Super Bowl
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Source: Gerardo Mora / Getty / Carl Weathers
The world lost an icon in Carl Weathers last week, but fans will still see the late actor one last time, thanks to a FanDuel Super Bowl commercial.
Spotted on Variety, FanDuel says it will still air the Super Bowl spot featuring Carl Weathers. Leading up to this weekend’s big game between the Kansas City Chiefs and San Francisco 49ers, the sports betting company has been airing teasers for its big game spot that stars Weathers alongside retired NFL tight end Rob Gronkowski.
The teasers follow the NFL champion as he gears up for the Kick of Destiny 2, where viewers can watch him attempt to make a 25-yard field goal, and America can bet on if he either misses or makes it.
Last year, Gronkowski missed the kick, but in the teasers, he gets some encouragement from Weathers in the teaser where he scoops up the NFL analyst on a motorcycle with a sidecar.
Some Changes To Commercial Will Be Made
Variety reports that after initially saying it would make adjustments to the commercial, FanDuel says it will run the ads and make some changes so that it will be appropriate. “The family has been very supportive that they would still like to see Carl in the work,” Andrew Sneyd, FanDuel’s executive vice president of marketing, said after consulting with Weather’s family.
Sneyd continues, “We need to change what we are doing in the Bowl. The live event itself carries forward and as is. Rob will kick the field goal, and he will be even more inspired to make it. He really enjoyed meeting Carl and found him to be such an optimistic and energetic person.”
“We had built a master. One is an edit if he makes the kick, and we have an edit if he misses. That content we had in those masters wouldn’t be appropriate for us to do anymore,” Sneyd adds. “Since the news of Carl’s passing came, we have been working with editors to help us get back to something that does make sense.” FanDuel, he adds, is in contact with Weathers’ family “to make sure they are comfortable.”
He continues, “Such work has been difficult. We have been viewing edits through tears. We really enjoyed the short time we had to work with him. He’s a wonderful man, and he genuinely is an inspiration and had such a positive outlook on the world. We want to make sure we try to meet this moment with the respect it deserves.”
If there’s one word that Usher personifies, it’s “cool.” The word applies to his still-captivating vocals, deep catalog of multigenerational R&B/pop hits, fluid footwork, keen fashion sense — all of which I witnessed firsthand while watching Usher and his team rehearse for the launch of his first Las Vegas residency almost three years ago. Despite the pressure-cooker atmosphere inherent in that gamble — including lingering pandemic-related challenges — the eight-time Grammy Award winner remained chill and in control. So it makes sense that Usher would be just as unflappable on the eve of performing before the largest audience of his career: at the Apple Music Super Bowl LVIII Halftime Show.
“It’s more about anticipation than jitters,” Usher says matter-of-factly in early January, having already logged a month of rehearsals in Los Angeles, Las Vegas and Atlanta. “I’m so ready for it to happen. I just want to sing louder than I’ve ever sang; dance harder than I’ve ever danced. I want to celebrate the 30 years of this career where I’m very fortunate to have made songs and moments with people that they will remember forever.”
When he started his My Way residency at The Colosseum at Caesars Palace in July 2021, the coronavirus pandemic was far from over — audiences were still “in a life depression,” as he puts it. Two years and one bigger venue (Dolby Live at Park MGM) later, My Way finished as a massive success — and Usher is clearly ready for an even bigger stage. “What an amazing crescendo,” he marvels. “I played 100 shows in Las Vegas [across both residencies], and my 101st will be the Super Bowl.”
The crescendo won’t end there. This year marks the 30th anniversary of his self-titled debut album. And on the eve of the halftime show, the singer-songwriter will release his much anticipated, long-gestating new project, Coming Home — the first on his own label, mega, in partnership with music industry veteran Antonio “L.A.” Reid and in association with gamma., helmed by former Apple executive Larry Jackson. The gamma. deal, which Usher and Reid signed in February 2023, is the latest in a series of entrepreneurial ventures, including Flipper’s Roller Boogie Palace, that Usher has been lining up for the next phase of his career. And on Aug. 20, Usher will embark on the just-announced Past Present Future tour, playing 24 arena dates across the United States (with more dates to be announced).
Usher’s mother, Jonnetta Patton — who took him to LaFace Records when he was 13 and managed him for 17 years (he’s currently managed by Ron Laffitte of Laffitte Management Group) — isn’t surprised by her son’s stunning trajectory. “He could really sing at a young age,” she explains. “I said, ‘This is your next star. This is the next Michael Jackson.’ ” She adds with a laugh, “People said, ‘His mom’s crazy.’ ”
When puberty claimed Usher’s vocal range, everyone around him (including, at least momentarily, Usher himself) thought his career was over before it had even started — except for Patton, who made sure the label secured a vocal coach to help him find his voice again. “It was so depressing for him; he almost lost his record deal,” she recalls. “But Usher fought. He was truly determined and dedicated to the goal that he set for himself: that one day everyone would know his name. He stayed the course. [Today], he’s a true performer who has no fear.”
Bottega Veneta shirt, Alexander McQueen pants, Fear of God sunglasses, Jacquie Aiche and Veert jewelry.
Sami Drasin
To his legion of fans who sent four of his albums to the top of the Billboard 200 and nine of his songs to No. 1 on the Billboard Hot 100, Usher’s staying power was never in question. But in the past 12 years, since 2012’s Looking 4 Myself and after two albums (Hard II Love and A) that weren’t massive hits like his earlier projects, he has experienced an indisputable renaissance in tandem with his residencies. And those 100 shows set the stage perfectly for the Feb. 9 release of Coming Home, which coincides with the 20th anniversary of his RIAA diamond-certified 2004 classic, Confessions. Usher’s first solo album since 2016’s Hard II Love (and first studio project since 2018’s A with Zaytoven), Coming Home is, like Confessions, executive-produced by Usher and Reid (who dropped by the singer’s Billboard photo shoot but declined to be interviewed for this story). However, it’s most certainly not a sequel, one of the rumors that swirled in the long lead-up to its announcement.
The 20 tracks — which serve up R&B, hip-hop, pop, funk, Afrobeats and amapiano — include three recent releases: the R&B hit “Good Good” with Summer Walker and 21 Savage, the remix of the Michael Jackson-esque “Standing Next to You” with Jung Kook and the tender ballad “Risk It All” featuring H.E.R. from the Color Purple soundtrack album. But with the pulsating rush of tracks like “Keep on Dancin’,” the album delivers what fans continue to love about Usher: his emotive vocals, relatable lyrics and danceable beats. Standouts include the thematic title track with Burna Boy, a fun pairing with rap force Latto on the upbeat “A-Town Girl” (which contains elements of Billy Joel’s “Uptown Girl”), breakup song and next single “Ruin” featuring Nigerian singer-songwriter Pheelz and “Kissing Strangers,” a striking reflection on a relationship’s aftermath.
The lattermost, a holdover from a stockpile of songs that Usher was considering for his then-untitled new album in 2021, was co-produced by the late busbee. Known primarily for his work with pop and country artists like P!nk, Maren Morris and Keith Urban, busbee might seem an unusual choice for Usher — but for the reinvigorated singer, such collaborators are part of a push to experiment more with different genres and rhythms while “digging deeper in what I choose to write about.” That doesn’t mean Usher is abandoning what has gotten him this far: The album is full of reunions with the R&B vets who helped craft his earlier successes, like Jermaine Dupri, Bryan-Michael Cox, The-Dream, Christopher “Tricky” Stewart and Pharrell Williams.
“[Malcolm] Gladwell talks about the 10,000 hours rule for becoming the ultimate expert in one’s field or craft,” gamma.’s Jackson says, referencing the author’s best-selling Outliers: The Story of Success. “And Usher has achieved his 10,000 hours of mastery. He exudes it. He’s sitting at the top of his mountain — the first independent artist to ever play the Super Bowl.” And even at this point in his career, milestones like that still matter to Usher.
Fear of God jacket, pants and shoes, and Dolce & Gabbana gloves.
Sami Drasin
How did your residency prepare you for this global performance?
I’m happy that I’m coming off a successful residency, which helped me prepare and get into the rhythm of it overall. Otherwise, I would have had to restart and relive moments. But going on that stage every Wednesday, Friday and Saturday reminded me of what my music has meant, how people feel about me and how I feel about it all. After years and years of doing this, you can grow tired and frustrated, especially as music changes the standards of how we count what’s hot, what’s cool or what’s not. All of those things can get to your mind and make you even question if you really want to continue to do it. But when I went to Las Vegas, it just made me excited about all of it all over again.
Any hints you can share about what viewers can expect?
It will definitely be an event. There are special guests. And I’ve considered new songs. But you know, it’s 12 to 15 minutes. So it’s really hard to determine what moment matters more than others, especially with a new song. But there’s the dance, the wardrobe, the lighting, how long you stay in a song, the fact that the audience may sing along … It’s a lot. So I’m trying my hardest not to overthink it.
Did you get in touch with other halftime performers for pointers?
I’ve happened to be around a few people who’ve played the Super Bowl, and they did give me some pointers. I also happened to be on a boat not too long ago with Katy Perry, who gave me some notes. I heard that Rihanna stood up for me [in a December interview with E! News] and said something really incredible [about Usher’s qualifications for the gig]. I really appreciated that. I’ve watched every performer, analyzing how they maximized those 12 minutes. But you know, your moment is your moment. And this is a moment I’ve prepared for during the last 30 years.
Usher photographed on January 5, 2024 at 1859 Bel Air Road in Los Angeles. Dolce & Gabbana suit, Calvin Klein shirt, ETAI mask, Fear of God gloves and shoes, Versace sunglasses and Jacquie Aiche jewelry.
Sami Drasin
Which past halftime performances stand out the most for you?
All of them start with the idea that the Super Bowl changed when Michael Jackson performed. I’ve enjoyed Prince, Coldplay, Beyoncé, Bruno Mars, Madonna. There are tons of things that I was able to pick up on, from looking at how they chose to enter, what they did while they were onstage and how they chose to close. But the one that really stands out is Michael. Before then, they just hired a random band or whoever. Michael brought in his own director, obviously paid a lot of money and spent a lot of time designing that incredible moment. He reframed how we look at the Super Bowl live performance.
What components must a Super Bowl halftime show have to resonate with viewers?
You should have hit records. (Laughs.) I always say that a new song is a bit of a risk. But then, Beyoncé played something fairly new [“Formation,” at the Coldplay-headlined Super Bowl 50 in 2016], which I thought was really interesting, and The Weeknd did a pretty cool job as well. You also need to have a singalong moment. I think every Super Bowl should have a live band and your mic has to be on, or should be, because people want to connect with you. They want to feel it’s live and in the moment. And every halftime performance should have dancing. Even if the artist isn’t doing that, you have to have some sort of choreography.
Is there one song that you still love to sing and dance to the most?
I love to perform all my songs. But to this day, I still love “U Got It Bad.” I think because of the connection between me and the audience. Then the fact that the song kind of reinvented the ballad in a way because it’s almost like a tempo [song]. It was no longer like a slow, sultry singalong ballad about emoting. It has rhythm and I dance to it; that’s the other side. And the fact that people sing it the way that they do when I’m performing it, they feel a connection to it and it feels real. When it all comes together — the song, the connecting message to the audience, the dance — it almost feels like classical music.
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It’s now the eve of releasing Coming Home. What can fans expect from 2024 Usher?
Every album offers a bit of where I was in my life and what I felt I wanted to share. But this is the first time that I’ve ever felt so comfortable to just be where I am. I’m 100% in my skin. And after 30 years, it shouldn’t even be a question about whether this is going to be greater than something in my past. And I don’t mean that in a derogatory way. I’m just saying it’s hard because every time you put out an album, you’re trying to figure out how not to mess up what you’ve done in the past. And I don’t want to think like that.
I just want to love what I do, make what I love, allow people to come to my space and see what I have to offer. You might identify with it. It may help you deal with some of the sh-t you may be going through, or it may be helpful in making a baby or just having a good time. (Laughs.) I’m not thinking of this album in comparison to anything other than what it is: uniquely its own. And it’s a hard thing, especially when you’ve amassed an audience that goes all the way from “OMG” to “Think of You.” Now I want [the audience] to come back to see me one more time and know that I came home to this space where I’m comfortable.
This is your first solo album since 2016. What have you learned about yourself musically that has brought you to this comfortable, creative space?
That there are new genres that I can play in; ideas and collaborations, rhythms and things that I can participate in and not be beholden to just the overall standard of creating the classic R&B album. I learned that how people listen to music is really a snapshot nowadays. So you have to kind of change your approach of how you even sequence songs; people don’t even necessarily know the difference between a hook and a bridge. Therefore, the way I’m creating is being adjusted a bit because where I was, I am no longer, and the producers that I work with, they’re no longer there either. We’re in a new space. What I also have learned is, don’t hold on to music so damn long. You’ve got to let it go. I worked literally for about four to five years just collecting music [for this album].
I’m comfortable because I’m in my own zone, on my own throne. I did it my way. I’m quoting myself. (Laughs.) I have nothing to prove. I’m not racing time. If there’s any question about whether a 45-year-old artist can release music and still be relevant: I’ve been releasing music over the last year that’s definitely connected in a different way. I hope that sets a precedent for artists who are my age. I sing harder and with more precision than I’ve ever done on this album.
Custom jacket and gloves, Saint Laurent shirt, Purple Brand pants, Veert jewelry and Dolce & Gabbana sunglasses and brooches.
Sami Drasin
What’s your take on R&B’s rebound over the last couple of years, with next-gen artists like SZA, Coco Jones, Victoria Monét, H.E.R. and Brent Faiyaz? Where will the genre evolve from here?
I’m very happy that there’s a new installation of R&B artists who care to be authentic to what they are creating, inspired by artists of the past. Everybody who has ever said to me that R&B is dead sounds crazy. Especially when I know the origins of R&B are in all other genres of music.
It’s about creating commerce in other spaces. Lovers & Friends [where Usher will perform Confessions in full in May] is a successful R&B festival that gives you a place to go and celebrate the songs that we make. We need things that you associate with R&B that you can buy into. Like with hip-hop — glasses, clothes, cars, jewelry, sneakers … ancillary things that people can access. R&B needs and has the potential to have those things as well.
My point is, I never felt like R&B was dying. I think it just needs expansion. We’re moving toward a standard where people are looking at snippets — TikTok, Instagram and other things — and when fans get it, they take it and do something with it. But if we start to think of it that way and create from that place, the standards for R&B will change. You won’t be able to compare it in an old-versus-new way. It’ll just be what it is.
What prompted your transition from major-label to indie artist as a label owner with mega and reteaming with L.A. Reid?
I wanted to do something that I felt would represent R&B and come from a place of passion. L.A. [who also consulted on the My Way residency] and I had talked about working together again. He was managing a few artists and still working on his production company, HitCo. This would be a journey that would require us resetting a second on our next go-round because we had worked together other times with Justin [Bieber] and on other projects. But he and I would find and develop artists who represent this new standard. And as the first artist on mega, I’d be the first up to bat. It seemed ambitious. But I couldn’t think of a better partner or better music man with amazing ears.
L.A. also has incredible sensibility in developing artists because he set the standard at LaFace Records for the artist I am and the way I think of entertainment. Then we managed to connect Voltron (laughs) with Larry Jackson, and it just went to another level because he had a similar interest in wanting to invest in artists and their creative; to pull from some of the things that we’ve done in our paths to create sustainable artists and teach them together. We have a studio in L.A. and Atlanta; we’re looking for artists and are very excited about the potential of building some incredible things together.
You reportedly sold your interest in Bieber’s catalog to HarbourView. Moving forward, do you plan to invest in technology and other music-related ventures?
I’ve never publicly made that statement [about Bieber]. However, I am at an incubation space in my life, looking for new ventures, new ideas, partnering with people who have like-minded interests in entertainment, not just for music but hopefully with the NFL, NBA [Usher holds a minority stake in the Cleveland Cavaliers] or other ventures. I think that we need a Black-owned team somewhere. A minority share is great, don’t get me wrong. I love it. But to at least have one team that is owned by minorities in a way that’s significant, continues to grow and you feel it — I would love to know that there is a minority and/or majority [interest] that is all Black.
Jimmy Iovine, Liberty Ross and I started a brand of skating rinks called Flipper’s, and we’re in the process of launching a skate specifically through Flipper’s. Every year now, during the hot season, we flip Rockefeller Center in New York into a skating rink. We flipped the Hollywood Palladium to a rink for Grammy Week last year, and we’re looking to do more of that. We also opened a rink in London. And I’m working on an official opening of a skating rink here in America. It is so important for people to realize that you need to smile and enjoy yourself. And the only way that I know I can pull that out of everybody is with skates.
Dolce & Gabbana suit, Calvin Klein shirt, ETAI mask, Fear of God gloves and shoes, Versace sunglasses and Jacquie Aiche jewelry.
Sami Drasin
Is your Las Vegas residency on hiatus for now?
Hopefully, we will continue to have a successful festival in Las Vegas with Lovers & Friends. I have roots there. I really did enjoy my time in Las Vegas. Am I going to go back, if I ever do, in the same way? No. I’m not planning on doing that right now. I do love what I’m seeing in Las Vegas with the type of curated experiences that are getting a front stage that they didn’t before. Love what Bruno Mars and Boyz II Men were able to do in Las Vegas and, now, to see New Edition and Wu-Tang [Clan] coming in. I love Vegas. It has an opportunity to be a cultural foundation for experiences that are not just about music but about entertainment, about other ancillary things that you experience. That’s the long of it. The short of it is, I’ll be back in Vegas someday.
Looking back now, what are the takeaways from your 30-years-and-counting career?
I really do enjoy what I do. And I don’t take kindly to the fact that people at times have doubted it. But it has definitely been motivating for me to continue to push to be great. To make something that was great and surround myself with people who don’t just want to see what I saw or what they saw but are invested in what’s happening currently and in the future. They’re invested in affirmations, being able to speak things into existence. To look in the mirror at yourself and say it, believe it. Then have the courage to not just hope but believe in what you were saying and staying invested in that. We’re as powerful as we choose to be. That’s what got me here. I just believed and didn’t pay attention to what anybody else had to say.
Location: 1859 Bel Air Road, Los Angeles @1859BelAirRd. Developer: Sean Balakhani @balakhani_estates. Architect: Mandi Rafati @tagfront. Interior Designer: Cesar Giraldo @cesargiraldodesign. Agents: Aaron Kirman, AKG, Christie’s International Real Estate @AaronKirman and Mauricio Umansky, The Agency RE @Mumansky18.
This story will appear in the Feb. 10, 2024, issue of Billboard.
If there’s one word that Usher personifies, it’s “cool.” The word applies to his still-captivating vocals, deep catalog of multigenerational R&B/pop hits, fluid footwork, keen fashion sense…
With nine Billboard Hot 100 No. 1 hits from 18 top 10s, Usher has no shortage of material to pick from when choosing the setlist for Sunday’s Super Bowl halftime show. He’ll have his work cut out for him in trimming things down to a mere 13-minute set. On the new Billboard Pop Shop Podcast, […]
Gwen Stefani is getting fans pumped for Super Bowl LVIII, as the NFL announced that the “Hollaback Girl” singer will be performing at Super Bowl LVIII TikTok Tailgate, the league’s pregame livestream before the big game on Feb. 11, 2024. Explore Explore See latest videos, charts and news See latest videos, charts and news “We […]
For Addison Rae, Nerds Gummy Clusters are “2 Die 4.” The actress and TikTok star makes a cameo in the new commercial for the fruity candy, which is set to air during the 2024 Super Bowl on Sunday (Feb. 11). In the 30-second ad, an animated red gummy candy steps on a stage to the […]
You won’t have to wait till Sunday to watch Grupo Frontera‘s cameo in Nissan’s Super Bowl ad starring Saturday Night Live breakout Marcello Hernandez.
The 60-second commercial released on Monday (Feb. 5) features Hernandez retelling the riveting story about his unexpected, yet adventurous journey while test-driving the latest Nissan Pathfinder. Just as he hits the road, Hernandez gets calls from his abuela (grandma), sister and uncle asking him — and the Nissan salesperson as his co-pilot — to pick them up. So, they do.
“From the dealership to the mountains, desert and beach, Hernandez and the salesperson make their way through this epic adventure, the Pathfinder navigates various terrains while thrilling everyone across all generations of the family,” an official description of the ad reads.
As he’s telling this nail-biting story in a diner, Grupo Frontera pops up from a booth nearby and asks Hernandez to keep narrating his epic adventure. “Qué? No, sigue, sigue (What? No, keep going, keep going),” the group orders.
The ad will air on TelevisaUnivision on Sunday, Feb. 11, as part of the networks’s Super Bowl 2024 broadcast for Spanish-language viewers.
Univision will also broadcast a pre-kickoff performance — featuring a special performance by Puerto Rican star Myke Towers — presented by Nissan, which will air on Univision at 4 p.m. ET Sunday from the Caesars Palace in Las Vegas.
“At Nissan, we’re always looking for ways to deeply connect with our customers,” said Marisstella Marinkovic, chief marketing Ooficer, Nissan U.S, in a statement. “We’re using the nation’s biggest game day to air an in-language spot that reignites the love of Nissan among bicultural Latinos, who comprise many of our customers. From our partnership with TelevisaUnivision, to the Latino talent and the director we casted, we brought music and sports together to create a thrilling in-language and in-culture experience.”
“This is a significant moment for TelevisaUnivision, and we’re excited for Nissan to debut their Spanish-language creative to our audience,” added John Kozack, executive vice president of multimedia sales at TelevisaUnivision. “Latinos are an economic powerhouse, and this national stage provides the perfect opportunity for brands like Nissan to reach this fast-growing demographic – and further our goal of showcasing the value and importance of in-language and in-culture advertising to this consumer base.”
Watch Nissan’s Super Bowl ad above featuring a cameo from Grupo Frontera.
OMG! Usher‘s forgotten he’s performing at the 2024 Super Bowl Halftime Show in Uber Eats’ new commercial for the Big Game, which dropped on Tuesday (Feb. 6).
The star-studded spot kicks off with Friends star Jennifer Aniston receiving an Uber Eats order from an assistant, who was surprised at all the various items — flowers and lotion, for example — the service can deliver. “You know what they say: ‘In order to remember something, you gotta forget something else,’” the Emmy-winning star shares, before pointing to her head and noting, “Make a little room!”
From there, a range of people erase a little knowledge to keep Uber Eats in mind, including David and Victoria Beckham. “Remember when you used to be a pepper lady?” the soccer star asks Posh, who’s in a white “David’s Wife” T-shirt.
“Wasn’t it the Cinnamon Sisters?” she wonders, before the athlete offers up “Basil Babes,” and the designer-singer suggests “Paprika Girls” instead, to which David answers, “No! That’s absurd!”
As Billboard previously exclusively shared in a teaser, Uber Eats’ ad also features country star Jelly Roll forgetting he has face tattoos. “Did someone doodle on my face?!” the “Son of a Sinner” singer asks, horrified, when he see his reflection in a mirror. As he tries to rub the ink off, he screams, “It’s not coming off!”
At the end of the ad — after Aniston has forgotten major period of her life (and a very good Friend) — the eight-time Grammy winner chills with his Uber Eats meal and says wistfully to his two horrified stagehands backstage, “I hope I get to play a halftime show someday, man.”
Fortunately for Usher, that wish is coming true much sooner rather than later. The R&B icon is set to headline the 2024 Super Bowl Halftime Show at Allegiant Stadium in Las Vegas on Sunday (Feb. 11). The Kansas City Chiefs and San Francisco 49ers will face off in the NFL’s championship game beginning at 6:30 p.m. ET.
Watch Usher, Jelly Roll and more stars in Uber Eats’ Super Bowl ad above.
With a chance to win the NFL’s biggest prize, and doing so with Taylor Swift at his side, Travis Kelce is a guy with it all going for him. The football star’s good fortune doesn’t end there; he’s had a preview of Swift’s forthcoming album, The Tortured Poets Department, which he critiques as “unbelievable” and world-beating.
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During her night of domination at the 2024 Grammy Awards at Crypto.com Arena on Sunday (Feb. 4) in Los Angeles, where she made history by collecting a fourth career album of the year award, Swift surprised everyone in the room – and the millions watching on around the world – when she announced The Tortured Poets Department, her 11th studio album.
Kelce, as you would expect, has had a listen. “I have heard some of it yes and it’s unbelievable. I can’t wait for her to shake up the world when it finally drops,” he told “Extra’s” Jenny Taft on the field at Allegiant Stadium in Las Vegas for Super Bowl LVIII Opening Night.
The 34-year-old tight end reacted to his girlfriend’s bumper Grammys, where she extended her career tally to 14 wins, remarking, “She’s unbelievable, she’s re-writing the history books herself. I told her, ‘I’ll have to hold up my end of the bargain and bring home some hardware too.’”
Whatever happens this weekend, the Swifties’ support has been a fun experience, Kelce explains. “I just go out there and have fun,” he says. “Taylor has an unbelievable fan base that follows her and supports her throughout her life. It’s been fun to gather the Swifties into the Chiefs kingdom and open them up to the football world.”
The 6’5″ athlete has a chance to book-end a glittering week for the power couple when his Kansas City Chiefs take on the San Francisco 49ers on Feb. 11 for the Super Bowl.
Swift used the platform of the Grammys to give fans a jaw-drop moment. “This is my 13th Grammy – which is my lucky number, I don’t know if I’ve ever told you that,” she quipped from the podium as she won the Grammy for best pop vocal album. “I want to say thank you to the members of the Recording Academy for voting this way. I know the way the Recording Academy voted is a direct reflection of the passion of the fans. So I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years, which is that my brand new album comes out April 19. It’s called The Tortured Poets Department. I’m gonna go and post the cover right now backstage. Thank you, I love you.”
The Tortured Poets Department is scheduled to arrive on April 19.
What a feeling to have good WiFi! Zach Braff and Donald Faison have teamed up with T-Mobile for yet another musical Super Bowl commercial, this time putting their own spin on Irene Cara‘s “Flashdance… What a Feeling,” from the 1983 film Flashdance. In the clip, the duo knock on the door of none other than […]