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Multiple songs from RM’s new album Indigo premiere on Billboard’s Hot Trending Songs chart dated Dec. 10, as fans discussed the tracklist and the album’s teasers prior to its Dec. 2 release.

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Billboard’s Hot Trending charts, powered by Twitter and sponsored by Xfinity Mobile, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday.

RM claims the entire top three, led by “No.2,” with Park Ji-yoon, at No. 1. It’s followed by “Forg_tful,” with Kim Sa-wol, and “Lonely” at Nos. 2 and 3, respectively.

The tracklist for the album was announced Nov. 24, spurring discussion on Twitter before the songs had even been heard.

Further appearances are possible for the 10-song tracklist following the album’s first full week of release.

The highest non-RM appearance belongs to Arcangel and Bad Bunny, whose “La Jumpa” starts at No. 4. The high-profile collaboration was released on Nov. 30, and even after just two days of tracking toward the Dec. 10-dated Billboard charts, the song also debuts at No. 20 on the Hot Latin Songs list.

The remainder of the top 10 also features songs from 1st.One, Metallica, J-Hope and Stray Kids.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

Backstreet Boys are continuing to get in the Christmas spirit. On Tuesday (Dec. 6), the boy band released a new video for their holiday track “Christmas in New York.”

The sweet and sentimental visual sees the quintet — Nick Carter, Howie Dorough, AJ McLean, Brian Littrell and Kevin Richardson — passionately singing the holiday track while their claymation counterparts explore a twinkling New York City during Christmas time.

The claymation dolls of the boy group witness and participate in classic scenes. One features a dressed up Santa with an elf at his side ringing a bells and asking for donations with a big red bucket. The dolls head down to the TV-decorated intersection of Times Square, take a horse-drawn carriage ride in Central Park, view the holiday windows at Macy’s 34th street and go ice-skating in Rockefeller Center.

“All the elves are busy/ On Macy’s eighth floor/ It’s good to know there is still a miracle on 34th/ But what I love the most/ Is holding you this close/ This is what they made the Season for/ Oh, spending Christmas in/ Oh, another Christmas in/ Oh, yes, another Christmas in New York,” Littrell closes out the song with the rest of the members.

“Christmas in New York” hails from the boy band’s A Very Backstreet Christmas. The LP — which marked the group’s first collection of yuletide songs and its first studio effort in three years — was released on Oct. 14 via BMG. The set charted at No. 17 on the Billboard 200 following its release.

In addition to “Christmas in New York,” other holiday tracks such as “White Christmas,” “Silent Night,” and “Have Yourself a Merry Little Christmas” are included on the album. “Christmas in New York” is one of three original Christmas songs on the album; the others are titled “Together” and “Happy Days.”

Watch the sweet video for “Christmas in New York” above.

In five years Billie Eilish has exploded from a bedroom singer/songwriter into an Oscar-winning global pop superstar who can sell out arenas around the world. But in her telling to the BBC World Service for its “100 Women” year-end feature, the 20-year-old star laughed when read descriptions of her such as “icon” and “weird but important feminist.”
Asked how she would describe herself, Eilish said, “I have no idea. I don’t know. I feel like I might have known how to answer a couple of years ago. I don’t know anymore. Because I don’t look at myself in that way. I don’t look at myself like I’m something to explain. I just exist. I’m just a person. I’m just existing and doing my part in life.”

The rollercoaster of fame is weird. Like how a 14-year-old can go from uploading a song (“Ocean Eyes”) that she recorded with her brother Finneas in their childhood home that catapults her to global fame on a level with people who were formerly her pop icons. For instance, the piece notes that in the Apple TV+ documentary The World’s a Little Blurry there’s a moment when Katy Perry pulls Billie aside right before the singer is about to take the Coachella stage in 2019 and tells Billie she can call if she ever needs any help understanding the bizarre world of pop stardom.

Perry warned her then that things were only going to get more hectic. And while Eilish has not taken Perry up on her offer yet, it still lingers in her mind. “I should call her up. At the time I just didn’t believe her. I didn’t think it would keep going… it’s really hard to see your future like that… It was already so crazy. I couldn’t image it being crazier,” Eilish said. How crazy? Describing fame to someone who hasn’t experienced it is like “trying to explain a color that doesn’t exist” said the singer who has synethesia, which allows her to “see” her music.

And while the accolades, awards and attention have rained down like a glittering meteor shower, Eilish said that growing up in the public eye has been a “very bruising experience” that makes it very hard to develop and change in the way her age-appropriate peers might be. With no playbook, Eilish said she didn’t know what to do, which led to her just “grasping at straws,” even during a record-setting past few years where accolades piled up and she felt tinges of “severe imposter syndrome.”

During some times over the last year or two, Eilish said she was in a “downward spiral of imposter syndrome,” grasping at whatever she could to right herself as the self-proclaimed “internet kid” went from a commenter to the person people were commenting on. “When you see yourself and your name everywhere it’s really hard to know who the hell you are,” she said.

Eilish recalled crying in her bed while dreaming about the kind of show she wished she could present to her fans and then feeling “hopeless because I was like, ‘I’m a girl and so I’m never going to be able to have a show like that. I’m never going to be able to just be, you know, free up there and wild and … not have this and this going on and perform in this way and be more physical and be more about the performance and less about the little things.”

Now, though, Eilish said she’s inspired by all the women at the top of the charts and as headliners of festivals, a situation that wasn’t the case just a few years ago. “There was a specific period of time where I was just like in this pit of just like hopelessness about myself, because I didn’t have much to look up to in terms of girls like me being look at taken seriously in that regard,” she said, noting that the advances have left her feeling “hopeful” as she’s witnessed “a lot of progress” for women in the music industry. “Everything — completely male-dominated. I mean not even a question. Everything is still that way, but it’s better.”

And, rather than feel the pressure to be a role model for her many young female fans, Eilish said she feels none, and that’s a good thing. Rather, she’s “so stoked” about it and doesn’t get hung up about other people calling her a role model. “I just feel like I’m truly in love with them,” she said of her fans. “I feel like I’m in a relationship with them. So any friendship or relationship of whatever. They’re like, one of the first things I say I’m like, just so you know, you’re getting me, but you’re also getting them.”

And yes, she says that to any prospective boyfriends, letting them know that her fans come first.

Check out the interview below.

Omar Jose Carona earned an enthusiastic standing ovation from The Voice coaches on Monday night (Dec. 5) when the former Orlando theme park singer soared above the competition by taking on one of the biggest, trickiest pop songs in the karaoke handbook.

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Tackling Celine Dion‘s Titanic ballad “My Heart Will Go On,” Cardona began his performance in a whispery falsetto, showing off his poise and stagecraft by easing into the song’s swell as the string section behind him added a sense of majesty. Wearing a glittering black jacket, the 33-year-old cruise ship veteran capped the soaring segment by hitting a gigantic, elongated “on” as fireworks rained down behind himand coach John Legend jumped to his feet.

Host Carson Daly said it was worthy of the the season finale for the show’s 22nd season and panelist Gwen Stefani said the performance was so scary good it couldn’t be real. “I’m pretty sure he was lip-synching on that one,” she joked. “There no way that was real.” Her husband had to agree, adding, “All across America right now old men are getting up off their easy chair and picking up their toupee.”

In advance of next week’s finale, the night also featured Team Camila Cabello’s Morgan Myles singing Lady Gaga’s “Always Remember Us This Way,” Team Blake’s bodie sing Halsey’s “Without Me,” Bryce Leatherwood take on Justin Moore’s “If Heaven Wasn’t So Far Away” and teenager Brayden Lape cover Brett Young’s “In Case You Didn’t Know.” Team Legend’s powerhouse Kim Cruse ripped “Summertime” from George Gershwin’s Porgy and Bess and Parijita Bastola took on Sia’s “Unstoppable” while Team Gwen’s Justin Aaron sang Cynthia Erivo’s “Stand Up.” The top 8 also teamed up for Whitney Houston duets to promote the upcoming Houston biopic, I Wanna Dance With Somebody, which premieres on USA on Dec. 23.

Watch Cardona’s appearance below.

The Beyhive has listened to “Break My Soul” enough for it to officially reach Platinum status, and now Beyoncé is returning the love. To celebrate the milestone of Renaissance‘s splash-making lead single, the 41-year-old superstar dropped a “Hive Certified” music video Tuesday (Dec. 6) featuring clips of fans strutting their stuff to the track.

The new video opens with a hilarious clip of one fan tricking his mom and sister by saying he doesn’t like “Beyonce’s new song.” “Get out of here before I break your soul,” the fan’s mom angrily replies, while his sister stares in disbelief.

Then, videos of Beyhive members of all ages and all corners of the internet dancing solo, in pairs and in groups to “Break My Soul” cut in and out. Some boogie in kitchens, some on top of beds, some outdoors on rooftops and some at their work desks.

“BREAK MY SOUL is Certified Platinum,” reads the video’s description. “Thank you so much for all the love and for releasing the wiggle.”

According to the RIAA, the single reached the one million units milestone mark on Nov. 30.

“Break My Soul” was first released back in June, heralding the impending arrival of Bey’s highly, highly anticipated Renaissance album, which dropped the following month. It peaked atop the Billboard Hot 100 and maintained its reign there for two weeks, marking the Houston native’s eighth career No. 1.

The house-inspired track receive almost instant critical acclaim upon its release, and in November, it snagged 2023 Grammy nominations for record of the year, song of the year and best dance/electronic recording.

Watch Beyoncé’s Hive Certified “Break My Soul” video below:

While every year of the streaming era — maybe every year of the post-Napster era — has brought with it concerns about the health of the full-album format, 2022 ended up making a pretty convincing argument that the LP could still be just as vital in the culture as it was during Tower Records’ heyday. Huge stars came through with enormous albums this past year, dominating discussion, drawing rave reviews, changing careers, and (in at least one or two cases) putting up numbers that previously seemed close to impossible at this point in pop history. (And thanks to a renewed interest in CD packaging and the continued growth of the vinyl market, fans were spending money on actual physical copies of many of these albums, a practice that seemed to be going nearly extinct not that long ago.)

But it wasn’t just the already-big going (and getting) bigger in 2022. Some new and still-rising artists found their voices in unexpected and thrilling ways, scoring breakout hits and connecting with new audiences. Some veteran artists continued to hone their trademark craft, making satisfying and well-received comebacks that made us wish they hadn’t left us for so long beforehand. And some of our preeminent hitmakers continued to evolve and challenge audiences with unexpected shifts in their sound and vision, resulting in returns that were less commercially explosive but even more artistically rewarding.

Here are our 50 favorite albums from this year — sets which both made us nostalgic for the format’s past, and excited about its future.

BTS‘ management company BigHit posted a friendly note to ARMY on Monday (Dec. 5) thanking the band’s hardcore fans for supporting the group while offering them an update on member Jin’s pending mandatory military service. The 30-year-old singer is slated to begin his stint on Dec. 13 as the first member of the seven-man group to enlist, and BigHit warned ARMY that there will be no “official event” to mark the day.

“Jin will fulfill his required time with the military by enlisting in the army. Please note that we will not be holding any kind of official event on the day of his recruitment,” read a note from BigHit posted on the fan community Weverse site about the upcoming big day for the group’s eldest member. “The entrance ceremony is a time to be observed by military personnel and their families only. In order to prevent any issues that might occur from crowding, we ask fans to please refrain from visiting the site. Instead, we ask you to keep your heartwarming words of support and farewell in your hearts.”

In addition, BigHit advised fans to not get “adversely affected” by buying unauthorized tour or product packages that illegally use BTS’ intellectual property in an attempt to capitalize on Jin’s military hitch. “Our company will take necessary action against any attempts at commercial activity making unauthorized use of such IP,” read the note, which ended with a kind thank you for ARMY’s unwavering devotion.

“We ask for your continued love and support for Jin until he finishes his military service and comes back,” it read. “Our company will also strive to provide every support he needs during this time.”

“Jin will initiate the process as soon as his schedule for his solo release is concluded at the end of October,” read a previous statement from BigHit that month, which noted the group will reconvene around 2025 after all their respective military enlistments are concluded. “He will then follow the enlistment procedure of the Korean government. Other members of the group plan to carry out their military service based on their own individual plans.”

All able-bodied male South Korean citizens must serve in the armed forces for at least 18 months, though the length of service may vary. Draft begins in the year they turn 18, but men may postpone it until age 28. In December 2020, the South Korean National Assembly passed the so-called “BTS law” to allow K-pop entertainers to postpone the service until the age of 30, with a recommendation from the culture minister.

In the midst of BTS’ hiatus, Jin scored his first solo entry on the Billboard Hot 100 in November when his single “The Astronaut” debuted at No. 51 in its first tracking week.

If you want something done, ask a busy person. Selena Gomez is that person.
The pop artist and actor has crammed it in of late. She stars in Only Murders in the Building alongside Steve Martin and Martin Short; helms the cooking show Selena + Chef; and takes the lead on the documentary My Mind & Me, a personal story on mental health, seven years in the making.

The Apple TV+ series My Mind & Me spawned a single of the same name, and an official music video.

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There’s more music to come, says Gomez, who’s keen to switch gears and get back to a party vibe.

On Monday night (Dec. 5), Gomez stopped by The Tonight Show Starring Jimmy Fallon for a chat about her hectic schedule.

Does the new single suggest there’s more music coming? “That’s accurate,” she tells Fallon. “Finally.”

Gomez’s last studio album was 2020’s Rare, which, like its two predecessors, peaked at No. 1 on the Billboard 200 chart.

“I’m so used to writing sad-girl songs,” she tells Fallon, noting recording session are taking place in New York City. “But I’m ready to have some fun and I think people are going to like it.”

Don’t expect 2023 to be a cruise. Filming for season 3 of Only Murders will kick off in January, Gomez admits during her stint on the late-night couch.

Are the two Martins rubbing off on her? Sure, she’s a little snarky, a little grumpy, otherwise not so much. Gomez also recounts her “oh my god” moment when Meryl Streep came over to say “hi” and kiss her hand (“it was such a surreal moment”).

The artist spoke at some length about her charity work and advocacy, and the purpose it gives her. “I do know I won’t stop this fight until the day I die. I think mental health is incredibly important and should be focused on.”

Watch below.

Gomez stuck around to play a round of “Egg Roulette” with Fallon, a game in which the host and guest take turns smashing eggs on their own heads without knowing which are hard-boiled and which are raw.

If she was having flashbacks, the blame could be attributed to playing “Hot Ones” with Fallon in 2019, an eating game, she recounts, that ended with her barfing in her dressing room.

It’s been just four months since Demi Lovato unveiled their eighth studio album, Holy Fvck, in August, but the creative juices seem to still be flowing for the singer.

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Lovato took to TikTok this week to imply that they’re working on new music. “When [you’re] getting back in the studio,” they captioned the clip, in which Lovato is seen lip syncing to a sound that says, “Here we go! Here the f— we go! Here the f— we go!”

The Grammy-nominated Disney alum’s latest record marked a stark shift in image and sound from their revelatory 2021 album — Dancing With the Devil… The Art of Starting Over. Led by the singles “Skin of My Teeth,” “Substance” and “29,” Holy Fvck took on a more rock, edgy sound. Holy Fvck features collaborations with Royal & the Serpent, YUNGBLUD, and Dead Sara, as well as writing and production credits from Warren “Oak” Felder, Michael Pollack, and Lovato themselves.

In an interview with Apple Music 1’s Zane Lowe, Demi explained, “One influence that really changed where I wanted to go directionally into music was Kelly Clarkson’s ‘Since You’ve Been Gone.’ It was a monster record. And I saw the transformation of her as an artist go from R&B soul pop to pop rock. And I was like, wait, that’s what I want to do.”

Following last week’s news of Chuu‘s removal from LOONA, the former girl group member is moving forward with a new seasonal duet.

As the latest installment in a series of singles produced by Korea’s Lotte Department Store, “Dear My Winter” dropped Monday (Dec. 5) as a new duet between Chuu, a current face for the retail brand, and rising R&B singer George. With a jazzy, old-timey production that brings the same nostalgia of classic Christmas songs, the harmonious collaboration highlights the duo’s softer vocals to sing of a “winter” lover that comes to them like a wrapped present or comforting holiday.

Chuu Removed From LOONA Amid Back-and-Forth Reports Between K-Pop Group & Label

12/05/2022

The accompanying video is also suited for the season with Chuu and George in cozy sweaters and blankets to duet inside an animated living room complete with a Christmas tree, fireplace and snow falling outside.

“Dear My Winter” is the latest solo release from Chuu this year, following her “Lullaby” duet with rapper-singer B.I from June, plus two covers of classic ’90s K-pop songs via “One and Half” in August and “Confession” in October. The star had been consistently building up solo work and appearances, in addition to performing with LOONA through the past years, until the confusing back-and-forth between the K-pop group and LOONA’s record label led to Chuu’s ousting. Billboard can confirm that this single was scheduled for release since at least mid-November, meaning that the current situation with Chuu and her label was not a factor in this song’s release.

There have been no further updates from either Chuu or her former record label BlockBerryCreative since the star posted a short message on her Instagram thanking fans for support. However, LOONA fans are still eager for answers and taking to social media asking for information.

Watch the “Dear My Winter” video from Chuu and George below: