [about] you setting the vibe of the whole room, setting the vibe for the day and making sure that the artist is good and comfortable and in the best space to get out whatever ideas they have.
This story originally appeared in the Oct. 7, 2023, issue of Billboard.