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Shinsadong Tiger, a chart-topping and award-winning K-pop producer and songwriter, has passed away, his entertainment label confirmed on Friday (Feb. 23). The cause of death is currently unknown. He was 40.
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Following local reports that Shinsadong Tiger (neé Lee Ho-yang, also known professionally as S.Tiger) was found collapsed in his Seoul workplace, his representative agency TR Entertainment confirmed the news that “Producer Shinsadong Tiger suddenly left our side on February 23, 2024.”
In the statement on social media, TR Entertainment requested refraining from “speculative reports for the bereaved families” and that funeral proceedings will be held quietly only by family, relatives and colleagues.
TR Entertainment also represents TRI.BE, Universal Music Korea’s first K-pop group crafted in collaboration with Shinsadong Tiger and signed with Republic Records in the U.S. On Tuesday (Feb. 20), TRI.BE released a new single “Diamond” and b-side track “Run,” both produced and co-written by the late producer. TR shared that TRI.BE is canceling and postponing its promotional schedule while promising to return for more television performances “since it is the last album that Shinsadong Tiger prepared and released with TRI.BE during his lifetime.”
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TRI.BE was Shinsadong Tiger’s latest act after previously crafting and producing girl group EXID, who unexpectedly exploded in popularity two years into its career with the S.Tiger-produced single “Up & Down” in 2014 after a fan-recorded live performance went viral. Shinsadong Tiger produced seven EXID songs that charted on Billboard‘s World Digital Song Sales chart until the group went on hiatus in 2020.
Lee Ho-yang began his work as a songwriter in 2005 and came to helm some defining tracks of the genre throughout his nearly two decades of work with artists. With a sound that could blend electro-pop and Korea’s traditional trot genre to singles that embraced everything from orchestral production to Afrobeat, his works are tough to pinpoint musically but point to K-pop’s evolution.
Between 2011-2013, Lee produced four No. 1s on the (now-discontinued) K-Pop Hot 100 in T-ara’s “Roly-Poly” and “Lovey Dovey,” Trouble Maker’s “Now” and Ailee’s “U&I.” Meanwhile, his work like “Fiction” by boy band Beast won Song of the Year at the 2011 KBS Song Festival awards, while several of his creations with EXID, T-ara, HyunA and WJSN all were named in Billboard‘s 100 Greatest K-Pop Songs of the 2010s.
Shinsadong Tiger’s productions also had a knack for reaching wider audiences beyond Korean-music fans. In addition to EXID’s aforementioned breakout hit, HyunA’s “Bubble Pop!” from 2011 was an early YouTube smash and made the star the first K-pop soloist to break 100 million views on a music video. Later, “Bboom Bboom” by MOMOLAND helped break the rising girl group to the top of the charts in 2018, while its 626 million YouTube views make it one of the platform’s most-viewed K-pop videos ever.
Dalsooobin, a member of the girl group Dal Shabet whose singles like “B.B.B (Big Baby Baby)” and “Fri. Sat. Sun.” were produced by Shinsadong Tiger, shared her condolences and the former single’s album cover on her YouTube channel. Damjun, a member and songwriter-composer for his boy band LIONESSES, wrote “Thank you for your masterpieces” on Threads.
U.K. producer duo LDN Noise (who have helmed tracks with the likes of EXO, Chris Brown, NCT and NMIXX), Los Angeles-based Softserveboy (SEVENTEEN, Gwen Stefani, ENHYPEN, P1Harmony) and Damuer H. Leffridge (whose clients have included T-ara and B2K) all shared their condolences on Instagram. At the same time, L.A.-born Jae Chong (Uhm Junghwa, BoA, JYJ, Jolin Tsai, BIBI) called it “truly sad news” on the platform.
Longtime Trans-Siberian Orchestra keyboardist Vitalij Kuprij died on Tuesday at age 49. The pianist’s death was confirmed by the orchestral rock band on their socials, in which they paid tribute to the Ukrainian-born musician who spent more than a decade touring with the group whose over-the-top holiday shows have become an annual Boxscore Report-topping staple of the Christmas season.
“We are deeply saddened to announce the passing of our dear friend and bandmate, Vitalij Kuprij,” read the TSO’s statement. “He was a world-renowned classical pianist and composer. In 2010, Vitalij joined TSO for the inaugural ‘Beethoven’s Last Night’ tour and seamlessly became an integral part of the band. His flawless and energetic performances consistently captivated audiences, and many of you came to know and love him as much as we did.”
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The post noted that in addition to his prowess as a musician, Kuprij was an “accomplished chess player, an avid fisherman, and simply a fun-loving soul. His absence will be profoundly felt by all.” Kuprij was part of TSO from 2009-2019 and rejoined the group in 2021, most recently performing on their Nov.-Dec. 2023 tour.
His friend, Finnish guitarist/producer Lars Eric Mattsson also paid homage to Kuprij, writing, “Woke up to really sad news this morning as my dear friend and keyboard maestro Vitalij Kuprij has passed away last night. The Ukranian born virtuoso was living in Philadelphia and recently came off another hugely successful tour with the Trans-Siberian Orchestra. I have known and worked with Vitalij for over 20 years and he always talked about seeing me here in Finland to go fishing, which was his second love after music.”
At press time no additional information was available on the details or cause of Kuprij’s death. According to AllMusic, Kuprij was born in 1974 in Volodarka, Ukraine, and early on showed great promise on the piano, winning first prize in the All-Union Chopin competition in the Republic of Kazan in the former Soviet Union and the top honors at the Geneva Duo competition for violin and piano as a youth.
He formed his first progressive metal band in 1993, Atlantis Rising, relocating to the U.S. in 1995, where the band was refashioned into Artension, which released a series of albums on the Shrapnel label. Kuprij released a number of solo albums and also worked with the groups Ring of Fire and the Vivaldi Metal Project.
Progressive rock band TSO was founded in 1996 by producer/songwriter Paul O’Neill and has been barnstorming arenas from coast-to-coast for more than 25 years with over-the-top productions mixing rock opera theatrics with explosive light shows. Some of their most beloved productions include “Christmas Eve and Other Stories,” “The Christmas Attic” and “Beethoven’s Last Night.”
See the tributes below.
Damo Suzuki, the Japanese-born singer for legendary German experimental group Can, has died. He was 74.
Suzuki’s passing was confirmed on Saturday (Feb. 10) through the pioneering krautrock band’s Instagram account. A cause of death was not provided, but the Cologne-based musician had been battling colon cancer for a decade, as revealed in a 2022 documentary, according to Rolling Stone.
“It is with great sadness that we have to announce the passing of our wonderful friend Damo Suzuki, yesterday, Friday 9th February 2024,” Can wrote alongside a black-and-white photo of Suzuki. “His boundless creative energy has touched so many over the whole world, not just with Can, but also with his all continent spanning Network Tour. Damo’s kind soul and cheeky smile will be forever missed.”
The group added, “He will be joining Michael, Jaki and Holger for a fantastic jam!,” referencing late Can members Michael Karoli, Jaki Liebezeit and Holger Czukay. “Lots of love to his family and children.”
Born Kenji Suzuki near Tokyo, the budding artist left his native Japan as a teenager to travel around Europe, where he coincidentally met Liebezeit and Czukay while performing on the streets of Munich, Germany. The pair invited Suzuki to join Can onstage that evening and he later took over for the band’s original singer Malcolm Mooney, who appeared on the act’s 1969 debut album, Monster Movie.
Suzuki officially joined Can in 1970 and appeared on the band’s classic run of albums, including Tago Mago (1971), Ege Bamyasi (1972) and Future Days (1973). He was known for his improvisational singing style, mixing words in English and Japanese, which helped define the group’s sound.
“I don’t like to play the same piece again and again,” Suzuki told the Guardian in 2022. “Repetition is boring. Every performance should be a unique experience.”
Suzuki left Can in 1973 after marrying a German woman and converting to Jehovah’s Witness. He returned with several new musical projects in the 1980s, including Damo Suzuki’s Network and Damo Suzuki Band.
With a rotation of vocalists, Can continued on a path of unabated experimentation for 20 years, releasing its swansong, Rite Time, in 1989. The group has proven amongst the most influential in rock history, particularly for subsequent generations of experimental acts such as the Talking Heads, Brian Eno, Sonic Youth, and Tortoise.
See Can’s post about Suzuki’s death here.
Japanese conductor Seiji Ozawa died at his home in Tokyo on Feb. 6, 2024, due to heart failure. He was 88 years old.
A private funeral was held with his close family in accordance with the deceased’s wishes, with a memorial service scheduled at a later date.
Ozawa was born in 1935 in Shenyang, China. After studying under Karajan and Bernstein, he served as the assistant conductor of the New York Philharmonic, and music director of the Chicago Symphony Orchestra’s Ravinia Festival, the Toronto Symphony Orchestra, and the San Francisco Symphony.
In 1973, Ozawa was appointed as the thirteenth music director of the Boston Symphony Orchestra. He became the first Asian music director at Wiener Staatsoper in the autumn of 2002, a position he held until spring 2010.
Among the many awards and accolades Ozawa has received in Japan and internationally include the Asahi Prize (1985), the Austrian Cross of Honour for Science and Art, First Class (2002), the Mainichi Art Award (2003), the Suntory Music Award (2003), honorary membership of the Wiener Staatsoper (2007), France’s Officier de la Légion d’Honneur (2008), Foreign Associated Member in the Académie des BeauxArts de l’Institut de France (2008), the Order of Culture in Japan (2008), Giglio D’Oro by Premio Galileo 2000 Foundation of Italy (2008), the Praemium Imperiale from the Japan Art Association (2011), the Akeo Watanabe Foundation Music Award (2011), and the Kennedy Center Honors (2015), as well as an honorary doctorate from Harvard University (2000) and Sorbonne University (2004).
In 2010, he also became the first Japanese to be bestowed an honorary membership to the Vienna Philharmonic.
Ozawa won Best Opera Recording at the 58th Grammy Awards in 2016 for Ravel: L’Enfant et les Sortilèges, recorded at the 2013 Saito Kinen Festival Matsumoto, in which he conducted the Saito Kinen Orchestra.
The same year, he was named an honorary member of the Berlin Philharmonic and an honorary citizen of Tokyo.
He has been an elected member of the Japan Art Academy since March 2022.
Martin Kirkup, the well-respected co-founder of Direct Management Group, died Sunday, Feb. 4 while vacationing in Hawaii, according to his family. He was 75.
Kirkup currently managed Katy Perry, k.d. lang and Au/Ra, but over his decades-long career had also worked with artists including the B-52s, Counting Crows, Tracy Chapman, the Go-Go’s, Adam Lambert and many others.
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“Martin Kirkup and I conceived Direct Management while drinking Raki at a restaurant high above the Bosphorus in Istanbul, escaping the Los Angeles Olympics in 1984,” said Direct Management Group co-founder Steven Jensen in a statement. “We were both fans of alternative pop music and focused on establishing a boutique management company to support that exciting genre of music. I’m proud to have built Direct Management with Martin and Bradford Cobb to the global presence it has today, with integrity, honor and ingenuity, much of which was contributed by Martin. His influence is a permanent fixture of the Direct Management culture.”
The Tynemouth, U.K.-born Kirkup came to the U.S. in 1973 as a visiting professor of English Literature at the University of Rhode Island. Shortly thereafter, he moved to New York and joined A&M Records as east coast publicity director, eventually ascending to vp of artist development and working with such artists as Peter Frampton, Styx, Squeeze, Joe Jackson, the Police and Joan Armatrading.
Kirkup and Jensen opened Direct in Los Angeles in April 1985, with early clients Boy Meets Girl, Echo & The Bunnymen and Orchestral Maneuvers in the Dark, as well as guiding Roxy Music’s Bryan Ferry on his first solo international tour. In 1989, Direct experienced tremendous success with the B-52s’ quadruple-platinum album, Cosmic Thing, which included the massive hit “Love Shack.”
In the ‘90s, Direct continued to grow, working with the Counting Crows for a decade during which the band sold more than 25 million albums. Other clients during that decade included David Byrne, Joe Jackson, Seal and the New Radicals. In 1998, Bradford Cobb joined the company as a manager, becoming a partner in 2012.
Under the three principals, the company flourished in the early 2000s, overseeing the careers of lang, Perry, the Go-Go’s and Jamie Cullum. Subsequent clients also included Lambert and Steve Perry. Signing Katy Perry in 2004 was automatic, Kirkup told Billboard in 2012. “To us, it’s not remarkable that she’s hugely successful-without sounding like wise-asses, that’s why we signed her,” Kirkup says. “We really believed in her and felt she had huge potential.”
“Martin Kirkup was a class act, a gentleman, and he was brilliant,” Cobb told Billboard in statement. “Over my 25 years working alongside him at Direct, he had a major influence on my growth as a manager and a human. Of his many talents, one that I admired most was his ability to take a problem and dissect it down to its core, finding a solution with a calm demeanor that gave everyone around him confidence. Martin had excellent taste in music, and he had great reverence for the artists who created it. He was witty with a wicked sense of humor. Martin was also warm and genuinely caring, and it was an honor to be his partner.”
Kirkup, who was on Billboard Power 100 list in 2017, was a fierce advocate for his artists, but always found time to help the next generation of executives. He doled out advice freely, mentoring a number of younger managers who came to him for advice.
He is survived by his wife Lale Kirkup, daughter Melisa Kirkup Blatt and son-in-law Ben Blatt, son John Kirkup and daughter-in-law Lorien Kirkup, and three grandchildren, Sam, Abigail, and Ivy. Details on a celebration of life will come at a later date.
Singer-songwriter Toby Keith passed “peacefully last night on February 5th, surrounded by his family,” according to a statement on his official website. Tetris Kelly:Country legend Toby Keith has died at the age of 62. Toby Keith’s family released a statement letting fans know the singer passed away peacefully last night surrounded by his family after […]
Musicians are raising their red Solo cups in honor of Toby Keith after news broke that the country star died on Monday (Feb. 5) after a battle with stomach cancer. He was 62. The singer-songwriter had revealed his battle to fans in 2022, a year after he was diagnosed.
Keith’s death was announced Tuesday (Feb. 6) in a statement posted to the country star’s official website and social media accounts. “Toby Keith passed peacefully last night on February 5th, surrounded by his family,” the message read. “He fought his fight with grace and courage.”
His impact was felt among many artists, who spoke out to remember the seven-time Grammy nominee.
“Toby inspired millions and I was one of them,” Jelly Roll wrote in an Instagram story, noting that he covered Keith’s 1993 Billboard Hot 100-charting song “Should’ve Been a Cowboy” at “every show last year.”
“An American icon,” singer-songwriter Randy Houser called Keith in his Instagram post, which included a video of himself singing the late artist’s 2003 hit “I Love This Bar.” “They do not make em like him everyday in my opinion. One of my favorites that he and @Scottyemerick wrote. It’s late at night or early in the morning but I wanted to sing one in his honor no matter what time it is. Rest In Peace. Job well done.”
The Country Music Hall of Fame also reflected on Keith’s career and impact on the genre. “Toby Keith was big, brash, and never bowed down or slowed down for anyone,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum, in a statement. “His story is a distinctly American one — a former roughneck oil worker who carved out his own space in country music with a sinewy voice and an unbending will to succeed. He wrote his breakthrough songs and later formed his own record label when he felt underserved by Nashville. He relished being an outsider and doing things his way. Proudly patriotic, he didn’t mind if his clear-cut convictions ruffled your feathers. For three decades, he reflected the defiant strength of the country music audience. His memory will continue to stand tall.”
Read on for more heartfelt tributes from musicians:
“Saddle up the horses, Jesus, ‘cause a true blue COWBOY just made his ride up to heaven!!! Introduce him to all the Okies and sign that boy up for the choir! We’re gonna miss you, Toby, but my heart has no doubt that you are standing in the presence of our King right now!!! See you again someday, friend.” — Carrie Underwood on Instagram
“RIP. A Country Music and American Legend.” — Morgan Wallen on Instagram Stories
“Just waking up to the news of Toby Keith’s passing. Today is a sad day for Country music and its fans. Toby was a huge presence in our business and someone we all looked up to and respected. You and your music will be forever remembered big man.” — Jason Aldean on X
Waking up to the terrible news that our friend, and legend @tobykeith has passed away from cancer. He was a true Patriot, a first class singer/songwriter, and a bigger than life kind of guy. He will be greatly missed.— John Rich🇺🇸 (@johnrich) February 6, 2024
too many rides in my old man’s car listening to Toby Keith. really hard thing to hearrest in peace friend we love you— Zach Bryan (@zachlanebryan) February 6, 2024
Country music icon Toby Keith has died at 62 following a three-year battle with stomach cancer. The singer-songwriter known for such patriotic anthems as “Courtesy of the Red, White and Blue (The Angry American)” and “Made in America” passed “peacefully last night on February 5th, surrounded by his family,” according to a statement on his official website. “He fought his fight with grace and courage.”
Keith was diagnosed with cancer in 2021 and revealed the news to fans a year later, telling them that he was undergoing chemotherapy, radiation and having surgery. He returned to the road to play a pair of pop-up gigs in his hometown of Norman, OK during the summer of 2023 and made his first TV appearance since the diagnosis in September, when he performed at the first-ever People’s Choice Country Awards, at which he received the Country Icon award.
At the time he gave an update on his condition, saying, “I’ve walked some dark hallways. Almighty’s riding shotgun. But I feel pretty good, you know? You have good days and bad days. It’s a little bit of a roller coaster. I’m doing a lot better than I was this time last year… I’ve always rode with a prayer. As long as I have Him with me, I’m cool. You just have to dig in. You don’t have a choice.” That night, the visibly skinnier singer elicited many tears in beers when he sang the moving “Don’t Let the Old Man In,” a track about a man facing death that he’d written for Clint Eastwood’s movie The Mule.
The 6′ 3″ singer who as born Toby Keith Covel on July 8, 1961 in Clinton, OK worked in the oil industry and played in the USFL football league before pivoting to music. Keith busked on Music Row in Nashville in an attempt to break through, handing out his demos to no avail and making a vow to get a contract before hitting 30 or quit the business. His big break came a short time later when a flight attendant handed his demo to Mercury Records exec Harold Shedd, who signed him to the label.
Keith’s 1993 self-titled Mercury debut featured such traditional country tunes as “Should’ve Been a Cowboy” and “A Little Less Talk and a Lot More Action.”
Keith, who wrote or co-wrote many of his own songs and had a chart-topper out of the gate with “Cowboy,” a trad country song that harkened back to a dustier time with references to Gunsmoke, ropin’ and ridin’, six shooters and Gene Autry and Roy Rogers; it went on to be one of the most-played country songs of the decade.
His follow-up albums, 1994’s Boomtown and 1996’s Blue Moon continued his early streak of success with hits such as the No. 1 Billboard hot country songs charting “Who’s That Man” and “Big Ol’ Truck” (No. 15) from the former and “Does That Blue Moon Ever Shine on You?” (No. 2) and “Me Too” (No. 1) from the latter.
His fourth and final album on Mercury, Dream Walkin’, continued his hot run on the Billboard country songs chart with another passel of top 10 charting tracks, including “We Were in Love” (No. 2), “I’m So Happy I Can’t Stop Crying” (No. 2) and the title track (No. 5). He moved over to Dreamworks Records in 1999 for How Do You Like Me Now?, whose title track proved to be his mainstream breakthrough, spending five weeks at No. 1 on the country chart and providing his first pop charting track when it hit No. 31 on the Billboard Hot 100. He followed up with 2001’s Pull My Chain, which spun off three more hot country songs chart-toppers: “I’m Just Talkin’ About Tonight,” “I Wanna Talk About Me” and “My List.”
In a town where artists often rely on professional songwriters to help hone their voice, Keith was proud to write or co-write many of his own tracks, telling Billboard in 2018 that, “I wanted to be better at it and I wanted to write the best songs I could write. So if I wouldn’t have gotten a recording contract and had some success, I would have still been pitching songs. God forbid, if something ever happened to you and you couldn’t sing no more or perform, you could still write songs.”
The singer won the Academy of Country Music’s top male vocalist and album of the year award in 2001 and the following year his duet with hero Willie Nelson, “Beer For My Horses,” from 2003’s Unleashed album, peaked at No. 22 on the Hot 100, marking Keith’s highest-charting pop single to date. Despite the playful title, the lyrics penned by Keith and and frequent collaborator Scotty Emerick hinted at a a dark underbelly to the American dream, with images of people being shot, abused, someone blowing up a building and stealing a car.
The vengeful refrain tapped into a deep vein of outlaw values and patriotic themes Keith would become known for on lines such as, “Grandpappy told my pappy, back in the day, son/ A man had to answer for the wicked that he done/ Take all the rope in Texas find a tall oak tree/ Round up all them bad boys, hang ’em high in the street/ For all the people to see/ That justice is the one thing you should always find/ You got to saddle up your boys, you got to draw a hard line/ When the gun smoke settles we’ll sing a victory tune/ And we’ll all meet back at the local saloon.”
Following the death of his father — a Navy veteran — in a traffic accident in 2001 and the Sept. 11 terror attacks, Keith channeled his rage and emotion into the controversial hit “Courtesy of the Red, White and Blue (The Angry American)” from his 2022 Unleashed album. The jingoistic song hit No. 1 on the hot country singles & tracks chart and No. 25 on the Hot 100 and became a flag-waving staple of Keith shows thanks to the lyrics, “Justice will be served and the battle will rage/ This big dog will fight when you rattle his cage/ And you’ll be sorry that you messed with the U.S. of A./ ‘Cause we’ll put a boot in your ass/ It’s the American way.”
Through 19 albums, Keith repeatedly returned to themes of American life and symbolism on songs such as “American Soldier”and “Made in America.” He also mixed in many signature, more light-hearted drinking songs, including “I Love This Bar,” “Whiskey Girl,” “I Like Girls That Drink Beer,” “Get Drunk and Be Somebody” and one of his most enduring anthems, “Red Solo Cup,” which marked his peak Hot 100 success at that point when it reached No. 15.
In addition to his long music career, Keith also dabbled in acting, appearing Ford truck commercials and starring in the 2005 film Broken Bridges as country also-ran Bo Price, as well as 2008’s Beer For My Horses, which he wrote and starred in. The entrepreneurial singer also lent his name a chain of Toby Keith’s I Love This Bar & Grill restaurants, with outlets from Oklahoma to New York, Michigan, Las Vegas, Arizona, Minnesota, Massachusetts, Cincinnati and several other states.
Keith was inducted into the Songwriters Hall of Fame in 2015, the Nashville Songwriters Hall of Fame in 2021 and received the Merle Haggard Spirit Award from the ACM in 2020, as well as the National Medal of the Art in 2021. As a testament to his prodigious songwriting abilities — he scored 52 top 10 hits and 32 No. 1s — Keith released a 13-track collection entitled 100% Songwriter in November, featuring some of his biggest hits.
Wayne Kramer, the co-founder of the protopunk Detroit band the MC5 that thrashed out such hardcore anthems as “Kick Out the Jams” and influenced everyone from The Clash to Rage Against the Machine, has died at age 75.
Kramer died Friday (Feb. 2) at Cedars-Sinai hospital in Los Angeles, according to Jason Heath, a close friend and executive director of Kramer’s nonprofit Jail Guitar Doors. Heath said the cause of death was pancreatic cancer.
From the late 1960s to early 1970s, no band was closer to the revolutionary spirit of the time than the MC5, which featured Kramer and Fred “Sonic” Smith on guitars, Rob Tyner on vocals, Michael Davis on bass and Dennis “Machine Gun” Thompson on drums. Managed for a time by White Panther co-founder John Sinclair, they were known for their raw, uncompromising music, which they envisioned as the soundtrack for the uprising to come.
“Brother Wayne Kramer was the best man I’ve ever known,” Rage Against the Machine guitarist Tom Morello wrote via Instagram on Friday. “He possessed a one of a kind mixture of deep wisdom & profound compassion, beautiful empathy and tenacious conviction. His band the MC5 basically invented punk rock music.”
The band had little commercial success and its core lineup did not last beyond the early 1970s, but its legacy endured, both for its sound and for its fusing of music to political action. Kramer, who had a long history of legal battles and substance abuse, would tell his story in the 2018 memoir The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities.
Thompson is now the band’s only surviving member.
Kramer and Smith had known each other since their teens and played with various other musicians around Detroit before the core lineup was in place, in the mid-1960s. At Tyner’s suggestions, they called themselves the MC5, short for Motor City Five, and emulated The Rolling Stones, the Who, and other hard rock bands of the era.
By 1968, they had built a substantial local following and were influenced by Marxism, the White Panthers, the Beats and other social-political movements. The MC5 was more radical politically than most of its peers, and otherwise louder and more daring. They were virtually the only band to perform during the infamous 1968 Democratic National Convention, in Chicago, where police were beating up anti-war protesters.
“Kick Out the Jams” was their most famous song, peaking at No. 82 on the Billboard Hot 100 and marking their only appearance on the chart, and opened with an unprintable call to arms: “Kick out the jams mother—-er!” A live album of the same name peaked at No. 30 on the Billboard 200 in 1969, their highest-charting release. They also released the studio albums Back in the USA and High Time before breaking up at the end of 1972.
Kramer would lead various incarnations of the MC5 over the following decades, and perform with Was (Not Was) among other groups. But for a time he sank into the life of what he called “a small-time Detroit criminal.” He was arrested on drug charges in 1975 and sentenced to four years in prison. Jail Guitar Doors is named for a Clash song that refers to his struggles: “Let me tell you ’bout Wayne and his deals of cocaine.”
Survivors include his wife, Margaret Saadi, and son, Francis.
Carl Weathers, the former NFL star known for his roles as Apollo Creed in the Rocky franchise and Derick “Chubbs” Peterson in Happy Gilmore, died on Thursday (Feb. 1). He was 76 years old. Explore Explore See latest videos, charts and news See latest videos, charts and news Weathers died in his sleep at his […]
