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Trending on Billboard The temperatures might be getting chillier, but the new music landscape is only heating up thanks to fresh releases from Summer Walker, Miley Cyrus and more. This week, the R&B tastemaker finally unveiled her long-awaited Finally Over It, the third installment in her Over It album series. Through dynamic collaborations with everyone […]
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Olivia Dean’s baby steps have turned into a sprint. After opening up for Sabrina Carpenter on the final leg of the Short n’ Sweet Tour, Dean announced her first-ever headlining North American arena tour on Friday (Nov. 14).
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The Art of Loving tour is slated for next summer, kicking off in San Francisco on July 10. The singer will also head to Los Angeles, New York City’s Madison Square Garden, Atlanta, Toronto, Las Vegas, Boston, Houston and wrap up in Austin on Aug. 28.
Those who register with Olivia Dean’s mailing list will have access to the pre-sale, which is set to begin at 10 a.m. local time next Tuesday (Nov. 18) on Ticketmaster. The general public will have their chance when tickets go on sale next Friday (Nov. 21).
The “Man I Need” artist is donating $1 of every ticket sale to support communities in Jamaica impacted by Hurricane Melissa.
“The art of loving in the usa / canada 2026 these are venues i have only dreamt of playing. see you next year lovers,” she wrote on Instagram .”Ok love you bye!”
Olivia Dean has gained a ton of crossover momentum while breaking through in the U.S. over the last couple of months. The 26-year-old boasts four songs on this week’s Billboard Hot 100, including the top 5 hit “Man I Need.” Dean’s The Art of Loving album also sits at No. 7 on the current Billboard 200.
Find all of The Art of Loving 2026 tour dates below.
The Art of Loving Live Tour Dates:July 10, 2026 – San Francisco, Calif. @ Chase CenterJuly 14, 2026 – Los Angeles, Calif. @ Crypto.com ArenaJuly 18, 2026 – Las Vegas, Nev. @ MGM Grand Garden ArenaJuly 22, 2026 – Salt Lake City, Utah @ Maverick CenterJuly 25, 2026 – Denver, Co. @ Ball ArenaJuly 29, 2026 – Minneapolis, Minn. @ Target CenterAug. 4, 2026 – Toronto, Ontario @ Scotiabank ArenaAug. 7, 2026 – Montreal, QC @ Bell CentreAug. 10, 2026 – Boston, Mass. @ TD GardenAug. 12, 2026 – Baltimore, Md. @ CFG Bank ArenaAug. 14, 2026 – New York, N.Y. @ Madison Square GardenAug. 22, 2026 – Atlanta, Ga. @ State Farm ArenaAug. 25, 2026 – Houston, Texas @ Toyota CenterAug. 28, 2026 – Austin, Texas @ Moody Center
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Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week: It’s Over and out for Summer Walker with the third and final album in her signature series, Kelsea Ballerini is taking stock of things with a new EP and Miley Cyrus rises from the ashes with a big soundtrack single.
Summer Walker, Finally Over It
It’s been a four-year wait — but Finally Over It is, well, finally here. The third and presumed final entry in R&B star Summer Walker’s Over It series, the follow-up to 2021’s Still Over It features 18 tracks spread over two discs, and follows a wedding theme — with the two discs titled “For Better” and “For Worse,” and the album art and visuals seeing Walker marrying an elderly white man, implying a hard exit from the world of dating and unsatisfying romantic relationships. The star-studded album features guests ranging from old collaborators Chris Brown, Bryson Tiller and 21 Savage to new friends Sailorr, Brent Faiyaz and Doja Cat, but Walker is arguably still best keeping it simple and solo, as on the unequivocal “No” and the wrenching “Situationship.”
Kelsea Ballerini, Mount Pleasant
Two years after her well-received Rolling Up the Welcome Mat EP — and one year after the full-length Patterns — country star Kelsea Ballerini is back playing the mini-album game with the six-track Mount Pleasant. The abbreviated release is meant “to capture a moment in time,” says Ballerini in a statement, with “six songs I’ve written throughout the summer, marking a chapter of heavy self-examination, longing and stepping further into who I am as a 32-year old woman.” The EP moves quickly but hits hard, with songs of jealousy, heartbreak and frustration written with Ballerini’s typically vivid detail and delivered with her usual bite and tenderness.
Miley Cyrus, “Dream as One”
Miley Cyrus has expressed a particular connection to the themes of the upcoming Avatar sequel Fire and Ash, after losing her Malibu home in the 2018 Woolsey Fire: “Having been personally affected by fire and being rebuilt from the ashes, this project holds profound meaning for me,” Cyrus shared on Instagram, thanking director James Cameron “for the opportunity to turn that experience into musical medicine.” She does so this week with the new ballad “Dream as One,” a stately anthem of love and endurance that refuses to ascribe the concept of “home” to any particular building or place, as Cyrus sings to her partner: “You are my home/ No matter where I go.”
Lewis Capaldi, Survive EP
It’s been a big moment for U.K. pop in the past couple months, with the global breakout of Olivia Dean, a big new RAYE. hit and the return earlier this week of Charli XCX, with two new songs from her upcoming soundtrack to Emerald Fennell’s Wuthering Heights adaptation. Into this moment steps Lewis Capaldi, the formerly Billboard Hot 100-topping singer-songwriter and supreme balladeer — who took the better part of the last two years on a break from touring and recording, for the betterment of his mental health — with his four-track Survive EP. There’s no major swerves with the new release — “It’s…… songs,” was Capaldi’s helpful description of the EP on The Graham Norton Show — but it is rousing with its pervasive sense of perseverance, even through heartbreak on the climactic lighter-waver “Almost.”
Jessie Murph, Sex Hysteria (Deluxe)
July’s Sex Hysteria album marked something of a commercial breakthrough for Jessie Murph, making the top 10 of the Billboard 200 — helped by the success of breakout single “Blue Strips.” This week, the retro-minded 15-track set gets an eight-track bonus disc on the set’s official deluxe edition. The new tracks include the gently soulful and rueful “I Stay I Leave I Love I Lose,” the Amy Winehouse-like, hungover and heartbroken “Easy Sunday Living” and the previously released kiss-off “I’m Not There for You” — already another Hot 100 hit for Murph — and should get fans who’ve finally calmed down from the original Hysteria all good and bothered again.
Dominic Fike, “White Keys”
The always-buzzy Dominic Fike has a big weekend coming up, making his debut as one half of Geezer (alongside Kevin Abstract) at Tyler, The Creator’s Camp Flog Gnaw festival. In advance of the performance, Fike today shares “White Keys,” a new-old song that was a formerly unofficially released fan favorite, produced by John Cunningham. “I had forgot about this song and the internet somehow dug it up for me,” Fike commented on the playfully shuffling, lightly forlorn mini-banger in an IG post announcing its release. Abstract showed up in that post’s comments to proclaim: “gay boy returns.”
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Like mother, like daughter. Mariah Carey is legendarily unafraid to frankly speak her mind and it seems the apple has not fallen far from the (Christmas) tree when it comes to 14-year-old daughter Monroe. In a rare comment about her dad Nick Cannon‘s 10 other children, Monroe took to Instagram Stories on Thursday (Nov. 13) to opine on her large blended family.
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“Clearing something up guys,” wrote Monroe according to People. “i only have ONE brother who is @moroccan.cannon. i do have other half siblings from my dad but they are all man many years younger than me!” Carey and Cannon are the parents of twins Monroe and Moroccan, who they welcomed in 2011, three years after their wedding.
The couple divorced in 2016 and since then Cannon has fathered 10 more children with five different women: sons Golden Sagon and Rise Messiah and daughter Powerful Queen with Brittany Bell, twins Zion Mixolydian and Zillion Heir and daughter Beautiful Zeppelin with Abby De La Rosa, son Legendary Love with Bre Tiesi, daughter Onyx Ice Cole with LaNisha Cole and two more with Alyssa Scott, daughter Halo Marie and son Zen, who died at five-months-old in 2021 from brain cancer.
Cannon recently opened up about fathering a dozen children on The Breakfast Club, where he spoke about his mental health journey and admitted to dealing with trauma after his split with Carey. When co-host Charlamagne the God asked if having 12 children was a response to that trauma, Cannon said it was.
“I’m learning that now, and it wasn’t like I was acting out,” Cannon said. “It was more of being careless, being frivolous with my process, because I could do it, because I had the money, because I had the access to whoever and however I wanted to move. Opposed to doing a mature thing and saying, ‘Hey, well, it probably makes more sense to do this.’ And then, obviously, life happens as well. So it wasn’t like, ‘Well, I’m gonna go have 12 kids.’ It was more about, like, ‘Yo, I’mma just live life and have fun and whatever happens, happens, I can handle it.’”
Now 45, Cannon said if he had thought things through a bit more and taken some time to work on himself, “things might’ve been a little different in certain scenarios.”
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Miley Cyrus brings the big screen drama on “Dream As One,” the singer’s just-released single from director James Cameron’s anticipated sequel Avatar: Fire and Ash. The soaring, emotional ballad was co-written by Cyrus, Mark Ronson, Andrew Wyatt and the film’s soundtrack composer, Simon Franglen, and in a tweet announcing its release on Friday morning (Nov. 14), Cyrus wrote, “Writing this song with Mark Ronson and Andrew Wyatt came straight from the heart. Every lyric remembers where we’ve been, reflects where we are, and holds hope for what’s ahead for all of us. It was an honor to create something so personal for a film that connects so deeply with people around the world.”
The passion and emotion she conjured for the third chapter in the eye-popping sci-fi series comes through from the very first lines of the song that will play over the end credits of the film: “Our love will never fade away/ We’re diamonds in the dark/ I put my head against your chest/ And listen to your heart,” Cyrus croons over a pulsing piano line.
And then she leans into the heart-tugging chorus of the song she also co-produced along with Wyatt and Ronson. “Even through the pain/ Even through the ashes in the sky/ Baby when we dream, we dream as one.”
Last month Cyrus teased the song in an Instagram while revealing her very personal connection to the lyrics and themes. “Having been personally affected by fire and being rebuilt from the ashes, this project holds profound meaning for me,” said the singer, whose Malibu home was destroyed in the 2018 Woolsey Fire in Los Angeles. “Thank you, Jim, for the opportunity to turn that experience into musical medicine. The film’s themes of unity, healing, and love resonate deeply within my soul, and to be even a small star in the universe the Avatar family has created is truly a dream come true.”
Not for nothing, but given her co-writers’ awards pedigree, Cyrus could end up on some hardware lists next year. Wyatt and Ronson shared the Academy Award for best original song for their work with Lady Gaga and Anthony Rossomando on the A Star Is Born single “Shallow” in 2019; they also won the best song written for visual media Grammy Award that year. Wyatt and Ronson were also nominated for a best original song Oscar in 2024 for the Barbie tune “I’m Just Ken.”
Cyrus knows her way around a rousing soundtrack song herself, having contributed the Golden Globe-nominated “Beautiful That Way” to 2024’s The Last Showgirl.
Avatar: Fire and Ash, the sequel to 2022’s Avatar: The Way of Water, will hit theaters in the U.S. on Dec. 19
Listen to “Dream as One” and see Cyrus’ tweet announcing the song below.
“Even through the flames. Even through the ashes in the sky. When we dream, we dream as one.”Writing this song with Mark Ronson and Andrew Wyatt came straight from the heart. Every lyric remembers where we’ve been, reflects where we are, and holds hope for what’s ahead for all… pic.twitter.com/4RhWfIDSql— Miley Cyrus (@MileyCyrus) November 14, 2025
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After a meteoric rise, and a years-long break to recalibrate and recover, Lewis Capaldi is very much back. Surviving, thriving.
Today, Nov. 14, the Scottish singer and songwriter returns with the four-track Survive EP, led by the title track, a song that addresses his ordeals with illness and life in the spotlight.
Survive is the followup to the 2023 LP Broken By Desire To Be Heavenly Sent, which was sent to No. 1 in the U.K. for three weeks and spawned three U.K. chart-leading singles in “Pointless,” “Wish You The Best” and “Forget Me”.
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Capaldi’s debut album from 2019, Divinely Uninspired to a Hellish Extent, propelled him to superstar status. Along the way, it collected 10 weeks at No. 1 in the U.K., where it was confirmed as the biggest selling U.K album for both 2019 and 2020, and yielded “Someone You Loved,” a No. 1 smash on both sides of the Atlantic, and around the globe.
In November 2022, Lewis was crowned by the Official Charts Company as the “king of streaming” as “Someone You Loved had overtaken Ed Sheeran’s “Shape Of You” as the U.K.’s most streamed song in history.
It hasn’t all been fun and games.
The following year welcomed the global Netflix release of Lewis Capaldi: How I’m Feeling Now, a Grammy Award-nominated documentary, and saw Capaldi step away from the spotlight to focus on his physical and mental health. He made a roaring return with a surprise set at Glastonbury Festival 2025, followed by the release of “Survive.”
With his comeback, he “wanted to have a song come out that wasn’t… a lot of my music is woe is me, and a bit boo-hoo, and sad,” he told ABC News’ Stephanie Ramos in July. “I wanted something that was less pathetic. Let’s put it that way. I wanted to have something that was more triumphant than previous offerings. This one is about getting through stuff, surviving.”
Expect to hear the new song, and those modern-day classics, when he makes the long haul for arena shows in New Zealand later this month, and early December, his first visit to Australasia since Falls Festival in 2019/20, and his Auckland Town Hall performance in 2019. Australia dates will follow, all of which are sold out.
Stream Survive below.
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You never quite know when — or how — your 15 minutes will come along. Just ask Scott Kelly, a regular chap who became an Internet sensation this week when his resume blew up at a Jonas Brothers concert.
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During the JoBros’ show Sunday, Nov. 9 at KeyBank Center in Buffalo, NY, a recruitment consultant was busted reviewing an apparent candidate’s resume, as Nick, Joe and Kevin Jonas performed on stage.
TikTok user Jen captured the moment and shared it with the caption, “Scott Kelly, your resume was being reviewed at a Jonas Brothers concert tonight. Good luck.”
The video has clocked more than 7.8 million views, and the siblings got in on the fun. “Bro,” Joe wrote in the comments section, “Scott Kelly was there for me plenty of times. Hired.” Kevin weighed in, “I’m one of Scott Kelly’s references,” and Nick chimed, “Scott Kelly’s work ethic and critical thinking inspired me to write the line ‘red dress.’”
That viral clip has been converted into a real-life situation, thanks to late-night TV.
The brothers were seated guests for Thursday night’s episode of NBC’s The Tonight Show Starring Jimmy Fallon, when Kelly was brought on set to answer the question on everyone’s mind. Did he get the job?
The answer isn’t quite so simple.
Kelly, wearing a suit, appropriate for an interview or a one-off interview beamed out to millions of households, admitted, “it’s been an interesting week.”
Kelly, a veteran, didn’t initially have a TikTok account. But he does now, after he was alerted to his insta-fame through buddies and a flood of emails.
“I never actually applied from a job,” he explained. Instead, his qualifications were studied by a local business that goes out of way to hire veteran talent, whose transition from military to civilian life, explains Kelly, can be “very challenging”.
Kelly had a confession to make, which he held until the very end of the segment. “I had never heard of you before this,” he told the brothers. “It’s true. My wife had to tell me. I didn’t have Disney Channel growing up. I didn’t know.” After his interesting week, Kelly is “a huge fanboy now.”
The pop trio stopped by Studio 6B at 30 Rockefeller Center ahead of the release at midnight of A Very Jonas Christmas’ Movie Soundtrack, the companion to their Disney+ film, A Very Jonas Christmas Movie.
The brothers’ 20th anniversary JONAS20: Greetings From Your Hometown Tour continues Friday night, Nov. 14 at CTMohegan Sun Arena in Uncasville, CT, and they’ll ring in the new year in Florida at the Hard Rock Hotel & Casino, for a show that will be livestreamed exclusively on Samsung TV Plus.
Watch the Fallon Tonight interview below:
“I’m very aware of mysterious forces at play that I will never have any control of,” she says in the trailer.
11/13/2025
Trending on Billboard Diamonds are a girl’s best friend, but for Sabrina Carpenter, platinum is her element of choice. The bubbly pop star celebrated her Man’s Best Friend album becoming platinum certified by the RIAA on Thursday (Nov. 13), which comes less than three months after the LP’s arrival. Explore See latest videos, charts and […]
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Lady Gaga‘s Grammy-nominated LP Mayhem has been lauded by critics as a return to form for the pop superstar. But according to Mother Monster, the album wouldn’t have seen the light of day if it weren’t for the very different critical response her third studio album received.
In a new Rolling Stone cover story, Gaga revealed that the criticism she received for Artpop — and her subsequent turn away from pop music that resulted in the albums Cheek to Cheek and Joanne — provided a direct source of inspiration for Mayhem. “Mayhem as a piece of music, I never would’ve made it without the 10 years of experience that I had,” she said. “What would Mayhem sound like if I hadn’t become a jazz singer? What would it have sounded like if I hadn’t made Artpop?”
Reflecting on her experimental 2013 album, which became a fan-favorite in the years since its release, Gaga called the resounding critical panning of the project “very impactful” on the rest of her career. “Like, much more impactful than any other criticism for any artwork. That was the first time that I ever had major criticism about a piece of work that I’d made,” she said.
Gaga described Artpop as her “EDM opus,” and said that the album’s confrontational tone was created because she was being treated as a “business” rather than an artist at the time. “People don’t like it if I say, ‘I won’t dress the way you want me to dress. I won’t have the hair you want me to have, and I’m going to not make pop music the way that you want me to make it. ‘Cause you want everything to sound like ‘Bad Romance,’ and I’m never doing that again.’”
As for the sexist undertones of that criticism, Gaga pointed out that when male artists make new choices in their music, they are heralded as “radical thinkers discovering new territory,” while female artists are mocked. “I was sort of heralded as, like, over,” she said.
After a decade of detours, including multiple film roles in A Star Is Born, House of Gucci and Joker: Folie a Deux, Gaga said she and her co-producers on Mayhem — Andrew Watt and her fiancé Michael Polansky — knew that diving back into pop music meant she had to address that part of her career head on.
“One of the things I’m most grateful for is gaining all my artistic faculties back to make this record,” she said. “I had to dig very, very deep, and I had to change a lot of my life and recenter around what I needed as a human being.”
