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For the past decade, Maren Morris has been one of the most recognizable names in country music — with award-winning albums, a really striking voice and presence and some of the best and biggest singles the genre has produced in recent years. And over that time, she’s also made high-profile forays into the top 40 […]

By now you’re certainly seen video of the nightly ritual at Sabrina Carpenter shows on the singer’s Short n’ Sweet tour where she “arrests” someone from the audience. Back in March, during a stop at the O2 Arena in London, she once again looked around for a guest that was “too hot” in order to […]

There were the usual allotment of eye-popping fashion whoas and uh-ohs at this year’s Met Gala. And while fans and the media love to obsess over who wore what and how, sometimes A-listers who didn’t even go get drawn into the conversation. Take, for instance, Billie Eilish. While it certainly seemed like she dove into […]

Celine Dion went back to the start on Tuesday (May 13). The singer sent a surprise video to the 2025 Eurovision Song Contest expressing her gratitude and love for the singers, organizers and viewers during the first semi-final round.
“Dear Eurovision family and contestants. I’d love nothing more than to be with you in Basel right now. Switzerland will forever hold a special place in my heart. It’s a country that believed in me and gave me the chance to be part of something so extraordinary,” Dion, 57, said in the video that was broadcast on a big screen on the main stage on Tuesday night.

“Winning the Eurovision song contest for Switzerland in 1988 was a life-changing moment for me and I’m so thankful for everyone who supported me,” she continued. “Now, 37 years later, it’s so beautiful and emotional to see Switzerland winning and hosting this incredible event once again. To the people of Switzerland, thank you for your love. This night is yours and I hope you feel as proud as I do.”

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Before she became a global phenomenon, Dion won the Eurovision Contest representing Switzerland in 1988 with the song “Ne partez pas sans moi.” Dion, who had already released more than half a dozen French-language albums at that point, issued her first English-language LP, Unison, two years later, in 1990.

Her message also included a French-language portion in which she said, “Music unites us, not only this evening, not only at the moment. Wonderful. It is our strength, our support and our support in the moments where we need it. I love you all, Europe and the rest of the world, of course. Kisses, I love you.”

Among the acts who made it through during Tuesday’s cut-down round are Norway’s Kyle Alessandro, Albania’s Shkodra Elektronike, Sweden’s KAJ, Iceland’s VÆB, the Netherlands’ Claude, Poland’s Justyna Steczkowska, San Marino’s Gabry Ponte, Estonia’s Tommy Cash, Portugal’s NAPA and Ukraine’s Ziferblat, with Azerbaijan, Belgium, Cyprus, Croatia and Slovenia getting eliminated. The next semi-final round will take place on Thursday (May 15) and feature performances from Armenia, Australia, Austria, Czechia, Denmark, Finland, Georgia, Greece, Ireland, Israel, Latvia, Lithuania, Luxembourg, Malta, Montenegro, Serbia, and the United Kingdom, with the top 10 advancing to the Grand Final.

According to CNN, after the Dion message aired a number of singers from last year’s contest performed a cover of the diva’s winning song from 1988.

The video from Dion was her latest appearance in the wake of a long lay-off due to the singer’s battle with the rare neurological disorder Stiff-Person Syndrome, which caused her to call off all live dates and resulted in a retreat from the spotlight for nearly two years as she battled the debilitating effects of the disorder. She made her triumphant return to the spotlight last summer when she performed at the opening ceremony of the Summer Olympics.

Check out Dion’s message below.

Jin is heading back to The Tonight Show Starring Jimmy Fallon, Billboard can exclusively reveal. Just over half a year after he made his solo debut on the late-night show, the BTS singer will make his way back to 30 Rock a week from today — on Wednesday, May 21 — to perform on the […]

The Voice Season 27 is officially down to five finalists, but not before one of its most emotionally charged moments yet, a last-chance performance from Team Bublé’s Adam David, who took on Teddy Swims’ chart-topping hit “Lose Control” during Monday night’s (May 13) Instant Save round.

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Originally released in June 2023, “Lose Control” marked Swims’ breakthrough moment, becoming his first entry on the Billboard Hot 100. The single debuted at No. 99 and made a historic 32-week climb to No. 1 in March 2024, the longest consecutive rise to the top in the chart’s history. It went on to spend a record-breaking 60 non-consecutive weeks in the Hot 100’s top 10 and was named the No. 1 song on Billboard’s Year-End Hot 100 Songs chart for 2024.

Covering such a chart-dominating hit wasn’t a small feat, but David delivered. His rendition showcased vulnerability and vocal control and secured him the final spot in next week’s finale.

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The Voice Season 27 finale lineup is officially set, with the Top 5 finalists including RENZO (Team Legend), Lucia Flores-Wiseman (Team Adam), Jadyn Cree (Team Bublé), Jaelen Johnston (Team Kelsea), and Adam David (Team Bublé), who clinched the final spot via Instant Save.

The remaining contestants were eliminated following the live vote and Instant Save round: Conor James (Team Adam), Alanna Lynise (Team Kelsea), Kolby Kordell (Team Adam), Kaiya Hamilton (Team Bublé), Olivia Kuper Harris (Team Legend), Iris Herrera (Team Kelsea), and Bryson Battle (Team Legend).

It was an emotional night for all four coaches as they said goodbye to team members, including John Legend, who lost standout vocalist Bryson Battle in the Instant Save round.

“I find it difficult to even talk about this because I did not think you would be in this position today,” Legend told him. “You have given us performances that said you should be in the finale of this show. You gave us one yesterday, you gave us one just now on this stage, and you continue to be the epitome of what this show is all about.”

The Voice Season 27 live finale airs Monday, May 20 on NBC.

BOYNEXTDOOR returned this week with their fourth EP, No Genre, and they’re back to “breaking out of the mold.”
The six-member K-pop boy band — SUNGHO, RIWOO, JAEHYUN, TAESAN, LEEHAN and WOONHAK — debuted in 2023 and has always prioritized being hands-on with their work. This time around, JAEHYUN, TAESAN and WOONHAK are all credited throughout the EP’s track list as songwriters. Following the release of “If I Say, I Love You” in January, the full seven-track No Genre project arrived on Tuesday (May 13) in South Korea along with lead single “I Feel Good” and its music video.

Billboard caught up with the group during release week to talk about the just-released project, working on their music, and what to expect from their debut performance at Lollapalooza, going down July 31-Aug. 3 at Chicago’s Grant Park. Check out our conversation below, and stick with @Billboard socials for more from the septet coming throughout this summer.

What does the title of your fourth EP, No Genre, mean to you?

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LEEHAN: To us, “No Genre” means breaking out of the mold. We’re a group that genuinely loves all kinds of music, and rather than confining ourselves to a single style, we wanted this album to reflect our openness and freedom. By being directly involved in the creative process, we were able to tell fresher and more exciting stories in our own way.

Why is it important to BOYNEXTDOOR to have the group members so involved in writing and producing your music?

TAESAN: It allows us to fully express what we want to say through our music. Writing and producing our own songs lets us tell our own stories in a way that feels real and personal.

WOONHAK: We believe our music is only complete when it reflects our own emotions and real-life experiences. By taking part in the songwriting process, we’re able to deliver honest and relatable stories in our own voice. I feel like that’s what makes our songs feel instinctive and unfiltered.

What are you planning for your first performance at Lollapalooza later this summer?

JAEHYUN: We’re working hard to make our stage feel more interactive and alive. We’ve been studying English to better communicate with the audience, and we’re also trying out new ideas to make our performance even more engaging.

RIWOO: Since Lollapalooza brings together a wide audience of people who love music and the festival experience, we’re preparing a performance that anyone can enjoy.

What did you learn from your KCON LA performances last year that you’ll bring to your Lollapalooza set?

SUNGHO: At KCON LA, we learned how important it is to create a stage where everyone feels like part of the moment. For Lollapalooza, we want to bring that same energy, where everyone can let loose and have fun with us. Since it’s our first time at Lollapalooza, we want to leave a strong impression and make sure people remember the name BOYNEXTDOOR.

Yuval Raphael knows she has her work cut out for her. Israel’s entry into the 2025 Eurovision Song Contest is slated to take the stage on for Thursday’s (May 15) second semi-final round amid tensions around the country’s participation in the global singing competition in the midst of its ongoing war in Gaza.
The 24-year-old tells Billboard she’s ready for whatever comes her way: “Every one of us is experiencing difficult times and none of us are immune to it.”

Raphael is a survivor of the Oct. 7, 2023 Nova Festival massacre in Israel, which was part of a surprise attack in which Hamas raiders murdered more than 1,200 Israelis and kidnapped 250 men, women and children in an assault that set off the now year-and-a-half-long war between Israel and the militant group. (Before talking with Billboard, per competition rules, Raphael’s team stressed that the singer could not answer questions about her escape from the Nova massacre or comment on the war in any fashion.)

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The singer won her spot at Eurovision by coming out on top in Israeli reality talent show Hakohav Haba (Rising Star); her uplifting anthem, “New Day Will Rise,” is her first professional effort after a lifetime of singing in her bedroom. “In my heart I knew that it was going to happen and I used to imagine big stages… but now, doing it professionally feels like a dream come true,” she tells Billboard in a WhatsApp chat.

She sings the song in French, Hebrew and English, the latter because, she says, English is an international language she thinks will help audiences connect with the lyric. “I wanted the message to be out there and understood,” she says of the soaring track on which she sings, “New day will rise, life will go on/ Everyone cries, don’t cry alone/ Darkness will fade, all the pain will go by/ But we will stay, even if you say goodbye.”

Looking for a spot in Saturday’s (May 17) finale, Raphael says the song’s strong message of hope will connect with audiences, pointing to the chorus line about crying as the key to its emotional punch. “Crying is not a bad thing, it’s a way of expressing your emotions and letting everything out instead of keeping it inside,” she says. “And crying with someone else or someone that relates to your grief is something that is so healing… hopefully they’ll take the message of embracing each other and bringing hope to each other.”

As with many Eurovision entries, “New Day Will Rise” is full of uplifting lyrics, soaring emotion and a broad message. Raphael will deliver it from inside a huge silver spiral staircase structure on a massive set featuring video of a cascading waterfall (which is on the somewhat subtle side for the show’s typically way over-the-top production).

British author Chris West, who wrote the 2017 book Eurovision! A History of Modern Europe Through the World Greatest Song Contest — which looked at the sometimes wacky song contest’s intersection with political, cultural and social movements over the past sixty-plus years — tells Billboard that despite event organizer European Broadcasting Union’s insistence that the event remain non-political, it’s inevitable that world events get reflected in its mirror-ball gaze.

“Eurovision makes a big thing about it not being political,” he says, not surprised that the Israeli delegation is sensitive to any hint of mixing events on the ground in the ongoing war against Hamas in Gaza with Raphael’s performance. He notes that in 2022 audiences were clearly behind Ukrainian group Kulash’s Orchestra’s run to the top with the song “Stefania” just weeks after Russia launched its unprovoked war on the nation. In 2024, there were also calls for a boycott of Eurovision over the inclusion of an Israeli singer.

Last week, more than 70 former Eurovision contestants signed a petition once again calling on organizers to ban Israel from the competition. West says there is a history of current events impacting Eurovision. In 2021, Belarus was suspended after their song “Ya nauchu teya,” as well as a replacement track, were deemed to have violated the contest’s rules about political messages; in 2022, Russia was denied entry over its invasion of Ukraine.

Last year’s entry from Israel, Eden Golan — who had to change her song title from “October Rain” to “Hurricane” after complaints that it was viewed as a thinly veiled message about the Gaza war — said she received death threats and was booed when she sang. That reaction is something Raphael has said she expects to hear when she sings on Thursday in Switzerland, where she lived for several years as a child.

“It’s pretty unusual to be booed,” West says, adding that it did happen in 2014 when Russia’s entry, the Tolmachevy Sisters, were hit with boos during the semi-finals, seemingly in response to Russia’s invasion of Crimea that year. “It’s always been political in my view, but probably getting more political as its profile rises,” he says. “In Europe, the perception of Eurovision as a joke is over, and people take it more seriously — and as it is taken more seriously, the political aspects will matter more.”

Though she’s barred from discussing it, Raphael’s story is one of the most unusual in Eurovision history. She was nearly killed when Hamas gunmen stormed into Israel on Oct. 7 while she was attending her first outdoor rave. The singer and her friends sprinted to a bomb shelter, with nearly 50 people trying to cram into the small concrete bunker as assailants fired gunshots and lobbed grenades at them.

An Israeli documentary about the mass killing featured a recording of Raphael calling her father in a panic, asking him for help as he counseled her to “play dead.” The tactic allowed her to be one of fewer than a dozen survivors in the shelter, as she hid under a pile of bodies for nearly eight hours until her rescue — on a day when nearly 400 other Nova attendees were killed.

A student of past Israeli Eurovision singers such as 2015 entry Nadav Guedj (“Golden Boy”), as well as 2018’s winning artist, Netta (“Toy”), and 2023’s Noa Kirel (“Unicorn”), Raphael says she reached out to Golan for advice on how to deal with the agita surrounding her participation and the expected push-back from protesters.

“I think the best way of dealing with all the noises is reminding yourself that there is a sole purpose to this contest, which is to bring honor to your country and give a good and honorable performance,” she says — noting that her mother, her biggest supporter, is always by her side. She’s already encountered some of that resistance when demonstrators shouted at her and flew Palestinian flags during Sunday’s turquoise carpet event in Basel, Switzerland, where this year’s edition is being held.

“This competition has such an amazing slogan, ‘United By Music,’” she says. And though she’s not allowed to reference her dramatic backstory, Raphael thinks the song does it for her. “That is the beauty in music: Anyone can take it to their heart and relate to it in your way,” she says. “My song has such a strong message, and hopefully it will [reach as many people as possible] — so I’m very, very excited to be sending that message all over the world.”

At the end of the interview, dropping her on-message mode briefly, Raphael has a final message she feels compelled to share — just hours before the last known living American hostage, Edan Alexander, was reunited with his family after more than 18 months in captivity.

“The hostages should have been home a very long time ago — and hopefully until we’re back, everyone will be home,” she says, in reference to the approximately 58 Israeli hostages that are still in Gaza as the competition kicks off in earnest.

There will be 37 countries participating in this year’s competition, which you can stream on Peacock beginning with Tuesday’s (May 13) first semi-final at 3 p.m. ET. The Grand Final will air on Saturday (May 17) beginning at 3 p.m. ET.

Listen to “New Day Will Rise” below.

Something fortuitous happened for Role Model during the second North American stop of his No Place Like Tour live run on Feb. 27. Jake Shane happened to be in Dallas at the same time — and with some last-minute coordination, the influencer ended up onstage with the singer for “Sally, When the Wine Runs Out.”
“People loved it — like, lost it,” recalls Role Model, chatting while still on the road. “We were like, ‘Why not do this every night? We don’t need a cameo. It will be fun to do a Justin Bieber “One Less Lonely Girl”-type of moment.’ ”

Throughout the tour, Role Model has welcomed one lucky fan onstage to dance around with the artist during the bridge of the sun-kissed pop-rock song. At one of two sold-out shows at Los Angeles’ The Wiltern in April, he welcomed friend Reneé Rapp to play the part.

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Later that month, when the 27-year-old made his late-night television debut on The Tonight Show Starring Jimmy Fallon, he scored an appearance from Bowen Yang for the role. The stunt resulted in viral social media moments, with the unintentional strategy helping sustain the song.

“Sally, When the Wine Runs Out” arrived on Feb. 14 as part of the deluxe edition of Role Model’s second album, Kansas Anymore. (As was much of the album, the song was co-written with close collaborator Noah Conrad, alongside Annika Bennett and Harrison Whitford.) The deluxe, titled Kansas Anymore (The Longest Goodbye), featured four new tracks — but “Sally” emerged early on as “something we could jump off of,” says Sam Riback, Interscope Geffen A&M co-president and head of pop/rock A&R. “We were like, ‘Here we go.’ ”

By early May, Role Model made his Billboard airplay debut when “Sally” entered at No. 36 on the Alternative Airplay chart. The song also cracked the top 20 on Hot Rock & Alternative Songs and reached a No. 12 high on Hot Alternative Songs.

Riback first heard of Role Model, born Tucker Pillsbury, in 2018; at the time, Benny Blanco had an imprint with the label called Friends Keep Secrets, and one of its employees tipped Riback off to the then-unknown artist from Cape Elizabeth, Maine making music in his college dorm room. “I heard this demo, which we inevitably put out, of a song called ‘Minimal,’ ” recalls Riback. “It just immediately captivated me,” he says of the stripped-down, hip-hop inspired indie track. Later that year, Role Model signed to Interscope Records. (He signed with Best Friends Music for management in 2020, though parted ways with the firm this April).

Four years after signing, Role Model released his debut album, Rx, in 2022, where he showcased an edgier look and more alternative sound. But Kansas Anymore took a turn towards softer, more Americana-inspired indie-pop and highlighted his sensibilities as a songwriter.

“People who have been listening to me since 2017 have gotten to watch me slowly figure out music,” he says. “When I put out [‘Minimal’], that was really the first song I had made. I didn’t know what I was doing. So I feel like, truly, I did not find my sound until Kansas Anymore. It’s something I’m proud of and it feels like the most genuine thing I’ve made, ever.”

After the album arrived last July, Role Model was eager to stay in the sonic world he had built. While writing the album, he had two “rough ideas that were not fleshed out” but fit into the same universe. So he saved them (they ultimately became “Old Recliners” and “Some Protector”). But as he toyed with the idea of a deluxe, he knew he would need more: “I don’t wanna half-ass it,” he remembers thinking. Weeks after its release, he started writing again, and out came “Longest Goodbye” and “Sally,” the latter of which he calls “a new ending to the chapter…I think that this song felt like a breath of fresh air in that way of, ‘Oh, there’s somewhat of a positive spin here.’ ”

The most fun-loving song to come from the Kansas Anymore chapter, Role Model says “Sally” is “based off some truth,” with the song detailing his re-entry into the dating pool. “Lyrically, it was me being hesitant and doubtful,” he says, “not being sold on someone.”

Role Model

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Role Model teased the track in the days leading to its release, and when he kicked off his No Place Like Tour dates in New Zealand/Australia in early February, added it to his set. “The very first time I did it, people were singing the words. It got louder and louder every show,” he says. “It was the bridge specifically, but it felt like a big moment in the set and the song wasn’t out yet. And that’s when I started to be like, ‘Oh, maybe this is bigger than I can imagine.’ ”

“[‘Sally’ is] an entryway for all these people to see what Tucker’s been building so sturdily over the past seven years,” says Riback. “He hasn’t skipped any steps and he has meticulously put together a fan base that I think is so onboard and along for the ride, wherever this goes next.”

In terms of the next onstage Sally, Role Model has his eyes on Kacey Musgraves, teasing that they’re on a few of the same festival lineups this summer, including Iowa’s Hinterland and Aspen’s Up In the Sky, both scheduled for August. “There’s gotta be some strings we can pull,” he says with a laugh. Riback adds: “We are always planting seeds and hoping things bloom into what we would like them to bloom into.”

In between legs of his tour, he’s also been writing a bit: “I finally had some days to lock myself in the studio again,” he says, “which was incredible and inspiring in itself.” But, much like his career, Role Model is not rushing a thing, calling his rise “a very slow incline — with bumps, of course.” He admires the way his tourmate Gracie Abrams, for whom he’s opened, has navigated her own career, saying she is “an amazing example…I feel like she has just skyrocketed and has handled it incredibly.

“It’s always scared me, the idea of a moment and a giant peak in a career, because it’s the hardest thing to keep up with,” he continues. “And I think oftentimes, you see it go away. So I’m trying not to live in it, but at the same time, I’m doing everything in my power to make sure it does stick around.”

This story appears in the May 17, 2025, issue of Billboard.

Kelly Clarkson has a simple message to her human resources department: she’s happier than ever and quit telling her to shut up about it. According to People, during her show at Hard Rock Live at Etess Arena in Atlantic City, NJ on Saturday (May 10), the singer took a moment during the gig to chat with an audience member who praised her “sexy” appearance.

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Clarkson, 43, said she appreciated the compliment, but noted that she has had a hard time complimenting other people’s looks on the set of her eponymous NBC daytime talk show because HR keeps telling her it’s not appropriate.

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“Every time I go to an HR meeting, I’m like, ‘How have I not been fired?’ I grew up on the road at 19 years old, you know what I’m saying? I’m like, ‘Oh, that is inappropriate. I would never,’” she said of the conversations. Last May on her show, Clarkson and Whoopi Goldberg bonded over their use of the prescription medication Ozempic for weight loss, with Kelly saying she’s lost a “lot” of weight on the drug.

“But they also say you’re not allowed to say someone looks attractive, and I say f–k that,” Clarkson told the crowd. “Because some of those b–ches are out here working, and we’re trying, and I want every motherf–ker that passes me to go, ‘Damn. Well done.’” To be fair, Clarkson added, she doesn’t think there is anything wrong with anyone’s bodies, whatever shape, telling her fans that she felt “very confident” at her previous weight.

“I felt fine both ways, but I’m just saying it’s a lot more fun with clothes now. And I’ve been working on it,” she said. According to People, she thanked the fan for the compliment and quipped that she will “not be calling HR” about their interaction. “It is not a joke. I know HR is not a joke, but it is really funny some of the things they talk about,” she said. “And we’re like, ‘Oh no. We would never.’”

The Saturday show was one of two she played in Atlantic City, where, during the Friday night gig she lamented to the audience that she is bummed she can’t tour like she used to due to the schedule of her TV show. “We haven’t done a show in a while, y’all, ’cause I have a talk show. It’s like a whole other job,” said Clarkson, who has not mounted a full tour since 2019. “We are bummed ’cause we love doing shows, and it’s hard to fit it in, so it’s cool when it does work out with the schedule. And it’s cool to get to see your faces and feed off y’all. Thank you so much for having so much energy.”