Rock
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Paul Simon is preparing to follow-up 2018’s rarities collection In the Blue Light with a continuous seven-song musical suite entitled Seven Psalms. Intended to be listened to in its entirety, the 33-minute, seven-movement all-acoustic composition is slated for release on May 19.
According to a release, it is predominantly performed by Simon and it captures the legendary pop singer/songwriter’s “craft at its finest and most captivating, simply with his voice and guitar.”
In a preview trailer, Simon, 81, explains that in Jan. 2019 he had a dream that told him he was working on a piece called Seven Psalms. “The dream was so strong that I got up and I wrote it down, but I had no idea what that meant,” he says over gently picked acoustic guitars. “Gradually, information would come,” he adds, noting that he began waking up between 3:30 and 5 a.m. “and words would come. I’d write ’em down and start to put it together.”
The album is described as, “a stunning, intricately layered work” that establishes “an engaging and meditative, almost hymnal soundscape, with Paul’s lyrics providing the gravitational center for constellations of sound woven from guitar strings and other acoustic instrumentation.” In a nod to the origin of psalms — which the release notes were originally hymns meant to be sung rather than spoken — Seven Psalms represents a call-back to the genesis of folk music in King David’s Psalms.
Among the guests are the British vocal ensemble VOCES8 and Simon’s wife, singer Edie Brickell, who is seen in the video singing alongside the folk icon, holding hands as they harmonize. The album was produced by Simon and Kyle Crusham.
“People say, ‘why is it that you always want to change your sound?,’” Simon says of questions he gets about his restless musical heart. “I’m not thinking that way at all. I’m looking for the edge of what you can hear. I can just about hear it but I can’t quite. That’s the thing I want.”
See the Seven Psalms tracklist and watch the preview trailer below.
Seven Psalms track list:
1. “The Lord”
2. “Love Is Like A Braid”
3. “My Professional Opinion”
4. “Your Forgiveness”
5. “Trail of Volcanoes”
6. “The Sacred Harp”
7. “Wait”
You know Lizzo loves to rock. The “About Damn Time” singer proved it this summer when she covered German metal maniacs Rammstein‘s signature hit “Du Hast” while on tour in Berlin. And on Monday night (April 11) Nickelback reminded us that she once heaped praise on them on Canadian network CBC Music’s “Jam or Not Jam” segment in 2020 in an Instagram post in which they thanked her for the kind words.
“Thank you @lizzobeating for the kind words!,” they wrote alongside of a clip from the show. “Open invite any show any time… maybe see you in Houston this summer?”
The bit’s conceit revolves around the artist listening to a series of songs while wearing headphones and proclaiming the song a “jam” or “not jam.” When the strains of Nickelback’s 2001 Silver Side Up rock anthem “How You Remind Me” bubble up, Lizzo wastes no time singing along to Chad Kroeger’s grunting vocals, proclaiming, “it has a beautiful climax.”
“Why do people not like Nickelback? I feel like Nickelback gets way too much s–t,” she says, alluding to the frequent scorn heaped on the Canadian band. “I think that this is a jam.”
“Here we go, five, six, seven, eight,” the classically trained flutist counts off as the song builds to said climax and she begins banging her head, even as she admits she doesn’t know all the lyrics. “I like you… sorry,” she sings in her best strained Kroeger impression, fumbling the words, but praising the inescapable melody. “The beat drop-out, b—h?”
So, why does Lizzo think Nickelback get so much s–t? “Because he [Kroeger] had a curly blond perm,” she opines. “That’s the only reason they get s–t, because this is an amazing song.”
In the rest of the segment, she freaks out over the slam-dunk jam, Black Eyed Peas’ “My Humps,” gets hyped to hear BTS for the first time on their “ocean jam” collab with Halsey, “Boy With Love” and has to give it up to the Canadian pop queen Celine Dion’s “My Heart Will Go On,” if only for the “whimsical” pan flute opening.
Watch Lizzo rock out to Nickelback below (“How You Remind Me” bit begins at the :30 second mark).
Metallica are still thundering along, cranking it up and to 11 and inciting headbanging everywhere they go.
The Bay Area metal legends are currently locked in for a residency on Jimmy Kimmel Live, a celebration of their forthcoming 12th studio album, 72 Seasons.
On Tuesday (April 11), the second of their four-night stand, the Rock And Roll Hall of Famers went large with a classic, “Holier Than Thou,” lifted from their self-titled 1991 album, better known as The Black Album.
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It was The Black Album that launched these monsters of rock into superstar territory, and saw them tagged as the most popular heavy band of them all. Metallica was the first of the awesome foursome’s six leaders on the Billboard 200 chart, logging four weeks at the summit.
If you want your rock tight, meaty and your guitar solos shredded, “Holier Than Thou” is for you.
On opening night, James Hetfield and Co. sat for a chat with Kimmel and performed “Lux Æterna,” lifted from 72 Seasons, due out this Friday (April 14).
When the conversation moved to the now-iconic placement of “Master of Puppets” in a pivotal scene in season four of Netflix’s Stranger Things, Hetfield said it was a no-brainer, and that he’s still “blown away” that people are still turned on by the high-octane speed metal cut. “It’s like a nine-minute heavy metal song from 1986 that probably predates most of these people by 25 30 years,” drummer Lars Ulrich added. “It’s just insane. Who would have thought?”
Metallica will perform “Master of Puppets” on Wednesday (April 12), which Kimmel reckons is the longest song ever performed on the show.
Watch the late-night performance of “Holier Than Thou” below.
Sting‘s 2023 world tour is finally getting ready to touch down in North America. The Police singer announced on Tuesday (April 11) that he will be playing a series of dates across the United States and Canada starting in September.
The My Songs World Tour — which previously traveled to Asia, Africa and Australia earlier this year — will kick off in Toronto at the Budweiser Stage on Sept. 5, and will make stops in Boston, Phoenix, Vancouver, Los Angeles and more before concluding in Rogers, Ark., at the Walmart AMP on Oct. 12.
Members of Sting’s official fan club will be one of the first to score presale access to the tour starting on April 12 by visiting his website. Additional fan presale will roll out later through the week, with the tour’s general onsale starting on Friday, April 14, at 10 a.m. local time.
See the full list of North American concert dates for the My Songs tour below.
STING: MY SONGS 2023 NORTH AMERICA LEG 1 TOUR DATES
Sept. 5 – Toronto, ON – Budweiser Stage
Sept. 7 – Boston, Mass. – MGM Music Hall at Fenway
Sept. 20 – Morrison, Colo. – Red Rocks Amphitheatre
Sept. 23 – West Valley City, Utah – USANA Amphitheatre
Sept. 29 – Vancouver, BC – Rogers Arena
Oct. 2 – Concord, Calif. – Concord Pavilion
Oct. 4 – San Diego, Calif. – Cal Coast Credit Union Open Air Theatre at SDSU
Oct. 7 – Los Angeles, Calif. – Hollywood Bowl
Oct. 9 – Phoenix, Ariz. – Arizona Financial Theatre
Oct. 12 – Rogers, Ark. – Walmart AMP
Dee Snider isn’t gonna take it anymore. The Twisted Sister singer says the time has come to stand up to those who would use his band’s most famous song to promote conspiracy theories.
“QAnon uses it all the time as their battle cry,” Snider tells Billboard about the long-running conspiracy theory that posits that the world is run by a shadowy group of Satan-worshiping pedophiles that allegedly includes prominent Democrat politicians and Hollywood celebrities.
“And people are like, ‘Dee, you support QAnon?’ No I do not so I need to speak out,” he adds as an explanation for why he recently agreed to a fan’s request to use his band’s 1984 Billboard Hot 100 No. 21 hit “We’re Not Gonna Take It” as their anthem in the decadeslong fight to ban the type of military-style assault weapons frequently used in mass shootings in the U.S.
So, when it came to tying the song to intelligent gun control, Snider, a proud gun owner, said the answer was simple: “Yeah, I support this cause. It’s an important one.” In fact, when the request came in, Snider’s exact words in an enthusiastic tweet were, “I am a gun owner… That said, HELL YEAH YOU CAN USE ‘WE’RE NOT GONNA TAKE IT’ AS YOUR ANTHEM! Assault weapons were never meant for anything but combat!”
Asked if he made the decision in the wake of the recent mass shooting at Nashville’s Covent School in which the assailant killed three 9-year-old children and three adults, Snider said, “it goes on and on. In the wake of the one before that and the one before that. It’s just insane, it’s ridiculous and it’s something we just talk about forever.”
As Snider suggested, following the nation’s 132nd mass shooting so far this year — there was yet another one on Monday (April 10) in Louisville in which four people were killed and eight injured — gun rights advocates are afraid “to give an inch because people will take a mile. We’ve seen that with so many things before, but sometimes you have to say enough is enough.”
Snider — who was revealed last week as Doll on The Masked Singer — said that when he wrote “We’re Not Gonna Take It” he purposely left the meaning open to interpretation, even as he confirms that the underlying message is one about “everybody’s freedom and rights.” But, as he’s been vocal about in the past, he sometimes “disagrees strongly” with some of the people who’ve co-opted it and made it seem like he supports their cause.
Case in point, after initially giving his Celebrity Apprentice boss and friend Donald Trump permission to use his band’s signature rebel anthem on the campaign trail during the recently indicted one-term president’s first White House bid in 2016, Snider later asked The Donald to stop playing it at his rallies.
At the time he said, “It wasn’t an endorsement. We all have friends who have different views politically but you can go on vacation with them… But I had to ask him to stop using the song. I said, ‘I didn’t realize some of the things you were going to represent — the wall, banning Muslims. I can’t get behind some of these things,’ and he said ‘OK’ and stopped using it and that was it.”
Check out Snider’s tweets below.
I am a gun owner.. That said, HELL YEAH YOU CAN USE “WE’RE NOT GONNA TAKE IT AS YOUR ANTHEM!Assault weapons were never meant for anything but combat! https://t.co/WdqvrWCbHW— Dee Snider🇺🇸🎤 (@deesnider) March 28, 2023
The Who may have played their last-ever U.S. dates. The veteran Rock and Roll Hall of Famers who’ve been taking their closing curtain calls since their “final” show in 1982 may actually be done playing shows in the U.S. according to singer Roger Daltrey.
While the band has some more Who Hits Back shows boked in Europe this summer, Daltrey, 79, told USA Today that another hop across the ocean might be out of the question. “Nothing at the moment. I don’t know if we’ll ever come back to tour America,” said Daltrey. “There is only one tour we could do, an orchestrated Quadrophenia to round out the catalog. But that’s one tall order to sing that piece of music, as I’ll be 80 next year. I never say never, but at the moment it’s very doubtful.”
As far as what might finally slow the band down, Daltrey said the chaos of the post-pandemic touring economy is a huge reason. “Touring has become very difficult since COVID. We cannot get insured and most of the big bands doing arena shows, by the time they do their first show and rehearsals and get the staging and crew together, all the buses and hotels, you’re upwards $600,000 to a million in the hole,” he said of the lingering impact of the COVID-19 pandemic shutdowns on touring.
“To earn that back, if you’re doing a 12-show run, you don’t start to earn it back until the seventh or eighth show,” Daltrey explained. “That’s just how the business works. The trouble now is if you get COVID after the first show, you’ve (lost) that money.”
The Who just released the live collection The Who with Orchestra: Live at Wembley, a 20-song chronicle of their 2019 show at the iconic stadium, which marked their first headlining slot there in 40 years. And while Daltrey said the band was in perhaps its finest form ever at the moment, some of their signature bits don’t have quite the same pop as they did a half century ago.
“Pete can’t quite jump 10 foot in the air anymore. He can do 3 foot, so he’s not bad! (Laughs),” he said of the band’s guitarist and only remaining original member. “I don’t swing the microphone hardly at all now because it doesn’t matter to the sound anymore. Before, when all of those things used to work, it was a circus act. We’re more than that now. I’m proud that our music has come of age and I think you could say this is the most modern classical music out there.”
The Who will hit the road again on June 14 with a gig in Barcelona, Spain and on a Euro run that is currently slated to run through an August 28 show in Sandringham, England at the Royal Sandringham Estate in Norfolk.
Timothée Chalamet will sing in the upcoming Bob Dylan biopic directed by James Mangold.
During an interview with Collider at London’s Star Wars Celebration published on Friday (April 7), Mangold was asked whether the star who’s playing Dylan would sing for the Searchlight Pictures film, instead of dubbing Dylan’s voice in. The director replied, “Of course!”
Mangold said he thinks the project, based on Elijah Wald’s book Dylan Goes Electric and a script from Jay Cocks, will begin filming in “August of this year.”
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“It’s such an amazing time in American culture,” Mangold — who also directed Indiana Jones and the Dial of Destiny, hitting theaters in June — said when asked what drew him to the Dylan film. “The story of a young, 19-year-old Bob Dylan coming to New York with like two dollars in his pocket and becoming a worldwide sensation within three years — first being embraced into the family of folk music in New York and then, of course, kind of outrunning them at a certain point as his star rises so beyond belief. It’s such an interesting true story and about such an interesting moment in the American scene.”
He added that Woody Guthrie, Pete Seeger and Joan Baez “all have a role to play in this movie,” though the actors cast for these roles have not yet been announced.
Watch the interview clip below.
Don’t let her last name deceive you. Courtney Love definitely didn’t “love” Molly Shannon’s impression of her on Saturday Night Live, according to the comedian.
Shannon reminisced on The Tonight Show Thursday (April 6) about the time the rocker tracked her down within minutes of a sketch airing live on Saturday Night Live, during which the former cast member stumbled around onstage and chain-smoked cigarettes to portray the Hole frontwoman. “The real Courtney Love showed up live, and she was mad,” Shannon said.
“She was like, ‘Where’s Molly?’” the A Good Person star snarled, sharing that she was still dressed up like Love when the real deal stormed in. “She was going around the studio hunting me down, ready to maybe punch me or something. I was like, ‘I’m scared.’ Maybe not punching, but definitely looking for me.”
Luckily, the situation ended without either star getting under the other’s “Celebrity Skin.” “She smelled like witchy oils and she was tall, she was tough,” continued Shannon, who is returning to host SNL on April 8. “She gave me a cigarette and then we smoked together. I told her why it’s such a compliment, you know when somebody does an impression of you, that’s, like, cool. She was really nice, we bonded. I’m a big fan of hers. She’s Courtney Love.”
Shannon’s story comes just two days shy of the 29th anniversary of when the outspoken singer’s husband, Kurt Cobain, was found dead. Love married the Nirvana rocker in 1992, and the two share daughter Frances Bean.
Now 30 years old, Frances posted a moving tribute to her father on Instagram Stories on April 5, the anniversary of his death. “Life is like a wave crashing upon the shore & death is like the wave returning back to the ocean, back to its most natural state,’” she wrote. “I forget exactly where I heard this quote but hearing it makes loss seem less scary and more like a return to the collective consciousness of loving awareness. Free from pain or human worry. Death serves a purpose. It is what makes life so precious, in the same way pain is purposeful because we wouldn’t know joy without it.”
Watch Molly Shannon recall the time Courtney Love confronted her above, and the comedian as the rocker on SNL below.
Days after country singer Travis Tritt said he would be banning Anheuser-Busch beverages from his backstage hospitality riders, The Offspring guitarist Noodles responded by announcing that the veteran punk act is doubling down on the Bud products.
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“We are going to be adding Anheiser-Busch products & Jack Daniels to our hospitality rider just to piss off a bunch of dimwitted bigots who fear what they don’t understand,” wrote the 60-year-old guitarist born Kevin John Wasserman. “I know a s–t-ton of artists who feel exactly the same. (And we all drink A LOT).”
Noodles retweeted Tritt’s original post, in which he announced that he’d be “deleting” all Anheuser-Busch products going forward, adding, “I know many other artists who are doing the same.” Tritt’s action came after backlash against the brand — whose products include Budweiser, Bud Light, Michelob, Rolling Rock, Busch, Shock Top and many more — for teaming up with transgender activist Dylan Mulvaney in a March Madness campaign. Trans singer Laura Jane Grace responded to Tritt’s tweet by turning around a frequent right-wing insult against liberals on the 60-year-old country act, “Snowflake,” they wrote.
Tritt’s announcement came after MAGA-hat wearing rapper-turned-country singer Kid Rock opened fire on cases of Bud Light with a military-style assault rifle while announcing, “f– Bud Light and f–k Anheuser-Busch.”
While neither Tritt nor Rock specifically referred to Mulvaney or AB’s partnership with the TikTok star, the “Foolish Pride” country singer’s run of tweets about breaking up with AB also included his posting of a Jack Daniel’s ad featuring a trio of drag performers (BeBe Zahara Benet, Trinity Taylor and Manila Luzon) as part of the brand’s pact with RuPaul’s Drag Race alums on the “Drag Queen Summer Glamp” campaign.
“All the @JackDaniels_US drinkers should take note,” Tritt wrote while noting that he was on a a Bud-sponsored tour in the 1990s while lamenting the brand’s merger with Belgian beverage giant InBev in 2004.
In a statement to Billboard, Jack Daniel’s stood by its Glamp campaign and its support for the queer and trans communities. “Jack Daniel’s is made with everyone in mind, including the LGBTQ+ community,” a spokesperson said. “As a longtime champion of the LGBTQ+ community, Jack Daniel’s celebrates individuality and living life boldly on your own terms.”
As previously reported, AB did not respond to a request for comment regarding Tritt’s tweets, but in a previous statement shared with Billboard the brand also stood by its inclusive stance. “Anheuser-Busch works with hundreds of influencers across our brands as one of many ways to authentically connect with audiences across various demographics,” a spokesperson said. Tritt has declined Billboard‘s request for further comment.
See Noodles’ tweet below.
We are going to be adding Anheiser-Busch products & Jack Daniels to our hospitality rider just to piss off a bunch of dimwitted bigots who fear what they don’t understand. I know a shit-ton of artists who feel exactly the same. (And we all drink A LOT) https://t.co/z94xPnobVi— Noodles (@TheGnudz) April 6, 2023