Queer Jams of the Week
Before you head off on your three day weekend, take a moment to add some new tracks to your playlista from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
From Renee Rapp’s cheeky return to St. Vincent’s Spanish-language reimagination, check out just a few of our favorite releases from this week below:
Reneé Rapp, “Leave Me Alone”
For every fan of Reneé Rapp’s that’s been asking, ad nauseum, “where’s the single,” the singer has a definitive answer — “leave me alone, b—h, I wanna have fun.” On this rollicking, tongue-in-cheek meta-commentary, Rapp gives her fans everything they could have asked for with her return. The lyrics are just as unhinged and provocative as the singer herself, the production adds some rock vibes to her established pop’n’b sound, and the vibes are simply, immaculate. We don’t predict anyone will be leaving
Trending on Billboard
St. Vincent & Mon Laferte, “Tiempos Violentos”
While St. Vincent has already shared a Spanish-language version of her standout track “Violent Times” from All Born Screaming, the singer-songwriter certainly hasn’t done so with rising singer-songwriter Mon Laferte. Now, “Tiempos Violentos” is given a new edge, as the pair trade lines in English and Spanish, while expanding the jazzy, dark track to a new, broader world of sound that fits both artists like a glove.
Cerrone & Christine and the Queens, “Catching Feelings”
It turns out when you take disco legend Cerrone and pace him with avant-pop chameleon Christine and the Queens, you get one of the most immediately enjoyable tracks of the year. On “Catching Feelings,” the pair lean into their strengths and create a guitar & drum-driven disco-pop track that will have you grooving along within moments.
Allison Goldfrapp, “Reverberotic”
Goldfrapp fans, wake up! We got a new banger from Allison herself! “Reverberotic,” the latest off the singer’s forthcoming new album Flux, sees Goldfrapp embracing synth-pop, trance and a touch of soul to make for one of her most unique-sounding tracks to date. “Reverberotic, wanna feel that again/ Vibrating light, a supernatural ascent,” she croons on the undulating chorus. “Reverberotic, all your dreams in the cloud/ Your sweet elixir is a part of me now.”
PINKNOISE, “Bittersweet”
It’s been a good week for rising heavy metal rocker PINKNOISE. Not only did the fast-rising artist (known off-stage as Kacey Foxx) sign with Nettwerk Music Group, but they decided to celebrate that fact with a new track. On “Bittersweet,” Foxx delivers the full range of their artistry, starting the song from a cool, quiet space before blowing up the premise and delivering a hard rock ballad that feels like it’s being powered by jet fuel. If you haven’t listened to PINKNOISE before today, let this be your official notice to go press play now.
Check out all of our picks below on Billboard’s Queer Jams of the Week playlist:
Pride Month is only two weeks away, so now’s the best time to start packing your playlists with queer bangers. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Kesha’s latest banger to Arca’s glitchy new track, check out just a few of our favorite releases from this week below:
Kesha, “BOY CRAZY.”
While fans have been thrilled to see Kesha looking back on her early-2010s stylings with her new songs, the pop star decided to turn her eyes to the future for her latest offering. Sure, “BOY CRAZY” takes a few of its cues from glittering 80s synth-pop, but the majority of the track plays like a revved up hyperpop anthem, as Kesha whets her appetite for the male form in this thrilling new track.
Trending on Billboard
Arca, “Puta”
Throughout her career, Arca has prided herself on zigging where people thought she might zag. With her double single release, Arca gives fans a song they can dance to with “Puta” — but it’s her second song “Sola” that shines brightest here. Over a scintillating beat and with a vocoder-assisted vocal, Arca lets herself strip some of the artifice away to show her own vulnerability. “I don’t want any more damage in love,” she sings in Spanish.
G Flip, “Disco Cowgirl”
What says “it’s summer” more than some ’80s synths and an anthemic vocal? Australian star G Flip is ready to ring in the season with “Disco Cowgirl,” their glittering new track dedicated to hot nights, messy relationships and good music. Along with providing some of the cleanest production of their career, “Disco Cowgirl” sounds like a vocal level up for G, as they deliver a full-blown belt of the song’s thesis in the final moments of the chorus: “Could’ve been my disco cowgirl/ But you rode off into the sunset without me.”
Frankie Grande, “Boys”
Turns out vocals run in the family! Frankie Grande debuted his latest single “Boys” on Friday (May 16), a club-ready pop track that sees the singer setting his sights on … well, you saw the title! Using his airy falsetto over a hard-hitting beat makes Grande’s new track an immediate contender for “That Song You Keep Hearing at Pride Festivals” in 2025.
Orla Gartland, Everybody Needs a Hero (Extended Edition)
Who doesn’t love a victory lap? After earning critical acclaim for her excellent 2024 album Everybody Needs a Hero, the Irish singer-songwriter is giving fans five bonus tracks on a new extended edition of the LP. Ranging from post-punk rage-outs (“Now What?”) or indie-rock kiss-offs (immediate standout “Pest” with Tommy Lefroy), the deluxe version of Hero gives Gartland’s fans just enough new mixed in with the vibe sound they’ve come to love.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
In need of some new tunes from your favorite queer artists? We’ve got you covered — Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Miley Cyrus‘ emotional new song to Kali Uchis’ introspective new album, check out just a few of our favorite releases from this week below:
Miley Cyrus, “More to Lose”
With Something Beautiful’s first two offerings (the title track and “End of the World”), Miley Cyrus gave fans two unique looks into her forthcoming new project. “More to Lose” continues that trend, stripping back the art-rock and glam-pop artifice of the album’s other singles to deliver a lofi, stripped-back ballad examining the memory of a lost love. The pop singer’s smooth alto voice glides effortlessly over lush instrumentation as she bids farewell to a bygone relationship: “I knew someday that one would have to choose,” she sings. “I just thought we had more to lose.”
Halsey & Amy Lee (of Evanescence), “Hand That Feeds”
Having already collaborated with Nine Inch Nails’ Trent Reznor and Atticus Ross for 2021, Halsey’s ready to take another spin around the block with a goth legend. On “Hand That Feeds,” featuring Evanescence’s lead vocalist Amy Lee, Halsey expertly blends her own pop stylings with the alternative metal that made her collaborator a star in the early 2000s.
Kali Uchis, Sincerely,
Kali Uchis has never been satisfied with fitting into just one lane. Sincerely, the singer’s latest album, takes yet another bold step in a new direction for the Latin star, as she explores soul, pop and even doo-wop (with a stunning bit of Amy Winehouse-esque flair on album stand out “All I Can Say”). It certainly doesn’t hurt that the unifying factor for all of Uchis’ projects — her flawless voice — continues to shine on this dreamy new album.
Maren Morris, Dreamsicle
“I was always too good for your a– anyway,” Maren Morris belts on “Too Good,” one of the immediate standouts off her vibrant new LP Dreamsicle. It also serves as something of a tone reset for an album that refuses to take itself too seriously; all throughout Dreamsicle, Morris explores a world post-divorce, as she dives back into one night stands (“Bed No Breakfast”), occasional meltdowns (“Cry in the Car”) and leaving the things behind that don’t serve her (“Lemonade”). Leaning hard into her pop sound, Morris has never sounded like she’s having more fun than on the sticky sweet Dreamsicle.
Snow Wife, “Sweat”
Need something to strut down the street to? Allow Snow Wife to assist with “Sweat,” her thrilling new Y2K pop jam. Blending together the stylings of Britney Spears with The Pussycat Dolls, the up-and-coming pop singer bounces her way through this sultry new song as she commands her listeners to dance along — and after your first listen, we’d be shocked if you managed to resist the call.
Jake Wesley Rogers, In the Key of Love
There’s a reason why Jake Wesley Rogers was heralded as a generational talent by none other than Sir Elton John. Take just one listen to his debut album In the Key of Love and you’ll hear that familiar brand of confessional, deeply personal songwriting filtered through a pop lens so inherently catchy that you cannot help but hit the replay button. Rogers’ commitment to blending pop and gospel sounds together into a harmonious new sound is a statement enough in and of itself — one that you won’t be able to forget after you’ve heard the words he’s singing on identity, spirituality and finding comfort in who you are.
Check out all of our picks below on Billboard’s Queer Jams of the Week playlist:
May is here, which means Pride Month is just around the corner — so start prepping your playlists with some new tunes from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Dove Cameron‘s flirtatious new pop song to Blondshell’s much-anticipated new album, check out just a few of our favorite releases from this week below:
Dove Cameron, “French Girls”
Dove Cameron knows people are watching her closely — now, she’s giving them something to look at. On “French Girls,” the singer’s stunning new dance single, Cameron invites her fans to make like Jack from Titanic and paint her like one of the song’s titular Parisian women, all while promising to give them lots to work with. A thundering beat accompanies the star’s voice as she lets a campy affectation take over. “Everything I do,” she assures her audience, “I do it for you.”
Trending on Billboard
Blondshell, If You Asked For a Picture
Sabrina Teitelbaum is ready to have a conversation about boundaries. If You Asked For a Picture, the singer-songwriter’s latest album as Blondshell, takes a life’s worth of questions about existing in the public eye and expertly examines what it means to let people see you. Whether she’s exploring emotional burnout (on album standout “Event of a Fire”) or her own perceptions of sexual identity (“Model Rockets”), Teitelbaum never flinches with her lyrics or her well-curated production, making If You Asked For a Picture an immediate classic in Blondshell’s growing sonic universe.
Model/Actriz, Pirouette
The world is in desperate need of some excellent new rock music, and Model/Actriz is more than happy to fill in that gap. With its newest album Pirouette, the band levels up their sound in scale, scope and standing, making for a winning 11-track project that paints a portrait of a group ready for an even bigger breakthrough. From the staccato guitar lines of “Vespers” to the delirious beats of “Poppy,” Model/Actriz leaves no desire unfulfilled on this excellent new album.
Brooke Eden, “Giddy Up!”
“I don’t care where you come from,” Brooke Eden offers in the opening moments of her new song. “Just listen to the sound of the kick drum.” With just a few words, Eden delivers a thesis statement on “Giddy Up,” her queer-inclusive new country single. A proper hoedown ensues throughout the rest of the track, as Eden commands the listeners to scoot their boots onto the dance floor, while never letting them forget that this song — and even this genre at large — can be for everyone, not just those who’ve historically benefitted from it.
KiNG MALA, And You Who Drowned In the Grief of a Golden Thing
If Lady Gaga incited chaos upon the release of her critically-lauded album Mayhem in March, then KiNG MALA is here to keep that bedlam going with her debut album. Throughout And You Who Drowned, MALA self-destructs (“Ode to a Black Hole”), rebuilds (“Garden”) and deconstructs (“GøD”) just about everything that she can get her hands on, all while exploring some of her biggest and best sounds to date.
Maddie Zahm, “Mothers & Daughters”
With Mother’s Day coming up in just over a week, Maddie Zahm decided to share an early tribute to her own mom with “Mothers & Daughters.” Throughout the touching new track, the singer-songwriter doesn’t shy away from some of the harder truths about the familial dynamic, including the times she found herself “screaming ‘I hate you, and you’re ruining my life.’” But the gorgeously composed track comes around to the conclusion that, as difficult as the relationship can sometimes be, it doesn’t change the immense love shared between Zahm and her mom.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
If you’re looking to freshen up your playlists with some new tunes from your favorite queer artists, you’ve come to the right place. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Cynthia Erivo‘s dramatic new ballad to Betty Who’s empowering new anthem, check out just a few of our favorite releases from this week below:
Cynthia Erivo, “Worst of Me”
Sure, Cynthia Erivo has proven time and time again just how good her singing voice is — but with her new single, she’s proving that she’s a singular artist, too. “Worst of Me,” the second single off Erivo’s forthcoming new album I Forgive You, takes her powerhouse vocal to new levels as she bids farewell to a toxic relationship. Sweeping strings and layered harmonies bring richness to the track, as Erivo sends her unparalleled voice to new heights on this dizzying new song.
Trending on Billboard
Betty Who, “Run”
Looking for a little hit of ’80s synth-pop? Allow Betty Who to help with “Run,” her electrified new song paying homage to the thrilling camp of the era. Over glittering synths, Who riffs and, well, runs her way through this upbeat homage to perseverance, and doing so with the kind of gusto that you can only hope for from a pop star of her caliber. “Don’t you give up on me,” she asks at the end of the chorus. “I just wanna run.”
Yeule, “Evangelic Girl Is a Gun”
To anyone still earnestly trying to put art-pop star Yeule in box; how’s that going? The titular track off the Singaporean star’s forthcoming new album Evangelic Girl Is a Gun is a masterclass in experimentation, as Yeule and producer Kin Leonn dabble in early 2010s electronica, trip-hop, rock and pop, all while creating one of the wildest-sounding new songs of the year thus far. After finding breakthrough success with Softscars in 2023, Yeule is clearly going for another immediate classic — and judging by their output thus far, they’re on the right track.
Trixie Mattel & VINCINT, “Supermodel (You Betta Work)” (RuPaul cover)
Who doesn’t love RuPaul’s classic house anthem “Supermodel?” What queer person hasn’t looked at themselves in the mirror at some point and yelled “you betta work?” For the uninitiated (and everyone else for that matter), drag star Trixie Mattel and pop virtuoso VINCINT are here to give you a modern take on the dance classic. With Mattel on DJ duty and VINCINT utilizing his silky-smooth voice, the updated rendition of “Supermodel” manages to pull off what every cover hopes it can by giving the original its flowers while standing out as a track of it’s own. To paraphrase fellow drag star Plane Jane: Kudos to Trixie and VINCINT for doing this. For spilling.
Chrissy Chlapeck, “Cherry Do You Love Me”
After breaking through with her clubby 2024 EP Girlie Pop, Chrissy Chlapecka is ready to zig where you thought she might zag. Taking on the persona of “Nicole Vegas,” Chlapecka dropped “Cherry Do You Love Me,” her raucous, rocked out new single that trades in her pounding club beats for blown-out guitars. Her voice naturally fits this style, as she impressive wails her way through this fiery ode to the titular Cherry. If this is any indication of what’s to come for Chlapecka, then buckle up — her new era is already promising to be a wild ride.
Bells Larsen, “Might”
There is a moment on Canadian singer-songwriter Bells Larsen’s latest single “Might” where something magic happens. As his soft, falsetto voice descends from the song’s chorus, where he opined that his voice “might get deep,” Larsen’s old vocal comes in contact with his new, affirmed voice — a beautiful baritone — harmonizing with his past self. Having the foresight to create a loving tribute to the process of transitioning by duetting with your pre-transition self is one thing; but to execute that idea as deftly and lovingly as Bells Larsen does here is another, more profound accomplishment entirely.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Spring has officially sprung, meaning there’s no better time for you to update your playlists with some new songs from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Japanese Breakfast’s stunning new album to yet another new Lil Nas X single, check out just a few of our favorite releases from this week below:
Japanese Breakfast, For Melancholy Brunettes (& Sad Women)
If Jubilee was Japanese Breakfast’s exploration on defiant joy, than consider For Melancholy Brunettes (& Sad Women) as the inverse — a meditation on the darker sides of the singer-songwriter’s internal life. Throughout her fourth studio album, Michelle Zauner leans into dour narratives about lost love (“Honey Water”), paralyzing anxiety (“Picture Window”) and much more, all while teaming up with co-producer Blake Mills to render those visions through lush, understated melodies that bear even further depth the closer you listen.
Trending on Billboard
Lil Nas X, “Lean On My Body”
In the world of Lil Nas X, more is more. A week after he dropped five songs in a row, the pop-rap superstar unveiled yet another new single, and it’s one his fans have been waiting on for three years. “Lean on My Body,” the latest track to be released in Lil Nas X’s Dreamboy rollout, sees Lil Nas flexing harder than ever on his detractors, letting them know that they can pray for his downfall all they want — but he’s not going anywhere, “My next move always gon’ be better than your best one,” he spits. “You b–ches couldn’t even see Lil Nas-y in a warmup, a tryout, a test run.”
Ashnikko, “Itty Bitty”
Ashnikko is back baby, and she’s ready to keep your attention with her risqué new single. “Itty Bitty,” much like plenty of Ashnikko singles before it, sees the singer doing on a sexy, self-destructive rampage in the wake of a breakup, as she puts on her most revealing outfit and goes hunting. The gloriously chaotic production and pounding club rhythm gives “Itty Bitty” that little bit of extra oomph, meaning this new track from Ashnikko will be a surefire hit at a gay club near you.
Shamir, “Neverwannago”
Even though Ten, Shamir’s forthcoming new album, is slated to be the pioneering singer-songwriter’s final album, that doesn’t mean we should cry because it’s over; in fact, he’s encouraging you to smile because it happened. “Neverwannago,” the lead single off his last album, sees Shamir employing ’90s alternative pop to convey his deep, unyielding love for his partner, as he begs them not to leave him alone. “I don’t wanna go back to feeling empty,” he sings. “‘Cause I’m not well.”
Big Freedia, “Take My Hand”
In a time where the concept of Christianity is being wielded as a cudgel by a nefarious group of bigots wishing to strip people of their fundamental rights and freedoms, Big Freedia is here to offer a rebellious and joyful alternative. “Take My Hand,” the first track off the Queen of Bounce’s forthcoming gospel album, is still fueled by the same spirit fans of Freedia have come to know over the last few decades. Over a turbo-charged beat, a series of samples and some gorgeous choral vocals, Freedia reminds everyone that the point is to invite each other in — not push each other away.
Jake Wesley Rogers, “Hot Gospel”
If you’re a little too burned out from the religious side of it all for Freedia’s new song, might we recommend Jake Wesley Rogers’ tongue-in-cheek new pop jam, “Hot Gospel.” The song follows the rising singer-songwriter as he narrates a lifetimes’ worth of expectations that have led him to a therapist’s office to unpack his trauma. While he does that, he pulls out pure ’70s pop nostalgia to make an exceedingly catchy, deeply fun song about working through religious emotional damage.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
With St. Patrick’s Day just around the corner, we’re happy to inform you that you are in luck — because some of your favorite queer artists have some new songs for you to blast all weekend long. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Chappell Roan’s long-awaited return to Lil Nas X’s latest pop-rap jam, check out just a few of our favorite releases from this week below:
Trending on Billboard
Chappell Roan, “The Giver”
Service tops everywhere, you’re welcome. After debuting the track four months ago via a live performance on Saturday Night Live, the fast-rising pop superstar finally delivered fans a studio version of “The Giver,” her cheeky, excellent new country-inspired song. Swapping out her synths for fiddles and banjos, Roan gives her prospective lovers a guided tour of exactly what she could do for them, all while flaunting some of her career-best vocals over the top of a raucous country track. Roan is right about one thing for sure, especially when it putting together A+ songs: she gets the job done.
Lil Nas X, “HOTBOX”
In a particularly wild move, Lil Nas X decided to release not one, not two, but five singles this week, each dropping on a different day. And while there are plenty in that bunch to talk about, none goes quite as hard at “HOTBOX,” the rapper’s bawdy, rambunctious new offering that sees Lil Nas well and truly entering his new era with a splash. Over glittering R&B guitars and a killer beat, Lil Nas raps his way in and out of a romantic situation, all while asserting that he’s still got plenty more to offer his day one fans.
Lucy Dacus, “Talk”
After spending her last few singles sharing all the love, Lucy Dacus is ready to change gears a little bit. “Guess,” the latest track off Dacus’ forthcoming new album Forever Is a Feeling, takes the lyrical gymnastics of songs like “Ankles” and “Best Guess” and turns them into cutting examinations of a relationship hurtling towards its inevitable end. Droning guitar lines and a relentless drum beat slowly ratchets up the tension as Dacus brings this brutal post-mortem to its climax: “Do I make you nervous or bored?” she sings on the chorus. “Or did I drink you to thе last drop?”
Anitta, “Larissa”
Over the course of her career, Brazilian pop superstar Anitta has made it a habit to sing from a bossed-up point of view. Now, on her latest single “Larissa” (direct from her new Netflix documentary), Anitta is exploring what it means to strip that persona away. Gone are the loud, audacious production swings she normally takes, now replaced by simple melodies and a simple drum beat, as she lets her defenses down and sings a fragile, tender love song that is well worth your time.
Royal & the Serpent, “Death Do Us Part”
On her latest single “Death Do Us Part,” Royal & the Serpent is done toying with her sound — she’s found it, and she’s not letting it go. Throughout this ominous track, Ryan Santiago’s voice shrouds itself in multiple layers od distortion as she sings about the kind of love that you hold as tightly as you can, all while the soundscape behind her gradually grows from a simple, acoustic setup to a delirious gltich-rock anthem. “Wherever you take me, I’ll die in your arms,” she sings. “We’ll turn into daises, yeah, we’ll turn into stars.”
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Happy Mayhem day to all who celebrate! In between streams of Gaga’s new album, allow us to provide a few other new songs from queer artists to fill your ears with this weekend. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Lady Gaga’s long-awaited new album to Doechii’s surprise single drop, check out just a few of our favorite releases from this week below:
Trending on Billboard
Lady Gaga, Mayhem
“Choke on the fame and hope it gets you high,” Lady Gaga growls on “Perfect Celebrity,” an early standout from her bombastic new album Mayhem. “Sit in the front row, watch the princess die.” It’s a fitting line for the rest of Mayhem, an album where Gaga deals face-to-face with the reality of her own stardom nearly 20 years after her debut. The project shifts constantly between genres, whether she’s crafting disco-inspired club bangers (“Zombieboy”), earnest ballads (“Blade of Grass”) or ’80s glam-pop-rock (“Vanish Into You”). Some will call it a “return to form”
Doechii, “Anxiety”
Doechii is ready to have her big solo moment — after appearing on Sleepy Hallow’s 2023 rendition of the Gotye-sampling single, the swamp princess offered her own take on the songs fiery rap verses. Employing her top-tier flow and some acrobatic lyrics, Doechii continues to prove why she’s one of the hottest emcees currently in the game, even when she’s spitting bars about her own crippling apprehension.
SASAMI, Blood on the Silver Screen
In a recent statement, pop singer-songwriter SASAMI said that her new album is all about “learning and respecting the craft of pop songwriting.” By that simple standard, Blood on the Silver Screen is a masterpiece. Throughout this sweeping, dynamic new album, SASAMI toys with convention, genre and persona through some of her most detail-oriented songwriting to date. Combine that with the project’s high-octane, maximalist production, and you have one of the most thrilling albums of the year on your hands.
Elton John & Brandi Carlile, “Swing for the Fences”
Isn’t it nice to see two icons just having a blast together? That’s exactly the vibe on Elton John and Brandi Carlile’s “Swing for the Fences,” a raucous, joyful new anthem that sees the pair encouraging those listening to take their shot instead of fading into the background. Carlile and John’s voices blend naturally into an uplifting soft-rock anthem, and one that’ll make you want to try your hand and whatever you’ve been holding yourself back from ASAP.
yeule, “Skullcrusher”
After the glitchy, dark masterpiece that was 2023’s Softscars, fans of ambient synth-pop darling yeule have wondered what their next project might sound like. With her second single “Skullcrusher,” the artist is letting their fans know exactly what’s to come. On this brooding, spooky new single, yeule ratchets up the tension with each passing moment, only to unleash her pent up angst on the fiery chorus: “All I want to do is love you,” they pine. “But all you want to be is in a dream.”
Bob the Drag Queen, “Queen of the Underground”
In his forthcoming novel and on his stunning new single, Bob the Drag Queen asks what may seem like an odd question: if Harriett Tubman came back to life, what would she have to say about her legacy’s impact on the world today? On “Queen of the Underground,” Bob seeks to answer that very question, filtering the abolitionist’s voice through the lens of pounding hip-hop as she lambasts the state of affairs in America today. With bar after bar redifining Tubman as an American icon of our current moment, Bob delivers one final message to drive the point home: “No one is more hopelessly enslaved than the one that falsely believes he free.”
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
Pisces season has officially begun! If you’re looking to celebrate the season by relaxing and staring listlessly into the distance, then why not do it to a soundtrack? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Dove Cameron’s highly-anticipated return to Doechii’s teamup with JENNIE, check out just a few of our favorite releases from this week below:
Dove Cameron, “Too Much”
This one is for all the girls, gays and theys that were ever told by an ex that they were just a bit “extra.” Dove Cameron excoriates a former flame that just couldn’t handle her on the electro-pop jam “Too Much,” making sure that they understand who the real problem was. A relentless beat and Cameron’s crystal clear voice make this campy kiss-off a must-listen, as she proudly declares “If you say I’m too much, baby, go find less.”
Trending on Billboard
JENNIE feat. Doechii, “ExtraL”
What happens when you take the leading rapper from one of the most successful K-pop acts ever and team her up with one of the hottest names in contemporary hip-hop? Well, you get something like “ExtraL,” a thrilling, bossed-up anthem courtesy of BLACKPINK’s JENNIE and Doechii. The duo trade verses flexing their inherent worth on this A-list banger, encouraging the ladies listening to take charge. JENNIE gets more than a few bars in (“Said ‘f–k your rules’ is the mood, damn right” hits hard in the pre-chorus), but Doechii really elevates the song to new levels with her motormouthed appearance (“In the boardroom looking bored ’cause I’m not here for pleasin’ the men,” she spits.)
Perfume Genius ft. Aldous Harding, “No Front Teeth”
Don’t go into “No Front Teeth” trying to predict what Perfume Genius and Aldous Harding are going to deliver, because you’ll simply never be right. On this stunning, chaotic new single, the duo start things off in a soft, indie-rock atmosphere that fits both of them perfectly. Within the first two minutes, the song has become a raucous rock track with both stars reveling in their respective universes of clashing sounds. If you want to see things get even weirder, pop on their excellent music video and watch this excellent pairing bring even more havoc to this thrilling new track.
Durand Bernarr, Bloom
R&B star Durand Bernarr has a lot to say about love — the good, the bad, and the ugly of it all. Bloom, Bernarr’s excellent new LP, carefully examines love (both romantic and not) in all of its facets, whether that comes in the form of frustration (“Overqualified”), initimacy dynamics (“Impact”) or even just the simple act of matching someone’s energy (“Jump”). Throughout each of these funk-infused songs, Bernarr’s acrobatic voice shines the brightest, as he effortlessly shows off why he is one of the most talented vocalists in the game.
Chloe Moriondo, “Hate It”
The worlds that rising pop singer Chloe Moriondo has created are colliding, and we couldn’t be happier to see it. Taking the unhinged lyricism of a project like Blood Bunny and blending it with the pop soundscape of one like Suckerpunch, Moriondo’s new single “Hate It” provides the best of both worlds for this artist as she crafts an immediate pop earworm while also singing about wearing someone else’s face over their own. In short, “Hate It” is the exact kind of unhinged energy we’re looking for in 2025.
Blondshell, “Two Times”
Blondshell seems to keep getting bigger, which makes her sparing new single “Two Times” that much more fascinating to listen to. On her latest single off her forthcoming sophomore album, Sabrina Teitelbaum removes any artifice surrounding her to sing a simple love song about the simplicity of her relationship. Leaning heavily into a rich acoustic sound, Teitelbaum tells it exactly how it is on this phenomenal new song: “You’re not bad, you’re not mean/ You lie about my hair ’cause you love me.”
Hurray for the Riff Raff, “Pyramid Scheme”
We all, collectively, probably spend too much time on the internet — and Hurray for the Riff Raff would like to talk about that. On their new single “Pyramid Scheme,” Alynda Segarra rails against the system that has been built to divide peoples’ attention and empathy into simple bits of information and code, all while wondering aloud what those systems are doing to the perception of art in the modern age. It’s the kind of modern folk anthem that gives you the shivers when you first hear it, because you know looking back in a few years, it’s going to feel even more prescient than it does now.
Check out all of our picks below on Billboard’s Queer Jams of the Week playlist:
Looking for some tunes to help you celebrate a queer-inclusive Valentine’s Day? Allow us to help: Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.
Explore
See latest videos, charts and news
See latest videos, charts and news
From Sam Smith’s lovestruck new single to Lucy Dacus’ stunning new track, check out just a few of our favorite releases from this week below:
Sam Smith, “Love Is a Stillness”
Throughout their decade-plus in the music business, Sam Smith quickly became defined as a once-in-a-generation singer turning heartbreak into gorgeous ballads. Their most recent LP took Smith in a new, more joyous direction, embracing high-camp club pop aesthetics and lighter emotional these. Now, Smith is bringing those two worlds together on “Love Is a Stillness,” their new song marketed as a Valentine’s Day gift to fans. Bringing the beautiful balladry of In the Lonely Hour and melding it with the jubilant lyricism of Gloria, “Love Is a Stillness” sees Smith stripping themself down to their sparest elements in order to deliver a short, gorgeous ode to the simplicity of love.
Trending on Billboard
Lucy Dacus, “Best Guess”
When you take away the admittedly excellent artifice surrounding Lucy Dacus’ new single “Best Guess” — including its star-studded music video paying homage to “hot mascs” everywhere — you’re left with a rich love song that deserves more credit for its gorgeous lyricism. Dacus has long been one of the best songwriter’s currently working in the business, and that poetic streak certainly does end here. Add onto that the singer’s emotionally resonant and understated alto voice, and you’ve got a must-hear love song for this Valentine’s Day.
Japanese Breakfast, “Mega Circuit”
Got any toxic men in your life that need to be checked really quick? Press play on Japanese Breakfast’s new single “Mega Circuit,” and you’ll hear Michelle Zauner commiserating right along with you. Over a sometimes-spooky, always-catchy shuffle provided by legendary guitarist Jim Keltner, Zauner looks at the state of masculinity in 2025 with a rueful shake of her head: “Plotting blood with your incel eunuchs,” she sighs. “I could be the home you need.”
Jake Wesley Rogers, “God Bless”
It’s a sentiment that you do not need a reminder for yet bears repeating all the same: the world is chaos right now. But instead of succumbing to the inherent pain of that idea, Jake Wesley Rogers wants to embrace it. On “God Bless,” the singer invokes an original gospel-style hymn to point out all the inherent contradictions and paradoxes in our modern society, both good and bad, before settling on a mantra we all can get behind: “God bless, it’s a beautiful f–king mess.”
Rainbow Kitten Surprise, “Espionage”
After releasing their excellent album Love Hate Music Box in 2024, Rainbow Kitten Surprise is taking a victory lap with their new single “Espionage.” Over some truly groovy pianos and guitars, frontperson Ela Melo lets her laid-back vocal speak for itself, as she and the rest of the band join in to deliver this “anti-love anthem’s” irresistible chorus. If you’re not really feeling the love this V-Day, then let Rainbow Kitten Surprise take you somewhere else entirely.
Morgan Saint, Out of the Blue
Morgan Saint’s debut album Out of the Blue is an LP that might take some time to digest — the singer herself says that it took her a while to untangle all the emotions involved. But that’s also what makes this album such a remarkable listen; across 11 tracks, Saint explores a series of constant themes in all of our lives, from love (on the stunning title track in particular) to trauma (“Deep”), all over a series of increasingly great indie-pop tracks. She may have appeared Out of the Blue for you, but keep an eye on Morgan Saint. Now that she’s here, she’s sticking around.
Madison Rose, “She’s the One”
Let’s close this out with a certified club banger, shall we? Queer pop paragon Madison Rose’s “She’s the One” isn’t interested in being taken seriously, or being taken in any particular way for that matter — as Rose cooly declares halfway through the track, “if you call her a bitch, but that in front of it.” A growling beat, some banging production and Rose’s unparalleled confidence make for the perfect strut soundtrack. Looking for a pick-me-up this weekend? Look no further, because this song is, in fact, the one.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below: