Queer Jams of the Week

As we move toward the end of summer, there’s still time for you to find your song of the summer from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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From Kali Uchis’ team-up with El Alfa and JT to Demi Lovato’s collaboration with LE SSERAFIM, check out just a few of our favorite releases from this week below:

Kali Uchis feat. El Alfa & JT, “Muñekita”

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Get ready for your new sexy summer anthem. Kali Uchis invited Dominican dembow superstar El Alfa and City Girls member JT for her flirty new single “Muñekita,” where the trio strut their way down a delicious Latin beat, spitting Spanish bars about how truly fabulous they all are. On her own, Uchis could have made an excellent Spanish-language anthem — but with Alfa and JT in tow, it’s a party you’ll never want to leave.

LE SSERAFIM feat. Demi Lovato, “Eve, Psyche & the Bluebeard’s Wife”

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How should a K-pop act like LE SSERAFIM capitalize on a viral banger like “Eve, Psyche & the Bluebeard’s Wife?” Their answer is to invite pop-rock icon Demi Lovato onboard for a verse. The bones of what made “Eve” such a great song remain fully intact — from the house-inspired production to the delicious vocals from each member. But with the addition of Lovato, jumping back into her dark-pop era for a bossed-up verse, “Eve” ascends to even greater heights.

Towa Bird, “This Isn’t Me”

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Just three singles into her career with Interscope, Towa Bird is already proving to be one of the most exciting new artists on the scene. “This Isn’t Me” only adds to her already prestigious discography with a tender but gritty indie rock anthem about finding yourself stuck in a social quagmire where you simply do not belong. Fuzzy guitars, chunky drums and an expertly restrained vocal all make “This Isn’t Me” a perfectly-crafted ode to social anxiety.

Teddy Geiger, “Never Enough”

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With her latest single “Never Enough,” Teddy Geiger just can’t stop thinking about consumption. Over a delirious and often hypnotic melody, the singer-songwriter examines our insatiable craving for more and more of just about everything. “Once you have a little bit of something, it’s never quite enough; when the show has been binged, you want more of it,” she told Billboard of the new song. “You’re always left feeling like there’s something lacking, unless you can come to peace with the feeling itself.”

Durand Bernarr, “Kiss from a Rose” (Seal Cover)

We didn’t know that we needed to hear one of the most uniquely talented voices in music covering a ’90s soul staple — yet here we are! Durand Bernarr took on Seal’s iconic “Kiss from a Rose,” opting to keep what works about the soft-rock-meets-soul anthem, and letting his unbelievable voice do the work. Throughout this marvelous cover, Bernarr proves again why he is perfectly situated to become the next big star in R&B — all you have to do is press play to find out why.

Check out all of our picks on Billboard’s Queer Jams of the Weeks playlist below:

Summertime may be in full swing, but it’s never too late to find your song of the summer. Billboard Pride is here to help with the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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Explore

See latest videos, charts and news

See latest videos, charts and news

From Sam Smith’s new collaboration with Calvin Harris to Anne-Marie’s new album, check out just a few of our favorite releases from this week below:

Calvin Harris feat. Sam Smith, “Desire”

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Each time Calvin Harris and Sam Smith have teamed up to make music, the results have been blissful — whether it was the cooled-down stylings of 2018’s “Promises,” or the disco euphoria of this year’s “I’m Not Here to Make Friends.” Their latest collaboration “Desire” follows in those same footsteps; a thundering trance beat and a set of stuttering synth lines perfectly match with Smith’s delicate vocal, as they declare that just “the thought of you is keeping me awake.”

Anne-Marie, Unhealthy

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Trying to encapsulate what Anne-Marie’s Unhealthy is all about is like trying to grab a fish with your bare hands — just when you think you have a good grasp, it manages to wriggle away. But that’s part and parcel of the accomplishment in the pop singer’s latest LP; Unhealthy is about embracing chaos and learning to accept what can’t be fully understood. The sonics match that theme — Anne-Marie oscillates between gorgeously-sung ballads (like “You & I” featuring Khalid), angsty pop-rock anthems (“Haunt You”), and pure pop anthems (“Trainwreck”), the British phenom refuses to just be one thing, when she can be everything.

CHIKA, Samson

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Much like the titular Bible character, Chika is ready to find strength in what makes her vulnerable. On her full-length debut Samson, the rapper goes beyond proving why she deserves recognition for her pen game, and acknowledges the emotional turmoil that has plagued her life for the last few years. Embracing blatant honesty to devastating effect, Chika burns bridges (“Mad”), flexes her skills (“Prodigy”), and weaves a compelling narrative web of an artist rejecting her position as an overlooked superstar. Chika didn’t mince her words, so we won’t either; Samson is a masterpiece.

Shamir, “The Beginning”

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Looking for a throwback to the late ’90s? Shamir has got you covered with “The Beginning,” a scrumptious pop-rock jam that’s ready to transport you straight back to the age of Savage Garden and Third Eye Blind. It’s fitting, then, that the lyrics to the delectable new song are all about looking back on the good old days of a relationship, and realizing that maybe they weren’t as “good” as you thought they were. “The Beginning” is just another reason why Shamir remains a vital voice in the indie pop-rock scene.

Kidd Kenn, “Coming”

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That’s Mr. Kenn, if you’re nasty — and “Coming” will certainly encourage you to access your nasty side. With his latest single, rising rap star Kidd Kenn is happy to go full “WAP,” but this time for the gays, flexing all of the various way that he can get his lover hot over an entrancing melody and booming beat. Yes, “Coming” is exactly what it sounds like — a hip-hop banger for you to press play on immediately.

MAY-A, “Something Familiar”

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When Hamlet said that we would all “rather bear those ills we have than fly to others that we know not of,” MAY-A felt that. On her latest single “Something Familiar,” MAY-A gives into comfort over consistency, basking in knowing the person she’s with well, even if she doesn’t really like them all that much. Add in her updated, rocked out sound to give the song a boost of adrenaline, and you’ve got yet another jam from the rising star.

Jaboukie, “not_me_tho”

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If you want to work yourself to the bone to get ahead, that’s just fine — just don’t expect Jaboukie Young-White to join you. On his latest single off of his upcoming new album, the comedian-turned-writer-turned-actor-turned-musician is skewering hustle culture with a carefree, shrugged-off anthem. Throwing up a middle finger to late-stage capitalism, “not_me_tho” is Jaboukie at his most effortless, laughing at the social climbers sweating their way to the top as he casually waves at them from his self-made pedestal.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

With a hot and sticky summer comes our latest picks of hot songs from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Troye Sivan’s sweaty return to dance-pop to Reneé Rapp’s self-talk anthem, check out just a few of our favorite releases from this week below:

Troye Sivan, “Rush”

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No, Troye Sivan’s new single is not explicitly about your favorite brand of poppers — at least not directly. With “Rush,” the Australian pop superstar unleashes a half-decade of pent up energy, released in a flurry of relentless dance beats, chunky synth chords and Sivan’s crystal-clear voice. Celebrating dopamine-fueled 3 a.m. dance parties, Sivan soaks every single second of the song’s two and half minutes in beatific dance floor ecstasy, delivering this year’s most definitive queer anthem right when we need it most.

Reneé Rapp, “Talk Too Much”

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It’s hard to stand a chance when self-sabotage is your love language, as Reneé Rapp masterfully points out on her excellent new single. Throughout “Talk Too Much,” the soon-to-be-former Sex Lives of College Girls star goes searching for flaws in her partner, only to be met with punchy guitars and the reassurance that she’s the one waving red flags. The song is as funny (her self-questioning soliloquy as a bridge is perfect) as it is irresistibly catchy.

PVRIS, Evergreen

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On her latest album, Lynn Gunn wanted to create something that was both timeless and of the moment. Evergreen, the latest full-length album from her solo project PVRIS, manages to accomplish that goal with shocking effect. Singing about everything including burnout from our specific semi-apocalyptic reality (“I Don’t Wanna Do This Anymore”) to fighting off a more generalized feeling of ennui (“Senti-Mental”), PVRIS successfully taps into a new wavelength, making it clear that they are here for the long run.

Chelsea Cutler, “I Don’t Feel Alive”

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Who would’ve thought that a song about dissociation could feel so good? Chelsea Cutler has always excelled at taking raw sincerity and turning it into fabulous music, and the same is true for “I Don’t Feel Alive.” Over a seemingly joyful, jangling acoustic guitar and a stomp-clamp beat, Cutler dives deep into her own self doubt, questions her reality and points out all of her worst tendencies, all while combatting an all-encompassing sense of detachment from her own life. By the song’s end, though, she’s looking at her progress, and looking to a better future.

Claud, Supermodels

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Based on its singles alone, you would be forgiven for thinking that Claud’s sophomore album Supermodels was going to be a pretty sad album. You wouldn’t be entirely wrong — the album follows the path of a relationship in turmoil, occasionally seeing Claud own their own faults (“Dirt”) or call out their lover’s (“Every F–king Time”). But on bright spots like “A Good Thing” (which now has a music video featuring America’s Sweetheart Paul Rudd), Claud lets themselves dabble in hope and happiness, bringing a thematic and sonic variety to this excellent new album.

Maddie Zahm, “Where Do All the Good Kids Go?”

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Being asked to be a grownup while actively growing up can leave a person feeling robbed of their childhood. Maddie Zahm, for one, is ready to talk about that experience on “Where Do All the Good Kids Go,” her heartwrenching new single. Pairing her sensitive voice with a moving piano melody, Zahm recounts years of adults expecting more out of her while her peers kept their distance, and the endless recursion loop of confusion and hurt that came as a result. It’s a stunning piece of confessional songwriting that manages to break you down while also giving you just an ounce of hope by the time the final chord is struck.

Palehound, Eye on the Bat

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El Kempner always excelled at writing insightful and poetic lyrics as a part of Palehound — but not ever like they do in Eye on the Bat. Throughout this vulnerable, chaotic new project, Kempner strips away much of the edifice surrounding their past music, now letting themselves get vulnerable and be seen through get real about people pleasing (“U Want It U Got It”), breakups (“Independence Day”) and much more. It’s all done through the star’s singular indie rock style, making Eye on the Bat a must-listen album.

Shamir, “Our Song”

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Shamir is feeling nostalgic for the good ‘ol days on his latest song. Performing through the lens of looking back on the bitter ending of a relationship, the singer-songwriter spends much of “Our Song” wishing things were different — wishing he was a bigger person back then, wishing that his ex hadn’t managed to “infiltrate” his mind, and so forth. To fit the stirring lyrics, the song’s sound manages to smartly straddle the line between dreamy pop music and grittier rock offerings, making “Our Song” a fascinating must-listen.

Idman, Risk

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If you somehow haven’t listened to rising singer-songwriter Idman yet, allow us to introduce you with their fabulous new EP. Risk sees the star-in-the-making mix together pop, R&B and hip-hop into a eclectic mix of must-listen bangers talking about heartbreak (“Hate”), infatuation (“Still”), and pure confidence (“Beach”). With beats and melodies as versatile as the blissful riffs they regularly sing throughout each song, Risk is exactly the kind of project that makes us want to hear more and more from Idman.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

It’s the last day of Pride Month, but certainly not your last chance to check out some new tunes from your favorite queer artists! Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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See latest videos, charts and news

See latest videos, charts and news

From The Japanese House’s thrilling new album, to Mxmtoon’s team-up with Ricky Montgomery & Cavetown, check out just a few of our favorite releases from this week below:

The Japanese House, In the End It Always Does

“Perform my stupid rituals, everything in cyclical,” Amber Bain sings on her new album. “Hold on to this feeling ’cause you won’t feel it for long.” This is the prevailing sentiment behind In the End It Always Does, the sometimes-nihilistic, otherwise-curious new album from The Japanese House that ponders the patterns of our emotional inner lives. Whether it’s a lack of physical connection (“Touching Yourself”), or predetermination in the middle of a relationship (“Morning Pages” with MUNA), Bain examines the cycles of her love life with surgical precision, and through the lens of some impeccably-crafted indie-pop.

Mxmtoon, Ricky Montgomery & Cavetown, “Nobody Loves Me”

Turns out when you take three exceptionally gifted singer-songwriters and put them together on one song, you get a pretty great final product. “Nobody Loves Me,” the collaboration between Mxmtoon, Ricky Montgomery and Cavetown, sees the trio offering up their own interpretations of hopelessly pining after the objects of each of their affection. With soft, silky production that lends itself perfectly to the delicate subject at hand, “Nobody Loves Me” is exactly the kind of song to sit and introspect to.

Greta Van Fleet, “The Falling Sky”

No, it’s not Chicken Little — it’s just Greta Van Fleet letting you know that the sky is, indeed, falling. In this delicious rock single, the band struggles against the seemingly unyielding problems of the world, as frontman Josh Kiszka opines that “I don’t wanna lose this time.” Add in some flavorful guitars and even a brassy harmonica solo, and “The Falling Sky” quickly becomes a must-listen anthem for perseverance — especially given Kiszka’s recent coming out, and the state of affairs for queer people in this country.

Daya, “Juliene”

Looking for a sizzling, sexy anthem for your summer playlists? Enter Daya. “Juliene,” the singer’s latest single, follows Daya as she pursues the titular character down a burning-hot beach so they can find some alone time. Some A+ alt-pop production and an ethereal vocal performance later, “Juliene” transcends into a flowing, scintillating jam that’s bound to get stuck in your head shortly after your first listen.

Chika feat. Freddie Gibbs, “Truth or Dare”

If you’ve ever wanted to be let into a songwriter’s process, then Chika has exactly the song for you. On “Truth or Dare” (featuring a fabulous guest verse from rap superstar Freddie Gibbs) the 25-year-old rapper focuses her aim at the industry and her own career, calling out shallow trends and materialist incentives before turning her focus inward. Throughout the dexterous second verse, Chika slowly deconstructs herself before wondering if any of this is really even worth it. “Nowadays, music about a few seconds that make you sway from side to side,” she spits. “Why am I thinking so much ’bout my lyrics? Forreal I’m just wastin’ my time.” That may be how Chika feels, but we think pressing play on “Truth or Dare” is maybe one of the best uses of your time today.

G Flip, “The Worst Person Alive”

Ever had an ex that decided to treat you like Public Enemy No. 1? G Flip most certainly has, as they explain on their latest single “The Worst Person Alive,” a scathing indictment of the multi-hyphenate’s past relationship. Fueled by a pounding drum beat (performed by G Flip themselves) and seething lyrics that question any and all intentions from their former flame, “Worst Person” seeks to find answers amid the mess and drama of a relationship at its end.

MAY-A, “Lola”

Australian indie-rock star MAY-A wants to talk about growing apart. On “Lola,” the first single off of her forthcoming EP Analysis Paralysis, the singer-songwriter looks her relationship with two different people; the person she gets to be with in private and the person they change themselves into in public. Through the dreamy guitars and subdued percussion, MAY-A paints a vivid image of a relationship where no one knows where they stand, making this an excellently evocative single to kick off her new era.

Check out all of our picks in our Queer Jams of the Week playlist below:

As we head into the final weekend of Pride celebrations around the U.S., get into some of our favorite new releases from LGBTQ artists! Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Kim Petras’ long-awaited new album to Demi Lovato’s seething new anthem for abortion rights, check out just a few of our favorite releases from this week below:

Kim Petras, Feed the Beast

What is the titular Beast of Kim Petras’ new album? For each person it’s different, but for the fast-rising pop superstar, it’s pop music itself. Throughout Feed the Beast, Petras gives in to every pop urge she’s had throughout her career, leaning hard into the Eurodance and rave tracks that raised her (employed to particularly excellent effect on album standout “King of Hearts”), while also dipping a toe back into the bubblegum stylings of her past performances. It’s a relentless, thrilling rollercoaster of pure pop indulgence — which is nothing less than what you’d expect from Petras.

Demi Lovato, “SWINE”

If you thought Demi Lovato was angry on Holy Fvck, you’d better sit down for their new single. “SWINE” is Lovato at her most furious, fueled by righteous indignation at the looming first anniversary of the U.S. Supreme Court overturning Roe v. Wade. Pounding, relentless drums and roiling guitars make “SWINE” sound like a long lost nu-metal anthem, as Lovato bitterly snipes, “F–k what I think, I don’t know a thing/ The government knows my body.” That sound only adds to the star’s seething vocal, as they rage against the system that aims to strip women of their bodily autonomy. When Lovato sings to “give these motherf–kers hell,” it doesn’t sound like a lyric; it sounds like a call to action.

Boyish feat. King Princess, “Kill Your Pain”

There’s just something about the pairing of indie-rock duo Boyish and queer star King Princess that works perfectly. On “Kill Your Pain,” the new collaboration from the trio, Boyish & King Princess are completely in-synch, as they lament a relationship so all-encompassing that they began to lose sight of their individuality. Mikaela Straus fits just right with lead singer India Shore, as they trade verses back and forth about the frantic, messy realization of a connection this doomed.

Hayley Kiyoko, “Somewhere Between the Sand and the Stardust“

With her new single, Hayley Kiyoko is letting us in on something hard. “Somewhere Between the Sand and the Stardust” follows the pop singer as she processes her own grief in the wake of a friend’s death. Her voice, brimming with layers of rich vocoder notes, mournfully tries to make sense of the passing, while also acknowledging the end of her friend’s pain. It’s a heartbreaking ode to losing those we love, and one we highly recommend listening to.

Big Freedia, Central City

Big Freedia never went away — but this week, she’s back in a big way. Central City, the bounce icon’s first full-length studio album in nearly a decade, serves as a hand-guided tour from Freedia through the sonic landscape of New Orleans, featuring all the bounce and hip-hop you could hope to get your hands on. Dash in massive guest appearances from stars like Lil Wayne, Ciara, Faith Evans and plenty more, and you’ve got a monumental moment for the Queen Diva on your hands.

The Blessed Madonna feat. Jacob Lusk, “Mercy”

It’s time to let your hair down, queers — The Blessed Madonna is here with a brand new Pride anthem, just in time as the final festivities of June begin to take place. “Mercy,” featuring vocals by the enchanting Jacob Lusk of Gabriels, is a slice of house music heaven, complete with a four-on-floor beat and some groovy bass to elevate the vibe. By the time the choir kicks in on the song’s post-chorus, you’ll be giving it your all on the dancefloor.

Kidd Kenn, “Everywhere I Go”

For those who have been following the career of up-and-coming rapper Kidd Kenn, be warned; his new era is upon us. “Everywhere I Go” sees the once-rapid rapper switching up his style — gone are the flexed out bars of past singles, now replaced by a more melodic, more even-keeled flow. With that flow comes a new attitude; throughout the track, Kenn exudes nothing but cool, collected confidence on this delectable new offering.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

Happy Pride, everybody! What better way to celebrate the reason for the season than with a cornucopia of new tracks from your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Tove Lo’s Y2K dance anthem to Adam Lambert’s appropriate new Pride cover, check out just a few of our favorite releases from this week below:

Tove Lo, “I Like U”

That’s right, we’re kicking off Pride with one hell of a new dance song. Tove Lo’s “I Like U” doesn’t need to be anything other than what it is — a feel good, fire-up-the-smoke-machine single about the revelry of newfound love. With production courtesy of frequent collaborator Timfromthehouse, Tove’s new song is a perfect party banger to kick off your Pride Month, as she wails “I li-li-li-like you/ I want you tonight.”

Adam Lambert feat. Sigala, “You Make Me Feel (Mighty Real)” (Sylvester cover)

When you think of “Pride anthems,” a handful of tracks immediately come to mind — one such song is Sylvester’s classic 1978 hit “You Make Me Feel (Mighty Real).” Now, 35 years after the disco icon’s death, Adam Lambert is ready to pay tribute to a great that paved the way. Teaming up with Sigala for a dance-fueled remix of the track, Lambert’s falsetto stylings fit perfectly with the song, nailing each note of the track, but never aiming to emulate the late star — rather, he honors his legacy with this dedicated cover.

Paris Hilton feat. Kim Petras, “Stars Are Blind (Paris’ Version)”

Say it with me — “that’s so hot.” Paris Hilton is, in fact, back with a re-release of her beloved single “Stars Are Blind.” (Note Taylor Swift’s impact, with Hilton dubbing her new rendition “Paris’ Version”). This time, though, Hilton is bringing along her friend and past collaborator Kim Petras to amp up the newest version of the track, with a pitch perfect second verse.

The Aces, I’ve Loved You For So Long

You shouldn’t mistake The Aces’ new album, I’ve Loved You For So Long, as nostalgia; while much of the 11-track project does deal with delving into the past, not all of it is done fondly. Throughout this expansive LP, the group retrods everything from teenage self-loathing (“Miserable” and “Always Get This Way”) to co-dependency (“Girls Make Me Wanna Die”), all done with their signature indie-pop sound and top-shelf songwriting completely intact.

Claud, “Wet”

Ever had that one person in your life who just refused to commit? If so, Claud has a song for you. The alt-pop star’s latest offering “Wet” deals with this exact dilemma, as Claud chastises a could-be partner for their refusal to just go for it. The thrumming, synth-focused production only adds to the drama, as the singer passively tells the song’s subject, “That’s not an apology/ But I’ll take what I can get/ Dip your feet but not too wet.”

Jake Shears, Last Man Dancing

It bears repeating that in dark times, it feels good to unplug and dance for a little while. Jake Shears’ phenomenal new album Last Man Dancing provides exactly that opportunity, while also offering something of a history lesson in queer music. Revisiting the chaotic electroclash that defined the late ’90s and early 2000s (especially on album standout “Really Big Deal”) and diving headfirst into gorgeous disco-tinged dance songs (the Kylie Minogue-assisted “Voices”), Last Man Dancing is a triumphant call to joy from Shears for the queer community. Sure, the world’s turning into a dystopia, but when has that ever stopped us from making our own good time?

CHIKA, “Requiem For A Dream”

When it comes to penning lyrics that make you sit back in your chair and exhale loudly, CHIKA is nearly unmatched. Her return single “Requiem for a Dream” is a perfect example — throughout this woozy track, the rapper dives deep into her own mind, plucking out insecurities, fears and self-scrutinizations and laying them out for the listener. But after shooting off a veritable laundry list of the problems she’s dealing with, CHIKA comes to a gorgeously-sung resolution on the song’s chorus: “I’m alright with pretending that all’s well …We’ll be okay,” she sings, before hampering her own thought. “F–k, I’m delusional.”

Zolita, “Grave”

As fun as it is to be petty, sometimes you just have to suck it up and be the adult in a relationship. For all of the angst she’s sung about thus far in her career, Zolita’s ready to be the grown-up on “Grave.” This chilling new track sees the rising pop singer living through the aftermath of a breakup, and instead of going scorched earth on her ex (see past single “20 Questions” for that particular tirade), Zolita decided to just take it in stride. “You said things you never thought you’d say,” she offers, spitefully. “You’re lucky I’ll take that s–t to my grave.”

Dorian Electra, “Sodom & Gomorrah”

If right-wing politicians want to use the Bible like a cudgel, Dorian Electra says “let them.” On “Sodom & Gomorrah,” the hyperpop star takes a look back at that “ancient story” where “two cities got super horny,” and turns it into a metaphor for what they’d like to see their lover do to them. With some cheeky wordplay and a lot of thinly-veiled innuendo, Electra gets their point across with ease in this sexed-up single.

Trixie Mattel, “Looking Good, Feeling Gorgeous” (RuPaul cover)

Her Snatch Game impression of RuPaul might have been a bit rough, but Trixie Mattel’s new cover of a RuPaul classic is, as she put it, a “winner winner chicken dinner.” Taking the (frankly underrated) RuPaul track “Looking Good, Feeling Gorgeous” and giving it a modern facelift, Mattel leans into the unbridled camp of the dance single, pouring every ounce of faux-sincerity into the song’s central question of “How do I look?” Considering the fact that the music video is also raising money for the Drag Isn’t Dangerous fund, and you simply have no reason not to press play.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

With Pride less than a week away, freshen up your playlists with some new songs from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Arlo Parks’ long-awaited new album, to Demi Lovato’s rocked-out version of a fab-favorite track, check out just a few of our favorite releases from this week below:

Arlo Parks, My Soft Machine

For all of the talk of your 20s being “the best years of your life,”rising alternative star Arlo Parks has a slightly different take. With My Soft Machine, her sophomore album, the UK artist floats between existential dread over the ending of relationships (“Weightless,” “I’m Sorry”) and introspective musings on self-worth (“Impurities,” “Devotion”), all done with an eclectic blend of dream-pop and rock to form a singularly fascinating project. It’s a further testament to Parks’ inimitable talent and vision that My Soft Machine stands firmly as a distinctive, moving body of work, even in the wake of an album as lauded as Collapsed in Sunbeams.

Demi Lovato, “Cool for the Summer (Rock Version)”

After reimagining her much-beloved song “Heart Attack” as a rock anthem earlier this year, Demi Lovato is ready to give you more. This time around, they’re taking their warm-weather ditty “Cool for the Summer” and amping up the intensity. With raging guitars, pounding drums and an all new set of vocal tracks, the song is radically transformed into an edgy, gritty pop-punk single worthy of Lovato’s latest musical era.

Hayley Kiyoko, “Greenlight”

Hayley Kiyoko is tired of waiting for permission to live her life — so she’s giving herself the “Greenlight” on her latest single. Co-written with pop luminary Jesse St. John, the new track from Lesbian Jesus keeps her streak of life-affirming pop singles alive, playing with delicious falsetto while accompanied by stacked synths and a steady bass line. Be warned, though; once you press play, you’ll “wanna keep goin’ and goin’,” as Kiyoko says.

Towa Bird, “Boomerang”

Living in a long distance relationship is maddening, as rising singer-guitarist Towa Bird can attest. On her latest single “Boomerang,” Bird agonizes about the “separation anxiety” of being in L.A. with a girlfriend in New York — sure, she knows she’ll see her soon, but that doesn’t make the time in between any easier. Punctuated with some excellent garage-rock sounds, and you’ve got a theme song for the frustration of loving long distance on your hands.

Miya Folick, Roach

To say that Miya Folick’s new album Roach is about any one thing in particular is to largely miss the point of its construction. With this wide-ranging, often-chaotic sophmore album, the alt-pop singer instead takes a scattershot approach when it comes to subject matter — whether that’s serene self-reflection (“So Clear,”) bitter anger (“Cockroach”) or familial dynamics (“Mommy”). The most consistent thing about this extensive project is the top-tier quality, keeping you invested for the entirety of its 42-minute runtime.

Cat Burns, “You Don’t Love Me Anymore”

There are a plethora of reasons why a relationship might end — Cat Burns is simply asking her ex to give her one. On “You Don’t Love Me Anymore,” the UK up-and-comer begs her former lover to “list all my baggage,” or “drag my ego to the floor” rather than use the song’s dreaded title when describing why their relationship has to end. It’s a heartbreaking song made even more gutwrenching by how endlessly relatable it is.

Royal & the Serpent, “One Nation Underdogs”

If you’re planning on protesting the seemingly endless onslaught of anti-LGBTQ bills being proposed around the country this Pride Month, then Royal & the Serpent has just the song to soundtrack your demonstration. “One Nation Underdogs” speaks directly to our current dark moment in history, throwing a defiant middle finger in the face of right-wing politicians, offering this grinning kiss-off in response to their attacks: “There’s more of us and less of you/ We’re the future where you fell off.”

Jeffrey Eli, “Sleeping Beauty”

If you somehow haven’t heard Jeffrey Eli’s haunting voice on TikTok, now is the time to remedy that situation. With his latest release “Sleeping Beauty,” Eli claims his space and plays with the fluidity of his ridiculous range to drive home a point. Examining his own childhood, Eli deconstructs the gender binary right before our eyes — and the moment he’s done so, you’ll realize that the music followed perfectly along the journey, building into a glorious explosion of sound. Seriously, if you haven’t listened to Jeffrey Eli, stop reading this and go listen.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

As we inch closer and closer to Pride Month, there’s no better time to get back in touch with your favorite queer artists than right now! Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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See latest videos, charts and news

See latest videos, charts and news

From Kim Petras’ retro team-up with Nicki Minaj to MUNA’s latest banger, check out just a few of our favorite releases from this week below:

MUNA, “One That Got Away”

There’s simply nothing better than getting to rub your success in an ex’s face, which is exactly the approach MUNA takes with their potent new kiss-off, “One That Got Away.” In this deliciously petty electro-pop jam (that was debuted during the band’s their weekend one set at Coachella), the trio are at the zenith of their collective sound, as they pity the lover who missed their shot with them. “You never let me know I’m what you want,” Katie Gavin’s voice coyly sings over the song’s chorus. “Maybe that’s why I’m the one that got away.”

Kim Petras feat. Nicki Minaj, “Alone”

There’s never a bad time to be reminded that Alice Deejay’s classic hit “Better Off Alone” is an absolute banger — and it certainly helps when Kim Petras and Nicki Minaj are the ones reminding you. On “Alone,” Kim and Nicki bounce effortlessly off of one another, with the former’s tried-and-true pop vocals balancing just right with the latter’s earworm bars in the song’s second verse. Add in a healthy amount of interpolation from “Better Off,” and you’ve got a song that’s guaranteed to be inescapable this summer.

Christine and the Queens feat. 070 Shake, “True Love”

Never one to offer up anything simple, Christine and the Queens unveiled his testament to sensuality with 070 Shake in “True Love.” Throughout the hypnotic new song, Chris leans on his lilting falsetto often, forcing you to lean in as he sings about allowing yourself to feel vulnerable in front of someone. Just as the song has you in its trance, Shake enters to break it up with a smooth, ecstatic bridge. If “True Love” is any indication of the artistic angle fans can expect from the star’s upcoming album, then they’re in for a treat.

Arlo Parks, “Blades”

Even when you’re surrounded by people, a house party can be an isolating place. But Arlo Parks knows that even just spotting a friend in the crowd can dispel that unease, as she explores on her new alt-pop single “Blades.” Keeping the general sonic landscape that’s permeated much of her recent era, Parks ratchets the good vibes up to 11, as she floats her way through the sublime feeling of feeling seen.

Brandy Clark, “She Smoked in the House”

Let’s take a beat to slow things down and reflect, as Brandy Clark does on her sweet new song. “She Smoked in the House” is the country singer-songwriter’s tribute to her grandmother and the time she lived in. Accompanied by some acoustic guitars, a piano and some drums, Clark charmingly remembers all the idiosyncrasies that made her grandmother who she was — good, bad and otherwise.

The Japanese House, “Sad To Breathe”

For the first minute or so of The Japanese House’s “Sad to Breathe,” you feel like you know what you’re in for. Amber Bain’s sonorous voice plaintively sings about the immediate sting of heartbreak, while streaming piano lines stir up the detritus left behind a breakup. But just as you settle in for a well-made ballad, the song shift — unrelenting drums, a pumped-up bassline and some rhythmic guitar patters suddenly kick in, sending “Sad to Breathe” careening into uncharted territory and perfectly encapsulated the all-encompassing chaos that comes with a relationship’s end.

JORDY, BOY

Transitioning into adulthood is nothing short of a nightmare for most people — so, rising pop singer JORDY wanted to make sure everyone going through that knew that they weren’t alone. BOY, the singer’s sophomore effort, bounces around the different topics that nearly every 20-something has to content with, be it sexual unrest (“Dry Spell”), social anxiety (“Hypothetical Party”), or the general feeling of having absolutely no clue what you’re doing (“IDK SH!T”). JORDY threads the needle of bearing his soul while creating a narrative that others can relate to — a skill he’ll no doubt keep honing for years to come.

Dreamer Isioma, Princess Forever

For years, singer-songwriter Dreamer Isioma has been writing and re-writing their own story, testing the waters to see what felt right. With Princess Forever, it feels like they’ve found their footing. This lush, intricate concept LP follows Isioma through the perspective of the titual character as they fight for a better future, while mixing together the sounds of psychedelic rock, pop, R&B, Afrobeats and more. It’s a journey that stands to benefit anyone who listens, if only for the magnificent energy maintained through this beautifully-crafted album.

Iniko, “Jericho”

You may have already heard the viral acapella stylings of Iniko singing this song on TikTok, but don’t be mistaken — you haven’t heard “Jericho” until you’ve listened to their full version. This spellbinding single is a masterclass is using the voice as an instrument; as Iniko chants the other-worldly lyrics of her song, she’s joined by very simple-yet-effective production that only heightens the moody atmosphere of the track, making for a potent song you’ll be listening to on repeat.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

Another week, another opportunity to catch up on the latest tracks from you favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

Explore

See latest videos, charts and news

See latest videos, charts and news

From Ashnikko’s fierce new track to Yaeji’s truth-telling LP, check out just a few of our favorite releases from this week below.

Ashnikko, “Weedkiller”

You can run all you want, but you cannot hide from Ashnikko’s wrath. On “Weedkiller,” the titular single off the rising star’s forthcoming album, Ashnikko dives headfirst into a fearsome, violent persona, intent on hunting down those who have wronged her. The chaotic drum beats and glitching strings further add to the frenzied energy of this electric single, as Ashnikko declares that she “will be the one to eliminate you.”

Yaeji, With a Hammer

Most fans know Yaeji as the dance artist behind “Raingurl” — but the Korean-American star is ready to smash that perception apart With a Hammer. On her remarkable new album, Yaeji is done dealing with image and perception — Hammer is the DJ’s unflinching look at her interior life, parsing through the deep sadness (“Passed Me By”), simmering anger (“Fever”) and generational aches (“Done (Let’s Get It)”) of her life, all while maintaining her signature sound.

Cub Sport, Jesus at the Gay Bar

With Easter Weekend officially upon us, Cub Sport wants to propose a toast to all of the queer folks brought up in Christian homes who never had a chance to explore their sexuality or gender expression until later in life. Jesus at the Gay Bar, the Australian indie trio’s fifth full-length, sees Cub Sport bursting with unbridled queer joy — tracks like “High for the Summer,” “Always Got The Love” and “Magic in U” are practically bursting with sparkling house music, while even the more pared-down tracks like “Hold” and “Zoom” still manage to bring feel-good energy back into the mix. Put simply, this exuberant LP is the ode to queerness that so many need to hear right now.

Corook, “CGI”

Get ready to groove along to Corook’s thrumming new single. The latest from the singer-songwriter is “CGI,” a deliciously funky love song where she revels in the utter perfection of her lover. As she declares that “your face is so perfect like CGI,” a bouncing bass line pumps along with the stacked synth chords, marking a clear departure from the budding star’s softer sound into something slicker.

KiNG MALA, “Dirty Dishes”

With April upon us, plenty of people are looking to get their spring cleaning done as soon as possible. But KiNG MALA is in no rush, as she proves on her new single “Dirty Dishes.” Imbued with a funk-fueled guitar-and-bass section, the new track sees the pop upstart reveling in the grime surrounding her, as she lets a prospective lover know that she’ll only be motivated to tidy up if they come over and help her out. While the delectable production is certainly worth noting, the star of the track is KiNG MALA’s gorgeous vocal, as she promises that if you “come on over, I’ll get it figured out for you.”

Dorian Electra, “Freak Mode”

It’s been a few years since electro-pop artist Dorian Electra graced our ears with new solo music. But don’t worry; they’re here to let you know that they’re still ready to give you weird new tunes. “Freak Mode” is Electra at their best — the shock-rock-meets-hyperpop aesthetic provided by producer Clarence Clarity is a perfect fit as the experimental star revels in everything that makes them “different.”

Arthur Moon, “7 O’Clock Clap”

Brooklyn avant-pop singer Arthur Moon wants to get out of the hole they dug for themselves. “7 O’Clock Clap,” the latest track off their aptly named forthcoming album Chaos! Chaos! Chaos! Side B, blends together two distinct, often intentionally separated melodies, as Lora-Faye Åshuvud (the artist behind Arthur Moon) waxes poetic on the performance of personality. As the track picks up speed, Åshuvud proves to be in complete control, bringing the haywire production in for a smooth landing.

LEADR, “Aeiou Nothin”

Rising indie-pop artist LEADR promises that they have approximately no time for your relationship nonsense with this fiery breakup anthem. “Aeiou Nothin” doesn’t give into the schmaltzier, “I’m gonna love me for me” side of things — LEADR even turns their nose up at the idea early in the song’s lyrics. Instead, this brutal kiss-off sees the emerging artist letting their ex know that they’re not pressed. After all, “the fine print says karma’s a bitch.”

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

In need of some new music from your favorite queer artists? We’ve got you covered — Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
From Victoria Monét’s long-awaited return to Demi Lovato’s rocked-out reinvention of a classic song, check out just a few of our favorite releases from this week below.

Victoria Monét feat. Lucky Daye, “Smoke”

Victoria Monét is back, and she’s ready to serve up some delicious R&B with her latest single “Smoke.” The undulating, funk-filled single picks up right where Monét left off with her 2021 single “Coastin’” — with delectable bass lines accentuating her silky smooth vocals as she compares loving her to lighting up a fat blunt. With guest vocals from fellow R&B star Lucky Daye, “Smoke” is sending off a signal that you can’t ignore; Victoria Monét’s superstar era is here.

Demi Lovato, “Heart Attack (Rock Version)”

Over the last 10 years, Demi Lovato has practically become a different person than she was when she unveiled her 2013 album Demi. Just take one listen to the new rocked-out remake of their hit single “Heart Attack” and you’ll see why. The singer reimagined every aspect of the fan-favorite single, swapping out 808s and synths for fiery guitars and pounding drums, while also giving re-recording her vocals to flex her matured pipes. It’s a recontextualization that puts the old track in a brand new light, all while delivering all the thrills you could ask for.

Rina Sawayama, “Eye for an Eye”

Ahead of her co-starring role in the new John Wick movie, Rina Sawayama would like to set the tone. “Eye for an Eye” brings the hard-rock stylings that appeared more in the background of the star’s debut album Sawayama to the forefront, as she spins a tale of revenge and retribution familiar to anyone who’s seen Keanu Reaves’ deadly hitman in action.

Billy Porter, “Baby Was A Dancer”

Put on your dancing shoes, folks, because Billy Porter wants to see you getting down to his brand new disco single. The crux of “Baby Was A Dancer” is a third-person autobiographical exploration of Porter’s own upbringing, as he recalls the preachers, teachers and naysayers who tried to shame him for being who he was. But it’s on the unavoidable chorus where the Pose star gets to the meat of the matter, resolving to be himself and dance all that pain and heartache away — a feeling we in the LGBTQ community can definitely relate to right now.

Saucy Santana, “1-800-Bad-Bxtch”

Saucy Santana’s number might be toll-free, but that doesn’t mean you’re getting away without paying up. On the rapper’s latest bop, “1-800-Bad-Bxtch,” Santana takes charge by taking calls from his prospective partners, listing off one by one the things he’s looking for from a lover. Add onto that a ferocious beat and some of Saucy’s slickest verses, and you’ve got a certified banger on your hands.

Donna Missal, “Flicker”

With her frenetic new single, Donna Missal is taking advantage of the ephemeral while she still can. From the moment it starts, “Flicker” refuses to let up — a driving beat sinks into every second of the track, providing a sense of urgency that’s only ratcheted up by the increasingly chaotic production. By the time reaches its first chorus, it has already exploded into a euphoric hyperpop symphony, before Missal’s otherworldly vocals bring you right back down to start the process all over again.

MAY-A, “Your Funeral”

Self-sabotage is a pretty surefire way to wind up alone, as indie rock artist MAY-A points out on her latest track. “Your Funeral” takes on a cynical, sardonic point of view from it’s first few bars, and spends the rest of the song proving why it’s probably not the best way to approach your own love life. The banging drums and skittering guitars further punch up the declaration that “loving me is your funeral,” before using an excellently crafted bridge to get real about self-doubt and lowered expectations.

Wrabel, “One Drink Away”

Sobriety is a life-long journey — which means that it’s also a life-long struggle. That’s the argument that Wrabel poignantly sends home on his deeply personal new song “One Drink Away.” Looking back on his life before getting sober, Wrabel perfectly communicates the mixed feelings of dread at the person he was and frustration at how hard it is to maintain the person he is now. It’s only a further testament to the singer-songwriter’s skill with his pen that in just 3 short minutes, he can translate the struggles of staying clean with such eloquence on this heartbreaking single.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below: