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Folk singer-songwriter Allison Russell made history with her first Grammy win this year for best American roots performance. While her win presents a cause to celebrate for many, some in Tennessee’s statehouse aren’t interested in congratulating the singer.
On Monday (Feb. 12), Tennessee Democratic Rep. Justin Jones criticized the House Republican Caucus Chair Jeremy Faison for blocking a resolution he proposed to honor Russell for her first win at the Grammys. While a similar resolution honoring Paramore for winning two Grammys — for best rock album and best alternative music performance, respectively — passed, Faison objected to the resolution honoring Russell, removing the resolution from the chamber’s consent calendar.
Rep. Jones vented his frustrations on X about his colleagues snubbing Russell. “Tonight my Republican colleagues blocked a resolution honoring Black American Roots artist Allison Russell for her first Grammy win,” he wrote. “[She] has worked tirelessly to foster an inclusive Nashville through her music and continues to make Black History here in Tennessee.”
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In response, Russell thanked the representative, as well as Rep. Gloria Johnson, for standing up to Faison. “That you & [Rep. Johnson] presented this resolution is a high honour,” she wrote. “That the TN GOP blocked it, I take as a compliment. Their bigotry, sadly, is on relentless display. We have a chance this year to make a real change in TN.”
Billboard has reached out to representatives for Russell for additional comment.
Both Russell and Paramore’s Hayley Williams have been outspoken against Tennessee Republicans, specifically calling out a pair of anti-LGBTQ bills that passed in March 2023, which effectively banned gender-affirming care for transgender youth throughout the state and banned public drag performances. While the so-called drag ban has since been deemed unconstitutional by a federal judge, the state’s ban of gender-affirming care was upheld by a federal court in September 2023.
In protest of the Tennessee legislature passing these anti-LGBTQ laws, Russell helped organize Love Rising, a benefit concert for the LGBTQ community that took place at Nashville’s Bridgestone Arena on March 20. Williams served as one of the headliners for the event, alongside Russell, Maren Morris, Jason Isbell, Sheryl Crow and more.
Speaking to Billboard last year, Russell thanked Williams specifically for participating in Love Rising. “It’s people like Hayley [Williams] taking a red-eye flight to come back from opening for Taylor Swift, because she said she’d rather die than not be there to support the trans and drag community in Tennessee,” she said. “These incredible allies are so important.”
Check out Rep. Jones and Russell’s posts below:
Start warming up your voice with a quick “Do-Re-Mi,” because this week’s epsiode of RuPaul’s Drag Race is bound to be one of your “Favorite Things” — a Rusical challenge!
In an exclusive first look shared with Billboard on Thursday (Feb. 15), the queens of season 16 are gearing up to perform in their very own parody show, The Sound of Rusic. Based around the 1959 Rogers & Hammerstein musical (and its iconic 1964 film adaptation starring Julie Andrews), the annual Rusical immediately begins stirring up tensions between the queens in the new clip.
Tasked by RuPaul to cast themselves in the production, Plasma and Morphine Love Dion both reveal to the audience that they intend to play the lead role of Mariah. “It’s, like, the reason the show has a heartbeat,” Plasma says in her confessional. Morphine quickly jumps in to add that she’s not giving up the part without a fight: “I’m just tired of being safe, so I know from the get-go, ‘B–ch, I need a leading role.’”
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But before we get to see their inevitable confrontation over the lead role, two other queens — Q and Megami — begin squabbling over the part of the “Baroness Braun,” described by Xunami Muse as the show’s villain. As both queens refuse to back down from their first choice, Plane Jane finally breaks the tension by calling for a high-stakes game of rock, paper, scissors for the role. In one round, Q covers Megami’s rock with her paper, earning the nefarious part for herself.
Speaking to Billboard last year, Drag Race executive producer Tom Campbell said that the beloved challenge format was originally intended to be “a one and done challenge” for the queens of season 6, before the producers recognized how fruitful an annual Rusical could be. “This challenge, and Drag Race itself, is like a healthy tree that grew through a crack in the sidewalk — it doesn’t make sense, it doesn’t fit the algorithm, but it touches people’s hearts and and that’s what’s important.”
Episode seven of RuPaul’s Drag Race season 16 premieres Friday, Feb. 16 at 8 p.m. ET on MTV. Watch the exclusive teaser clip above.

As Beyoncé enters her country era, the global superstar has the unequivocal support of at least one fellow artist — Reneé Rapp. During the Mean Girls star’s concert in Paris on Tuesday night (Feb. 13), Rapp delivered a faithful cover of Queen Bey’s 2016 country song “Daddy Lessons.” Dressed in a pair of baggy jeans […]

After watching Barbie fever sweep the nation last summer, RuPaul wanted to help the queens of RuPaul’s Drag Race season 16 live their own life in plastic with the show’s latest challenge.
On Friday’s episode (Feb. 9), the judges tasked the remaining batch of queens with creating their very own limited edition dolls, making a miniature outfit for their made over mannequins as well as a life-sized version that they could model down the runway. Putting the contestants’ business savvy to the test, Ru then asked the girls to brand and pitch the dolls via voiceover.
Crafting two identical high-fashion looks for both herself and her “Fantasy Edition” figurine, Q finally got the A she’s been waiting for all season, scoring her first challenge win. Meanwhile, the self-proclaimed Queen of Flips Mhi’ya Iman LePaige didn’t impress with her clashing bodysuits, while La Diva Más Latina Geneva Karr failed to live up to the judges’ expectations with what guest judge Law Roach called a “horror queen” look.
Lip synching to Janet Jackson’s 1986 hit “Control,” Mhi’ya earned her regal sobriquet; with a series of death-defying handsprings, walkovers and jump splits, the Queen of Flips handily won the battle, sending Geneva Karr driving back to Texas.
Billboard chatted with Geneva about her time on the show, her struggle with sewing challenges, her Untucked reading session with Law Roach, and what it felt like to lip sync in every single episode.
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You had quite the run on Drag Race — what has it been like to watch yourself on the show these past few weeks?
Listen, getting to actually be there and film it and everything felt like a dream. And then I get to re-experience it and watch myself every single week for the past six weeks on television, and I’m just like, “Oh my god, I actually did it. I’m on Drag Race!” It’s just all good emotions and happy thoughts. I feel fulfilled — I feel like I graduated from the school of drag!
Does it ever feel weird watching yourself back on TV?
Oh, yes. It’s definitely weird, and it forced me to realize that I do certain facial expressions that I was simply not aware of. Now, my drag family is saying, “Yeah, you do that literally all the time.” [laughs]
Girl, you have been giving us the best reaction shots all season long.
Honestly, when you’re seeing my face like that, it is 100% natural. That is me being me in a way that I cannot control.
I have to commend you on your stamina, because you lip synched every single episode you appeared in — whether it was for a win, for your life or in a challenge. How the hell were you still standing by the time you finished these five episodes?
Yeah, there was a lot of lip synching. I like to think that Mama Ru and the judges were just taking care of my health — they wanted me to get my steps in! That’s what we’re going to run with.
Of course nobody wants to be in the bottom lip sync, but this is what I do back home. If you come to a show, I’m going to be lip synching. Let’s face it, I’m not going to bust out a sewing machine and sew out and eight count [laughs]. I will be performing, dancing, giving it to you! So, it’s kind of natural for me — if I had the opportunity to not be lip synching every episode that I was in, then I would have obviously chosen not to do so.
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You certainly showed just how good of a lip sync artist you are on the show. For you, what makes a great lip sync performance?
I grew up in the old-school traditional drag style. So to me, what makes a great lip sync is learning to connect with the song and express all your feelings and emotions through the words. You don’t need tricks, stunts, splits, kicks. It’s a lip sync. You have to be able to transport people, and tell the story of the song through your face. That’s what makes a great lip sync.
You had a heartbreaking moment halfway through the sewing challenge, where you decided to fully start over and make an entirely different outfit when you ran out of fabric. What was going through your head when you made that choice?
Yeah, I felt like I had to make an executive decision to either alter the outfit that I was working on and settling for something I didn’t want, or starting over. For some reason, in that moment, with the pressure of looking around and seeing everyone doing the most, it got to my head. I figured, “Maybe I should do the most, and try to find other fabric to come up with something bigger.” I didn’t really understand that a branding challenge doesn’t necessarily mean going big and over-the-top, as long as you actually make a brand. But with the nerves and the lack of sleep, I was just not thinking correctly.
I hear that, but I also appreciated that the queens in Untucked talked about how graceful you are under pressure. You really are a pro at accepting the circumstances for what they are and not allowing yourself to crumble under the pressure!
Thank you! As a former pageant queen, I understood in my early years of doing drag that sometimes, you have to just keep that composed mentality. Even when you see everything around you crumbling, you always have to remind yourself that you are fierce, and you might just be having a bad week. You just have to keep pushing forward and fighting.
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Speaking of Untucked, I must say I was beside myself when you clapped back at Law Roach’s critiques to his face! You are a brave queen, because Law will gather the girls if he needs to.
[laughs] Listen! Ms. Law Roach had her moment already on the judges panel! I got the critiques, and I thought, “I already took it over there, and now you’re in my territory, where I’m supposed to be calm — let’s put a stop to this real quick before you get too comfortable, Miss Thing!”
Let me be clear, I love Law Roach. I genuinely loved getting read by him. He said what needed to be said, and I was honored to get that feedback, truly. I really appreciate the honesty. This was just me having fun and seeing how he would react. Not going to lie, he was a little cracked!
As you head off the show, we’d love to know — what music have you been listening to lately?
As everyone saw on the premiere, I am a big Becky G fan. I have been listening to her new songs with Ángela Aguilar (“Por El Contrario”) and Peso Pluma (“Chanel”), and of course “Guapa.” I mean, and also “Shower,” it was my first lip sync after all! I’m just really gravitating towards her music and taking in the fact that she gave me so much advice when she was on, and I got to give her a hug! Yeah, I’m definitely in my Becky G era.
As we head into Super Bowl LVIII, why not amp up your party playlists with some new tunes from some of your favorite queer artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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From Girl in Red’s infectious new anthem to Shygirls’ exhilarating new dance EP, check out just a few of our favorite releases from this week below:
Girl in Red, “Too Much”
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For everyone who has ever tried to dim her shine, Girl in Red would like to raise a defiant middle finger. “Too Much,” the singer-songwriter’s debut track off her forthcoming new album I’m Doing It Again Baby!, is a stunning pop-rock kiss-off to a lover who just cannot understand her idiosyncrasies. Girl in Red delights in her own dramatics, letting her partner know how much she hates being told that she’s overdramatic in the most theatrical and thrilling way possible.
Shygirl, Club Shy
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Don’t let her name fool you — Shygirl is ready for a night out with her latest project. Club Shy sees the English upstart diving headfirst into the world of electronic music, delivering a phenomenal tribute to East London’s club scene. Whether she’s waving off a former flame (“Mr. Useless” feat. SG Lewis) or on the prowl for someone new (“4eva” featuring Empress Of), Shygirl basks in the glory of her new sound for every second of Club Shy, inviting you to come and dance along.
Zolita, “Bloodstream”
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Just in time for Valentine’s Day, Zolita is here to give you a song that can help express just how much you want to be with your partner. Brandishing her unique brand of alt-pop artistry, Zolita spends much of “Bloodstream” penning her very own declaration of love. Declaring that wants to be as physically close to her partner as possible, the star’s hazy vocal and rollicking production sound like they could soundtrack the climactic moment of any late-2000s rom-com. And that’s just part of what makes “Bloodstream” so irresistibly good.
Brittany Howard, “Power to Undo”
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With a toxic former lover knocking down her door, Brittany Howard is ready to stand firm and take her power back. Her rollicking new single “Power to Undo” — off her new album What Now — follows the former Alabama Shakes frontperson as she refuses to let herself fall back into the arms of an ex, reminding them that “you have the power because I gave it to you” time and time again. Add in the chaotic production, from chest-pounding drums to haywire guitar riffs, and you’ve got a song that will put you right in the moment with her.
MICHELLE, Glow
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NYC-based alternative group MICHELLE isn’t interested in a bright burst of light; they’d rather just Glow. Their awaited 5-song EP fulfills on the promise of its title, highlighting the smaller — but still emotionally important — moments that make up day-to-day life. It could be a recognition that they’re stuck in a series of patterns (“Glow”), or just another phone call with a lover (“On the Line”) — MICHELLE makes use of the little things that can still have massive effects, and they’ve never sounded better.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
There’s no need to “convince yourself” of any “delusion” — drag superstar Jinkx Monsoon is really performing at Carnegie Hall! On Wednesday (Feb. 7), Carnegie Hall officially announced their 2024-25 concert season. Among the many new shows coming to the legendary New York City venue, one in particular stood out to Drag Race; on Valentine’s […]
It may feel like it’s been Years & Years since Olly Alexander released new music, but the 33-year-old singer says you won’t have to wait much longer. On Wednesday (Feb. 7), Alexander announced his new song “Dizzy” will release on March 1. Not only does “Dizzy” mark the star’s first release under his own name, […]
She may have released two full length albums in 2023, but Kim Petras says she still has plenty more new music to share. In a teaser posted to her social media accounts on Wednesday (Feb. 7), the “Unholy” singer revealed the title of her newest project, Slut Pop Miami. A sequel to her 2022 seven-track […]
Over the course of one weekend, the internet was set aflame with a fiery rap beef taking place in real time — and no, it wasn’t the one between Nicki Minaj and Megan Thee Stallion. Starting Saturday (Feb. 3), fans of RuPaul’s Drag Race were treated to a deeply entertaining, tongue-in-cheek “feud” between two former […]
If you can’t love (a wax figure of) yourself, then how in the hell can you love somebody else? On Tuesday (Feb. 6), Madame Tussauds London unveiled their new wax figure of drag icon RuPaul. Dressed in a custom-made gown by Ru’s reputable designer Zaldy, the new figure officially debuts as part of the museum’s […]