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A crowd of girls, gays, theys and every combination therein milled about Madison Square Garden on Monday night (Oct. 2). They chatted with each other about their favorite shows they’d seen lately, swapping lyrics and showing off tattoos.
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Moments later, aside from a few errant cheers, the 20,000 person gathering had gone quiet, gently humming and singing along to an a capella hymn. The leaders of this communal canticle were the women of Boygenius — Julien Baker, Phoebe Bridgers and Lucy Dacus. Huddled around a microphone backstage and broadcast onto a massive LED screen, the trio offered a promise to their entranced congregants: “I’ll give everything I’ve got/ Please take what I can give,” they sang. “I want you to hеar my story/ And be a part of it.”
The ensuing 2 hours of Boygenius’ sold-out debut set at the iconic New York venue further proved why the supergroup has become one of the most essential bands of this generation. Through raucous hell-raising, intimate storytelling and proficient performing, the alternative triumvirate delivered their screaming fans an all-time great show fueled by emotional outpouring and a sense of genuine (and overtly queer) community. As Dacus put it towards the end of the evening, “this has been the best night of our lives.”
The band was certainly set up for success from the start — fellow queer-femme alternative purveyors MUNA (who Baker referred to as “our collective favorite band” later on) brought the house down with their high-energy, crowd-pleasing opening set. Skipping around the stage and kicking inflatable horses into the eager audience, the band made sure they got the crowd’s excitement that much higher for “MUNAGenius,” the portmeanteau fans used to further hype up the performance. “It’s like the capital of friends being horny with each other onstage,” lead singer Katie Gavin said with a laugh.
By the time the headliners pranced onto the stage, the house was already in shambles as attendees screamed along to every word of the rousing “$20.” Throughout the set, fans made a point to shout along in perfect unison on specific lyrics, like “sleep in cars and kill the bourgeoisie” on the exhilarating “Satanist,” or “f–k around and find out” on “True Blue.” With each member dressed in their crisp suits and wielding their guitars, you would be forgiven for drawing parallels between the cheering masses of today and those at the height of Beatlemania.
The feeling was most certainly mutual — at multiple points throughout the evening, the band stopped to survey the excited masses and express their awe. Dacus first addressed the crowd with a giddy scream; Bridgers shook her head and laughed that “this don’t make no sense”; Baker said she would do her best to actually keep her eyes open when singing, despite the fact that she was “so nervous” at the “insane” crowd.
It was that communal, reciprocal energy that brought something fresh to Boygenius’ show — as moved as fans were by the band’s tender ballads like standouts “Emily, I’m Sorry” and “Revolution 0,” the trio were just as moved by their fans’ attentive action. After Dacus was tossed a series of pink carnations during her performance of “We’re In Love” (a reference to the song’s lyric “I’ll be the boy with the pink carnation”), she couldn’t hold in her tears. Her cries of joy led to a group hug that sent waves of sentimental fervor through the audience.
At one point early in the evening, Bridgers couldn’t help but point out how different a Boygenius show felt to any other concert. “Our fans are all so nice to each other and to us, that the security team up here has literally been handing out tissues,” she said. “Thank you for your service, guys.”
The sentimentality certainly didn’t stop the band from letting fans in on sillier moments. When prompted to introduce one another almost halfway through the event, each member was given their own WWE-style introduction from their bandmates. Right after starting fan-favorite “Me & My Dog,” Bridgers brought the song to a halt in order to ask fans to hold up pictures of their pooches.
Much like their songs, the band made sure to show off the talents of each member at every given opportunity. Dacus’ crystal clear voice pierced through the artifice with”Please Stay”; Baker let her demons out on the outstanding “Favor”; Bridgers poured tender passion into each word of “Graceland Too.”
At one point towards the end of show, the trio decided to treat their adoring audience to something even more special; after a top-notch rendition of “Not Strong Enough,” the band ran to the venue’s B-stage on the opposite end of the Garden’s floor. Taking up their new position in a sea of rapt onlookers, the trio performed all four songs off their unreleased EP The Rest, set to release on Oct. 13. Whether embracing oblivion on “Black Hole” or dissociating on “Voyager,” Boygenius ran through the entirety of their new project, beaming at their fans the entire time.
Yet the highlights from the evening came when the band allowed themselves and the crowd to experience release, be it through confessional, tender performances like “Letter to an Old Poet,” or Dacus and Bridgers physically releasing their bodies by going partly-topless for closer “Salt in the Wound.” Bake had her own moment of catharsis on “Anti-Curse,” after which she revealed that she had lost her sense of confidence before getting to work with her friends again.
“These guys have given me my voice back,” she said, holding back tears as Bridgers and Dacus beamed at her from either side of the stage. “I think that is what music is for; to hear your voice against another person’s. So if you need confirmation, then let us be your confirmation bias. We need you to be able to do this.”
Check out Boygenius’ full setlist from their Oct. 2 show at Madison Square Garden below:
Boygenius’ Madison Square Garden Setlist:
“Without You Without Them”
“$20”
“Satanist”
“Emily, I’m Sorry”
“True Blue”
“Cool About It”
“Souvenir”
“Bite the Hand”
“Revolution 0”
“Stay Down”
“Leonard Cohen”
“Please Stay”(Lucy Dacus song)
“Favor” (Julien Baker song)
“Graceland Too”(Phoebe Bridgers song)
“Me & My Dog”
“We’re In Love”
“Anti-Curse”
“Letter to an Old Poet”
“Not Strong Enough”
B-Stage
“Black Hole” (unreleased)
“Afraid of Heights” (unreleased)
“Voyager” (unreleased)
“Powers” (unreleased)
Encore:
“Ketchum, ID”
“Salt in the Wound”
Need some new tunes from your favorite queer artists? We’ve got you covered; Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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From Empress Of and Rina Sawayama’s delectable new team-up to LP’s gorgeous new album, check out just a few of our favorite releases from this week below:
Empress Of feat. Rina Sawayama, “Kiss Me”
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After spending a few months on the road together, it makes perfect sense that indie-pop darlings Empress Of and Rina Sawayama would team up for a new single together. On “Kiss Me,” the pair fuse their respective R&B and pop-adjacent sounds to make a harmonious new track about finding that special connection with your significant other. Sawayama and Lorely Rodriguez’s voices are a match made in heave (as evidenced by their new music video), making “Kiss Me” the exact kind of sonic euphoria designed to kick off your weekend the right way.
LP, Love Lines
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As long as you’re feeling the love, you may as well tap into LP’s newest record, Love Lines. This sweeping, cinematic new project sees the singer-songwriter leaning into the romance of it all, whether that means basking in your lover’s sparkling personality (“Dayglow”) or bidding a bittersweet farewell to the ending of a relationship (“Long Goodbye”). With each passing song, their voice only gets stronger, showing what a powerhouse vocalist like LP can accomplish with a simple concept album.
Maddie Zahm, “Dani”
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Most queer people can relate to the idea of looking back on a “friendship” you had before coming out, only to realize that you were falling hard for that other person. Maddie Zahm takes that perspective and put it to gorgeous effect on “Dani.” Throughout this emotionally brutal ballad, Zahm revisits her infatuation with the titular Dani, only to realize that she was deeply in love with her, thus bringing an end to their friendship. Her voice sends bolts of electricity through you with just the mention of her old crush’s name, proving yet again the power of a good vocal and great songwriting.
Gia Woods, “Somebody Else’s Baby”
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Realizing that you were the bad guy in a past relationship is never particularly fun — so Gia Woods would like to know what she can do to make up for it. On “Somebody Else’s Baby,” the up-and-coming pop singer owns her mistakes and begs for forgiveness, as an unyielding bass line underscores each of her words. After all, as she sings, “Maybe if I tried to, I could learn to undo/ All the ways I broke us, never meant to hurt you.”
Liza Anne, “Internet Depression”
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Doomscrolling is a worldwide epidemic, and Liza Anne is here to let you know that she’s succumbed to it just as much as anyone else. “Internet Depression,” the art-rock artist’s newest single, sees Anne speaking directly to the toxic, algorithmic nature of online communication, and how truly isolating and dissociating that experience can be. There’s no fancy bells or whistles — just Anne’s excellent, slowly-distorting voice paired with a piano, telling you all of the intrusive thoughts that keep plaguing her mind — which makes “Internet Depression” that much more effective.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
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Back in the race! Ru-Paul’s Drag Race UK premieres Thursday (Sept. 28) on BBC Three and BBC iPlayer.
Read on for details on the contestants and ways to stream Drag Race UK from the U.S.
Where & When to Watch RuPaul’s Drag Race UK
Season 5 of Drag Race UK premieres Thursday, Sept. 28, at 6 p.m. BST (1 p.m. ET). New episodes will arrive on Thursdays.
How can you watch Drag Race UK in the U.S.? You can access BBC iPlayer by subscribing to NordVPN or ExpressVPN, both of which offer a 30-day money-back guarantee and plans starting at $3.79/month.
VPNs make it easy for U.S. viewers to catch Drag Race UK and other franchises such as Drag Race Mexico, Drag Race Down Under, Drag Race Philippines, Drag Race Brazil, Drag Race France and Drag Race Thailand.
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Want more ways to stream Drag Race UK? Subscribe to WOW Presents Plus to stream Drag Race UK and other spinoffs internationally. Drag Race UK season 5 premieres at 4 p.m. ET/1 p.m. PT. The season premiere and other new episodes will arrive on Thursdays. You can access WOW Presents Plus on the Fire TV App, Roku Channel, Xbox App, Samsung, IOS App and more. Viewers in Canada can watch Drag Race UK on Crave (download the app here).
Read on for details on the contestants and judges.
Meet the Contestants of RuPaul’s Drag Race UK Season 10
The 10 queens set to compete this season include Alexis Saint Pete, Banksie, Cara Melle, DeDeLicious, Ginger Johnson, Kate Butch, Michael Marouli, Miss Naomi Carter, Tomara Thomas and Vicki Vivacious.
The season will feature queens competing in various challenges and runways. The bottom two queens from each challenge will face off in a lip sync battle in hopes of staying in the competition.
And of course, RuPaul will be featured this season along with veteran judge Michelle Visage, celebrity guest judges and rotating guest judges, Graham Norton and Alan Carr.
Watch a sneak peek of the new season below.
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In his song “That Ain’t Country,” queer artist Adam Mac proudly declared to his detractors that, if they tried that in his small town, they would be met with a community that supports him unconditionally. “The people in the town where I was raised/ They love me/ And they got my back,” he defiantly proclaimed.
Yet over the past week, Mac watched as his theory was tested in real time. “I couldn’t help but feel embarrassed that I would preach this love and acceptance that my hometown has had for me, and then immediately feel a little betrayed in the moment,” Mac tells Billboard over a Zoom call. Dressed in a wide-brimmed hat and a lavender pointelle polo, the singer sighs. “This has been the most insane emotional whiplash that I have ever experienced in my life.”
Last Thursday (Sept. 21), Mac announced in an emotional video posted across his social media channels that he would be canceling his scheduled appearance as the headliner of the Logan County Tobacco and Heritage Festival’s Grand Finale concert. The reason behind the cancellation, Mac told his fans, was that there were concerns he would be “promoting homosexuality or sexuality in a family friendly environment” with his performance. “I’m really sad about it,” he said in the clip, fighting back tears. “I really, really wanted to be there.”
But just one week later, the situation has dramatically shifted for the rising country singer. In a post to her Instagram Stories on Thursday (Sept. 28), country superstar Maren Morris announced that Mac would be joining RuPaul’s Drag Race alum Shea Couleé as an opener for her exclusive, fans-only sold-out show in Chicago next week. “Like I said,” Mac says, laughing. “Emotional whiplash.”
As he reflects on the chaotic week he’s experienced, Mac briefly looks as though the information is just setting in for the first time. “It started as something so disappointing and embarrassing and sad, and very quickly turned into the most insane amount of love I have ever been flooded with in my life,” he says, giddy with excitement. “It’s led to one of the coolest things I am ever going to do.”
Mac originally hails from Russellville, Kentucky, which he describes as a town small enough that “we pretty much all know each other.” Leaving home at 22 to chase his dream as a singer-songwriter in Nashville, Mac spent years writing and self-releasing music to try and make a name in an industry that wasn’t necessarily open to the idea of an openly gay country star.
But eventually, people began to take notice. In September 2022, Mac’s music video for “Disco Cowboy” premiered on CMT, where it remained the station’s No. 1 video of their 12-Pack Countdown for four weeks. In March, Mac posted a clip to TikTok of an emotional ballad dedicated to his mother called “Boy Like Me”; the video has since been viewed over 300,000 times. In April, he was highlighted alongside Shelly Fairchild, Sonia Leigh and Angie K at the Country Music Hall of Fame’s Country Proud showcase.
With a performance at CMA Fest in June, and bookings around Nashville and Los Angeles throughout the rest of the summer, 2023 officially felt like it was Mac’s year — especially with the release of his album Disco Cowboy in May. “What we created is something that feels so much like me. I felt like I finally found my home, where I don’t have to sacrifice being ‘too gay’ or loving this sound,” he says. “It just felt like the perfect marriage to be able to tell my story and do it in a way that that felt good to me.”
When the Logan County Chamber of Commerce reached out to ask Mac to headline their annual Tobacco and Heritage festival, he says it felt like a full-circle moment. “The initial process was just so warm and welcoming,” he recalls. “It felt like this big ‘welcome back home’ after a crazy year of successes.”
That’s when the shift started. Two days after the festival announced Mac as the headliner for their Grand Finale Concert and Fireworks in a since-deleted Facebook post, the singer received a call from the person who booked him for the show, a woman Mac says he’s “known my whole life.” She said that the board members at the Chamber of Commerce had some concerns.
“Some board members wanted her to call in ensure that I would not be ‘promoting homosexuality in a family friendly environment, and they wanted to make sure that I knew that this was not a Pride festival,” he recalls. “It just felt like they were telling me, ‘We know you’re gay, just please don’t be too gay. This is a family event,’ as if being gay is inherently sexual.”
The call was prompted not only by board members concerned about queerness represented on their stage — a number of townsfolk, both online and in person at the Chamber of Commerce, made it clear that they intended to protest Mac’s performance while it was happening. “I wanted it to be this homecoming — that vision did not include protesters with signs and pitchforks behind me,” he recalls. “And so I just told her, ‘I just think it’s best for us to pull out of the show.’”
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Having “never cancelled a show,” Mac felt it was only fair to explain why he wouldn’t be performing at the festival in his own video. Sporting a Maren Morris “lunatic country music person” t-shirt, the singer filmed himself explained the entire situation to his fans, and posted it across all of his social media accounts. “I just wanted people to see me and see that I was genuinely hurt to do this.”
The message stuck. Immediately, the video went viral, with fans, both from and outside of Russellville sharing their disappointment that Mac would be treated this way and offering him their support. The feedback also reached the Logan County Chamber of Commerce — Mac received a call from the Chamber after his video went live, saying that there were “10 times the [number of] people that were originally saying that they would protest the show, now saying they can’t believe that we would cancel your show.”
It was a validating moment for Mac, especially when those fans continued to share his the message, which eventually reached country stars like Morris, Kelsea Ballerini, Lindsay Ell and Brandy Clark . “You are loved. I’m sorry this happened but glad you’re sharing it here,” Morris commented on his Instagram post.
“It was all these divas who I have f–king looked up to, and who have been allies to our community, and who have been there for us when no one else was,” he says. “Not only did my community show up for me, but this music community, this country community also showed up for me.”
But the fun was not yet over. Just a few days after his video went viral, Mac received a call from a number he didn’t recognize — which he knew meant “either they want some money, or they’re about to give me a hell of a lot of money.” When he answered, a representative from CAA was on the other end, saying that his name had come up in a meeting discussing openers for Morris’ show at Joe’s on Weed Street in Chicago, and wondering if he would be interested in performing. “I literally collapsed,” Mac says, still stunned. “I’m still pinching myself.”
Between massive artists like Morris showing him support, and organizations like CMT inviting him to perform at their Equal Access showcase, Mac says he’s never felt more supported by the country music industry. But he also recognizes that country music is also currently fractured; progressive country acts — led largely by women, queer folks and people of color — are advocating for change, while more conservative stars are actively appealing to a right-wing fanbase. Morris herself has expressed her intent to essentially leave the genre after years of fighting against its general failures of inclusivity.
“That is the climate that has been created in our nation, and so it gets very clearly reflected in country music,” he says. But Mac remains hopeful that country music, as a whole, can change for the better. “It’s easy to jump on the bandwagon of hating someone or something because it’s different,” he says. “But I have seen, even just in this situation, that there is so much more love and that there is so much more to audiences than we give them credit for.”
It’s fitting, then, that Mac’s song “That Ain’t Country” also serves as an anti-gatekeeping anthem for the country industry. Lyrics like “Ain’t who you take to bed/ Ain’t in that small town draw/ Yeah it’s in what you’re saying/ Not the way you talk” make his assertion clear; bigotry and hatred don’t buy longevity, and those standing in the way of progress won’t ultimately succeed. Lucky for him, the gates are now opening wide — and Mac is ready to step through.
Rina Sawayama has spoken at length about the childhood trauma that she wrote about on her sophomore album Hold the Girl, but in a new interview, she revealed how one song came out of a revelation in therapy.
During an interview on BBC Three and BBC World Service’s In Conversation on Thursday (Sept. 28), Sawayama said that a series of sex and relationship therapy sessions helped her understand the truth behind what she once thought was a relationship she had at 17 years old. “I was groomed,” she said. “It was by a school teacher.”
Coming to this realization in her therapy sessions, Sawayama said, “completely broke my whole world apart.” The “Hurricanes” singer said that she experienced intense fallout after being groomed, both by her peers and herself. “I was so badly slut-shamed, that I developed so much shame around my sexuality, and lost completely my sense of self, I detached from my skin like inside,” she said. “I just felt so afraid of things, and I’d have anxiety attacks.”
It wasn’t until her sex and relationship therapy sessions that Sawayama felt capable of acknowledging what had happened to her. “Seventeen to me is a child — you’re in school, you have no autonomy most of the time … If a school teacher is coming on to you, that’s an abuse of power,” she said. “I didn’t realize that until I was his age.”
The revelation led Sawayama to write “Your Age,” the furious mid-album anthem of Hold the Girl, in which she proclaims, “‘Cause now that I’m your age/ I just can’t imagine/ Why did you do it?/ What the hell were you thinking?” Sawayama shared in her interview that writing about her trauma on Hold the Girl turned out to be “one of the most incredible experiences” of her career.
“Now it makes me so happy when I see women or femmes in the audience connecting to [‘Your Age’],” she said. “When I look out to the audience, and I see femmes or women connecting to it, I’m like, ‘Maybe you know what I’m talking about, maybe you’re feeling it right now.’”
The singer is currently coming off of her busy festival season, which saw her hit stages at festivals including Glastonbury, Lollapalooza and dozens of others. At a few of her sets, Sawayama appeared to call out her labelmate Matty Healy for “microaggressions” such as mocking “Asian people on a podcast.” During her NOS Alive set, she turned up her ire, saying, “Why don’t you apologize for once in your life without making it about your f–king self?”
Watch a clip of her interview on BBC News’ TikTok.
If you or someone you know is struggling as a result of sexual assault, please reach out to RAINN’s 24/7 National Sexual Assault Hotline for confidential support and resources.
TK. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.
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From Troye Sivan’s stunning new single to Kim Petras’ surprise-release new album, check out just a few of our favorite releases from this week below:
Troye Sivan, “Got Me Started”
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After coming down from the “Rush,” Troye Sivan kicks things right back into gear on his latest pop banger “Got Me Started.” This glittering, laid-back jam teems with sexuality and good vibes, as well as a sample of Bag Raiders’ viral hit “Shooting Stars” all throughout the track. It’s a fitting entry into Sivan’s latest era, as he croons to his lover “Boy, can I be honest?/ Kinda miss usin’ my body/ F–k it up just like this party did tonight.”
070 Shake, “Black Dress”
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Hip-hop star 070 Shake is in mourning — but damn, she knows how to make it sound good. On “Black Dress,” the latest ethereal ode to lost love from Shake, the rapper-singer-songwriter finds herself in the wreckage of a relationship at its end, questioning what’s supposed to happen now. As a relentless guitar accompanies her delicate vocal, punctuated by some gothic ’80s synths to amp up the atmosphere, Shake embraces the darkness, singing that “Even when it’s dark out/ I still can see your bone structure.”
Chappell Roan, The Rise and Fall of a Midwest Princess
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After spending years building a dedicated, feverish fanbase, DIY pop star Chappell Roan is ready to take her throne. The Rise and Fall of a Midwest Princess, the rising star’s debut album, makes good on the promise of Roan’s chaotic singles. Throughout this whimsical joyride, Roan injects her songs with pop adrenaline (“Super Graphic Ultra Modern Girl”) and disco fervor (“After Midnight”), all while delving deep into her own emotional worldview (“Picture You”). With this album’s release, we’re happy to witness this Midwest princess’ rise — but we certainly don’t see a fall in sight.
Kim Petras, Problématique
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Feeling a bit on ennui? Wanting to bid your troubles adieu? Kim Petras has an album for you that will make you say “C’est bon!” Problématique — Petras’ once-lost, now-revived French-pop album — is a headfirst dive into delicious pop ecstasy. Petras revels in her brattiest tendencies (the titular funk track), while partying her way through gay Paris (“All She Wants), and she does it with a signature sound that her fans have come to love. In a word, the latest Kim Petras LP is magnifique.
Doechii, “Pacer”
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If you finish listening to Doja Cat’s scarlet and are feeling in the mood for some more horror-adjacent rap, we strongly recommend Doechii’s spine-tingling new single “Pacer.” Throughout this furious, chaotic anthem from the Florida rapper, Doechii rages against her detractors and boasts her own glory. Transforming her signature flow into screaming “fits” with each verse, the rapper earns her anger with this thrilling new single.
Slayyyter, Starf–ker
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With her sophomore release, Slayyyter would like to reintroduce herself as the bonafide diva that she knows she is. Starf–ker delights in its own narrative, as Slayyyter embraces the chase of fame, the loss of love, and the wild, sexy, drug-fueled journey to the top. Whether she’s lampooning L.A. (“I Love Hollywood!”) or falling down a K-hole (“Purrr”), Slayyyter keeps this character-driven LP as delightfully chaotic as possible for all 35 minutes.
Dua Saleh, “Daylight Falls”
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Capturing a personal crisis in the form of a song can be a uniquely difficult process — but Dua Saleh makes it look easy. On their mesmerizing new song “Daylight Falls,” the multi-hyphenate performer ushers listeners through their own panic with top-shelf songwriting and their most emotive performance to date. The gorgeous but unyielding guitar backing only adds to the mounting tension, before Saleh explodes on the chorus; “I’m freaking out in the dead of the night,” they wail. Figure it out/ ‘Cause I’m gonna cry/ F–king me up in the dead of the night.”
Morgxn, “My Revival”
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Rebirth is a recurring theme for Morgxn — so it’s only fitting that he dedicate his latest single to reinvention. “My Revival,” the latest single off their forthcoming album BEACON, sees the rising star reflect on his journey thus far as an independent artist; embracing the famous “Hero’s Journey” by Joseph Campbell, Morgxn claims his own story for himself, promising that “I don’t plan on stopping/ My spirit’s never dropping.” Add in the fact that Morgxn’s voice has never sounded better, and you’ve got a winning new track on your hands.
Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:
While Madonna and the late David Bowie deservedly enjoyed plaudits for their chameleonic reinventions, spare a thought for Kylie Minogue.
Australia’s own “princess of pop” has changed her sound and skin countless times over the decades, and, along the way, became a household name in her homeland and the United Kingdom.
From an auspicious start in showbiz as the loveable Charlene in “Neighbours,” to the Stock Aitken Waterman-produced ‘80s pop numbers, she’s nailed it with indie, dance, made murder ballads with Nick Cave, survived cancer, had us spinning around, we couldn’t get her out of her head, she played heroes and villains on the big screen, tasted country, and had hit after hit.
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Need more proof?
When Disco topped the Official U.K. Albums Chart in November 2020, for her eighth leader, Kylie became the first female artist – and second artist overall – to claim a U.K. No. 1 album in five consecutive decades.
Also, thanks to the recent success of the catchier-than-a-cold hit “Padam Padam,” she’s one of only four female artists to score U.K. top 10 hit singles in five consecutive decades, joining Cher, Diana Ross and Lulu.
“Padam Padam” is, of course, the first single and lead track from Minogue’s 16th and latest album Tension, which dropped at the stroke of midnight.
On Tension, Kylie strides ahead on a full-blown electro pop mission, its title track bouncing to an old-school Italian house piano refrain. There’s pop to eat your breakfast to, pop for heaving house parties in the wee hours.
Across her career, Kylie has clocked sales of over 80 million records, 5 billion streams, landed seven U.K. No 1 singles, won 17 ARIA Awards, three Brit Awards, two MTV Awards and a Grammy. Her “national treasure” status never quite traveled to the United States, where Kylie has cracked the top 10 on the Billboard Hot 100 on just two occasions. She’ll hope to change all that when she cranks up the tension for her first residency at the Venetian Resort Las Vegas’ Voltaire, slated to kick off on Nov. 3.
Stream Tension in full below.
Queer country artist Adam Mac took to TikTok on Thursday (Sept. 21) to reveal that he removed himself from his upcoming headlining slot at Kentucky’s Tobacco Festival due to questions surrounding his sexuality. Explore Explore See latest videos, charts and news See latest videos, charts and news “The last 24 hours have been a bit […]
When Kim Petras sang that “she’s so problématique” on one of her latest songs, X — the social media platform formerly known as Twitter — took it literally. In a post to her Instagram Stories on Wednesday (Sept. 20), the pop singer revealed that she had been locked out of her X account for sharing […]
If you’re just coming down from the “Rush” of Troye Sivan’s last single, don’t fret — he’s ready to get you started all over again
On Wednesday (Sept. 20), Sivan gave fans yet another new song in the form of “Got Me Started,” a sweltering R&B-pop jam that sees the singer connect on a deeper level with his lover. Sampling Australian duo Bag Raiders’ viral hit “Shooting Stars,” Sivan urges his lover to take him to the edge. “Boy, can I be honest? Kinda miss usin’ my body,” he sings in a pitch-shifted chorus. “F–k it up just like this party did tonight.”
Alongside the new single, the Australian pop star shared a dazzling music video for the track. Shot in Bangkok, the clip shows a series of vignettes of couples around the city sharing tender moments, as Sivan breaks out his best choreography for the song’s chorus. As the tune progresses, so does Sivan’s night out in Bangkok: The star visits a drag club, where he tries on a few looks himself, dances through the streets and eventually winds up on a rooftop as the sun rises, still dancing the night away.
A teaser for the clip, posted to Sivan’s Instagram on Tuesday, showed clips from the lush video with the singer narrating a soliloquy over an entrancing beat. “After the last couple of years, I really thought that I, like, was incapable of feeling anything for a long time,” Sivan’s voice says. “Just even to feel a little bit of butterflies, or f–king … just feeling. I don’t know what you did, or how you did it. You said to me, ‘This is one of life’s greatest pleasures.’ And you know what? You were right.”
In an interview with Apple Music 1′s Zane Lowe, Sivan described the song as “the euphoric moment of total freedom, realizing that you’re completely fine on your own and that also this is not a moment of sadness, but a moment of endless possibilities.”
“Got Me Started” is the second single off of Sivan’s upcoming third studio album, Something to Give Each Other, due out Oct. 13 via Capitol Records. Watch the full music video above.