Power 100
Grammy week is in full swing! Billboard’s Power 100 party was a celebration of some of the biggest names in music. NMPA and Billboard teamed up to honor some of this year’s most iconic songwriters. Justin Tranter stopped by Billboard News to talk about their Grammy nomination, the importance of recognizing songwriters and working with […]
Clive Davis introduced nine-time 2024 Grammy nominee SZA to present the Clive Davis Visionary Award to her manager and label heads, Top Dawg Entertainment president Terrence “Punch” Henderson and Anthony “Top Dawg” Tiffith, at Billboard’s 2024 Power 100 event last night (Jan. 31).
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The star-studded event bringing together the most influential and powerful figures in music was held at Neuehouse in Hollywood, where the legendary record executive Davis took the time to outline the successes and exploits of Tiffith and Henderson since the launch of TDE in 2004.
“Throughout my career, I’ve always had the great fortune of working with truly remarkable producers who created hits and helped shape the careers of some of the biggest and brightest stars in music,” Davis said. “The executives we are honoring tonight, their names are Anthony Tiffith and Terrence Henderson; you know them as Top Dawg and Punch. They without question share the gift of all those outstanding producers who have made their mark on music history.”
Davis then turned his speech to SZA, whom he called “one of today’s most exciting music artists,” and ran through a number of the accomplishments she has racked up in the past year. “SZA’s latest acclaimed album, we all know, S.O.S., has earned a whopping nine 2024 Grammy nominations, the most of any artist this year, and it includes album of the year, record of the year, song of the year, best progressive R&B album and best R&B song,” he said. “S.O.S. was No. 1 for 10 weeks on the Billboard 200, and — this is amazing — all 23 of the album’s tracks charted on the Billboard Hot 100, with five top 10s.”
He then introduced SZA, who gave a speech that lauded Punch and Top Dawg for their vision in believing in her since the very beginning of her career.
“I was just talking to Punch the other day about how much vision he had to have to see what he saw in me with no credentials,” she said. “I really was looking insane and behaving insane and refused writers and all these things, and he believed in me. People would come to him and tell him he should change how I look, or I should be doing these kind of beats or working with these writers, and he didn’t change a single thing about me. He completely believed and constantly told me that I was the greatest, which I thought was ridiculous, and I was so grateful for his delusion. You know, Top literally also somehow had this belief in me, and I was nothing like any of my family members in TDE, I didn’t come from the same place, I was just a different type of person, and no matter how many times we would have conversations that differed, he would fight to understand me.”
She then introduced Punch and Top Dawg to speak. The latter kept it short — “You know me, I’m behind the scenes all the time; I’m like SZA, I don’t like all these cameras and the limelight,” he said — before turning it over to Punch.
“When you think about a visionary, you have to have foresight. And coming from where we come from — we both come from the Nickerson Garden projects — you have to have vision, you have to have foresight. And usually you don’t; you can’t see past your circumstances, or even see past what’s right in front of you,” he said. “So from there, we went on to be 20 years in in this business. That takes a razor-sharp vision, for sure. Even to help different artists, like a young girl from the suburbs of Maplewood, New Jersey, to reach the top of the pop charts, that’s crazy, and that also takes vision. So to the visionaries, keep seeing things with your eyes closed, and see it through.”
Find the full 2024 Billboard Power 100 list here.
Boygenius received the Universal Music Group x REVERB Amplifier Award at the Billboard Power 100 event in Los Angeles on Wednesday night (Jan. 31).
The group, signed to Interscope, was presented with the honor by Universal Music Group chairman/CEO Lucian Grainge, who began his speech by praising Republic Records megastar Taylor Swift, who dethroned him at the top of the Power 100 list this year.
“Let me say that I’ve never, ever, in my entire career been so thrilled to be No. 2 on a list,” he said at the event, which was held at NeueHouse Hollywood. “I suppose I’m honored as well as a bit relieved to be named No. 2. Many, many, many congratulations, Taylor, on your No. 1 award. You thoroughly deserve it. You are completely unique, and to see the heights that you have gone to worldwide with your voice has given all of us who know you and work with you enormous pleasure and enormous pride.”
During his brief time on stage, Grainge made no direct mention of the elephant in the room: The music giant’s industry-shaking decision to pull its music from TikTok after licensing renewal talks between the two companies collapsed. But he did appear to make a subtle nod to the dispute, which involves, in large part, disagreements over both artist compensation and artificial intelligence.
“I also wanted to be here tonight … to highlight the importance of using this room for collective good,” Grainge said. “There’s an enormous amount of power in this room, that’s why it’s called the Power awards. And I feel extremely strongly and grateful that we’re in an industry that has provided us with such pleasure, such joy and a living. But we have the platform to be able to use it for our artists, to fight for them to be fairly compensated, as well as protected, particularly against unethical A.I.”
While introducing Boygenius — the trio composed of Julien Baker, Phoebe Bridgers and Lucy Dacus, who are up for a whopping five Grammys this year, including album of the year — Grainge said its members “exemplify what it means to use power for good” before ceding the mic.
The first of the trio to speak was Dacus, who opened by shouting out Pass the Mic Foundation, the non-profit organization that organized land acknowledgements at each of the band’s recent tour stops. She proceeded to make a land acknowledgement from the stage, noting that Los Angeles County “occupies land originally and still inhabited and cared for by the Tongva, Tataviam, Serrano, Kizh and Chumash peoples.”
Dacus continued by recognizing Landback — a movement “to get Indigenous Lands back into Indigenous hands,” according to landback.org — as well as three other organizations the band worked with on its 2023 tour: Reverb, the Ally Coalition and Calling All Crows. All of them, she said, helped organize tabling at the group’s tour stops to educate fans “about local and national organizations that work to defend LGBTQ rights, abortion access and environmental concerns.”
When Baker stepped up to the podium, she said of receiving the award, “We realize it’s useful to publicly acknowledge and recommit ourselves to these values … in order to draw attention to causes we care about. But ultimately, this is a community effort. It should be important to everyone, because it’s important for everyone’s individual well-being. This is not a task for those with more power to participate in, that those with less may not participate in. The perceived scale of a person’s impact doesn’t increase or diminish your individual responsibility to act each day in a way that protects and proves or makes more equitable the world we inhabit together.”
Lastly, Bridgers acknowledged all three band members’ history of being “made to feel uncomfortable or unsafe in concerts when we were kids or in work environments later when we started making music ourselves.” She also shouted out Calling All Crows, which she said did “a demonstration for us and our tour about how to spot and stop sexual harassment or sexual violence, whether you see it in a crowd or on your own crew.”
Bridgers also mentioned, as she has previously, that she had an abortion while she was on tour in 2021 before noting that the band worked “with local organizations who make sure that other people get easy, safe access to abortion” on its 2023 tour. She concluded: “We like to create a show environment that we would have benefited from as kids. But hopefully someday, everybody’s doing it, and nobody’s getting awards.”
Republic Records‘ CEO and COO Monte and Avery Lipman accepted the award for the label of the year at Billboard‘s Power 100 event last night (Jan. 31) in Los Angeles. The award was presented by Noah Kahan, who recalled being signed to the label nine years ago when he was, he recalled, “a kid with […]
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