State Champ Radio Queer Jams of the Week
With summer fast-approaching, why not fill up your warm-weather playlists with new songs from your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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From St. Vincent’s raucous new album to Anitta’s exhilarating funk-flavored new LP, check out just a few of our favorite releases from this week below:
St. Vincent, All Born Screaming
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To distill All Born Screaming down to one particular concept is to misinterpret it as a work of art. Throughout St. Vincent’s stunning, self-produced seventh studio album, Annie Clark flits in and out of genres, themes and ideas with ease, instead opting to create an album that is at all times changing its shape while maintaining the artistry it took to make it. Whether she’s waxing romantic via art-rock banger “Flea” or giving nihilism a disco-funk makeover on “Big Time Nothing,” St. Vincent has never been more immediately herself than on this thrilling new project.
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Anitta, Funk Generation
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After proving her dominance as the premiere Brazilian pop sensation, Anitta is ready to help introduce you to her culture. Funk Generation, the latest LP from the Grammy-nominated artist, is a love letter to Brazilian funk music, as she showcases a formative genre of her home for an international audience. The entire album plays as a well-crafted ode to the sounds of favelas, but “Ahi” in particular stands out, as Anitta and guest Sam Smith give audiences a crash course in how to get down.
Salute feat. Rina Sawayama, “Saving Flowers”
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Salute wants you to immediately fall into the sounds of summertime with their thrilling new song “Saving Flower.” An ecstatic electronic anthem featuring vocals from British pop star Rina Sawayama, “Saving Flowers” is a song that refuses to take its foot off the gas, maintaining its fervent pop sound for a blissful three and a half minutes. Pairing nicely with Sawayama’s airy voice, Salute’s new song comes just in time to become your new favorite song of the summer. c
Trixie Mattel, “Shadow” (Ashlee Simpson cover)
Drag superstar Trixie Mattel delivering a stirring acoustic rendition of a 20-year-old pop-rock track may not have been on your bingo card for 2024, but that only makes her new Spotify Single that much more interesting. Taking Ashlee Simpson’s “Shadow” and transforming it into a heartfelt ballad, Mattel flexes her crystal-clear baritone voice, adding in just enough folk-flavored twang to make the song definitively her own.
Christine and the Queens, “Rentrer Chez Moi”
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After experimenting with his sound, his look and his persona for the last few years, Christine and the Queens would like to come back home. On his moving new song “Rentrer Chez Moi,” Chris returns to the quiet, echoing music that defined much of his early career, singing entirely in his native French about a relationship that’s run its course. The simple-yet-elegant production (the artist produced the song himself) matches Chris’ vocal fragility on this stunning new single.
Isaac Dunbar, Beep Beep Repeat
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Step into Isaac Dunbar’s time machine and allow him to transport you back to the musical universe of 1970’s New York City. That’s the world Dunbar thrives in throughout his new EP Beep Beep Repeat — one populated by transient bass, four-on-the-floor drums and theatrical vocals. For six songs, Beep Beep Repeat invites you to disengage from our stark reality and simply revel in some good old-fashioned house parties (“Apartment A”), hangovers (“American High”) and heartpounding rhythms (“Photoshoot Tonight”).
Durand Bernarr, “Unknown”
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Durand Bernarr doesn’t have time to wait around for you to make up your mind. On “Unknown,” the latest slice of smooth R&B from the fast-rising artist, follows Bernarr as he narrates the story of a frustrating, lovesick missed connection, where two people who could have been together missed their moment. The slick, pared down production certainly gives the track a boost, but as with every other Durand Bernarr song, the true star is the singer’s unmatched vocals; Bernarr dives into his soulful baritone just as effortlessly as he flips into a sonorous falsetto, making “Unknown” the best kind of sensual vocal rollercoaster ride that you could ask for.
Trinity the Tuck feat. Jujubee, “‘Til Death Becomes Us”
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In the immortal (literally) words of Meryl Streep, “these are the moments that make life worth living.” With her new song “‘Til Death Becomes Us,” Drag Race star Trinity the Tuck aims for revenge in a thrilling homage to 1992’s Death Becomes Her. With fellow Drag Race alum Jujubee, the pair deliver a slick, early-2000’s dance-pop banger based solely on that deep, petty loathing you feel for that one person who just won’t get out of your life. Add in their hilarious, campy music video, and you’ve got the recipe for a winning new song from a pair of drag superstars.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
When you’re finished listening to Taylor Swift’s Tortured Poets Department, why not dive into some new tunes from your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Joy Oladokun’s reflective new song to Lava La Rue’s rallying cry against oppression, check out just a few of our favorite releases from this week below:
Joy Oladokun, “Questions, Chaos & Faith”
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For anyone dealing with the problem of existentialism, Joy Oladokun doesn’t have any answers for you — but she does hope you’re not alone in feeling lost. On her stunning new single “Questions, Chaos & Faith,” the singer-songwriter wrestles with the big questions of life, death, God, endings and all of the intermediate things between. With a set of stacked vocals and an acoustic guitar strumming behind her, Oladokun aims away from certainty, knowing that she can’t provide it over some chords and a pleasing melody. Yet when she delivers the chorus’ opening line, “Nothing is certain, everything changes,” there is no sadness in her voice; just a soft, beautiful acceptance of all those things she cannot change.
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Lava La Rue, “Humanity”
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In the opening moments of her new music video, Lava La Rue delivers a message directly to her audience: “Be very skeptical of anyone who promotes the narrative that in order to care about the humanitarian right of one group of people, that means you don’t care about another group.” It’s a simple, and extremely effective thesis for the song that follows. “Humanity” tracks La Rue’s own difficult relationship with the concept of collective conscientiousness, wondering why, exactly, we seem to have lost the plot on caring about the people around us. Mixed with her signature groove and pared down for an intimate listening experience, the song poses a question that will ring in your ears: “So many humans, and where’s the humanity?”
Debby Friday, “To the Dancefloor”
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If you’re ready to unplug and just feel yourself for a minute, electronic star Debby Friday’s got you covered. “To the Dancefloor” brings a superbly-produced dance track designed to get you out of your feelings and into your body. The scintillating beat and echoing vocal production brings about a thrilling vibe, while Friday’s commanding-but-casual voice draws you even further into her sonic world. You heard what she said — get to the dancefloor, already!
Wafia, “Background”
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Indie pop darling Wafia is back, and she’s ready to stand firmly at center stage. With her latest single “Background,” the singer-songwriter sings to a lover who wants to share the limelight with her whenever she can. Through softy-strummed guitars and some delicate synths, Wafia communicates that she’s more than happy to share, and even take a backseat in order to help them feel the warmth of the sun. “if you need me now,” she sings, “I’ll be in the background.”
Pillow Queens, Name Your Sorrow
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Packing as much thematic content as they could into their latest album, Pillow Queens are ready to have a frank conversation about the emotinal ebbs and flows of living today. Name Your Sorrow follows through on the promise of its title, with the group diving headfirst into complicated, aching songs about heartbreak, grief, loss, and ulitmately elation, all encompased in cozy, occasionally haunting indie-rock stylings. But don’t let the title fool you, either — Name Your Sorrow may deal in hardship, but it’s a joy to listen to.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
In need of some new jams from your favorite queer artists to freshen up your playlists? We’ve got you covered. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Kehlani’s delectable dance anthem to Chappell Roan’s ecstatic synth-pop jam, check out just a few of our favorite releases from this week below:
Kehlani, “After Hours”
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R&B superstar Kehlani is ready to take it to the dancefloor. “After Hours,” the singer’s new single, sees Kehlani embracing a bouncier, dance-inspired sound as she lets her lover know that she’s tired of beating around the bush — it’s time to make something happen. Utilizing an expertly-placed sample of Cordel “Scatta” Burrell’s “Coolie Dance Rhythm,” Kehlani makes a persuasive case for spending some extra time with her “After Hours.”
Trending on Billboard
Chappell Roan, “Good Luck, Babe!”
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Everyone’s journey to embracing their sexuality is different — and Chappell Roan would just like to wish everyone the best of luck in figuring it out. With “Good Luck, Babe!”, the rapidly-rising pop star pens a heartfelt message to the “babe” in question — a girl who, despite fooling around with Roan, still thinks she might be straight. The effervescent pop track benefits massively from Roan’s operatic vocals on the song’s undeniably catchy chorus, making “Good Luck, Babe!” an instant anthem.
Omar Apollo, “Spite”
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On his new song “Spite,” Omar Apollo is feeling a little petty. With a grooving melody filled to the brim with light guitar licks and pounding rhythms, “Spite” follows Apollo as he navigates through the confusing, often infuriating emotions of being in a long distance relationship. Oscillating effortlessly between desperately missing his partner and wanting to prove that he’s fine without them, the singer lands somewhere in a dangerous middle: “Every time I see you on my phone/ Hate that I still need you in my life,” he croons.
Orville Peck feat. Willie Nelson, “Cowboys Are Frequently Secretly Fond of Each Other”
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If you’re still looking a little more yee to your haw after spending a week with Beyoncé’s excellent Cowboy Carter, Orville Carter is here to help. Teaming up with country legend Willie Nelson, Peck reimagines Ned Sublette’s quintessentially queer country classic “Cowboys Are Frequently Secretly Fond of Each Other,” in which the pair detail a saga of gay gauchos on the frontier. With a pair of immediately recognizable voices blending perfectly on this subversive single, Peck and Nelson’s rendition of “Cowboys” is sure to make plenty of waves among country listeners.
Rainbow Kitten Surprise feat. Kacey Musgraves, “Overtime”
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When caught in the nebulous space between “on” and “off” in an on-again, off-again relationship, it can be hard to figure out just how you’re feeling. Yet Rainbow Kitten Surprise teamed up with singer-songwriter extraordinaire Kacey Musgraves to put those feelings into words on “Overtime,” the latest track off the band’s forthcoming new album. Giving a much gentler tone than RKS’ last song “Superstar,” the track sees lead vocalist Ela Melo trying to find her place in the new normal, pleading alongside Musgraves for just a hint of clarity amid a confusing bit emotional drama.
Zolita, “Small Town Scandal”
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“Still looking for more queer country music? Perhaps this country-pop jam from Zolita will help. Throughout the rollicking “Small Town Scandal,”Still looking for more queer country music? Perhaps this country-pop jam from Zolita will help. Throughout the rollicking “Small Town Scandal,” Zolita revels in a queer love affair that causes conservatives to shake in their boots, while riffing blissfully over a country-rock melody. With exquisite lyrics like “she’s a vers in the saddle,” and “save a horse, ride a cowgirl,” the rising pop singer is simply delighted to be creating her own “Small Town Scandal.”
JORDY, “Nice Things”
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With his latest single, pop singer JORDY would like to make it clear to all the dollar-dropping bros out there — money cannot buy class. “Nice Things,” a slick pop track that sees the singer making fun of the men who’ve “got a Benz, got a boat” and a “private jet every other weekend,” but don’t have his interest. Over a relentless beat complete with a ’90s R&B-style guitar lick, Jordy expertly calls out the “nepo baby” with a “mouth always bigger than the wallet” in a set of devastating lyrics: “I wouldn’t want it even if you paid me.”
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
After you’ve sufficiently yee’d your haw with Beyoncé’s Cowboy Carter, take some time to play a few tracks from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
From Doechii’s banging new single to Becky Hill’s infectious new pop track, check out just a few of our favorite releases from this week below:
Doechii ft. JT, “Alter Ego”
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Leave it to hip-hop powerhous Doechii to create her own new genre for a new single. With “Alter Ego,” Doechii ushers in the era of what she calls “editorial rap” — a genre she describes as “if hip-hop and house music had a baby.” The result is an irresistible, Doechii-flavored banger, tinged with Eurodance synths and hard-hitting hip-hop beats, all accompanied by the Florida rapper’s unstoppable flow and in-your-face chorus. Add in City Girls’ JT for a fiery verse of her own, and you’ve got an A+ track on your hands.
Trending on Billboard
Becky Hill, “Outside of Love”
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It may only be March, but rising British pop star Becky Hill is ready to give you a summer dance anthem early. “Outside of Love,” the BRIT Award winner’s latest dance-pop single, leans all the way into the aesthetics and sounds that fans of Hill have come to love — her singular voice float over a thrumming beat through the song’s building verses, before exploding into a firework of electronic ecstasy on the thrilling chorus. If you’re looking for feel-good club vibes heading into your weekend, look no further.
St. Vincent, “Flea”
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St. Vincent is no stranger to the concept of lust — her seminal 2017 album Masseduction saw the singer-songwriter expounding on the topic ad infinitum. Yet “Flea,” the latest cut off St. Vincent’s forthcoming album All Born Screaming, still delivers something entirely different for Annie Clark. Bathed in blaring guitars and Dave Grohl’s bombastic drums, this “Flea” immediately burrows into you, toying with your pleasure centers as Clark’s writhing voice insists that she’s not letting you go without a fight — and after listening to this track, you won’t want her to let you go, either.
Blondshell feat. Bully, “Docket”
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If you’re ready to keep rocking, Blondshell and Bully have you covered with “Docket,” their infectious new single about the chaos of an imbalanced relationship. At the start, “Docket” presents itself as a hazy, mellowed-out piece of self reflection, where both Blondshell and Bully are looking for some validation about the push and pull of romantic ambivalence. By the time the first chorus hits, though, listeners find themselves in a full-blown rock song, with chunky guitar chords amping up the pair’s call for “a curse” or “a bug” to help their partner find “someone who’s more in love.” As catchy as it is deeply relatable, “Docket” lands as an immediate standout in both artists’ already-stacked catalogues.
Cakes da Killa, Black Sheep
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Much like the titular animal of his latest LP, Cakes da Killa has regularly found himself pushed to the margins of the music industry simply for being himself. So, why not give them a taste of what they’re missing? Black Sheep stands as one of the emcee’s best works to date, continuing his genre-defying style with renewed panache — jazz, house, R&B and rap all meld into one sound throughout the project — while his writing game reaches yet another career-high. Go ahead, keep underestimating Cakes; he’ll just keep showing you how wrong you are.
Stand Atlantic, PVRIS & Bruses, “GIRL$”
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Take a group of queer women and ask them to write a song about women, and magic can happen. Stand Atlantic’s latest alt-pop jam “GIRL$,” featuring fellow alt-rockers PVRIS and Bruses, sees a trio of women delivering a hearty middle-finger to misogyny, unrealistic body standards, femmephobia and plenty more. The song’s hooky verses build up the tension, only to let it release in total catharsis on the amped-up chorus. Need to vent? Just press play.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Spring has officially sprung, which means it’s time to freshen up your warm weather playlists with some new tunes from you favorite queer artists! Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Remi Wolf’s groovy new single to Adrianne Lenker’s stunning new album, check out just a few of our favorite releases from this week below:
Remi Wolf, “Cinderella”
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Everybody needs a good fairy godmother in their life — so, Remi Wolf decided to be her own. With “Cinderella,” the first single off the star’s upcoming album Big Ideas, Wolf breaks down all of her different moods into colorful subcategories, narrating the rollercoaster of emotion she constantly finds herself on. As you listen, the ’70s-inspired groove will slowly ratchet up, giving you ample room to dance off even your greatest worries. And that’s largely the point, as Wolf sings on this deliriously fun song; “Baby girl, won’t you dry your eyes?/ Don’t stress because you’re doing it right.”
Trending on Billboard
Adrianne Lenker, Bright Future
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In a music landscape where overproduction can feel like the new norm, Big Thief star Adrianne Lenker is offering something antithetical. On Bright Future, the singer-songwriter’s latest solo project, Lenker gives fans a direct line to the creative process — every song on the new track was recorded directly to tape, live in studio. Typically armed with her voice (as well as the voices of a few collaborators) and delicate guitars, Lenker proves her less-is-more thesis is well worth listening to, especially when paired with her phenomenal songwriting skills. Bright Future makes a big promise with it’s title; fortunately for us, Lenker delivers in spades.
Fletcher, In Search of the Antidote
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Fletcher’s ready to sing about something else. After a career’s worth of songs about love and heartbreak, Fletcher’s latest LP In Search of the Antidote sees the singer-songwriter turning her gaze inward, asking herself questions about identity (“Ego Talking”), self-defeating mentalities (“Attached to You”) and yes, occasionally, romance (“Crush”). With her lyrical skills honed to a new level, Fletcher proves throughout Antidote that she’s ready for the next challenge life throws at her, whatever it may be.
Girl in Red feat. Sabrina Carpenter, “You Need Me Now?”
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What happens when you take two headline-making openers from Taylor Swift’s Eras Tour and put them together on a song? It sounds like you get a pop banger. Girl in Red teams up with Sabrina Carpenter on the cutting “You Need Me Now?,” a driving pop-rock single that sees the pair of pop singers going for their respective exes’ jugulars. With powerful guitars and frenetic drums, the duo let their former flames know that talk is cheap, and their time is officially up. So, to answer the titles question — yes, we definitely need more Girl in Red and Sabrina Carpenter right now.
Gossip, Real Power
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Nearly 12 years after they released their last album, pioneering indie rock group Gossip is back and ready for more. Real Power sees the trio taking on a wide spectrum on sound, be it disco-pop (“Give It Up For Love”), funk (“Don’t Be Afraid”) or sheer rock (“Real Power”). But even with a variety of sonic textures, the group remains committed to what makes them Gossip — high camp aesthetics and powerful lyrics meant to challenge what you accept as the “norm.
King Isis, Shed
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After giving fans a panoply of pop songs on their EP Scales, King Isis would like to dive into something a little bit darker. Throughout Shed, that is exactly what the up-and-coming artist does, turning up the grungy punk aesthetics but keeping the artistry that fans have come to love, crafting a breif, affecting tour through the angstier side of their musical output.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
In between streams of the newest Ariana Grande album, why not listen to some new tunes from your favorite LGBTQ artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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See latest videos, charts and news
See latest videos, charts and news
From Girl in Red’s new pop-rock jam to Maggie Lindemann’s latest EP, check out just a few of our favorite releases from this week below:
Girl in Red, “DOING IT AGAIN BABY”
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Get ready to rock out with Girl in Red’s latest feel-good anthem. “DOING IT AGAIN BABY,” the titular song off the singer-songwriter’s forthcoming album, is a picture-perfect slice of pop-rock drama, as Girl in Red basks in her own self image. Celebrating her fashion, her sound and even her taste in vintage wines, this instantly irresistable jam is sure to help you party your way through the weekend.
Trending on Billboard
Maggie Lindemann, HEADSPLIT
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For all the folks who get caught in their own head, Maggie Lindemann’s new EP HEADSPLIT is for you. On this eight-track collection of absolute bangers, the rising star takes her classic pop-punk sound and elevates it with ease, blending in some goth-rock, hyperpop and industrial for good measure. Singing about everything from red flags (“Deprecating”) to crippling anxiety (“Taking Over Me”), Lindemann makes sure that HEADSPLIT lives up to its title, in both ear-splitting sound and mind-bending lyrics.
Rainbow Kitten Surprise, “Superstar”
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Following the departure of their bassist Charlie Holt earlier this week, indie rock group Rainbow Kitten Surprise is ready to move forward into their fantasy with their latest single. “Superstar” sees the group taking a more pop-focused approach to their well-established sound — tightening the production and layering in some delicate guitars that build to a pounding chorus, where lead singer Ela Melo finds reassurance from her partner. From start to finish, there’s simply no denying that “Superstar” delivers on its promise.
Allison Ponthier, “Skin”
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Leave it to singer-songwriter Allison Russell to deliver a series of heartbreaking confessions with a soft smile. Throughout “Skin,” the singer drops lines that will make your heart drop (“She’s the people’s princess, pitchfork songstress, and I’m a gross fly on the wall” lands like a gut punch), all while delivering her dreamiest, most blissed-out sound to date. It’s a strange dichotomy that works in perfect synchronicity, as Ponthier yearns for the idealized version of herself over her most ideal song to date.
Jon Foreman feat. Joy Oladokun, “In Bloom”
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You might not immediately think that the lead singer of Switchfoot and a fast-rising folk singer would make a good pairing on a song — yet with “In Bloom,” Jon Foreman and Joy Oladokun prove that they most certainly do. The soft strums and gentle drum beats underscore the duo’s introspective lyrics throughout the gorgeous new song, as they look for hope in a world where it often feels in short supply, beautifully playing off one another’s voices with each passing verse. Spring may not quite be here yet, but with “In Bloom,” it might as well be.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
With Leap Day officially behind us, let’s use the extra time we’ve been given to jam out to some new songs from our favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From St. Vincent’s furious new rock song to Fletcher’s latest pop confessional, check out just a few of our favorite releases from this week below:
St. Vincent, “Broken Man”
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“What’re you looking at? Who the hell do you think I am?” When you hear St. Vincent snarl those lyrics on the chorus of her bombastic new single “Broken Man,” you understand that there’s no “character” here — it’s Annie Clark, in all her glory. But the star’s scornful lyrics are just one piece of the puzzle that is “Broken Man,” as the self-produced track gradually ramps up its industrial furor with each passing moment. Guitar chords become blown out sirens, drums invade like an approaching phalanx of soldiers (thanks to all-star assists from Mark Guiliana and Dave Grohl) and Clark’s voice growls with intensity as she asks again; what are you looking at? The answer, it turns out, is an artist at the pinnacle of her craft.
Trending on Billboard
Fletcher, “Doing Better”
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What happens in the aftermath of releasing a much-discussed breakthrough hit? Fletcher would like you to know exactly what goes down on “Doing Better,” her latest pop banger dedicated to the fallout from her last pop banger, “Becky’s So Hot.” Written in the form of a letter to her ex, Fletcher immediately establishes the myriad ways Fletcher’s been doing better since “making [your girlfriend] go viral” — new cars, “bougie IVs,” performing with Miley Cyrus — before declaring that, at the end of the day, it didn’t change as much as she’d have liked. “My tummy still hurts,” she opines. “Why does better feel worse?”
Olly Alexander, “Dizzy”
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Eurovision is about to get flipped on its head thanks to Olly Alexander’s new single. Shedding the Years & Years label and moving forward as a solo artist, Alexander’s new single “Dizzy” — which will serve as the United Kingdom’s entry in the 2024 Eurovision Song Contest — spins his established electropop sound up to new heights. The It’s a Sin star’s remarkable voice remains as clear as ever, while the production from Danny L Harle elevates the song into vertiginous reverie, mimicking the lyrics’ giddy passion in flowing scales that keep the song in a state of perpetual, blissful motion.
Mannequin Pussy, I Got Heaven
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Where desire and defiance meet, you’ll find Mannequin Pussy’s ridiculously good new album I Got Heaven. Equal parts protest and proposition, I Got Heaven sees the Philadelphia punk rockers hosting a carnival of raw emotion, between telling bigots to sit and spin on the album’s raucous title track and demanding nothing short of pleasure on the raging “Aching.” It’s that rare punk record that keeps juking right when you think there’s a left turn coming, perhaps best encapsulated by Marisa Dabice’s insistent affirmation on “Loud Bark”; “I want to be a danger,” she croons. “I want to be adored.”
Cat Burns, “Alone”
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Stuck in a dating rut? Cat Burns feels your pain on “Alone,” the UK singer-songwriter’s stunning new song detailing her struggle with loneliness. Diaristic lyrics detail Burns’ lack of dating experience, and her frustration with trying to catch up to her peers while still looking for love for the right reasons. With each passing lyric, her voice grows more emotive as she declares that “I don’t wanna be a pessimist, but I’m getting kind of pissed at this” — a feeling anyone in the dating scene can understand to their core.
Isaac Dunbar, “Backseat Girl”
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While he’s made a name for himself for his theatrical output, Isaac Dunbar is a performer of many different faces. On “Backseat Girl,” the singer takes on the persona of the titular background character, perennially pushed to the margins of the story, yearning for their moment in the spotlight. For fans of Dunbar, though, there’s still plenty of his signature flair in “Backseat Girl” — between an instantly-catchy ’70s rock melody and his campy vocal choices, the singer delivers plenty of drama through this tenderly written ballad.
Jade LeMac, Confessions (Deluxe Version)
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Jade LeMac would like to take a well-deserved victory lap. Following the release of her applauded EP Confessions, the singer’s new deluxe version of the project gives fans just enough new content to properly recontextualize the music they already love. Whether she’s literally critiquing her lover’s technique (“Bad Kisser”) or responding in kind to unwanted negging (“Pick a Fight”), LeMac leaves it all on the page as she proves yet again why she’s the name to watch in the pop space.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
As spring draws near, there’s no better time to freshen up your season playlists with some new tunes from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Charlotte Day Wilson’s gorgeous new single to Hurray for the Riff Raff’s K, check out just a few of our favorite releases from this week below:
Charlotte Day Wilson, “I Don’t Love You”
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Throughout Charlotte Day Wilson’s new single “I Don’t Love You” — the first offering off her upcoming album Cyan Blue — the singer-songwriter presents a sobering meditation on the healing power of heartbreak. Suffused with deconstructed production elements, slow-grooving bass lines and distorted background vocals filling the backend like a chorus of ghostly past lovers, Wilson commands your attention with a wistful vocal, resonating with soul-shaking emotion on every single note. Don’t let the song’s title fool you; you’re going to “Love” Wilson’s moving new single.
Trending on Billboard
Hurray for the Riff Raff, The Past Is Still Alive
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Leave it to folk purveyor Alynda Segarra — better known as Hurray for the Riff Raff — to release their best album more than 15 years into their career. The Past Is Still Alive, the star’s ninth studio album, stands alone as a triumph in its production, performance and songwriting and practically every other metric. This thoughtful, 11-song opus sees Segarra incorporating folk, rock, Americana and jazz into an elegy of what could have been, a sobering look at the way things are now, and a prayer for that which has yet to come.
Towa Bird, “B.I.L.L.S.”
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The end of the month is coming up fast, which means you’ve likely got some payments to make. If you’re dreading the mere thought of your banks statement, then Towa Bird’s “B.I.L.L.S.” is the song for you. The rollicking new anthem flips a massive middle finger in the face of late capitalism, bemoaning our money-fueled reality. With fiery guitars and a chant-along chorus, Bird will have you declaring that you’re just as “tired of life’s expense” as she is.
King Isis, “MONKI”
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If you’re still in need of an outlet for your inner angst, allow King Isis to help. “MONKI,” the singer’s latest single, is an impactful melodic track that firmly takes up its own space, regardless of whether or not it’s “supposed” to. Defiant, but without overt aggression, King Isis lets her impressive voice do the heavy lifting, as she chants a tongue-in-cheek incantation to her would-be oppressor: “Spare me from those awful sounds/ Oh baby, can he save you now?”
Cavetown, Little Vice
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When figuring out where to go next with his music, Robin Skinner — known to his fans as indie star Cavetown — decided to mix the old and the new. The product of that experiment is Little Vice, a 5-track new EP from the singer-songwriter that sees Cavetown tackling the emotionally resonant topics his fans have come to expect with intriguing sonic twists. While each new track delivers the soft-spoken, carefully-written verses fans have come to expect, they also each come with unique left turns, from distorted guitars (“Alone”) to glitching vocals (“The Back of the Moon”). For 15 minutes, Little Vice asks you to embrace capriciousness — and after listening, you’ll agree that it’s 15 minutes well spent.
Monét X Change, “Body”
With her new single “Body,” Drag Race star Monét X Change is ready to show you the love you’ve been waiting for with a down-tempo R&B jam. Bursting with lush instrumentation (drums, bass and guitars are joined by an entire string section throughout the track), “Body” sees Monét leaning all the way into romance as her sonorous voice declares that she’s done chasing one-night-stands. Based on this fabulous new song, we won’t be looking for a one-night-stand with X Change’s music, either — there’s never been a better time to commit to this drag superstar as a recording artist on the verge of a breakthrough.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Looking forward to a long weekend? Spend it properly by listening to some new tunes from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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See latest videos, charts and news
From Kim Petras’ sexy sequel project to Serpentwithfeet’s club-inspired new album, check out just a few of our favorite new releases from this week below.
Kim Petras, Slut Pop Miami
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After stunning fans in 2022 her surprise, sex-positive EP Slut Pop, Kim Petras is ready to do it again — this time, in some warmer weather. Throughout Slut Pop Miami, the singer returns to raunchy lyrics, club beats and absolutely wild song titles. Whether she’s talking about the various things she’d be interested in riding (“Banana Boat”) or taking on her role as the girlboss of the bedroom (“Head Head Honcho”), Petras spends all 12 tracks of her latest project letting everyone know just how far she’s willing to go.
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Serpentwithfeet, GRIP
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Queer folks know what it means to find both safety and intimacy in the confines of a queer club — so Serpentwithfeet decided to make an album dedicated purely to that feeling. GRIP chronicles as many different iterations of queer-affirming encounters as the singer can, from diving into a full-blown relationship after a one night stand (“Deep End”) to the anxiety of feeling isolated on the dance floor (“Black Air Force”). Tinged throughout with Serpent’s “kinetic R&B” sound, GRIP is here to give you everything you could ask for from a night out on the town.
VINCINT, “Good II Me”
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If there’s one thing you can expect from a VINCINT song, it’s euphoric vocals over thundering dance production. “Good II Me,” the singer’s latest single, delivers just what you were hoping for as VINCINT shimmies off his problems and dances the night away. House pianos, electro drums, and a full choir join his stratospheric voice as the song reaches its climactic chorus — and any chance you had at resisting the urge to dance along disappears right along with it.
PVRIS feat. Tommy Genesis & Alice Longyu Gao, “Burn the Witch”
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If you’re feeling pessimistic about the general progress of our world, then PVRIS has a song for you to rage along to. “Burn the Witch,” Lyndsey Gunnulfsen’s hardcore collaboration with fellow female rockers Tommy Genesis and Alice Longyu Gao, is a pissed-off middle finger to an establishment of men who would rather bring the world crumbling down around them than stop persecuting women. The song’s relentless drums and gothic guitar lines serve as apt punctuation for the trio’s message to the misogynists of the world: “You f–ked the world for power, look who’s got it now.”
Laura Jane Grace, Hole in My Head
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After a lifetime of fighting against the machine, Laura Jane Grace is ready to take a look back. Her new album Hole in My Head serves as a series of reflective entries about the Against Me! frontwoman’s life of sheer punk rock chaos. Reexamining her origins (“Punk Rock in Basements”), her transition (“Dysphoria Hoodie”) and her beliefs (“I’m Not a Cop”), Grace embraces folk-rock to tell her story in the best way she knows how — through utterly excellent music.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
As we head into Super Bowl LVIII, why not amp up your party playlists with some new tunes from some of your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Girl in Red’s infectious new anthem to Shygirls’ exhilarating new dance EP, check out just a few of our favorite releases from this week below:
Girl in Red, “Too Much”
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For everyone who has ever tried to dim her shine, Girl in Red would like to raise a defiant middle finger. “Too Much,” the singer-songwriter’s debut track off her forthcoming new album I’m Doing It Again Baby!, is a stunning pop-rock kiss-off to a lover who just cannot understand her idiosyncrasies. Girl in Red delights in her own dramatics, letting her partner know how much she hates being told that she’s overdramatic in the most theatrical and thrilling way possible.
Shygirl, Club Shy
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Don’t let her name fool you — Shygirl is ready for a night out with her latest project. Club Shy sees the English upstart diving headfirst into the world of electronic music, delivering a phenomenal tribute to East London’s club scene. Whether she’s waving off a former flame (“Mr. Useless” feat. SG Lewis) or on the prowl for someone new (“4eva” featuring Empress Of), Shygirl basks in the glory of her new sound for every second of Club Shy, inviting you to come and dance along.
Zolita, “Bloodstream”
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Just in time for Valentine’s Day, Zolita is here to give you a song that can help express just how much you want to be with your partner. Brandishing her unique brand of alt-pop artistry, Zolita spends much of “Bloodstream” penning her very own declaration of love. Declaring that wants to be as physically close to her partner as possible, the star’s hazy vocal and rollicking production sound like they could soundtrack the climactic moment of any late-2000s rom-com. And that’s just part of what makes “Bloodstream” so irresistibly good.
Brittany Howard, “Power to Undo”
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With a toxic former lover knocking down her door, Brittany Howard is ready to stand firm and take her power back. Her rollicking new single “Power to Undo” — off her new album What Now — follows the former Alabama Shakes frontperson as she refuses to let herself fall back into the arms of an ex, reminding them that “you have the power because I gave it to you” time and time again. Add in the chaotic production, from chest-pounding drums to haywire guitar riffs, and you’ve got a song that will put you right in the moment with her.
MICHELLE, Glow
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NYC-based alternative group MICHELLE isn’t interested in a bright burst of light; they’d rather just Glow. Their awaited 5-song EP fulfills on the promise of its title, highlighting the smaller — but still emotionally important — moments that make up day-to-day life. It could be a recognition that they’re stuck in a series of patterns (“Glow”), or just another phone call with a lover (“On the Line”) — MICHELLE makes use of the little things that can still have massive effects, and they’ve never sounded better.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
