Pop

Stray Kids Launch ‘SKZ IT TAPE’ Series With ‘DO IT’: Stream It Now

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The Kids are alright. Stray Kids, however, are going gangbusters. In late August, the boyband landed their seventh No. 1 on the Billboard 200 albums chart with KARMA, notching the biggest entry for the year to-date.

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All seven of the pop outfit’s entries on the national albums tally have debuted at No. 1, beginning with ODDINARY in 2022. Last year, when HOP debuted atop the list, Stray Kids became the first act to debut atop the Billboard 200 with their first six entries in the 69-year history of the chart. With KARMA, their most recent release, they extended that record.

And with a seventh No. 1, Stray Kids surpassed BTS, Linkin Park and Dave Matthews Band for the most leaders among groups on the all-genre Billboard 200 this century. Among K-pop bands, BTS is in second place, with six No. 1 titles. ATEEZ is a distant third with two No. 1s on the weekly chart.

In Korea, Karma became the first K-pop album of the year to surpass 3 million copies in first-week sales.

That was August. Fast forward a couple months and the release today (Nov. 21) of Stray Kids’ new EP (or “special album”), DO IT, via JYP Entertainment.

DO IT is the first part of the SKZ IT TAPE series, a musical command to “act boldly with confidence right now,” while also exploring the story of the group as they seize the day and create their own “IT”.

On the live front, Stray Kids have also been bagging bar-setting numbers. The band played the final show of the Dominate World Tour at Rome’s Stadio Olimpico on July 30, completing a 2025 run that visited Latin America, Europe and North America, setting Boxscore records for revenue and attendance in each region.

That’s after whipping up frenzies through Asia (Seoul, Tokyo, Bangkok and more) and Australia (Melbourne and Sydney) in 2024.

With the five-track DO IT, Stray Kids can, well, do it again on the Billboard 200. Stream it in full below.

Tate McRae Releases ‘So Close to What’ Deluxe Edition With Four New Songs: Stream It Now

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Tate McRae is putting a bow on the So Close to What era with the release of her Billboard 200-topping album’s deluxe edition on Friday (Nov. 21).

The 22-year-old is set to add her top three Billboard Hot 100 hit “Tit for Tat” to the project, along with four new songs titled “Trying on Shoes,” “Anything But Love,” “Nobody’s Girl” and “Horseshoe.” There are no features on the deluxe tracks.

It appears “Nobody’s Girl” is the focus track, as McRae will be releasing an angelic visual to accompany the deluxe on Friday (Nov. 21). Tate also posted a visual from her tour on Wednesday (Nov. 19) while signaling that this marks the “end of an era” for the pop star.

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So Close to What was released in February and debuted at No. 1 on the Billboard 200 with 177,000 total album-equivalent units earned in its first week.

Tate McRae picked up her first  Grammy nomination for “Just Keep Watching” in the best dance pop recording category. The F1 movie soundtrack standout peaked at No. 33 on the Billboard Hot 100.

The pop star’s Miss Possessive Tour closed up shop in November. According to Billboard Boxscore, the trek grossed $110.8 million and sold 1 million tickets across 77 shows.

McRae quintupled her earnings compared to her previous tour, which took place just a year prior. She averaged 13,480 tickets sold per show, which marks the third consecutive year Tate’s doubled her nightly ticket sales.

Stream the So Close to What deluxe below.

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Who Should Perform ‘America the Beautiful’ at the 2026 Super Bowl? Vote!

From the national anthem to the halftime show, the Super Bowl – held this year in San Francisco 49ers’ home stadium in California – always features several musical performances. Bad Bunny will take the field as this year’s headliner at the half, but no performers have been announced for the national anthem (vote here for who you think should sing “The Star Spangled Banner) or “America the Beautiful,” yet. 

Penned by poet Katharine Lee Bates and composer Samuel A. Ward, “America the Beautiful” has become a staple during the big game’s warm up. First sung by Charley Pride in 1972, then again by Vicki Carr in 1977, it started a steady run in the 2000s – first with Ray Charles in 2001, Mary J Blige, Marc Anthony and the Boston Pops Orchestra in 2002, then in 2005 with Alicia Keys. Since 2009 (Faith Hill), the song is traditionally played prior to “The Star Spangled Banner” before the players take the field. 

Artist like Queen Latifah, John Legend, Jennifer Hudson, Leslie Odom Jr., H.E.R., and Post Malone have all appeared over the years for their own “Beautiful” renditions. But who will it be in 2026? We have a few thoughts.

From sombr to Alex Warren, Mariah the Scientist, Addison Rae, Kehlani, Shaboozey, Teddy Swims and more, there are plenty of options for this prime placement during the pre-game festivities.

Super Bowl LX will occur on Feb. 8, 2026 at Levi’s Stadium in Santa Clara, CA. Vote in the poll and read below for why each artist should get their chance at “America the Beautiful.”


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The Kid LAROI Announces Release Date For Sophomore Full-Length Album, ‘Before I Forget’: ‘It’s My Favorite Thing I’ve Ever Made’

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The Kid LAROI announced the release date for his first new full-length album in two years on Thursday morning (Nov. 20). Before I Forget is due out on Jan. 9 via Columbia Records, with the album’s first single, the R&B ballad “A Perfect World” out now.

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“In a perfect world we’d have it all figured out/ Baby, you would be my girl/ And if they talk, let them talk, baby/ I hate the way you love it when you hurt me/ But we could stick it out, we’ll make it work babe,” the singer croons in a falsetto whisper on the song’s chorus over a silky arrangement.

At press time a full track list had not yet been released, but the album is set to also include his previously released single, the skittery break-up ballad “A Cold Play.”

In a message on his Instagram announcing the album, the singer said the LP is a fresh take replacing a previously recorded album that he tossed. “I made this album in the last 4 months. I had a whole other album that was completed but I scrapped it,” he wrote alongside the cover art, which depicts the singer’s head floating just above the surface of the water. “started again from scratch with the exception of 1 song. it’s my favorite thing I’ve ever made. it’s also the most personal thing I’ve ever made. sorry it’s taken a while. I hope that it resonates with you in some way cause it means a hell of a lot to me. I love you and thank you for supporting me always.”

Last week, LAROI posted footage from the NFL halftime show in Berlin where he performed “A Perfect World” and “A Cold Play” during the game between the Indianapolis Colts and Atlanta Falcons.

LAROI, 22, released his full-length debut album, The First Time, in Nov. 2023, with a follow-up deluxe edition adding Lil Yachty to a guest list on the original that included BTS’ Jung Kook, YoungBoy Never Broke Again, Future, Central Cee and Robert Glasper, among others. The singer’s 2020 mixtape, F*ck Love, topped the ARIA Charts in his native Australia, then hit No. 1 on the Billboard 200 album chart a year after its release.

Listen to “A Perfect World” below.


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The 100 Most Iconic Pop Star Memes of All Time: Staff List

The memes that have deepened our relationships with our favorite pop stars for the last two decades and beyond.


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We think of the iconicity of our favorite 21st century pop stars mostly in terms of the ways we had for long before: smash hits and blockbuster albums, classic music videos and sold-out tours, bold fashion statements and unforgettable TV and film appearances. But in the past 20 years, another crucial way in which these artists enter pop culture immortality has emerged, and it’s the one they have close to zero control over.

Memes have become an essential mode for how very online pop fans — basically all pop fans in 2025 — celebrate, engage with and occasionally even lightly poke fun at their favorite pop stars. But those pop stars don’t write, plan or release those memes, and often times they either refuse to interact with them or don’t acknowledge them until they’ve long run their course. They may occasionally drop a video or post or performance with one or more highly memeable moments, but whether or not they hit is still at the mercy of the wild and unpredictable whims of the internet, and what we all choose to latch onto. That’s the beauty of pop star memes: They’re truly up to us to decide on, and they can’t ever be forced.

But while there have been countless lists over the decades of the greatest pop albums, singles, videos and performances, there have been far fewer celebrating the greatest such internet moments. We at Billboard are hoping to start correcting that, with our list of the 100 greatest pop star memes of all time — collecting all the most legendary memes directly or even indirectly involving pop hitmakers of note.

By “all time,” of course, we’re mostly talking about those past 20 years — when the social media age permanently changed the way we interacted with culture and with one another, and gave these memes multiple global platforms over which to reach ubiquity. But we also threw in a few pre-digital examples to show how these adaptable forms of in-jokey fan-artist interactions may have greater opportunity for mass exposure in the 21st century, but they existed in the culture well before that. And we’re also going right up to present day — with 2025 giving us some already-legendary memes from Justin Bieber, Kendrick Lamar, Morgan Wallen and plenty more.

Check out our list below, enjoy reliving a lifetime in iconic pop star memes, and feel free to let us know about the dozens saved to your phone you can’t believe we left out.


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Was the Bee Gees’ 1978 the Greatest Pop Star Year Since The Beatles?

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The Brothers Gibb had already enjoyed two fairly full career arcs as hitmakers by the time the Bee Gees surfaced for a third time in the mid-’70s — this time as Miami-dwelling disco dons. They got off to a pretty good start with a pair of Billboard Hot 100 No. 1 hits, but it wasn’t until late 1977 that a new hit movie and soundtrack would make them no-doubt superstars. With the brothers established as a chart-dominating powerhouse, they also spread their writing and production to other artists — including their own younger brother — soon being responsible for a near-majority of the hits dominating top 40. But it couldn’t hold forever, and the end of the decade with it brought with it a massive downturn for disco, and the Gibbs’ fortunes as recording artists along with it.

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On this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Chris Dalla Riva, author of the excellent new Billboard-themed book Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, to talk about a year that looms large in Billboard Hot 100 history: The Bee Gees’ 1978. We go over the stats and context behind the Gibbs’ absurd year of both chart and cultural dominance — as well as as their one extremely high-profile film misstep — before discussing why it ultimately wasn’t meant to last.

Along the way, we also answer all the most pressing questions about the Bee Gees’ biggest year: Does Barry Gibb get the respect he deserves as one of pop’s all-time great songwriters? What would kids today think about the unexpected brutality of Saturday Night Fever? Is Maurice Gibb a hero to balding would-be pop stars everywhere? Is Sgt. Pepper’s Lonely Hearts Club Band the movie so bad it’s good, or so bad it’s unwatchable? Is Sesame Street Fever worth a curiosity listen? How big a badass do you have to be to get Frankie Valli to defer to your sound and style? And of course: Why doesn’t the Bee Gees’ 1978 get mentioned more often as one of the all-time great pop years?

Check it out above — along with a YouTube playlist of some of the most important moments from the Bee Gees’ 1978, all of which are discussed in the podcast — and subscribe to both the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for great new episodes every Thursday!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

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‘Where Is My Husband!’ Co-Writer and Co-Producer Mike Sabath on What Makes RAYE ‘A Generational Artist’

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Last year, RAYE swept the BRIT Awards and established her presence in the U.S. with the 070 Shake-assisted top 40 hit “Escapism.” In 2025, the British singer-songwriter has proven that her star power is not dimming anytime soon, earning her first solo entry on the Billboard Hot 100 with “Where Is My Husband!,” which currently sits at a No. 58 high on the chart dated Nov. 22.

Co-written and co-produced with longtime collaborator Mike Sabath, “Where Is My Husband!” finds RAYE blending Motown-era soul, big band instrumentation and a funky, rapid-fire cadence into an irresistibly animated plea for her imagined spouse to arrive already. “I would like a big and shiny diamond that I can wave around/ And talk, and talk about it/ And when the day is here, forgive me God, that I could ever doubt it,” she proclaims in the bridge, which went viral as a snippet on TikTok ahead of the song’s Sept. 19 release. “Husband” also serves as the lead single for RAYE’s forthcoming sophomore studio album, which follows debut My 21st Century Blues. In addition to helping RAYE become the first artist to win six BRIT Awards in a single year, the project also earned her 2025 Grammy nominations for best new artist and songwriter of the year, non-classical. 

“Instead of being like, ‘How are we going to follow [My 21st Century Blues] up?’,” we were like, “You just toured the whole world, and it looked and sounded like this,” Sabath says about the inception for “Husband.” “You want to look and sound like that more. How do we design for that?”

RAYE first performed the then-unreleased “Husband” as the opening number during her Glastonbury Festival set in late June, preparing the stage for months of hype across social media. After RAYE’s first TikTok of her performance garnered nearly two million views, she continued teasing the song in subsequent posts, often leaning into her humor or giving fans glimpses inside the recording studio. Now, just over two months since its release, “Husband” has hit No. 13 on the Billboard Global 200, her highest ranking since “Escapism” peaked at No. 7 in 2023. 

Below, New York-bred producer-songwriter Mike Sabath, 27, goes deep with Billboard about the composition of “Husband,” working with RAYE in the studio, and how they finished the song just 11 days before its release.

How did “Where Is My Husband!” come together? 

We had an idea of the space we wanted to play in. [RAYE] was super inspired by The Supremes, visually and textually, and I’ve had this sonic vision since [My 21st Century Blues] — we reached it a bit with “The Thrill Is Gone” and “Worth It.” She had been touring for eons, and I had been doing other things and my own artist stuff. We got a ski cabin at Big Bear [Lake] in California for 10 days, but it took us five days to figure out how to eat and drink water there. (Laughs.) We’re musicians, we cook up in a whole different way! 

With the last album, it all came together through the live show, which expanded and unified the sonic realm by making it super orchestral and brassy. She brings that queen energy. It’s like Your Highness who wears no shoes.

[With “Husband,”] we reverse-engineered it from her live show. It started with a drum roll and these brass hits, then I tapped a keyboard groove on the MIDI [controller]. It’s easy to [complain about not having] live drums, but it’s so important to get the idea out in its most simple form. There’s always time to sonically improve something, but there’s not necessarily another time when that stroke of inspiration is there. Lyrically, I just let her do her thing; I Americanize things when I need to. I come in like, (Sings lyric.) “He should holler.” 

When did you know “Husband” was complete? 

We literally didn’t finish it until 11 days before it came out. We got the foundation in Big Bear, and then we ended up finishing it at a studio in Joshua Tree, including the bridge. I did the horns at that studio, and then I added strings when I got back home. RAYE added a bass player and some piano when she went to London. 

I feel like deciding if a record is done before it’s mixed is just silly. The mix is such a part of the color and the setting of the record; it reveals and cleans things. After one of the early mixes, for example, I realized RAYE needed to record more backing harmonies on the pre-[chorus]. 

This record was super untraditional in the way that we did the lead vocal. In the verses, there’s no lead vocal; it’s just doubles on the sides. And that’s how we did [most of] the record. She kept trying to cut a lead and didn’t like it, so I had to figure out what the “lead” meant in this context and create what it would feel like using four to eight voices. We did it with Tony Maserati, who’s a legend, and the sweetest dude ever. 

In the 11 days before the song came out, I flew to Australia thinking the record was done. I landed at 4 a.m. and ended up in the Uber on Mixstream with Tony, making significant changes to the record over the phone as I’m completely delirious. When I finally got to where I was staying, we were still mixing, but I could look at the water, which calmed me. Physical location is a really powerful perspective tool in mixing. The song also had a different ending.

What was the original ending? 

RAYE loves as much drama as possible, so she made this whole extra ending. I was like, “This is such a potent song, we should just end it.” And she’s like, “I want to do this thing!” I’m always supportive, so I let that happen, and that ultimately revealed other things that helped finish the record anyway. The day before we turned the song in, she calls me as she’s going to sleep in London, like, “Mike, we have to remove the ending.” It was hilarious because we made this whole thing for her ending, which we ended up keeping for the new ending. It was like a side quest. 

I produced a new ending on the phone with Tony, and it was f–king insane. But it worked. After we turned the song in, RAYE and I were like, “I don’t know about the master.” Something about it just wasn’t hitting. We pulled that version, but we had to send them the mixed version, so I texted Tony out of his sleep. He got out of bed, made some coffee, went into the studio in the middle of the night, and bounced the final files. And then we delivered the record 11 days before it came out.

Was there a sense of “This is a hit!” when you turned the song in? 

My biggest songs have been songs that I’ve been most excited to play for people — and that was the case with “Husband.” When it was done, I knew it was different. I really liked it, but I didn’t know it was going to be a hit. They were going to put out a different song, and I really pushed for this. It wasn’t that hard because it was pretty clear at that point, but I was like, “You have to come back with the drum roll!” Also, [“Husband”] was just more done at that point. 

Why do you think fans have latched on to the song so much?  

The world really fell in love with her on the last record, so I think people wanted her to win. Also, I think a lot of people are looking for a husband. People want love; we’re humans, and people want a partner. That’s resonant in itself and probably why the bridge exploded first. And the song itself is just crazy. People want to hear real music s–t going on, and there’s all that happening in this record. It’s also the things that are intangible, too. 

The whole journey with RAYE so far has been amazing. We started eight years ago, and to witness all of this and be a part of it has been beautiful. I’ve always been like, “You guys are sleeping on this girl!” She’s always been amazing. Generational artists don’t just pop up; they are trained and prepared for sustainability. [RAYE] is a generational artist, and I’m honored to be her friend.

A version of this story appears in the Nov. 15, 2025, issue of Billboard.

BTS’ Jin Sets December Release Date For First Solo Concert Film ‘#RUNSEOKJIN_EP.Tour The Movie’

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The first solo concert film from BTSJin, #RUNSEOKJIN_EP.TOUR THE MOVIE, is slated to hit theater screens worldwide on Dec. 27 and 28. Trafalgar Releasing will roll the film out in a variety of formats, including 2D, SCREENX, 4DX and ULTRA 4DX, in approximately 1,800 theaters in 70 countries.

According to a release, the film chronicles Jin’s first solo tour, tracing his journey across 10 cities and 20 shows, including stops in Goyang and Incheon, South Korea, as well as shows in the U.S., Europe and Japan. “Inspired by Jin’s beloved variety content series Run Jin on BTS’ official YouTube channel, the tour reimagines its concept into a journey that represents Jin ‘running’ to reach ARMY (BTS’ official fandom) around the globe, guided by his heartfelt message: ‘Dojeon! (Challenge!) Until the day I meet every ARMY,’” the release promised.

With a theme centered on “challenge,” the movies promises to spotlight Jin bringing his “signature energy to the stage by completing five interactive missions with ARMY through music, games and humor. The film presents a vivid portrait of Jin’s artistry by blending sincerity, wit, and spontaneity.” The setlist includes live-band performances from Jin’s solo albums Happy (2024) and Echo (2025), as well as a medley of beloved BTS hits including “Dynamite” and “Butter.”

In addition, the film will feature exclusive bonus content, including behind-the-scenes footage of tour prep, as well as a special “Sing Along Game” segment featuring a karaoke version of his 2021 song “Super Tuna” that invites fans from around the world to sing together.

Jin invited ARMY to check out live viewings of the second-to-last date on the tour at the Ziggo Dome in the Netherlands on Aug. 9 to commemorate the end of his first-ever solo outing outside of BTS.

Tickets and more information about the movie will be available here starting Dec. 5.


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‘I Didn’t Know We Could Be Eligible’: Cynthia Erivo Talks Grammys Surprise on ‘Fallon’

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Sometimes it rains, sometimes it pours. For Cynthia Erivo, it’s pouring, in spectacular fashion.

The award-winning actress, singer, and producer is, of course, reprising her role as Elphaba in Wicked: For Good, the sequel to 2024 feature film Wicked, which raked in nearly $750 million at the worldwide box office, the best showing ever an adaptation for a Broadway musical.

That’s for starters. The Nigerian-British star penned the newly-published autobiography “Simply More,” she’s the cover star on Britain’s GQ, and her voice is still “missing in action,” the fallout from all the promo, the extensive singing and the airmiles put in for Wicked: For Good, which arrives Friday, Nov. 21 in theaters.

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Erivo stopped by The Tonight Show Starring Jimmy Fallon on Wednesday night (Nov. 19) for a quiet chat about her busy schedule.

For her work on stage and screen, Erivo has won a Tony, Emmy and this week she landed two Grammy Award nominations for Wicked: one for “Defying Gravity” (with Ariana Grande) in the best pop duo/group performance category, and another for “Be Okay” in the best arrangement, instrumental or a cappella category.

“I didn’t even know we could be nominated for that,” she told Fallon. “I didn’t know we could be eligible.”

Fallon also coaxed Erivo into ranking her favorite songs from Wicked, a project not far removed from being asked to choose your favorite kids, she remarked. And she discussed the origins of that meme (it’s a story of a lost hat, with a happy ending) and recreated it for the moment.

Universal‘s Wicked: For Good should provide a Thanksgiving feast, somewhere in the order of $120 million-plus domestically and upwards of $200 million worldwide, according to The Hollywood Reporter.

With those numbers, Jon M. Chu’s film would bank the best start for a Broadway musical adaptation ever. By trying to manage expectations, the studio has suggested anything around $115 million in North America would be huge result.

Watch Erivo’s late night interview below.

Olivia Dean Dazzles With ‘Man I Need’ Performance at 2025 ARIA Awards: Watch

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Olivia Dean brought some international star power to the 2025 ARIA Awards on Wednesday night (Nov. 19), where she shone with a rendition of “Man I Need.”

Dressed in a gold sequined flapper dress, and supported by a four-piece band, Dean’s performance at the Hordern Pavilion had the VIP guests on their feet.

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To be fair, Dean doesn’t need anything right now. The English singer debuted at No. 1 on the ARIA Albums Chart in October with The Art Of Loving (via Capitol Records), her second album. The collection also summited on the Official U.K. Albums Chart.

This year alone, three of her songs have impacted the top 10 on Australia’s singles chart, including “Nice To Each Other,” “So Easy (To Fall In Love),” and “Man I Need,” which has a No. 2 peak, and was crowned in the United Kingdom.

During an earlier on-the-ground interview with the ARIAs’ co-host Concetta Caristo, Dean was asked about life in the fast lane. “A bit mental,” she quipped, “but enjoying myself.” To have The Art Of Loving go to the top here and in her homeland was a “very surreal” experience. “That album is such a piece of my heart and for it to be received so warmly is really crazy, so thank you everybody.”

It’s a similar story of success in the United States, where Dean slots into the top five of both the Billboard Hot 100 and Billboard 200 this week (charts dated Nov. 22), and is poised to continue her ascent, following a well-received debut on Saturday Night Live.

The ARIAs was the first stop in a whistlestop tour that includes a special outdoor show Thursday evening (Nov. 20) at Fleet Steps, produced by Handsome Tours and Laneway Presents. The Mercury Prize-nominated singer will return to these parts in October 2026 for an arena tour of Australia and New Zealand, a trek that has added several new dates “due to overwhelming demand,” promoters say.

Watch her ARIAs performance below and read more on the ceremony here.