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The Billboard charts are getting ever more festive in the march to Christmas.
On the Billboard Hot 100 songs and Billboard 200 albums charts (both dated Dec. 10), the lists are looking very merry and bright. On the Hot 100, Mariah Carey’s evergreen chart-topper “All I Want for Christmas Is You” vaults to No. 2 and Michael Bublé’s former No. 1 album Christmas jingles up the Billboard 200 into the top five. Christmas was released in 2011 and spent five weeks atop the list late that year and in early 2012 and has returned to the top 10 in every subsequent holiday season.
Speaking of Bublé, earlier this year on the Billboard Pop Shop Podcast, he joined hosts Katie and Keith to discuss his then-new album Higher (a recent Grammy Award nominee for best traditional pop vocal album). Well, the latest Pop Shop Podcast (listen below) has a special unheard moment from that interview, where Bublé was asked about his Christmas album and what it means to know that the ever-popular set has become a favorite in homes around the world each year, soundtracking family gatherings.
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“Well, can you imagine how lucky I feel to be invited into all of that?” Bublé tells the Pop Shop Podcast. “I mean, I knew what I was doing when I made the record. I had high hopes. I was quite ambitious. Because I really genuinely love the songs. I never had any idea that it would be like this ever, ever.”
“And it’s funny, years ago, I would complain about it [the album’s success], and I would say [exasperated] ‘Well, you know, they keep talking about the Christmas album,’” he recalled. “But it was when my son got sick, I remember sitting in the hospital, and I just remember thinking how lucky I was. I just remember thinking so clearly, you know, how wonderful this is, that this is a part of your legacy. …
“What’s interesting, too, is it’s become less about what religion you are and it’s become about just a time when us human beings might need a bit of a break. And there’s a little more empathy and kindness. And I thought, man, to be connected to something so beautiful, there are much worse things in life.”
Also on the latest Pop Shop Podcast, Katie and Keith discuss the death of singer-songwriter Christine McVie and the pop sensibility she brought to her work with Fleetwood Mac. Plus, the Pop Shop team chats about Amber Riley (spoiler alert!) winning The Masked Singer and what it could mean for her career in the future. They also talk about her Dec. 5 guest appearance on The Jennifer Hudson Show, where Riley and Hudson duetted on “And I Am Telling You I’m Not Going” from Dreamgirls.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
Madame Tussauds Dubai has a new “Mastermind” added to their gallery. The company revealed on Tuesday (Dec. 6) that its wax figure of Taylor Swift is the latest celebrity to join its star-studded lineup.
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According to Time Out Dubai, the figure marks the first international addition to Madame Tussauds Dubai since it opened in October 2021. The handcrafted statue featured Swift in a Folklore-style low chignon bun, holding an acoustic guitar. The wax figure is dressed in a red sequined turtleneck top tucked into a pair of high waisted khaki pants.
The new Swift wax figure comes a little more than a month after the Grammy-winning superstar unveiled her 10th studio album, Midnights. The album logs a fifth week atop the Billboard 200 albums chart (dated Dec. 10). The last Swift album with more weeks at No. 1 is Folklore, which notched eight nonconsecutive weeks atop the list in 2020. Since then, she’s claimed four more chart-topping albums: Evermore (four weeks at No. 1 in 2020-21), Fearless (Taylor’s Version) (two weeks, 2021), Red (Taylor’s Version) (one week in 2021) and Midnights (five weeks so far).
And while the wax figure comes at a celebratory time in Swift’s career, fans had mixed feelings about the new installation at Madame Tussauds, unsure if the new piece bears a proper resemblance to the “Anti-Hero” singer. See some reactions below.
Why is it so difficult to get Taylor’s wax figures to actually look like her? I mean this one’s not bad compared to others but still.— Conny | Midnight sharp 🕰 (@connychiwa_) December 6, 2022
somebody stop please them from making wax figures😭— Ananya (TV) (@ANANYAPANDEY151) December 6, 2022
Marking The Boyz‘s official debut onto the K-pop scene, Dec. 6 is always a special day for the K-pop band. Still, their milestone fifth anniversary is particularly worth celebrating this year.
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The 11-member boy group released the new single “All About You” today, Dec. 6, to mark five years since entering the K-pop scene with their debut EP, The First, in 2017. Releasing a single to commemorate their anniversary in December has become a tradition for the group with seasonal releases like “White,” “Christmassy!” and “Candles,” but the newly released acoustic-pop cut has the universal message of full-fledged, no-hold-bars love.
The accompanying music video is celebratory as we see the 11 Boyz studying in school, writing music, practicing basketball and hanging solo or in pairs before coming together to toast to five years.
Notably, “All About You” also marks the return of youngest member Eric, who had been on hiatus from the group since March due to health reasons.
After a period of rest at his home in the United States, where he was unable to participate in the group’s latest Korean and Japanese albums from this year, nor performances like KCON Los Angeles or their special “Last Man Standing” video shoot, Eric’s back. With his return, the 21-year-old co-wrote “All About You” alongside his members Juyeon, Q and Sunwoo. In late August, Sunwoo had also taken a hiatus for rest but was announced, along with Eric, to be soon re-joining the group by mid-September.
Celebrate with The Boyz below:
Kid Harpoon has become one of the most in-demand producers in pop music in the last year and on Tuesday (Dec. 6), he spilled the tea about working with Harry Styles on “As It Was” in a new interview with Apple Music.
“Do you know what is funny about that song is how quickly it came together,” the British musician born Tom Hull told Apple Music 1’s Zane Lowe. “That’s my favorite thing about it because it’s not like ‘Watermelon Sugar,’ for example. That song was written in half a day…and then it was this really s—-y sounding demo and we all loved it and no one else quite got it. And then it took us months and months and months of just chipping away and getting it right.
“And then people weren’t quite sure it was going to be a single. Harry was like, ‘This is a single,’ and then it became the single. So it was this whole real labor of love to prove a point,” he continued. “I’ve learned so much from working with him because he understands how to follow his instincts.”
As for the Harry’s House hit’s mind-blowing success — including spending 15 nonconsecutive weeks atop the Hot 100 — Kid Harpoon chalked it up to being “the right artist, the right time, the right song, the right lyric, the right production.”
“There’s so much that has to align and one thing can be off and it’s not ‘As It Was,’” he concluded. “That’s why it’s an anomaly compared to a lot of music.”
The budding superproducer also dished in the interview about working with the likes of Lizzo, Maggie Rogers and Florence Welch, revealing the “About Damn Time” singer is “obsessed with Radiohead” and saying the Florence + the Machine frontwoman “works harder” than any of her contemporaries in the studio.
Consider Lizzo the undisputed queen of TikTok. On Tuesday (Dec. 6), the social media platform revealed in its year-end report that the singer held the title for most video views of the year.
“Viral sensation,” Lizzo put it simply when retweeting a report of the news. The Grammy winner was followed in Nos. 2 through 5 by Bella Poarch, Bad Bunny, Charlie Puth and Doja Cat, while Selena Gomez, Nessa Barrett, Yung Gravy, Billie Eilish and Meghan Trainor rounded out the top 10.
Additionally, Lizzo’s choreography for “About Damn Time” ultimately landed at No. 7 on the list of TikTok’s most viral moments of the year.
The popular app also helped many a newcomer break through this year and released its countdown of the top 10 rising artists of the year and their hit songs, including Ice Spice (“Munch [Feelin’ U]”), JVKE (“Golden Hour”), GloRilla (“F.N.F.”) and Benson Boone (“Stars”). TikTok also played a major role in Steve Lacy earning his first No. 1 with “Bad Habit,” the initial explosion of Latto’s “Big Energy,” Omar Apollo landing his first-ever Hot 100 hit with “Evergreen,” and Muni Long bounding into the top 20 with “Hrs and Hrs.”
In other Lizzo-related news, the singer released her yuletide cover of Stevie Wonder’s “Someday at Christmas” exclusively on Amazon Music in recent weeks — which so far has cracked the Hot 100 at No. 94 (chart dated Dec. 10) — and opened up in a new interview about the racism she’s experienced within the pop music industry.
Read Lizzo’s reaction to her latest TikTok achievement below.
Coldplay is back in the studio, and frontman Chris Martin took to Twitter on Tuesday (Dec. 6) to give fans an update as well as share some of the songs he’s listening to lately.
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“I hope you’re all doing well. Here are some things I love at the moment,” Martin wrote in a note shared to the social media platform, before listing his current top tracks which include RM‘s “Yun” featuring Erykah Badu, Badu’s live rendition of “Tyrone,” Bayka‘s “She Like It,” The 1975‘s “Looking for Somebody (to Love),” Inhaler‘s “Totally,” Kyoka‘s “Hurt People” and Stormzy‘s “Hide & Seek.”
Martin concluded his message by writing, “We are in the studio. We send you all much love.”
Coldplay unveiled their ninth studio album, Music of the Spheres, in October 2021 via Parlophone and Atlantic Records. The 12-track album featured the BTS collaboration “My Universe,” which blasted onto the Billboard Hot 100 chart at No. 1, marking the Brits’ first leader since 2008’s “Viva La Vida” and giving both groups appearances on the Rock & Alternative Airplay and Alternative Airplay charts.
Music of the Spheres, meanwhile, peaked at No. 4 on the all-genre Billboard 200 albums chart dated October 30, 2021, and spent eight total weeks on the chart.
It’s Taylor Swift‘s world, and we’re just living in it. Whether you’re counting awards, sales, chart success or all of the above, the 32-year-old pop star had a huge year — and that’s even by Swift’s standards.
But where to begin? There’s that time in May when she achieved her longtime goal of being bestowed with an honorary doctorate, donning NYU’s purple and black robes alongside thousands of other graduates to deliver 2022’s commencement speech. Or, there’s that time at the Tribeca Film Festival, and then again at the VMAs, and then again at the Toronto International Film Festival when she really stepped into her status as a filmmaker, earning recognition for her self-directed All Too Well: The Short Film.
And then there’s the obvious one: that time she dropped her tenth studio album Midnights and subsequently shattered one major record after another. Even the 11-time (soon to be more, possibly) Grammy winner herself couldn’t believe the astounding success.
“The fact that the fans have done this, the breaking of the records and the going out to the stores and getting it — I’m 32, so we’re considered geriatric pop stars,” she laughed on The Tonight Show Starring Jimmy Fallon in October, in one of only a couple interviews she did for the Midnights release cycle. “They start trying to put us out to pasture at age 25, I’m just happy to be here.”
Keep reading to see a full list of Taylor Swift’s biggest career highs in 2022 below.
BamBam is heading to the Philippines to lead a lineup of international acts for the forthcoming Wavy Baby Music Festival next month.
Billboard can exclusively reveal that the Thai-born singer-rapper joins fellow K-pop star Sunmi, as well as R&B singer Pink Sweat$, as the final headliner for Careless Music’s Wavy Baby Music Festival taking place at the North Reclamation Area of Mandaue City of the Philippines’ province of Cebu.
BamBam joining as a headliner makes the musician trio somewhat of a family affair as BamBam and Sunmi are both signed under Korean management label Abyss Company, while Sweat$ produced and co-wrote Bam’s latest single “Slo Mo.”
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Careless Music’s Wavy Baby Festival is the brainchild of James Reid, the Filipino singer-songwriter who launched his Careless record label in 2017 that’s signed artists like California singer-songwriter Destiny Rodgers and singer-actress Nadine Lustre. Way Baby’s lineup also includes Rogers as well as Korea’s rock-pop band The Rose, Australian electronic music duo Bag Raiders, L.A.-born producer DJ Yultron, and some of the Philippines’ breakout bands like Ben&Ben.
Wavy Baby Festival takes place from Jan. 13-14, 2023, to coincide with the religious Sinulog-Santo Niño Festival celebrations that typically take place in Cebu every year in January. COVID-19 concerns canceled Sinulog festivities for the past three years, but 2023 will mark its long-awaited return alongside the debut of Wavy Baby.
Early bird tickets are still currently on sale for the next three days. The full artist lineup is below.
James ReidBamBamSunmiPink Sweat$IssaMassiahLeshaJoliannaThe RoseBen & BenDestiny RogersDJ YultronBag RaidersDecember AvenueFrancoA-TeamSOSAugust WahhThe SundownMandaue NightsSepiatimesThree Legged MenWonggoys
Never let ’em see you sweat! Mariah Carey came close to suffering a wardrobe malfunction during an appearance in New York City on Monday night (Dec. 5), but not to worry dahhlings. Mimi always recovers.
“Oh my gosh. It was very, very close to being a full-on scandal! But we made it work,” the exasperated icon said in a video posted to her social media. Gesturing to the shoulder of her glamorous gown, Carey explained that the strap “came untethered.”
“But we got it back,” she continued. “And everybody was super professional, we got on stage, with glorious jewelry. But yeah, so I just had to make up a little song about, like, ‘We makin’ dresses, da da da da-aa,’ I don’t know what it is. But, you know, it was just a freestyle moment. It is what it was. It’s nothing great but let me just tell you this: We made it.”
Mariah also shared the clip of herself making up the song in the moment as her team furiously races to fix the errant strap on the midnight blue dress — and touch up her hair and makeup, of course. “Dress malfunction or on stage improv? How about both!” she captioned the post.
On this week’s Billboard Hot 100 (dated Dec. 10), the singer’s classic “All I Want for Christmas Is You” comes roaring back to No. 2, blocked from the top spot only by Taylor Swift’s “Anti-Hero,” which is enjoying its sixth consecutive week at No. 1.
Watch Mariah recount her near-scandal below, and her hair stylist Danielle Priano’s video of the moment.
There’s no place like the Billboard charts for the holiday music season, and as always, our Holiday 100 is back and keeping track of the biggest seasonal hits of each week through the New Year.
This year, it’s once again the usual suspects looking to steal the Christmas No. 1 — Mariah Carey‘s “All I Want for Christmas Is You” is on top this week (chart dated Dec. 10), followed by Brenda Lee‘s “Rockin’ Around the Christmas Tree” and Bobby Helms‘ “Jingle Bell Rock.” They’re also the three highest of the six holiday songs in the top 10 of this week’s Billboard Hot 100, though none of them have yet captured pole position, which still belongs to Taylor Swift’s secular smash “Anti-Hero.”
When, if at all, will one of the holiday perennials take over on the Hot 100? And why do newer songs never seem to be able to grow in momentum on the chart? Billboard staffers answer these questions and more below.
1. As it always does this time of year, “All I Want for Christmas Is You” is knocking on the door of the Hot 100’s top spot, moving from No. 5 to No. 2 on the chart this week. But it has a formidable hit blocking its path this time, with Taylor Swift’s six-week No. 1, “Anti-Hero.” Do you think it will depose “Anti-Hero” next week? If not, how long do you think it will take — if it does so at all?
Katie Atkinson: Oh, it’s going back to No. 1, dahling, and I think next week is the week. The current tracking period is the first full week of December, and Christmas music listeners have made the full transition. Time to get out the garland and ornaments for the Hot 100, because its most treasured Christmas star is about to be placed back on top.
Jason Lipshutz: Yeah, next week feels like the week — and that’s an unscientific read on the situation, but the “Anti-Hero”/“All I Want for Christmas Is You” battle reminds me of last year’s showdown between Mariah Carey’s holiday juggernaut and Adele’s multi-week chart-topper “Easy on Me.” “Christmas” took a few weeks into December to dislodge “Easy” during its run, and I’d surmise that it will do the same to “Anti-Hero” starting next week.
Glenn Rowley: “Anti-Hero” might be able to hold onto the crown for one more week but judging by her song’s massive gains this week, it’s clear Mariah just wants the No. 1 for her own (again). And as Christmas gets closer, the festive fervor will only go from high-pitched to full-blown whistle tone. Though I admit there’s an alternate reality in my daydreaming where Taylor’s Midnights smash holds off “ All I Want for Christmas Is You” by becoming the definitive anthem to soundtrack a Newsies-style antitrust revolution by the Swifties, a la “Seize the Day.”
Andrew Unterberger: Mariah Carey is certainly looming, but I wouldn’t count out some last-minute sales/discounts/remixes emerging from Swift late in the week to help get her the edge she needs here. She’s done it successfully a couple times during the “Anti-Hero” run already, and she’s likely extra motivated this week, as the song is just one week away from tying “Blank Space” as her longest-running Hot 100 No. 1 to date. Once Mariah grabs the top spot, it might be close to a month before she gives it back — and who knows what else will emerge as competition in the meantime — so Swift is gonna want every week she can get for “Anti-Hero” before then. But within 2-3 weeks, it’ll be out of her hands, and Carey’s reign will commence regardless.
Christine Werthman: Swift’s hit has staying power, but Carey’s is coming like a freight train — or perhaps the Polar Express. “Anti-Hero” has been the No. 1 for the last six weeks, but it is dropping in streams, while “Christmas” is on the rise. In fact, Carey’s juggernaut is currently the most-streamed song in the U.S., and as the days tick by to Dec. 25, Carey’s smash will continue to climb, bludgeoning all that stand in its way with a stocking full of holiday cheer. It will be No. 1 soon enough.
2. While Mariah leads on the Holiday 100, the usual challengers appear just below her in Brenda Lee’s “Rockin’ Around the Christmas Tree” and Bobby Helms’ “Jingle Bell Rock.” If you had to bet on this top three either being the same for each of the next five holiday seasons, or being disrupted at some point — either by an order switch or a different song — which way would you wager?
Katie Atkinson: I’ve always wanted “Rockin’ Around the Christmas Tree” to score even one week at No. 1 on the Hot 100, where it’s so far peaked at No. 2, but Mariah’s merry monster is a hard one to overcome. Lee recorded the song at just 13 years old and is a spry 77 today, and it would be so sweet for her to get her poinsettias while she’s still with us. But as a betting woman, I think that top three will remain in the same order for the next five yuletide seasons.
Jason Lipshutz: I’d guess that some time in the next half-decade, one of the two golden oldies (more likely “Jingle Bell Rock”) gets swapped out with something more recent, while the others persist as part of the big three. That’s not to say that either one will fall off entirely, but betting on “Rockin’ Around the Christmas Tree” and “Jingle Bell Rock” to stay this locked into the big three, when there’s so much competition for those spots, seems improbable. Of course, “All I Want for Christmas Is You” isn’t going anywhere — that’s going to remain one of the three highest-charting holiday songs each year for the next decade, if not just stay at No. 1 that whole time.
Glenn Rowley: The short answer is a holly jolly nope. At this point, the Holiday 100 feels a bit more like Groundhog’s Day than anything else, and the longer these three tracks dominate the season, the more entrenched they seem to become.
Andrew Unterberger: Betting on stasis with the Holiday 100 is usually the smart play, so I’ll say yes, that’s the top three for the next half-decade. That said, you never know what can pop from out of nowhere these days — and even if a new song isn’t yet powerful enough to run with the big reindeer on an annual basis, it can post a big-enough debut to at least elbow its way in with them temporarily, like Ariana Grande’s “Santa Tell Me” did last decade.
Christine Werthman: Carey will remain No. 1 for the next five holiday seasons. Looking back on this week from 2017 until now, Brenda Lee held the No. 2 spot five out of six times, bumped to No. 3 only once by Andy Williams in 2018. Bobby Helms could be the wild card, as he was absent from the top three in 2018 and 2019. I’d bet that Carey and Lee will hold fast but that the third spot will be up for grabs for a new old song over the next few years.
3. Though Mariah’s Christmas classic will be celebrating its 30th birthday in a couple years, there are still only three songs newer than it in the top 40 of this week’s Holiday 100 – Kelly Clarkson’s “Underneath the Tree” (#10), Ariana Grande’s “Santa Tell Me” (#14) and Justin Bieber’s “Mistletoe” (#40). Why do you think it remains so hard for newer songs — even “newer” songs that are now a decade or two old themselves — to break into the Christmas canon? Do you see it getting easier anytime in the near or even distant future?
Katie Atkinson: There are a lot of people who assume “All I Want” is a Christmas standard, the way it recalls Phil Spector’s 1960s hits for The Ronettes or Darlene Love, and I think that classic sound is what people are yearning for in their holiday listening. The next-closest new song, “Underneath the Tree,” plays the exact same card. So while a few contemporary Christmas songs will break through here and there (*NSYNC’s “Merry Christmas, Happy Holidays” comes to mind as one that burned bright and then fizzled out with the boy-band era), the ones that have longevity are the ones that bring the most Noel nostalgia.
Jason Lipshutz: The magic of holiday songs is in their familiarity — the way we trot them out for a few weeks each year, recognize the time-honored melodies and associate them with a special season. Understandably, that canon is difficult to change, or even increase with new material. There’s no doubt that some new holiday songs will eventually earn that nostalgic glow as more years pass — “Underneath the Tree” feels like a likely candidate to keep growing each year — but the process is slow for a reason, and I doubt it’s one that radically evolves in the coming years.
Glenn Rowley: It’s crazy to think that all three of those “newer” songs are 8-10 years old at this point. I mean, Kelly’s even given us a second (stellar!) Christmas album since she released “Underneath the Tree.” Much like a too-rich cup of cocoa, the biggest obstacle to storming the modern Christmas songbook could be over-saturation. Because from the moment Mariah declares, ‘It’s time,’ there’s a limited number of days to cram in all the holiday music you can handle. And would you rather go for something cozy and familiar or something new?
Andrew Unterberger: My working theory with this is that music fans don’t really ever seek out their own holiday music when they’re young — it’s just something that’s passively in their background of their lives for 1-2 months a year, with selections usually made by folks decades their senior. So everyone just grows up with their parents’ holiday music, and they never really even think twice about it — and when, decades later, it’s their own turn to decide what holiday music is going to get played, that’s still what they sentimentally default to. It takes a truly extraordinary new Christmas song to be as satisfying as that type of nostalgia, and that’s why you only get a handful a decade that prove to have any real staying power.
Christine Werthman: Christmas is a season for nostalgia. It’s not like Halloween, where costumes fluctuate depending on the hottest movie or meme of the moment. In fact, if Christmas were a Halloween costume, it would be a ghost — every single year. Familiarity is key for Christmas success, and I suspect the old guard will be holding down the prime slots on the Holiday 100 for many years to come.
4. We often talk about the possibility of newer songs rising on the Holiday 100, but in truth, it seems like older songs have as good a chance of catching a second wind — particularly in 2022, when new hits can come from any time. Is there a song on this week’s chart from earlier than Mariah Carey’s “Christmas” that you might be looking at as a contender to rise in the holiday rankings in the years to come?
Katie Atkinson: Jose Feliciano’s “Feliz Navidad” peaked at No. 3 on the Holiday 100 back in 2012, but it hasn’t cracked that top three in a while. I think it should rightfully work its way back up, just as Bad Bunny is also bringing Spanish-language hits to the top of our charts. I also think one of my personal favorites, The Ronettes’ “Sleigh Ride,” should finally crack the Holiday 100 top five for the first time (it’s so far peaked at No. 8) because it’s just so fun and festive. Climb aboard the sleigh, people!
Jason Lipshutz: Maybe Wham!’s “Last Christmas” never grows to chart-dominating stature, but I could see that song getting bigger each year, as a holiday song that’s fiercely loved and also ripe for some sort of viral revival. As the years wear on, I could see “Last Christmas” usurping “Rockin’ Around The Christmas Tree” or “Jingle Bell Rock” as one of the three biggest holiday songs of the year, and creating a sort of balance in the sound and thematic scope of the primary holiday trio.
Glenn Rowley: I’m always a proponent of Wham!’s “Last Christmas” getting a second or third (or, you know, thirty-eighth) wind during the month of December. Last year, it reached a new peak of No. 7 on the Hot 100 and this week it’s already sitting at No. 6 on the Holiday tally. Maybe the right sync or TikTok trend can push it even higher in Christmases to come.
Andrew Unterberger: Gonna go with “Linus and Lucy.” It’s maybe not the radio-friendliest of the Holiday perennials, with its lack of lyrics and jarring mid-song shifts in tempo and melody, but it’s beloved by every new generation since A Charlie Brown Christmas‘ 1965 debut, and its association with that classic holiday special gives it extra meme potential. Also, the Vince Guaraldi Trio’s entire soundtrack rises higher on the Billboard 200 albums chart each year — it hit the top 10 for the first time last year — so that momentum might carry over to the Hot 100 before too long.
Christine Werthman: Wham!’s “Last Christmas” is currently No. 6, but it was in the top three around this time in 2019. I’d put my chips on that one to sneak its way up the chart in the future, especially if it gets featured in a holiday movie, a la the “All I Want for Christmas Is You” moment in Love Actually.
5. Let’s say Adele, Taylor Swift, Beyoncé, Bad Bunny and Drake each released a brand-new solo Christmas song on Friday. Which one do you think would be the biggest front-runner for the Holiday 100 No. 1?
Katie Atkinson: I’m going Adele, 100%. Just like her bombastic vocals were a no-brainer for a James Bond theme song 10 years ago, her warm, rich delivery would be tailor-made for a Christmas classic. I’m thinking something more in the understated, bittersweet vein of Judy Garland’s “Have Yourself a Merry Little Christmas” or Nat King Cole’s “The Christmas Song” than the poppy Mariah route – though a jingly redo of “Rumour Has It” all about Santa Claus could be cute too.
Jason Lipshutz: Give the edge to Adele here — she’s not as prolific as Bad Bunny or Drake, is more of a reliable Hot 100 chart-topper than Beyoncé, and unlike Taylor Swift, has never released a Christmas song. An Adele Christmas single would be a special release from a chart superstar… who also happens to have the type of overwhelming vocal power that a holiday song typically requires. However it sounds, it would have a great shot at No. 1.
Glenn Rowley: Regardless of the song, there’s no stopping Adele the moment she decides to drop an original holiday tune (an eggnog-fueled follow-up to “I Drink Wine,” perhaps?).
Andrew Unterberger: It’s probably Adele — but don’t count out Bad Bunny’s ability to surprise, or Taylor Swift’s will to win.
Christine Werthman: Adele all the way. She has a timeless voice, she transcends generations, and she would likely make something that is contemporary enough for young listeners but classic enough for an older audience to throw into the rotation of holiday standards. As far as knocking out “All I Want for Christmas Is You” from the top spot, though, I’d still give Mariah 70/30 odds to win the No. 1.
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