Official Charts Company
Page: 5
Doja Cat completes a fourth consecutive week at No. 1 in the U.K. with “Paint the Town Red” (via Ministry of Sound).
The U.S. star’s hit is, once again, the most-streamed single in the U.K. with more than 6 million plays over the past seven-day cycle, the Official Charts Company reports.
The leader at the midweek stage, “Paint the Town Red” holds-off a fast-rising Kenya Grace, whose “Strangers” (FFRR) lifts 3-2, for a new peak.
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Also on the jump is Cassö, RAYE and D-Block Europe’s “Prada” (Ministry of Sound), up 4-3 for a new high.
Canadian singer and songwriter Tate McRae’s break-up anthem “Greedy” (Ministry of Sound) lifts 8-5 for a new peak position – giving venerated British dance label Ministry of Sound three of the top 5 singles. “Greedy” is closing in of McRae’s career best chart performance in the U.K., which she set in 2020 with “You Broke Me First,” which reached No. 3.
The top new entry on the latest chart, published Friday, Sept. 29, belongs to Nines as “Daily Duppy” (Zino) starts at No. 20. That’s the London rapper’s fifth top 40 entry.
Close behind is Tom Odell’s “Black Friday” (Urok) new at No. 21, for the British singer and songwriter’s fourth U.K. top 40 single.
Meanwhile, reunited pop-punk veterans Blink-182 land a 12th U.K. top 40 single with “One More Time” (Columbia), the title track from their forthcoming album. It’s new at No. 28 for the trio’s highest-charting U.K. single 2004’s “Down” hit No. 24. ONE MORE TIME is due out on Oct. 20 via Columbia Records.
Finally, Doja Cat’s Scarlet album cut “Agora Hills” bows at No. 29, while two tracks from Headie One and K-Trap impact the top 40. “Triple Threat” with Clavish debuts at No. 31, while “Park Chinois” improves 50-39. Both titles appear on the British hip-hop acts’ U.K. top 10 collaborative mixtape Strength To Strength.
Olivia Rodrigo is crowned on the U.K. albums chart as Guts (Geffen) flies to No. 1.
At the midweek point, Guts had what appeared to be an unassailable lead, capturing 33,000 combined sales. That proved to be the case when the Official U.K. Albums Chart was published late Friday, Sept. 15, with Guts cruising to the top with 60,300 chart units, the Official Charts Company reports. Not only was Guts the best-selling and most-streamed album of the latest chart cycle, it outsold the rest of the top 10 combined for the biggest first-week tally for any LP in 2023.
Rodrigo is now a perfect two-from-two. Her debut from 2021, Sour, spent five weeks at the summit and racked up a handful of U.K. chart records. When Sour and “Good 4 U” reached No. 1 in the same week in May 2021, Rodrigo became the youngest solo artist in history to nab the chart double, aged 18 years and 3 months.Also, Sour set a benchmark for the most first-week streams for a debut album in the U.K. Then, in June 2021, the U.S. pop singer became the first female solo artist to claim three simultaneous U.K. top 5 singles with “Good 4 U,” “Déjà vu” and “Traitor.” With three No. 1s, she’s the female solo artist with the most U.K. No. 1 singles this decade.As Guts completes its sprint to the top, Sour enjoys a return to the top 10. Rodrigo’s debut effort rises 18-8 in its 121st week on the tally. Guts separately reigns over the Billboard 200, and the ARIA Albums Chart.Unchanged at No. 2 on the latest U.K. survey is Travis Scott’s former leader Utopia (RCA), while English indie rockers the Coral enter at No. 3 with Sea of Mirrors (Modern Sky/Run On), for their seventh top 10 appearance. The Wirral indie band also appears further down the list with accompanying album Holy Joe’s Coral Island Medicine Show, new at No. 36.Former Moloko singer Roisin Murphy enjoys her first solo top 10 appearance with Hit Parade (Ninja Tune), new at No. 5; veteran electronic pair the Chemical Brothers land a tenth U.K. top 10 with For That Beautiful Feeling (EMI), new at No. 6; and M Huncho’s My Neighbours Don’t Know (MYB) starts at No. 9, for the masked U.K. rapper’s fourth top 10.Outside the top tier are new releases from the xx vocalist Romy (Mid Air at No. 15 via Young), Public Service Broadcasting (This New Noise at No. 28 via Test Card), Fleetwood Mac (Rumours Live at No. 34 via Rhino) and Yussef Dayes (Black Classical Music at No. 37 via Brownswood Recordings).
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Royal Blood reigns over the U.K. albums chart as Back to the Water Below (Warner Record) enters at No. 1.
The leader at the midweek stage, when it held an imposing 2-to-1 advantage over its nearest rival, Back to the Water Below keeps the duo’s perfect U.K. chart streak alive.
The Worthing, England formed rock act, comprising Mike Kerr and Ben Thatcher, now boast four consecutive No. 1 studio albums, starting with their eponymously-titled debut from 2014, 2017’s How Did We Get So Dark and 2021’s Typhoons.
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Back to the Water Below was the week’s best-seller on vinyl, with physical sales accounting for over 85% of the first week total, the Official Charts Company reports.
Completing the top three this week is Travis Scott’s former leader Utopia (RCA), up 5-2, while the 1975’s self-titled debut LP (via Dirty Hit/Polydor) rebounds to No. 3, thanks to the release of a 10th anniversary edition, issued in multiple formats.
Burna Boy’s history-setting new album I Told Them… (via Atlantic) continues to perform well in its second week, dipping 1-4. The Nigeria-born artist (real name: Damini Ebunoluwa Ogulu) is a stadium headliner in the U.K. With I Told Them…, he made history as the first international Afrobeats artist to snag a U.K. No. 1 album.
British shoegaze veterans Slowdive enjoy a career-high and first-ever top 10 appearance with Everything Alive (Dead Oceans). It’s new at No. 6 on the Official U.K. Albums Chart, published Friday, Sept. 8.
Prior to Everything Alive, the Reading, England-raised band impacted the top 40 on two occasions, with 1991’s Just for a Day (No. 32) and their 2017 comeback effort Slowdive (No. 17).
Finally, Icelandic post-rock band Sigur Rós bags a sixth top 40 LP with Átta (BMG). It’s new at No. 30, following its release on physical formats. Átta is the group’s eighth studio album, and first in 10 years.
Olivia Rodrigo’s “Vampire” (via Geffen) hasn’t lost any of its bite. The U.S. pop phenomenon’s GUTS-era hit finds new wings as it lifts 3-1 on the latest U.K. chart, published Friday, Sept. 1.
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That’s the first stint at the summit for “Vampire,” which previously peaked out at No. 2. And it gets there in its ninth week on the tally.
With its latest flight, “Vampire” gives Rodrigo a trio of U.K. No. 1s, following “drivers license” and “good 4 u,” which both summited in 2021.
Rodrigo is now the female solo artist with the most U.K. No. 1 singles this decade, the Official Charts Company reports.
Since bursting onto the scene with her debut album SOUR and its singles, Rodrigo has set a handful of U.K. chart records. When SOUR and “Good 4 U reached No. 1 in the same week in May 2021, she became the youngest solo artist in history to nab the chart double, at 18 years and 3 months.SOUR also set a U.K. benchmark for the most first-week streams for a debut album. The following month, in June 2021, Rodrigo became the first female solo artist to claim three simultaneous U.K. top 5 singles with “Good 4 U,” “Déjà vu” and “Traitor.”
“Vampire” bumps Doja Cat’s “Paint The Town Red” (Ministry of Sound), which had led at the midweek stage and finishes the chart cycle up 4-2, for a new peak position.
It’s another “Girl Powered” Official U.K. Singles Chart, as solo female artists dominate positions 1-5.
The top debut on the survey this week belongs to Miley Cyrus, whose ballad “Used To Be Young” (Columbia) bows at No. 12 for the U.S. pop star’s 23rd top 40.
Also making its mark for the first time is “Cheat On Me,” taken from Afrobeats star Burna Boy’s U.K. No. 1 album I Told Them… “Cheat On Me” (Atlantic) is new at No. 19, with another album cut, “City Boys” opening its account at No. 31. The Nigeria-born artist now boasts 12 U.K. top 40 singles.
Finally, Selena Gomez grabs her 20th U.K. top 40 appearance with “Single Soon” (Interscope), a new entry at No. 21.
Liam Gallagher is king of the U.K. Albums Chart with Knebworth 22 (via Warner Records).
Recorded live last year at the scene of one of Oasis’s most iconic events, Knebworth 22 keeps the streak alive for Gallagher, who now boasts five solo chart leaders, including As You Were (2017), Why Me? Why Not (2019), MTV Unplugged (2020) and C’mon You Know (2022).
As a member of Oasis, Gallagher claimed eight No. 1s, including all seven of the Britpop legends’ studio albums. Gallagher’s post-Oasis project Beady Eye released two albums, 2011’s Different Gear, Still Speeding (peaking at No. 3) and 2013’s BE (No. 2).
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By securing top spot on the Official U.K. Albums Chart, published Aug. 18, Liam goes one better than his brother Noel Gallagher, whose own post-Oasis career has yielded four No. 1s and a narrow miss with Council Skies, which came in at No. 2 on the national chart earlier in the year behind Foo Fighters’ But Here We Are.
The leader at the halfway mark, Knebworth 22 is the biggest selling album of the week on vinyl and downloads, according to the Official Charts Company.
Coming in at No. 2 on the national chart is the Hives’ sixth album The Death of Randy Fitzsimmons (Disques Hives). That’s the Swedish rockers’ highest charting LP in the U.K., besting the No. 7 for their 2002 collection Your New Favourite Band, released through Alan McGee’s Poptones label, and its followup from 2004, Tyrannosaurus Hives (Polydor).
Completing an all-new top three is Jungle’s Volcano (Caiola), which erupts at No. 3. All four of the British electronic music pair’s albums have cracked the U.K. top 10.
Also new to the top 10 is London rapper Fredo with Unfinished Business (PG Records) arriving at No. 9, for his fifth top tier appearance, while new releases from Lucy Spraggan (Balance at No. 24 via CTRL) and John Lydon’s Public Image Ltd (End of World at No. 33 via PIL Official) impact the U.K. top 40.
Finally, Taylor Swift makes her presence felt on the top 40 with eight titles, including three in the top 10. Leading the way is 1989 at No. 5, which reenters the top 5 for the first time since 2015, the OCC notes, powered by the announcement that her re-recorded 1989 (Taylor’s Version) will arrive Oct. 27.
Dave and Central Cee’s “Sprinter” (via Live Yours/Neighbourhood) outraces the field in the U.K. for the 10th week, setting a new record in the process.
“Sprinter” becomes the first U.K. rap track to enter double figures at the summit of the Official U.K. Singles Chart, further proof of the global phenomenon that is hip-hop, a genre that’s currently celebrating its 50th anniversary as a genre.
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Meanwhile, Becky Hill and Chase & Status lift into the top 10 for the first time with “Disconnect” (Polydor), up 15-9. With that gain, Hill boasts her sixth U.K. top 10 hit, while Chase & Status land a fifth — and first in ten years. Chase & Status appear again further down the Official U.K. Singles Chart, published Aug. 11, with Flowdan and Bou on “Baddadan” (EMI), up 31-21 for a new peak position.
It’s strength in numbers for Nathan Dawe, Joel Corry and Ella Henderson as “0800 Heaven” (Atlantic) improves 9-10, while Calvin Harris and Sam Smith’s latest collaboration, “Desire” (Columbia), gains 18-12, for a new chart best.
There’s a new peak position for Ryan Gosling’s Barbie number “I’m Just Ken” (Atlantic), up 14-13; D.O.D’s “So Much In Love” (Armada), up 23-16; and Anne-Marie and Shania Twain‘s duet, “Unhealthy” (Atlantic/Asylum/EMI) up 22-18, also a new high
Doja Cat has the highest new entry on the Official U.K. Chart with “Paint the Town Red” (Ministry of Sound). It’s new at No. 20 for the U.S. artist’s 15th top 40 single and first top 20 appearance in two years, since 2021’s “Woman” reached No. 13.
Finally, Travis Scott scores his 17th U.K. top 40 with “Telekinesis” (Epic) featuring SZA and Future. The track, lifted from the U.S. rapper’s No. 1 album Utopia, starts at No. 31 on the Official Chart.
Travis Scott is living his best life on the U.K. albums chart as Utopia (via Epic) bows at No. 1.
The U.S. hip-hop star’s fourth studio album debuts at the summit of the Official Chart, published Aug. 4, eclipsing the No. 3 best for his previous album, 2018’s Astroworld.
Utopia, a digital-only release, finishes the week in a flurry. Anne-Marie’s Unhealthy (Atlantic) was the leader at the halfway point, with an advantage of about 200 combined sales. When the chart proper was published last Friday, Unhealthy had dipped to No. 2, some 1,500 chart units behind Utopia.
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Unhealthy is the English artist’s third U.K. top 5 album, following 2018’s Speak Your Mind (No. 3) and 2021’s Therapy (No. 2). Despite missing out on the title, Unhealthy becomes the fastest-selling album of 2023 for a U.K. solo female, according to the Official Charts Company, which reports that physical sales account for 84% of its first-week tally.
Utopia, meanwhile, bags the biggest streaming week for any LP so far this year.
Completing an all-new top three is Post Malone’s Austin (Island). That’s the U.S. rapper’s fifth U.K. top 10 album to date after 2016’s Stoney (No. 10), 2018’s Beerbongs & Bentleys (No. 1), 2019’s Hollywood’s Bleeding (No. 1) and 2022’s Twelve Carat Toothache (No. 3).
Further down the list, veteran Birmingham, England band Dexys (formerly Dexys Midnight Runners) sprint to their highest-charting LP in over 30 years with The Feminine Divine (100 Percent Records). Their sixth studio set starts at No. 6 on the Official U.K. Albums Chart.
You’d have to wind the clock back to 1982 to find a higher chart position for Dexys, when their sophomore effort Too-Rye-Ay, which featured the enduring hit “Come On Eileen,” peaked at No. 2. Kevin Rowland and Co. last landed in the U.K. top 10 with 2016’s Let the Record Show: Dexys Do Irish and Country Soul, which peaked at No. 10.
As Barbiemania sweeps the nation, Billie Eilish’s lowkey Barbie cut “What Was I Made For?” (via Interscope) is challenging for the U.K.’s chart crown.
Eilish’s latest hit sits at No. 2 on the midweek chart, having trailed the leader, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood), by just 1,500 combined units with the publication of this week’s earliest chart blast.
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“Sprinter” has been unbeatable in its chart run, clocking eight consecutive weeks at No. 1.
Travis Scott could be living his best life with Utopia (via Epic), which is well placed in the national albums chart race. The followup to 2018’s Astroworld, Utopia could yield three top 10 singles, led on the midweek chart by “Meltdown” (No. 7), “Fein” (No. 9) and “Hyaena” (No. 10). Scott has already notched four top 10 appearances.
Further down the list is Calvin Harris and Sam Smith’s latest collaboration “Desire” (Columbia), poised for a No. 17 bow. If it holds its position, it would mark Harris’ 41st top 40 single and Smith’s 22nd. The pair previously teamed up on 2018’s “Promises,” which led the national chart for six weeks.
Meanwhile, Sinead O’Connor’s tragic death on July 26, aged 56, is fueling interest in the Irish singer’s biggest hit, “Nothing Compares 2 U” (Chrysalis). The Prince-penned classic from the early ‘90s bounces to No. 19 on the Official Singles Chart Update, dipping from No. 12 on the First Look chart, which ranks tracks based on sales and streaming activity from the first 48 hours. Powered by its emotionally-charged music video, the single led the chart for four weeks following its release in 1990.
Finally, the legendary leftfield electronic music producer Aphex Twin is tuning-up for his highest-ever peak in the U.K. with “Blackbox Life Recorder 21F” (Warp). It’s new at No. 29 on the midweek chart, and could mark the artist’s (real name: Richard David James) first appearance on the singles chart since 1999’s “Windowlicker,” which achieved his career-best peak of No. 16.
All will be revealed when the Official U.K. Singles Chart is published late Friday, Aug. 4.
Blur is back on top in the U.K. as The Ballad of Darren arrives at No. 1, for the Britpop legends’ seventh leader.
The Ballad of Darren (via Parlophone) opens with 44,000 chart units, the Official Charts Company reports, with physical formats proving popular. Almost 90% of those first-week units were sold as physical copies.
That Blur would crown the chart on Friday, July 28 was virtually assured when, at the midweek point, the album was reported to be outselling the rest of the top 10 combined.
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The foursome, which also includes guitarist Graham Coxon, bass player Alex James and drummer Dave Rowntree, also hit No. 1 with Parklife (1994), The Great Escape (1995), Blur (1997), 13 (1999), and Think Tank (2003) and The Magic Whip (2015), while their first two albums, 1991’s Leisure and 1993’s Modern Life is Rubbish, reached No. 7 and No. 15, respectively.
With seven albums chart crowns, Blur joins the likes of Elton John, George Michael, Paul McCartney and Barbra Streisand, and they’re just one title short of the eight leaders accumulated by Oasis, Blur’s ‘90s nemesis. Oasis’ string of leaders does, however, including a greatest hits collection, 2010’s Time Flies – 1994-2009.
For frontman Damon Albarn, a second No. 1 of the year after his other band, Gorillaz, reigned over the Official U.K. Albums Chart in March with Cracker Island, a feat that places him in rare company. The likes of ABBA, Taylor Swift, The Beatles, Diana Ross and Robbie Williams have also landed two chart-toppers in a calendar year.
Meanwhile, American rockers Greta Van Fleet snag a second top 10 album with Starcatcher (EMI), new at No. 8. That’s an equal career high, matching the No. 8 best for 2021’s The Battle at Garden’s Gate, and beating the No. 12 peak for their 2018 debut Anthem of a Peaceful Army.
Finally, As December Falls enjoys its first appearance on the U.K. chart with Join The Club (ADF), new at No. 11, while K-pop girl group NewJeans land at No. 15 with their second EP Get Up.
It’s a great week for BTS‘s Jung Kook, who establishes a chart record in the U.K. with “Seven.”
The K-pop star’s hit lands at No. 3 on the Official U.K. Singles Chart, published July 21, for the highest-charting debut by a solo Korean act.
The singer’s hot start with “Seven” (via BigHit Entertainment) surpasses the first-week bows by BTS bandmates j-hope and Jimin, the Official Charts Company reports.
All seven members of the K-pop phenomenon – Jin, Jimin, Suga, Jung Kook, RM, V and J-Hope – have shared solo material, with Jimin setting the bar with a top 10 for “Like Crazy” (peaking at No. 8) in March; he separately secured a top 40 appearance with “Set Me Free Pt. 2,” hitting No. 30.
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J-hope was the first member of BTS to bag a U.K. top 40 single, thanks to his J. Cole collaboration “On The Street” peaking at No. 37.
With his podium finish, Jung Kook matches BTS’ best U.K. chart positions so far — 2020’s “Dynamite,” plus “Butter” and “My Universe” with Coldplay (both from 2021) all debuted and peaked at No. 3.
The highest-charting U.K. solo single by a Korean act belongs to Psy, whose “Gangnam Style” dropped in September 2012 at No. 61, then climbed to No. 1 in its fourth week on the tally. The viral hit clocked 55 weeks on the chart, last appearing in 2014.
“Seven,” which features vocals from U.S. rapper Latto, and blasts to No. 2 on Australia’s ARIA Chart, is pipped in the U.K. by Dave and Central Cee’s hip-hop hit “Sprinter” (Live Yours/Neighbourhood), which races to a seventh consecutive chart title. Following a tight three-way race at the top, Olivia Rodrigo’s “Vampire” (Geffen) flies in at No. 2, unchanged from the previous week.
Finally, U.S. pop star Billie Eilish lands her ninth U.K. top 10 single with “What Was I Made For?” (Interscope). The new release, lifted from the Barbie movie soundtrack, is new at No. 10.