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24 Popular Line Dance Songs

Get the party started on the floor with these tracks perfect for a big group dance.


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So, you’ve got to DJ a wedding or bar/bat mitzvah. You need music that can please crowds of all ages, that can get wallflowers out of their chairs and on to the dance floor. You want popular line dance songs that everyone knows with moves that have been ingrained in our minds since we were six.

These 25 tracks span decades include Billboard Hot 100 hits such as Chubby Checker’s “The Twist” (No. 1 in 1960), Little Eva’s “The Loco-Motion” (No. 1 in 1962), Van McCoy and the Soul City Symphony’s “The Hustle” (No. 1 in 1975) to the Bayside Boys remix of Los Del Rio’s “Macarena” (No. 1 for 14 weeks in 1996) and Soulja Boy’s “Crank That” (No. 1 in 2007). There’s even a few which never quite made it to the top, like Dee Dee Sharp’s “Mashed Potato Time” (No. 2 in 1962), Village People’s “YMCA” (No. 2 in 1979), PSY’s “Gangnam Style” (No. 2 in 2012) and Silentó’s “Watch Me (Whip/Nae Nae)” (No. 3 in 2015).

Whether it’s rap, Latin, country or just sharp-cheddar cheese, this list of line dancing tunes is guaranteed to get the party going in the weirdest way possible. If no one knows the moves, don’t worry about it. The lyrics explain it all, at least half the time. Watch the dance floor light up once these songs start playing over the speakers.

Here’s a list of the best group line dance songs of all time, from the wobble to American country wedding staples, in no particular order.

Ariana Grande Predicts Upcoming Cher ‘SNL’ Episode Will Be ‘One of the Gayest Episodes’ Ever

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Ariana Grande swooped in for a solo Wicked: For Good promo appearance on The Tonight Show on Tuesday night (Nov. 18), and while her movie bestie Cynthia Erivo is skipping interviews on the red carpet ahead of Friday’s opening of the sequel after losing her voice, Grande broke from their silent solidarity pact for a night to belt out some famous duets with host Jimmy Fallon.

The pair ran through a History of Duets, opening with “For Good” from Wicked, naturally, before dipping into Marvin Gaye and Tammi Terrell’s titanic “Ain’t No Mountain High Enough,” bopping and swaying to the soul classic’s groove before taking a hard left turn. Fallon steered into a bit of “Anything You Can Do (I Can Do Better) from the 1946 Broadway musical Annie Get Your Gun, with Grande trying to steal back the spotlight with her “no you can’t!” to his “yes I can!” as the two playfully tried to push one another out of frame.

Grande firmly grabbed the attention back by busting into the powerhouse Lady Gaga bits from “Shallow,” with Fallon sitting back as she dove into the deep end, then joining her to croon about rising to the surface in his best Bradley Cooper impersonation. They then slipped into a few lines from the iconic Brandy and Monica jam “The Boy Is Mine” before cranking things up for Bruno Mars and ROSÉ’s “Apt.” and downshifting into the soaring Aladdin ballad “A Whole New World.”

Fallon slipped on some nerdy glasses for a swoon through “Suddenly, Seymour” from Little Shop of Horrors before cueing up the big finale, Bill Medley and Jennifer Warnes’ iconic, Oscar-winning “(I’ve Had) The Time of My Life” from Dirty Dancing. Fallon surely made his show’s lawyers nervous by offering to do the signature lift from the 1987 Patrick Swayze/Jennifer Grey dance romance. Grande got a head start and then took off, landing in Fallon’s arms as he awkwardly spun her around over his head.

Okay, kidding, it was just a stuffed Ari doll, though she sold it by pretending her hip was sore from the high-flying bit.

Grande had plenty to say during her 10th appearance on the Tonight Show, promoting the anticipated movie musical, of course, but also her upcoming appearance on the Dec. 20 Christmas episode of Saturday Night Live, where she will be joined by musical guest Cher. “I’m so excited,” she said, noting that she didn’t find out the pop legend would be joining until two days before it was announced. “I almost passed out. I had no idea what to do. What an honor.”

And not for nothing, Grande predicted that it would be “one of the gayest SNL episodes that has ever happened, right?”

She also talked about what it felt like to film both Wicked movies at the same time, saying it’s been interesting to watch it so many years after the cast finished shooting. “So in my head they’re both one story and one experience,” she said, while happily taking Fallon’s praise for her wand skills in the second half of the blockbuster Broadway adaptation. “It got caught in my wig a few times,” she admitted as Jimmy pulled out a massive glittery prop from the film and asked the movie’s star to show off some of her impressive wand work.

Watch Grande on The Tonight Show below.


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8 Songs You Didn’t Know Lady Gaga Wrote

The other artists who recorded tracks penned by Mother Monster might surprise you.


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No one doubts that Lady Gaga is a top-notch songwriter. With six No. 1 Billboard Hot 100 hits that she wrote to her name – 2008’s “Just Dance” featuring Colby O’Donis and 2009’s “Poker Face” (both from her debut album The Fame); 2011’s “Born This Way,” the title track of her sophomore full-length; 2018’s “Shallow” off of the original soundtrack for A Star Is Born; “Rain on Me,” her 2020 duet with Ariana Grande from Chromatica; and “Die with a Smile,” her 2024 collab with Bruno Mars, later released on Mayhem.

Gaga is not just topping charts with the powers of her pen. She’s achieved countless accolades and nominations over her career, including four Grammy nods for song of the year – an award that specifically honors the writers – for “Poker Face,” “Shallow” “Die With a Smile” and 2025’s “Abracadabra” from Mayhem. “Shallow” won the Academy Award for best original song in 2019 (shared with Mark Ronson, Anthony Rossomando and Andrew Wyatt), and Gaga earned two more Oscar nods in the same category for 2015’s “Till It Happens to You,” cowritten with Diane Warren for the 2015 documentary The Hunting Ground and 2023s “Hold My Hand” from Top Gun: Maverick.

But she doesn’t just do it for herself. And while Gaga’s focus seems to be mostly on pushing her own creative concepts these days — not to mention acting, art, fashion and other pursuits — her career accomplishments are stacked with impressive behind-the-scenes work for artists ranging from Britney Spears to Michael Bolton, Jennifer Lopez and more. Here are eight songs you may not have known Gaga was behind.

Elon Musk Hits Back at Billie Eilish After She Calls Him ‘F–King Pathetic’: ‘Not the Sharpest Tool in the Shed’

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Elon Musk has hit back at Billie Eilish after the singer slammed the world’s richest man last week in an infographic suggesting how the Tesla CEO could use his historically massive wealth to do some charitable good. Borrowing a page from his former DOGE boss Donald Trump’s book of sexist insults targeting women’s intelligence, Musk posted a message responding to Eilish’s graphic, saying, “She’s not the sharpest tool in the shed.”

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Eilish’s post came amid news last week that Musk, 54, could soon become the world’s first-ever trillionaire. The 23-year-old “Bury a Friend” singer has had America’s wealth gap on her mind lately, including at WSJ Magazine‘s 2025 Innovator Awards last month, where late night host Stephen Colbert presented her with the honor, noting that she has raised more than $11.5 million for organizations addressing food insecurity and climate change through her Hit Me Hard and Soft tour.

Eilish then proceeded to lay down the gauntlet for American billionaires — including Meta boss Mark Zuckerberg (net worth $228 billion), who was in the room — suggesting that perhaps they could use some of their cash to help others in need. “I’d say if you have money, it would be great to use it for good things and give it to some people that need it,” Eilish said. “Love you all, but there’s a few people in here that have a lot more money than me. If you are a billionaire, why are you a billionaire? No hate, but give your money away, shorties.”

But it was what she said last week about Musk that appeared to get under his skin. Eilish posted the series of infographics suggesting the world of good that Elon could do with his money, including spending $40 billion every year to end hunger by 2030 or provide universal safe clean water for the planet for the next seven years with for $140 billion, save all 10,443 critically endangered species by spending $1-$2 billion annually to bring them all down to endangered status, or rebuild war-ravaged Gaza and the occupied West Bank for $53.2 billion.

Eilish doubled-down on her suggestion last Thursday (Nov. 13), specifically slamming Musk in her Instagram Story, calling him a, “f–king pathetic p–sy b–ch coward.” Billie’s remarks came after a shareholder vote paved the way for Musk — already the world’s richest man with a net worth of $465 billion — to rake in $1 trillion in Tesla stock if he delivers on specific performance goals over the next decade.

While Musk reportedly donated nearly $1.9 billion shares of Tesla to unnamed charities in 2022 — as well as $5.7 billion worth of shares in 2021 — a March 2024 New York Times story said that unlike fellow billionaire Bill Gates, who has used his massive wealth to improve health care across Africa, Musk’s philanthropy has “been haphazard and largely self-serving, making him eligible for enormous tax breaks and helping his businesses.” The paper reported that Musk has seeded his charity with tax-deductible donations of more than $7 billion in stock since 2020, noting that the foundation housing the money has “failed in recent years to give away the bare minimum required by law to justify the tax break.”

In addition, according to the Times, the foundation has not hired any staff, with the billions in its coffers overseen by a board consisting of Musk and two volunteers, one of whom devoted the equivalent of six minutes per week working on its charitable works. A Times analysis also found that the Musk Foundation’s giving in 2021 and 2022, the latest years for which the full data was available at the time, about half of the donations had some link to Musk, one of his employees or one of his businesses.

At press time a spokesperson for Eilish had not returned Billboard‘s request for comment on Musk’s post.

Check out Musk’s post below.


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Here Are All of Taylor Swift’s Title Tracks, Ranked (Critic’s Picks)

Swift recorded namesake songs for seven of her 12 studio albums.


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With 12 full-lengths under her belt, Taylor Swift has released seven albums that include songs that reflect each album’s name: “Fearless,” “Speak Now,” “Red,” “Lover,” “evermore,” “The Tortured Poets Department” and “The Life of a Showgirl.” Right now, only three – “Fearless,” “Red” and “Lover” – became official singles. The rest linger in the deep cuts, but certainly fan favorites, of her work.

Spanning her career from 2008’s Fearless to 2025’s The Life of a Showgirl – currently enjoying its sixth week atop the Billboard 200 – her title tracks show the breadth and depth of her sonic evolution, from her country roots to her pop superstardom, with her signature storytelling lyricism on display.

(And don’t worry about the five albums without a title track: She shows them love in other ways. Debut doesn’t mention her name, but she later shouts herself out on both “22” from Red and “Clara Bow” from The Tortured Poets Department; 1989 never received a lyrical callback, but her famous introduction to its world tour does: “My name is Taylor and I was born in 1989!”; Reputation tracks “End Game” and “Delicate” as well as Speak Now’s “Superman” reference reputation; evermore’s “gold rush” includes “My mind turns your life into folklore”; and mentions of midnight abound throughout her catalog, but only “Anti-Hero” and “Midnight Rain” from Midnights and Rep’s “New Year’s Day” contain the actual word.)

Read below for Billboard’s ranking of the seven title tracks, as well as their peaks on the Billboard Hot 100. (And check out all of her lead singles ranked and her biggest Billboard hits too.)

Tate McRae Reveals Track List for Upcoming ‘So Close to What’ Deluxe Edition

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Two hands on the steering wheel, because Tate McRae’s sports car is about to drop off a four-pack of brand-new songs. The pop star revealed the track list for her upcoming So Close to What deluxe edition on Monday (Nov. 17), which is set to arrive later this week.

In addition to her top five Billboard Hot 100 smash “Tit for Tat,” McRae will be adding “Trying on Shoes,” “Anything But Love,” “Nobody’s Girl” and “Horseshoe” to the deluxe on Friday. The new songs are free of features.

The Tater Tots were ecstatic at the new music announcement, and some joked about “Nobody’s Girl” being related to Sabrina Carpenter’s Man’s Best Friend cut “Nobody’s Son.” “Nobody’s Girl! Thats Nobody’s Son‘s sister OMG,” one fan commented.

So Close to What arrived in February and topped the Billboard 200 with 177,000 total album-equivalent units earned in its first week. With “Tit for Tat” and the deluxe edition, the platinum album is now loaded with 21 tracks.

McRae is coming off picking up her first Grammy nomination in the best dance pop recording for “Just Keep Watching,” which cracked the Hot 100’s top 40 and landed on the F1 movie soundtrack.

The 22-year-old wrapped up her 81-city global trek on Nov. 8 with a final show for the Miss Possessive Tour in Inglewood, which kicked off back in March in Mexico City and headed across the pond for a European leg before landing stateside.

Find the full track list below.

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The Absolute Best Taylor Swift Songs to Use for the First Dance at Your Wedding: Staff Picks

So, they knelt to the ground and pulled out a ring. Now it’s time to pick some music.


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Taylor Swift is not the kind of a girl who rudely barges in on white-veiled occasions — but she is the kind of musician who pens songs that are perfect for them.

From uptempo, family-friendly dance-floor bangers like “Shake It Off” and “Anti-Hero” to generational love songs such as “Love Story” and “Cruel Summer,” much of Swift’s catalog wouldn’t be out of place on any DJ’s wedding playlist. But the most important track for any reception is arguably the song that plays during the traditional first dance, with brides and grooms typically opting for music that’s romantic, optimistic and special to their story as a couple.

Luckily, the pop star also has plenty of tracks that fit that criteria specifically, whether on her 2006 self-titled debut album, her 2025 The Life of a Showgirl LP or just about every other album she’s released in between. Swift has more than established herself as one of the most prolific love-song writers of all time — and in honor of the maestro herself getting engaged to Travis Kelce, Billboard is rounding up all of the gems in her discography that are perfect for newlyweds’ first boogie after saying “I do.”

Below, you’ll find a wide variety of options. Some are softer and more suited for slow dancing, while others are faster-paced, in case any future wedding-havers out there would rather switch things up and fully let loose with their brand new spouse for all their friends and family to watch. Whichever vibe you’re looking for, Billboard also listed the BPM of each song so that you can shop by tempo and even practice stepping along in the weeks leading up to your big day, if you’re so inclined.

As Swift narrows down her own first-dance song choice with Kelce, check out Billboard‘s picks for the best first-dance songs she’s written below.


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Disney+ Debuts Trailer For Restored ‘The Beatles Anthology’ Ahead of Streaming Debut

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Disney+ dropped the two-and-a-half minute trailer for the upcoming refresh of The Beatles Anthology series. The beloved documentary chronicling the formation, fame and frenzy surrounding the Fab Four — which was originally broadcast in 1995 in the U.S. and U.K. before being released on video — will make its streaming debut on the service beginning Nov. 26.

The first three episodes will drop that day, followed by parts 4-6 on Nov. 27 and episode 7-9 on Nov. 28. The series has been restored and expanded from eight to nine episodes, including a new ninth ep featuring what a release promised was, “illuminating and previously unreleased footage of Paul, George and Ringo during the creation of the original 1990s Anthology series and music project.”

The series follows John Lennon, Paul McCartney, Ringo Starr and George Harrison as they look back on the legendary band’s eight-year rise to global superstardom, with the Disney+ version slated to feature a new restoration of the footage and a sound mix overseen by the Apple Corps production team working in conjunction with director Peter Jackson’s Park Road Post crew in Wellington, New Zealand.

The trailer opens with the voice of Lennon describing the origins of the group. “I met Paul and said, ‘do you want to join me band?’… Then George joined. Then Ringo joined,” he says. What follows is a whirlwind tour through the group’s early years, with Ringo explaining, “We’ve heard it from everybody else, now you can hear it from us” as archival footage has Lennon lamenting, “the demand on us was tremendous.”

The clip then takes us from a series of high points, the group’s legendary Feb. 1964 Ed Sullivan appearance that launched a million bands to the first-ever major stadium rock show at New York’s Shea Stadium in 1965, which was followed by a second show at Shea that Starr completely forgot about. “I thought we only played there once,” Starr says. “How was it?”

The new ninth chapter finds the then living members — McCartney, Starr and Harrison — regrouping in 1995 to work on the first “new” Beatles song since the group’s split in April 1970, “Free as a Bird.” In addition to the original doc series, The Beatles Anthology project included a four-volume set of double albums (which also contained another “new” song “Real Love”) as well as 2000 coffee table book.

“Nothing will ever break the love we have for each other,” says Lennon, who was murdered by a crazed fan outside his New York apartment building on Dec. 8, 1980. “The Beatles exist without us,” adds Harrison, who died in 2001 of cancer at age 58.

Watch The Beatles Anthology trailer below.


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Lorde and ‘Stranger Things’ Star Sadie Sink Dance It Out to ‘Green Light’ at Singer’s O2 Arena Show in London

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Lorde gave Sadie Sink the “Green Light” to absolutely let it rip during the singer’s show at the London O2 Arena on Sunday night (Nov. 16). The Stranger Things star was a surprise special guest during the first of two shows at the arena on Lorde’s ongoing Ultrasound world tour in support of her fourth album, Virgin.

Video of the moment where the two women jam out like everyone is looking — bouncing around and flipping their hair, holding hands and shouting the lyrics to the ebullient lead single from Lorde’s 2017 sophomore album Melodrama — was posted by the NME. As the stage is bathed in, duh, green light, the pair let loose and dance without inhibition, with Lorde shouting “get the f–k up!” at one point as the party rages on, ending with them sharing a sweet hug at the end.

The surprise get together is not completely out of the blue. Sink recently starred in the Tony-nominated Broadway play John Proctor Is the Villain, which NME pointed out prominently features “Green Light.” Speaking to Vogue in June about the song’s use in the play about a group of Appalachian students in Georgia reading Arthur Miller’s The Crucible in the midst of the #MeToo movement, Sink revealed that she’s a Lorde superfan.

“Oh my God, I’m a huge Lorde fan. I’m so excited for the new album,” Sink said at the time. “Solar Power was such an important album for me. To follow an artist through her many different eras…she really was that person for me.” Lorde returned the favor, going to see the show on Broadway in July.

Lorde will play the O2 again on Monday night (Nov. 17), with the European leg of her tour running through a Dec. 9 date in Stockholm before winding down for the year on Dec. 16-17 with a double-down at Barclays Center in Brooklyn. She will pick up again in February with a run of dates in Australia and New Zealand.

In addition, Lorde has just been announced as a headliner for next year’s All Points East festival at London’s Victoria Park on Aug. 22, where she will perform alongside PinkPantheress, Zara Larsson and others.


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Reneé Rapp Announces First Australian Headline Shows

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Reneé Rapp is bringing her Bite Me era to Australia, locking in her first headline shows down under to bookend her AO Live debut at the Australian Open 2026.

Before her AO Live debut in Melbourne, Rapp will headline two exclusive Australian dates on her Bite Me Tour. She’ll play Brisbane’s Riverstage on Jan. 27, 2026, then Sydney’s Hordern Pavilion on Jan. 29, marking her first standalone shows in the country, ahead of her AO Live Presents: Reneé Rapp at Melbourne Park’s John Cain Arena on Jan. 31, prior to the Australian Open women’s final.

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The set is part of the AO Live concert series, where she joins a 2026 bill that also features The Kid LAROI, Spacey Jane, The Veronicas, SOFI TUKKER and Peggy Gou.

According to Ticketmaster, Mastercard cardholders and fans with access to the artist presale can jump in from Wednesday, Nov. 19, at 9 a.m. local time, followed by a Live Nation presale on Thursday, Nov. 20, at 10 a.m. General on-sale begins Friday, Nov. 21, at 10 a.m. All shows are mobile-ticket only, with a limit of 10 tickets per customer per show.

The Australian run extends Rapp’s busy Bite Me campaign. The album, released Aug. 1, 2025, became her first top 10 entry on the Billboard 200, where it debuted in the top three, and earned her first U.K. No. 1 album on the Official Albums Chart.

The project followed her 2023 debut Snow Angel, which reached No. 44 on the Billboard 200 and scored the biggest first week for a debut album by a female artist that year, helping establish Rapp as a rising pop force beyond her theater and TV fanbase.

Rapp has been touring heavily behind Bite Me across North America in 2025, with the trek scheduled to continue through Europe in March 2026 following her rescheduled U.S. dates this November after a short illness-related postponement.