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Trending on Billboard Benson Boone was forced to pull the plug on his show at Utilita Arena in Birmingham, England on Saturday (Nov. 1) at the last minute due to vocal issues. According to a BBC report, in a since-expired statement posted to his Instagram Story, Boone apologized to fans for the missed date, saying […]
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Britney Spears‘ Instagram account has once again gone dark. Fans looking to get an update on the singer via her @britneyspears Insta page — featuring the screen name XILA MARIA RIVER RED — are not me with a message that reads: “Profile isn’t available. The link may be broken, or the profile my have been removed.”
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According to a variety of reports, the Spears Insta account appeared to go dark on Saturday (Nov. 1) or Sunday (Nov. 2), two weeks after the singer’s ex-husband, Kevin Federline, released his tell-all memoir, You Thought You Knew, which features salacious and scandalous stories involving the pop star from their two-plus years of marriage.
At press time Spears had not made any comment about her Instagram retreat, which marked the latest incident of her wiping away her Instagram page. The pop star went away briefly in 2021, then again in 2022 (twice) and has periodically gone dark on her socials over the past few years. The latest retreat comes after Spears repeatedly seemed to lash out over the allegations in Federline’s book in a series of Instagram posts in mid-October in which she wrote, “Its fun to tell stories at this point because this all might sound so silly but with what garbage literally is being said about me I said why not bring SUBSTANCE to the table.” Before that, Spears lashed out in another post at what she deemed “constant gaslighting” from Federline, to whom she was married from 2004-2007.
A few days earlier, she took another shot at people who “profit off my pain,” without naming names, but seemingly alluding to her financial situation with her ex, writing, “no money from Britney for 5 years you trying to get paid that’s what general America is saying weird you both have moved on… your kids are adults it’s a different world now … why is HE SO ANGRY.”
According to People, for weeks Britney’s fans have expressed concern about the 43-year-old star’s condition as she’s continued to post her signature dance videos amid cryptic messages about the two sons she shared with Federline, Sean Preston, 20, and Jayden James, 19. In addition, in a video posted on Oct. 7, Spears appeared to have bruises on her arms, bandages on both hands and on her right knee.
“Psss I fell down the stairs at my friend’s house… it was horrible… it snaps out now and then, not sure if it’s broken but for now it’s snapped in !!!,” she wrote in a TikTok post featuring her injuries.
In an Oct. 19 post, Spears also wrote about a four-month rehab stint she spent in 2018 in the midst of her 13-year conservatorship, claiming that, “I do feel like my wings were taken away and brain damage happened to me a long time ago 100 percent… I have of course moved on from that troubling time in my life and I’m blessed to be alive,” without elaborating on the time frame or nature of the reported brain injury.
Federline’s memoir features a variety of shocking claims about Spears, including allegations that she drank wine while she was pregnant with their children and did cocaine while she was breastfeeding. Spears’ team pushed back at the stories from the KFed memoir that leaked before publication, claiming that “once again he [Federline] and others are profiting off her and sadly it comes after child support has ended with Kevin. All she cares about are her kids, Sean Preston and Jayden James and their well-being during this sensationalism. She detailed her journey in her memoir.”
Trending on Billboard Jessica Simpson is celebrating eight years of sobriety. The singer, fashion entrepreneur and reality TV personality marked the milestone on Friday (Nov. 1) with a reflective Instagram post, sharing how giving up alcohol transformed her life and creativity. “8 years ago today I made the choice to confront, to confess and to […]
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Mariah Carey‘s welcome to the Christmas season is here. The “All I Want for Christmas Is You” hitmaker made an official announcement to kick off the holidays in partnership with Sephora.
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“Halloween slayed,” Carey says in the Joseph Kahn-directed ad that dropped as Halloween (Oct. 31) came to a close. “But now … it’s time!”
There’s one problem: Someone’s rummaged through the pop diva’s Sephora bag and pilfered the new beauty goodies she snagged for the 2025 holidays.
In the lighthearted spot, Carey demands someone spill the tea on who stole her makeup so she can ring in the season of her modern Christmas carol, and — spoiler alert — it’s not the Grinch.
It’s Billy Eichner as an overworked elf advocating for better treatment at Christmastime.
“Bad news, Mariah Carey,” the comedian taunts. “The elves are striking this year. Elf revenge for putting us through holiday hell! Santa’s helper quit. I’m pawning this so I can afford elf therapy!”
“That’s my blush, elf boy,” Carey says.
“Your lipstick? I’m taking it. No bells. No cheer. No glam. Bye, sweetie,” Eichner throws back.
The Christmas commercial comes right after Carey dropped a collection of holiday merch, like a snow globe that plays “All I Want for Christmas Is You”; a Christmas sweater, earmuffs, socks, pajamas, robe and slippers; ornaments and stockings; holiday baking supplies and a large inflatable lawn decoration. Mariah might not “want a lot for Christmas,” but she’s given fans plenty to add to their Amazon wish lists.
Watch Carey’s “It’s Time!!!!!” announcement below to find out how she saves Christmas from being canceled. Oh, and go ahead and press play on her classic “All I Want for Christmas Is You,” the song that Christmas music lovers have listened to enough to make it Carey’s longest Hot 100 reign (with 18 total weeks at No. 1, four of which were just last year).
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Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week: Tricks and treats from Florence + The Machine’s howling latest, an early Mother’s Day gift from Tyler, the Creator and a right-on-time R&B love song from Brent Faiyaz.
Florence + The Machine, Everybody Scream
We all scream for Florence + The Machine’s latest, an appropriately titled album for a Halloween release, certainly. The horrors here are not necessarily of the jump-scare variety, but more the realities of life as both a veteran pop-rock star not always given her due and as a woman facing double-standards in the music industry — one who recently endured a potentially life-threatening ectopic pregnancy, as she detailed in a recent Guardian profile. But regardless, Florence is no Final Girl, and Everybody Scream evinces the mighty strength she’s developed as a singer, artist and person: “Come on, come I can take it/ Gimme everything you got/ What else?” she goads in “Sympathy Magic.” Besides, as she attests in “Witch Dance,” “Your threats and your promises, they don’t scare me/ After all, there’s nobody more monstrous than me.”
Tyler, The Creator, “Mother”
Tyler, the Creator apparently considers his newly released bonus track “Mother” such an important of his CHROMAKOPIA experience that his new CHROMAKOPIA+ sticks it in the middle of the tracklist, not just at the end. A sympathetic song about his mom’s experience having him, raising him and trying to teach him life wisdom, the track even includes an interlude of said matriarch warning him not to get arrested, because she had no intent of bailing him out of jail. He also holds some grace for his father: “Father told me nothin’/ F–k it…. I hold no grudges, I heard he a fan.” The beat and the backing grunts are tense (and intense), but the electric piano is warm and tender.
Brent Faiyaz, “Have To.”
In what’s turning out to be an excellent year for crossover R&B, it’s a perfect time for the return of hitmaker Brent Faiyaz. Especially with a song this irresistible: “Have To.” is an immaculately produced love song about Faiyaz doing whatever has to do to be where he needs to be: “I’m in a race with time to get where I belong/ ‘Cause it feels so right after all these nights alone.” Sweetly urgent but never overly insistent — and winking enough to avoid any undue sweatiness, including multiple vocal tracks of a pitch-altered Faiyaz basically dueting with himself — “Have To.” is another big winner for Faiyaz.
Reneé Rapp, “Lucky”
Frisky, poppy, lightly grungy alt-rock certainly seems to be the musical sweet spot for Reneé Rapp, as evidenced first by her impressive August sophomore LP Bite Me, and now from her new song “Lucky.” Recorded for the Now You See Me: Now You Don’t soundtrack — sure — “Lucky” features Rapp bragging about her charmed life over propulsive guitars and occasional synth flares, even throwing in a little meta-nudge with the bridge’s “It’s almost like I’m Reneé.” Extra points for actually working the film’s title into the lyrics.
Sub Focus feat. Grimes, “Entwined”
Grimes ‘n’ Bass! As the wait continues for the follow-up to 2020’s Miss Anthropocene, Grimes has been busy with one-offs and collabs — most recently teaming up with the U.K. producer Sub Focus for this week’s “Entwined,” whose moaning, growling, frequently shape-shifting beat is the perfect bed for the Canadian alt-pop star to wail over. It might not be explicitly spooky-scary, but if you happen to be one song short on your Halloween playlist for this weekend, it’s unsettling and intense enough to be a fit.
Oklou, Choke Enough (Deluxe)
Speaking of Grimes — rising French electro-pop singer-songwriter Oklou arrived with heavy Claire Boucher vibes earlier this year on shimmering debut album Choke Enough. If that 13-track set understandably left you craving more, the artist born Marylou Vanina Mayniel reissues the set this week with four bonus cuts, including the previously released fka Twigs collab “Viscus,” the gorgeous synth ballad “What’s Good,” and the uncharacteristically acoustic (but still satisfyingly warped) “The Fishsong Unplugged.”
Trending on Billboard Some people dress up in elaborate costumes on Halloween, but this year Taylor Swift is stripping things all the way back. The pop juggernaut surprise released an unplugged version of her The Life of a Showgirl hit “The Fate of Ophelia” on Thursday night (Oct. 30). The acoustic guitar-forward “The Fate of […]
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After a Korean judge ruled this week against NewJeans‘ efforts to break free from its label ADOR following the firing of its mentor, Kesha is showing love to the embattled K-pop girl group.
“My heart is with you NewJeans,” Kesha posted late Wednesday on X alongside a single red-heart emoji.
While Kesha has no public connection to NewJeans, she’s no stranger to a high-profile legal battle that puts artistic freedom in limbo. For nearly a decade, the “TiK ToK” singer was embroiled in competing lawsuits with her longtime music producer Dr. Luke. It started in 2014 when Kesha sued Dr. Luke, accusing him of sexual assault and abuse starting when she was a teenager, followed by the producer countersuing Kesha for defamation. The pop star sought to be released from her Kemosabe Records contract, but a judge ruled that she was obligated to continue making music under the Sony Music label.
Following a #FreeKesha social media movement that included vocal support from Kelly Clarkson (another frequent Dr. Luke collaborator) and Lady Gaga, Kesha and Luke came to a joint resolution in 2023 ahead of the defamation trial.
It appears Kesha is paying it forward to the K-pop group, whose members include Minji, Hanni, Danielle, Haerin and Hyein. As the CEO of ADOR, Min Hee-Jin introduced NewJeans as the label’s first girl group in July 2022, and the quintet soared to international success, landing five songs on the Billboard Hot 100 and accepting the group of the year award at Billboard Women in Music in March 2024. Just months later, in August 2024, Hee-Jin was dismissed as CEO and later exited ADOR altogether.
The members of NewJeans announced their intention in November of last year to terminate the group’s contract with ADOR, which was followed by the label’s lawsuit. This week, a judge in Seoul ruled that Min’s firing as CEO was not sufficient grounds for NewJeans to void its seven-year exclusive contract with ADOR.
In a statement through their lawyers, shared by the Korea Times, NewJeans had this to say about the new ruling: “NewJeans members respect the court’s judgment, but it is impossible to return to this company and continue normal entertainment activities in the current situation where the trust relationship with ADOR is completely shattered.”
Earlier this year, NewJeans attempted to rebrand as NJZ, debuting the new song “Pit Stop” at ComplexCon Hong Kong in March and announcing a hiatus, before ADOR challenged the group’s use of the new name while the legal battle moved forward.
In a podcast interview with Monica Lewinsky in July, Kesha opened up about what it was like to have to continue working with someone with whom you’re also in a legal battle.
“The recordings of my voice did not legally belong to me in the universe in perpetuity,” Kesha explained. “To then be delivering music to someone that you’re in litigation with … they’re in control of the promotion, of the budgets, all of it, the release, everything. For years. For 10 years. That was the only way I’d get out of the deal [with Kemosabe] was if I delivered the music.
“In my mind, it just felt like the biggest head-f— of all time,” the musician continued. “It still perplexes me, because it kind of makes no sense how the legal system could just watch this be happening and be like, ‘Yeah, that’s fine.’ It felt inhumane.”
Kesha made her independent debut over the summer with her latest album Period, which appropriately arrived on July 4, aka Independence Day.
Hyeonbin, Yeonwoo, Yoon, Siyun, and Jinhyuk
Image Credit: Kim MinSeok
YEONWOO
You trained for seven years at CUBE entertainment. Known as the team’s “all-rounder” for your performance and vocal skills, your hard work really shows. What did you learn from the experience as a trainee?
I think I naturally picked up not just dance and singing, but also other skills like speaking and languages. All of that has helped me, especially on stage, where every detail matters.
A debut showcase must have been an emotional moment for you.
It was the moment of reaping seven years of effort and taking a new leap forward, so the excitement was unforgettable. I’ve faced many nerve-wracking stages since, but that one felt like my heart was literally going to jump out of my chest (laughs).
The title track of NOWZs EP IGNITION, released this July, “EVERGLOW,” is about running toward the light even in darkness. How did your pre-debut experiences shape you?
As a trainee, you’re always in a position where growth is necessary. There were times of improvement, but also moments that I’d call failures. Looking back, I think I learned the most from those failures. That goes for skills, but also for relationships. You really can’t know anything without experiencing it, and every experience ends up being important.
As a member of NOWZ, what do you feel you do best?
I’d say keeping the group’s performance in sync. I tend to dive deeply into things, so I notice a lot of details. I also watch the stage as a whole and often suggest ways to make it look even better.
How would you define NOWZ’s current identity?
With “EVERGLOW,” we tried to convey the message that even painful moments eventually shine. We’ve all felt the struggles of growing up and the uncertainties about the future, so we could put genuine emotion into that. On stage, it feels like we’re showing our true selves. We often talk about NOWZ’s ‘color’ as a group, but it’s still something we’re discovering. What’s certain is that we want to share stories that resonate with people our age, offering empathy and comfort to those watching. Hearing that someone felt comforted through our performances is incredibly motivating.
You mentioned energy, but that you were also comforted by BTS’s music during your trainee years. Is there anything that’s inspired you recently?
I recently saw a video from Travis Scott’s concert where the fans jumped so energetically that it created vibrations like an earthquake. I started thinking about what it must feel like to be on a stage like that, and what it is that makes people go so wild with excitement.
Having spent years at CUBE’s office building, you must know it better than most. Can you share a little?
There’s nothing really secret, but the building has about 15 vocal rooms and 5 dance studios. Recently, NOWZ even got our own floor! Before debut, I used to be a little intimidated by the fourth floor — that’s where we were evaluated by the performance director every Friday. Now, I feel completely comfortable going there (laughs).
At this point, what do you enjoy the most?
Nothing compares to being on stage. I’ve been chasing the dream of standing on stage for so long, and it’s where I feel most alive. Moving and singing on stage brings me the greatest joy and makes me feel truly fulfilled.
NOWZ have performed covers of Stray Kids’ “Back Door” and “MANIAC”, as well as NCT U’s “Seventh Sense”. What do you focus on when doing cover stages?
For “MANIAC” at KCON LA, we wanted a song that could match the energy of the local audience, and that’s what we chose. Stray Kids are incredibly energetic, and performing on stage while feeling that energy made it one of the most memorable stages for me. Watching other artists’ performances always inspires me — seeing different music and styles makes me realize just how wide the world is.
Do you have something you do just for yourself?
I recently started enjoying biking. From our company in Seongsu-dong to the Jamsu Bridge, it’s a decent distance, but biking makes it quick. I love riding while listening to music. I also enjoy gaming, of course. And, honestly, the little happiness of lying in bed after everything and feeling the coolness of the blanket — that’s pure bliss.
What comes to mind first when you think of ‘Billboard’?
BTS! I’ve always admired them, and seeing their Billboard records made me imagine a bigger world. It also reminds me of my trainee days when the company told us to check the Billboard charts to understand global music trends.
As K-pop reaches audiences all over the world, what’s a dream you hope to achieve?
It’s always amazing to see people doing ‘dance challenges’ with our songs. One day, I’d love to hear someone singing our music casually while walking down the street. I’ve seen moments like that in BTS’s overseas vlogs, and while it may be routine for them, I can’t help but imagine how incredible it would feel for us to experience that too.
What does music mean to you right now?
Music feels like the ocean. I’ve explored some parts of it, but there’s still so much to discover. I’m curious about the things I haven’t experienced yet. I want to dive into broader genres and keep exploring the depths of music.
SIYUN
Your first EP IGNITION has been described as showcasing NOWZ’s new identity. Aside from the title track “EVERGLOW”, is there another track you’re particularly proud of?
Definitely “Problem Child”. The concept itself felt fresh and fun to me. I remember writing the lyrics excitedly while waiting in the car on set during the music video shoot.
You’ve been working closely with member JINHYUK, who’s also born in 2004. How do your studio sessions usually go?
Usually, late at night, I listen to the beat and think, “This could work — let’s try this together,” and I’ll take JINHYUK to the studio(laughs). Sometimes we try writing in our dorm first, then go back to the studio to record. Other times, we just head straight to the studio and start working. Since we’re both rappers, a lot of our work is collaborative.
And he follows along willingly?
Honestly, I need JINHYUK! I’ve learned so much from JINHYUK. I used to work really slowly — sometimes it took me a week just to write four bars. Thanks to him, I can put something together relatively quickly now.
What joy do you get from participating in the songwriting process yourself?
I know my pronunciation, tone, and flow better than anyone. So if I want to show my style at 100%, it’s better for me to be directly involved. Of course, there’s also the pride I feel when people like the songs I’ve worked on. That’s really rewarding.
Once you described yourself as “someone who can do anything.” Do you feel the same way now?
Absolutely. I feel like I’m constantly proving myself. When I first started as a trainee at 17, my dancing and singing were really clumsy. Looking back now, I can see how much I’ve grown — my speed in songwriting has improved, and my vocal parts have gotten stronger too. There have been many moments where I’ve realized, “OK, I can do this.”
What has motivated you to keep pushing yourself?
These days, so many people start training or debut at a very young age. Since I felt like I started a bit later, I think it pushed me to work even harder.
You’ve been active for a year and a half since debut. Do you see areas where you can have more fun or improve?
I’ve never once regretted choosing this path. Even the tough parts feel worthwhile because it’s a career that truly fits me. The best part, of course, is having our fans.
Are there performances by other artists that inspire or motivate you?
Watching NCT DREAM’s “We Go Up” performance is what made me dream of becoming a K-pop idol. After our debut, I saw their “Smoothie” stage on a music show, and it was truly overwhelming. That was the day I really thought, “Wow, this is the epitome of K-pop idol.”
Your cover of MARK’s “Fraktsiya (Feat. Lee Youngji)” with Jinhyuk hit 1 million views on YouTube. What do you focus on when performing a cover?
Rather than just copying the original, I focus on emphasizing the parts where we can showcase our own charm. For example, when preparing Stray Kids’ “MANIAC” for KCON LA, I tried adding elements that suited me better and worked with the members to refine the key choreography points. It’s all about making the performance feel like us.
If you return to LA, what would you like to enjoy more?
The U.S. is really the center of the music industry. While performing and doing interviews there were invaluable experiences, I’d love to go deeper into the culture — participating in a songwriting camp, taking dance classes at local studios, that kind of thing. I’m also studying English diligently.
As a Billboard K-pop rookie of the month, do you remember the first moment that you were aware of ‘Billboard’?
During my trainee years, I was told that checking the Billboard charts would help me study rap, so I started exploring them. Artists like Drake were often at the top back then, and I think that really helped me. Now, being on the Billboard chart as a K-pop artist has become one of my personal goals as well.
After a year and a half as a five-member team, is there a particular member whose charm you hope more people recognize?
A lot of my and JINHYUK’s work has been released, but HYEONBIN has also created some amazing tracks. And Yoon is probably the most variety-show-savvy member in our team — I hope people get to see that side of him too.
What does music mean to you right now?
Music is like food to me. Just as I can’t live without eating, music is something I absolutely need. And depending on which ingredients I use and how I technically cook them, the taste can vary greatly — that’s how I see creating music.
Trending on Billboard D’Angelo had already proven a transformative R&B figure as a 21-year-old with his 1995 debut LP Brown Sugar, scoring hits and winning awards and growing the movement that would ultimately be known as neo-soul. And when his sophomore album Voodoo arrived in 2000, it topped the Billboard 200 — helped by the […]
Trending on Billboard Ariana Grande is celebrating the release of her Positions (Vevo Official Live Performances) in honor of the fifth anniversary of the singer’s sixth studio album, 2020’s Positions. Tracks on the six-song EP use audio from Grande’s 2021 Vevo Official Live performance taping of the songs “POV,” “Positions,” “Safety Net” (feat. Ty Dolla […]
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