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Only two months ago, Stray Kids told Billboard the band’s 2024 would be “very different from what we’ve done so far,” with the four-time Billboard 200 chart-toppers’ latest New York trip already proving that to be the truth.
Sitting inside a recording studio owned by their U.S. label, Republic Records, the K-pop sensations’ charisma, candidness and slight trepidation shone through in a laid-back, honest chat to recount their Met Gala debut, just-released collaboration with Charlie Puth, and the anticipation surrounding their upcoming projects.
Reflecting on their Met Gala experience, the members expressed how their initial worries eventually turned into pure excitement. “We didn’t know anything about Met Gala,” Stray Kids leader Bang Chan shares in his affable Australian accent, before adding, “It was a really good experience.” Felix shares that “it was an honor and pleasure for us to show what our team color is like” with their appearance, thanks to Tommy Hilfiger, marking a significant milestone in attending one of fashion’s most prestigious nights out, as they mingled with celebrities like Chris Hemsworth, Baz Luhrmann and Jennie from BLACKPINK.
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Shifting to their first original English single, their collaboration with Charlie Puth in “Lose My Breath” is highlighted as an experience for their team to learn but also share their years of experience in blending musical styles. “We had a lot of freedom to express our opinions,” notes Han, emphasizing the collaborative nature of the project that included Bang Chan, Changbin and himself writing and composing alongside Puth. For the pure-pop affair, Hyunjin says his aspiration is “to show that Stray Kids can do this kind of song” as a testament to their versatility and willingness to explore different musical landscapes.
While SKZ spoke with nervous excitement to Billboard just hours before the release of “Lose My Breath,” the band’s anticipation for their potential new future projects was also palpable.
While details remain under wraps, Bang Chan hinted at the exciting prospects: “If there was a new album, it’s definitely very new, very different yet very genuine and authentic.” The tour — that may or may not have been spoiled by Tommy Hilfiger himself — is also important, and when Lee Know mentions how “there are countries we haven’t been to yet,” he seems to hint toward a truly expansive global trek.
As Stray Kids continue to break barriers and captivate audiences worldwide, the Kids themselves remain grounded and committed to continually improving and leveling up artistry. Like “Lose My Breath,” their upcoming projects all show promise in showcasing an evolving and maturing sound to affirm their status as boundary-breakers in the global music scene. Read the full conversation from Billboard‘s chat with Stray Kids below.
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Welcome back to New York, Stray Kids. It’s great to have you back, and we have to give you a big congratulations on your Met Gala debut. Overall, how was the experience?
Bang Chan: There was a lot happening, but I mean, it was a really good experience. We had fun.
Felix: It was such a huge honor because it was our first time as a team, and to go with Tommy Hilfiger to the Met Gala. Like what Chris [Bang Chan’s birth name] said, it’s such an honor but also a pleasure for us to show what our team color is like. It was incredible.
Bang Chan: Because we didn’t know anything about Met Gala! So, we went in, and then as soon as we got in, we walked up the stairs, and then there was Anna Wintour, Bad Bunny, Jennifer Lopez and Chris Hemsworth. So we said “Hi,” and then Chris was like, “Oh, I know you guys! You guys are two Australians — aww, come here, boys!” He took really great care of us. Baz was there too.
Felix: Baz Luhrmann was there as well. So, we had a nice chat with him. It was very nice, very nice.
Bang Chan: Ben Simmons, the basketball player, who is actually from and born in Australia, he was there. There were a lot.
It was amazing to see all eight of you there, but I’m curious how you got eight invitations for the Met Gala and how you coordinated on the red carpet with your reveal as eight?
Bang Chan: Big thanks to Tommy.
Felix: Yeah, big thanks to him.
Bang Chan: But at the Met, Tommy had a little bit of an idea. Because we have to unveil what was underneath, right? So, we kind of rehearsed how we should show what our outfits were. We did exactly what we had to do and were told to do; it was all right.
I think it was more important than you might realize. But let’s jump to the present with “Lose My Breath.” What’s the significance of this being Stray Kids’ first original English single?
Bang Chan: It is kind of exhilarating if you think about it. But one thing I wanted to point out is, I’m very, very thankful to the members because everyone recorded their parts on point and very good. The English has improved, I don’t know why, but yeah. [Laughs] So, I’m very very thankful to the members but we worked on the song here [in this New York studio], I think it was like the room across. But we had fun because, you know, Charlie Puth is very musically talented so we learnt a lot from him; it was a great experience.
You are so involved in your music, and Charlie Puth is also so involved in his music. How did you find the balance behind the scenes to collaborate?
Han: Since it’s a collaboration, the way we work might be different and there could have been clashes. But in the end, we were very open and Charlie was very open with ideas too. We had a lot of freedom to express our opinions and tried a lot of things So, we balanced it out from the get-go; it was very smooth. And with all these ideas we get from each other, we developed the parts that we wanted to show each other and the parts that we wanted to get closer aligned and eventually finished off the project.
Changbin: I was just really thrilled. There’s the Charlie that I know on social media, on videos or YouTube or whatever, and I think it was he even more than what I’ve seen on YouTube or social media so it was really cool. It was cool. He’s so musically talented, and it’s something that I, myself, want to learn from and want to have in being so versatile when you’re making music.
What are your goals or hopes for this song?
Hyunjin: Since it’s a pop genre-type of song that we haven’t done before, I want to show that Stray Kids can do this kind of song — I want to show the world, STAYs, everyone that we can do music like this. We also have a performance as well, and I want everyone out there to see what kind of performance we’ve prepared this time.
Since it might be a sound people don’t expect from Stray Kids, how do you think about or hope to introduce something new to fans?
Felix: This whole pop genre is very different to us, but like what Chris hyung said, we’re able to record the song and the lyrics perfectly through our own feelings and our emotions, which means we’re really able to express what the song is. And because we’re all experienced in making music and just showing fans what our style is, I think fans will really enjoy “Lose My Breath” as it is.
Bang Chan: It might not seem like a Stray Kids song, but in the end, it is our voices, we did write the lyrics, the melodies and everything as well. But I don’t know what people will think! I hope they can get a hint of Stray Kids in the whole platter.
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I have a theory that “Lose My Breath” is the first taste or connection to the “special album” you teased at the top of the year…
Bang Chan: Um…I think of it as a side quest. “Lose My Breath” might just be a side quest…
I.N is smiling, though!
All: [Laugh]
Bang Chan: What I can say is: If there was a new album, um, it’s definitely, very new, very different yet very genuine and authentic. Because the messages that we want to say through music are all packed inside.
What’s the message you want to share when it comes to “Lose My Breath”?
Seungmin: We just want to appeal that we can, all of our members can sing the pop genre. From the moment we first began recording, everyone has been used to singing [in] like a really strong tone, but this time we try to, what the word in English? We tried to power down and compress — compressed into our natural voices. We tried to tone it down and record with a sound that naturally fit to the pop genre. I think that’s a big difference compared to the last album — I think that it will appeal to STAYs.
Bang Chan: It’s funny because I don’t usually get opportunities now to talk about what we did and everything, but definitely, with “Lose My Breath,” we did try a lot of different vocal techniques while we recorded the song. I hear that especially with Seungmin. Changbin as well. Everyone did their part so good.
Mr. Hilfger did share that you’re preparing a 40-date world tour. Can you share or confirm anything about the tour or preparations?
Bang Chan: He spoiled it on TV…and he spoiled it for us as well. [Laughs] I guess there would be a tour? But we’re still in the preparation process so we don’t know what’s what or don’t know how it’s gonna set out…
Seungmin: Lee Know wants to say something!
Lee Know: There are countries we haven’t been to yet and foods we want to eat while on the tour; touring means we can see a lot of STAYs. I think that’s what I’m looking forward to the most. It’s the chance to meet different STAYs in different parts of the world that is really important. But we haven’t started choreographing or developing the blueprints for the stage yet.
You’re in the moment with this single, but what’s coming up for Stray Kids in the immediate future? Or what message do you have for fans as you start this new chapter?
Bang Chan: [To their team member in the room] How much can we say?
Stray Kids team member: The less you talk, the better!
Stray Kids: [Laugh]
Bang Chan: Well, we don’t want to raise your expectations too much but when we head back [to Korea], it’s going to be late May. We’ve got some preparations for, well, let’s say, I guess a tour. If there’s an album, probably the album. Probably festivals. That’s is, you know, if. I don’t know if it’s true or not,
Han: There is nothing 100% real. We don’t know what’s happening.
Bang Chan: Lollapalooza is something that we’re really looking forward to. The one in Paris was amazing, there were a lot of people in the audience, and now we’re off to Chicago.
I.N: We want everyone to look forward to “Lose My Breath,” but there are a lot of things that are gonna come up and I hope you don’t get too surprised about the things that are going to come.
Joshua Bassett is going for gold. After years in the music industry, the 23-year-old singer-songwriter has finally announced that his debut studio album The Golden Years is arriving this summer. Sharing a teaser video for the project, Bassett simply wrote via Instagram on Friday (May 17), “THE ALBUM. THE GOLDEN YEARS. JULY 26.” In the […]
Mexican group Reik returned to their pop roots with Panorama, a 13-track album that honors their past while exploring more avant-garde compositions. It’s their first LP since 2009’s Ahora, but that album was mainly comprised of past hits with only a few new tracks.
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Released on May 10 under Sony Music Mexico, Panorama includes the previously debuted singles “Baja California,” “Abril,” “Gracias por Nada,” and “El Correcto” featuring Carin León, in addition to “Roomies,” “Te Odio,” “Vámonos a Mi Casa” with LAGOS, the album’s focus track “No Molestar” and its title track.
“I would say that we haven’t made an album like this since Des/Amor [in 2016], so it was super special. We genuinely felt like we had lost the muscle memory of how to make albums and how to work on them and release them,” says Reik’s vocalist, Jesús Navarro, to Billboard Español. “The first few weeks have been super overwhelming because at least I didn’t remember how much work it takes to try to release an album, but also promote it, add the finishing touches, and at the same time plan the tour, the music videos, the release, the promo… and it’s something we’ve done a thousand times before, just not all of them together in about 10 years.”
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After spending several years experimenting with Latin urban sounds, Reik, which also includes guitarists Julio Ramírez and Bibi Marín, teamed up with the MiSHNRZ, a duo of producers made up of Ismael Cano Jr. and Matthew Rey. “We put a lot of heart and also a lot of thought into it. We didn’t want to settle,” Ramírez says. “We really wanted to make this a very unique album.”
“I think it was very automatic,” adds Marín about their reunion to create a whole new album. “I think when it’s time to do something, you just do it… The gears of the machine were always well adjusted. Right now, we are very excited that everything is going, that we are in this new stage and we are happy.”
Reik spoke with Billboard Español on Thursday (May 16) from Houston, where they gave a concert as part of their Panorama 2024 U.S. Tour. Presented by Loud and Live, the 25-date tour began on May 11 in Orlando, Florida, and ends on June 10 in Seattle. (For more details, click here).
Below, Reik breaks down five essential songs from their album Panorama.
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“No Molestar”
Julio Ramírez: Now that I think about it, that was the easiest, oddly enough. It was super cool when this song was made, because the truth is that the album was mostly formed — I think we already had about nine songs or 10 — and we always wanted to keep everything in line with pop, to reclaim our sound… but change it a little so that it doesn’t seem like it’s the same from tracks 1 to 13.
And when “No Molestar” starts, wow! It happened that I was on the computer trying out sounds from the MiSHNRZ’s producer Ish (Ismael), and suddenly I said “That’s it!” They were the chords of the chorus, I remember. “TA ta ta.” So we immediately started humming the chorus and then we were like, “You know what? Let’s make a verse!” And we went to the first chords and we all got excited. For us it was a bit of a Bruno Mars vibe in the studio. We finished the lyrics and there is a video of everyone dancing, jumping, having an incredible time.
That feeling made us go like, “Wow, we got something special.” We always get emotional in the studio, but that song made us very emotional. And I love that we dared to include a super out-of-nowhere, French-ish arrangement at the end of the song; The Beatles’ “Michelle” was the inspiration. It was a treat for us, too.
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“Panorama”
Bibi Marín: “Panorama” was, according to me, the first song that came out of this new stage, of these new experiments that we were doing. And when I say experiments, I mean that it was a very consciously decisive moment, where we started looking for the new pop sound for Reik. It was already very clear to us that we didn’t want to continue experimenting with urban… so we said, “OK, pop, but how?” Because we don’t want to sound like we’re going to release an album that could well have come out in 2004 or 2005.
So it was the first time we got together with the MiSHNRZ, who wrote almost the entire album, produced almost the entire album, in short. We got together and the first experiment that came out was “Panorama” — so for everyone, it was very refreshing and very inspiring. It was a new, fresh sound, it was somewhat challenging, but at the same time it made us feel that we were going in a very good direction. Even though it was a somewhat “rare” song for Reik, it was still a very pop sound. So much so that it even gave the album its title, and it marked a little bit the direction in which we began to move musically.
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“Ojos Papel” (feat. Leo Rizzi)
Jesús Navarro: “Ojos papel” is a super special song to me. I believe Leo is one of the most special singers that we’ve heard in the new music scene in Spanish, and we are very aware of his existence. We had already made a track together on one of his albums — but it was a little strange because we were just out of the pandemic, and it was still difficult to travel, so we made this track and released it without having ever met in person. We just met at the [2023] Latin Grammys in Seville and we gave each other a very long hug, with a lot of emotion.
Only recently, when he was in Mexico City a few months ago, we got together to write with him, and this wonderful song came out. I think Julio hit the mark at the beginning of the session when he spoke with the entire team and they sort of agreed to let Leo take the lead in the session a little, so that we could get a song that was ours, but at the same time not characteristic, not what you would expect. I think the goal was achieved.
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“Roomies”
Bibi Marín: I’m going to say “Roomies,” because apart from the fact that it’s a song that I love, I think it’s the song that pays the most tribute and reference to our origins in two senses: One, musically, in terms that it is a super light, good-vibe pop song; [and two] like literally at the end of the song, the outro is the introduction of “Qué Vida la Mía” [from 2005]. The idea not only of the song, but of the entire album and of this stage, is yes, to make the statement that we are returning to our roots — to a super-pop pop — and what better way than using a little piece of one of our first songs. I think this song covers a lot of space there.
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“Baja California”
Julio Ramírez: “Baja California” is a spectacular song to me. It became so important that we opened the album with that song, and we also open the Panorama Tour show with that song. We find the video spectacular. It was really nice to go back to where we grew up, to make the video with Ry [Shorosky], who is a really impressive director from Utah. It turned out beautiful, the vibe is incredible. And I think it was super cool to make this track — I’m going to talk about it on an author’s level — trying to make a pop that’s much cooler, much more daring.
I mean, in my eyes, the approach was how we would sound with a kind of The Weeknd or Harry Styles vibe, but with our own handwriting — and “Baja California” came out. I don’t know, I love that song, I love that we’re mentioning Baja, we’re mentioning Rosarito, but putting it in the context of a love story. I think it’s super cool. I hope people like it. It sets the mood for the whole album.
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With her latest deluxe edition of The Tortured Poets Department, Taylor Swift — aka the Chairman — is showing fans what some of the album’s songs sounded like before they left her desk. The pop star unveiled three limited versions of her new album Thursday (May 16), featuring three first draft voice memos of “The […]
Even with trees abloom and spring having sprung, Noah Kahan’s “Stick Season” ascends to No. 1 on Billboard’s Adult Pop Airplay chart (dated May 25).
The track marks the Strafford, Vt., native’s first leader on the survey – after it first reached a No. 2 peak on the Adult Alternative Airplay chart in November 2022 (two stick seasons ago). Kahan boasts two No. 1s on that tally: “Dial Drunk” for two weeks in September 2023, and “Northern Attitude,” with Hozier, for five weeks this January-February.
Also among his radio chart No. 1s, Kahan topped Alternative Airplay for two weeks last September with “Dial Drunk,” as remixed with Post Malone.
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This February, “Stick Season” became Kahan’s first Billboard Hot 100 top 10, rising to a No. 9 best in April. (He first hit the chart last June with “Dial Drunk,” which climbed to No. 25 in August.)
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The new leader’s parent album of the same name, on Mercury/Republic Records, has maintained a steady presence on the Billboard 200 albums chart, boosted by multiple extended editions. It debuted at No. 14 in October 2022 and hit a No. 2 high this March. It has spent the past 19 weeks in the top 10, dating to the survey dated Jan. 13. To date, the set has earned 2.3 million equivalent album units in the U.S., according to Luminate.
“It’s been an unbelievable year-and-a-half now … a whirlwind of attention and wonderful outpouring of love from fans,” Kahan told Billboard in September. Of crafting Stick Season through the COVID-19 pandemic, he said, “There was a feeling in the studio of, like, ‘Woah, this is something special.’ I felt so creatively in control … and I think, at the time, I couldn’t see that as a sign of success or relatability. It just felt so right for me that I was fine with whatever happened.”
All Billboard charts dated May 25 will update Tuesday, May 21, on Billboard.com.
A slew of new music releases hit streaming services right on schedule Friday (May 17), from fresh pop albums to standout rap and country singles. Arguably the most highly anticipated project to arrive this week, however, is Billie Eilish’s third studio album Hit Me Hard and Soft, a 10-track follow-up to 2021’s Happier Than Ever […]
Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” lifts to No. 1 on Billboard’s Pop Airplay chart (dated May 25). With the track, from Grande’s Republic Records album Eternal Sunshine, she notches her 10th Pop Airplay leader, becoming the sixth act to amass a double-digit total. Taylor Swift boasts a record 13 No. […]
Just 12 hours after dropping her third studio album, Hit Me Hard and Soft, at midnight Friday (May 17), Billie Eilish has unveiled the project’s first music video: a flirty, ’90s-inspired visual for the song “Lunch.” Filmed with an overexposed, grainy filter, the ’90s-inspired video finds the 22-year-old pop star singing along as she models […]
With just a week to go before BTS‘ RM releases his second solo album, Right Place, Wrong Person, on Friday (May 17) the singer finally revealed the full track list for the 11-song LP. The album (out May 24) described in a release as a collection of “alternative genre-based tracks… that reflect a raw and […]
A24’s full compilation album Everyone’s Getting Involved: A Tribute To Talking Heads’ Stop Making Sense has finally arrived, featuring new covers of the quintessential rock band’s music by Miley Cyrus and more artists. The “Flowers” singer contributed a rendition of Talking Heads’ 1977 hit “Psycho Killer” to the project, which dropped Friday (May 17). Singing […]