nsfs
Page: 4
In light of the controversy surrounding Kehlani‘s recently canceled performance at Cornell University, SummerStage has now pulled the plug on the singer’s scheduled performance in Central Park, under advisement from New York City Mayor Eric Adams’ office.
On Monday (May 5), the festival announced that its Pride With Kehlani benefit show — which had been slated for June 26 as part of the city’s annual summer concert series — would no longer be part of this year’s programming. “We have been notified by the Mayor’s Office that they have concerns for security and safety issues,” reads a statement on SummerStage’s Instagram. “Those concerns are due to the controversy surrounding Cornell University’s decision to cancel Kehlani’s concert at the University, as well as security demands in Central Park and throughout the City for other Pride events during that same period.
“We strongly and emphatically believe in artistic expression of all kinds,” the post continues. “However, the safety and security of our guests and artists is of the utmost importance … While artists may choose to express their opinions, their views may not necessarily be representative of the festival.”
At press time, Pride With Kehlani is still listed on Central Park’s online SummerStage schedule.
The move to cancel comes just over a week after Cornell announced that it had rescinded its invitation for Kehlani to headline this year’s Slope Day, the school’s annual event for students celebrating the last day of classes. In an email from university President Michael I. Kotlikoff obtained by The New York Times, he wrote that the decision had been made after learning that the “Gangsta” singer had “espoused antisemitic, anti-Israel sentiments in performances, videos and on social media.”
Shortly afterward, Kehlani posted a video clarifying “for the millionth time, that I am not antisemitic nor anti-Jew.”
“I am anti-genocide, I am anti- the actions of the Israeli government, I am anti- an extermination of an entire people, I am anti- the bombing of innocent children, men, women — that’s what I’m anti,” they continued at the time.
In response to the SummerStage cancellation, Kehlani reposted the festival’s statement on Instagram Stories and wrote “lol.” The musician also snapped a selfie and revealed, “I just found that one out on instagram by the way.”
“I’m so deeply grounded in my purpose, my mission, my art, my contribution,” the “After Hours” artist added in another post on Stories. “Back to this album. See you this weekend LA!”
Kehlani has been vocal in their pro-Palestine stance throughout Israel’s ongoing war against Hamas, which began immediately after the terrorist group killed 1,200 people and kidnapped more than 250 others at the Nova Music Festival on Oct. 7, 2023. Since then, more than 52,000 Palestinians have been killed in Gaza, according to CNN, which cites the Palestinian Ministry of Health.
In their 2024 “Next 2 U” visual, Kehlani wore kaffiyehs and featured dancers waving Palestinian flags. Before that, they were one of several musicians who signed the 2023 Artists Against Apartheid letter.
See the SummerStage statement below.
ABC News announced on Monday (May 5) a new show about Sean “Diddy” Combs’ trial will air each day. According to the press release, the new 30-minute program, titled Burden of Proof: The Case Against Diddy and hosted by GMA3 co-host Eva Pilgrim, will offer analyses of what’s going on inside the courtroom. The series […]
Fat Joe is mourning the loss of his mother.
On Saturday (May 3), the 54-year-old hip-hop icon shared a heartfelt tribute on social media honoring his mom, Marie Del-Carmen Cartagena, who passed away at the age of 77.
“This a real one, rest in peace to the woman who brought me in this world,” Joe wrote on Instagram alongside a slideshow of family photos. “She didnt have much but she gave us everything.
In the emotional post, the Bronx-born rapper reflected on his mother’s deep love for her family and unwavering commitment to her community.
“Anyone who knows my Mom knows she had a heart of gold, she refused to move out the projects for many years even though i had money,” he wrote. “She loved her community, she loved her people,Ms Ruby the Terror Squad Queen. she was sooooooo proud of us meaning everyone in the crew.”
Joe also shared that his mother died of a “broken heart” following the recent death of his father, Ernesto Delgado, who passed away earlier this year at age 89. The couple had been married for 60 years.
“I tried everything humanly possible,” he continued. “She was happy, to the Castro family, the Cartagena family, the Delgado family i love you and thank you for the outpouring of love.”
Joe concluded the tribute with a touching message to his late mother. “Mommy till i see you again you were my world, my heart, my everything. I’ll continue to make you proud,” he wrote.
The hip-hop community quickly rallied around Fat Joe, offering words of comfort and support in the comments.
“Rest peacefully Beautiful Queen,” Busta Rhymes commented in the post. Questlove added, “Condolences Joe,” along with a prayer hands emoji. And Ja Rule echoed the sentiment, commenting with prayer hands and dove emojis.
See Fat Joe’s full tribute to his mother on Instagram here.
Neil Young is ready to roll again, but not if Elon Musk‘s company logo is on the hood. On his new song “Let’s Roll Again” released Friday (May 2), the rock star briefly takes aim at the billionaire’s electric car company amid lyrics imploring auto manufacturers such as Ford, General Motors and Chrysler to build […]
At 62, Fito Páez maintains “the curiosity and desire” of the early years and an energy that doesn’t allow him to stop creating. Music above all, but also cinema and literature — passions he has been developing in parallel over the decades. And Novela, his latest album, might finally combine them all.
Created as a rock musical, the 25-song project — which Páez spent nearly 40 years writing and was finally released on March 28 under Sony Music Spain — tells the story of Villa Constitución, a town in the province of Santa Fe, Argentina, where a strange circus arrives to revolutionize the lives of its inhabitants. Through songs such as “Universidad Prix,” “Cuando el Circo Llega al Pueblo,” “Superextraño” and “El Triunfo del Amor,” its unique characters are introduced: the school’s dean, Rectitud Martirius; the witches Maldivina and Turbialuz; the young lovers Loka (daughter of the circus owner) and Jimmy (singer of a rock band) and more.
“We’re already speaking with many producers to film the movie once the tour finishes next year,” Páez tells In Conversation with Billboard Español in New York. “And I’m also beginning an adaptation [to] perform Novela live in full, where the audience can go and see a show that isn’t a musical — it’s the band playing the album and everything happening at once.”
The release comes the same year as the 40th anniversary of Giros, the second studio album in his expansive discography and the one that truly launched his career, with classics such as “11 y 6,” “Cable a Tierra” and “Yo Vengo a Ofrecer Mi Corazón.”
“It’s similar to a beach, Giros. It’s like having arrived, after wandering so much in the river or the sea, and saying, ‘Ah, I’ve made it here,’” he reflects on what the 1985 set meant to him. “There are many elements there that define many things about the place where I was raised, where I learned music, where I was loved, and where I was shaped. It’s an album I care for deeply, and I think it was a strong first step in the direction of searching for a more personal voice.”
In this new installment of En Conversación, the singer of hits such as “El Amor Después del Amor,” “Tumbas de la Gloria” and “Mariposa Tecknicolor” also discusses current events such as the immigration policies that have led fans to avoid attending concerts in the U.S. out of fear of deportation (“It’s horrifying,” he says. “It reminds me of when, back in ’78, we were chased out of Serú Girán concerts during the military dictatorship, and they threw us in jail”); and the ban on narcocorridos in some states in Mexico (“It’s a cultural expression born from lived experiences … and now it’s the singers’ fault! No, guys, it doesn’t work that way”).
Watch the full interview in the video above.
Sean “Diddy” Combs is about to go on trial over accusations of sexual abuse. But what exactly are the charges he’s facing? Is Cassie Ventura testifying against him? And what in the world are “freak offs”? Before the trial starts, let’s get you up to speed.
The once-all-powerful hip-hop mogul was arrested in September, charged by federal prosecutors with running a large-scale criminal operation aimed at his own “sexual gratification.” For decades, the feds say, Diddy “abused, threatened and coerced women” into giving him what he wanted, including participating in drug-fueled sex parties.
Combs, who has denied all of the allegations, will finally head to trial next week to face a jury of his peers. Before he does, here are answers to all your Diddy trial questions.
What are the charges against Diddy?
Prosecutors have built much of the case against Diddy under the Racketeer Influenced and Corrupt Organizations Act, the “RICO” law used against mobsters and drug cartels. RICO, which allows the feds to target an entire illicit organization over many individual crimes, was designed to target organized crime, where bosses often insulate themselves from actual illegal acts.
In Diddy’s case, prosecutors say the star served as his own kind of crime boss, exploiting the “employees, resources and the influence of his multi-faceted business empire” to carry out a decades-long campaign of sexual abuse. That operation included numerous sexual and physical assaults, the feds say, but also forced labor, kidnapping, arson, bribery, witness tampering, drug crimes and more.
Separately, Diddy is also charged with violating a federal sex trafficking statute, which makes it illegal to use force, fraud, or coercion to compel someone to engage in commercial sex acts. He’s also accused of violating the Mann Act, an older statute that made it illegal to transport people across state lines for the purposes of prostitution.
What’s a “freak off”?
At the very center of the case against Diddy are allegations about so-called “freak offs” — drug-fueled orgies in which victims were allegedly coerced into having sex with male sex workers while Combs looked on.
Prosecutors say these “elaborate and produced sex performances,” which Combs “masturbated during,” were a regular occurrence and “sometimes lasted multiple days.” The rapper and his associates allegedly plied victims with illegal drugs, which prosecutors say was designed in part to “keep the victims obedient and compliant.”
According to charging documents, freak offs were “often electronically recorded,” sometimes without the knowledge of those being filmed — and the footage was then later used as a form of “collateral” to keep victims from speaking out.
The events were so complex that they required substantial logistical efforts by Diddy’s associates to pull off, the feds say — including booking hotel rooms, arranging travel, delivering large sums of cash to pay sex workers, cleaning up to “mitigate room damage,” and providing supplies. Among those supplies were “more than 1000 bottles of baby oil” — a headline-grabbing allegation when it was included in September’s initial indictment.
Who are the alleged victims?
Diddy has been hit with civil lawsuits by dozens of alleged victims, but the criminal charges against him formally center on just four people, identified in court documents as Victim-1, Victim-2, Victim-3 and Victim-4.
While technically still anonymous in filings, Victim-1 is strongly believed to be Cassie Ventura, Combs’ longtime girlfriend whose civil rape lawsuit in November 2023 helped to spark the rapper’s downfall. Prosecutors have said Victim-1 will testify in the courtroom under her real name, setting the stage for a potentially blockbuster moment at the trial.
The identities of the other three victims remain unknown, and prosecutors have sought to keep it that way. In a motion last month, they cited recent cases against R. Kelly, Ghislaine Maxwell and others in which judges allowed alleged victims to remain anonymous to avoid “harassment from the media and others” amid a case that has received an “exceptional amount of media coverage.”
At a hearing last week, the judge ruled that the three other victims could testify without revealing their names.
Who are the key players in the courtroom?
Diddy’s trial will be overseen by U.S. District Judge Arun Subramanian, a relatively new federal judge nominated by President Joe Biden in 2022 after a long stint as a litigator at a prestigious New York law firm. Subramanian, confirmed to the post in March 2023, has an understandably short track record so far — though he is also currently handling the Justice Department’s high-profile antitrust lawsuit against Live Nation and Ticketmaster.
Diddy’s lead attorney is Marc Agnifilo, a veteran defense attorney with an extensive background in handling the kind of complex, high-profile charges that Combs now faces. After prosecuting RICO cases against mobsters in New Jersey, Agnifilo worked for years under legendary New York criminal lawyer Ben Brafman, where he represented Martin Shkreli, the so-called “Pharma Bro” convicted of securities fraud in 2017, and Keith Raniere, the leader of the upstate New York sex cult NXIVM.
Combs is also represented by Teny Geragos, another Brafman alum (and daughter of celebrity attorney Mark Geragos) who joined Agnifilo when he left to start his own firm last year; and Alexandra Shapiro, a well-known appellate law specialist. Brian Steel, a veteran Atlanta defense attorney who rose to fame last year by winning Young Thug’s release from jail on gang charges, joined the team at the last minute last month.
On the prosecution side, the charges against Combs were filed last year by Damian Williams, the top federal prosecutor for Manhattan, who is known for bringing cases against cryptocurrency entrepreneur Sam Bankman-Fried, former U.S. senator Bob Menendez and New York Mayor Eric Adams. Following November’s election, President Donald Trump has since appointed Jay Clayton, a longtime partner at the law firm Sullivan & Cromwell, to fill that post.
Unlike the case against Adams — which was controversially dropped in early April — there has been no indication that Trump or Clayton plan to back away from Combs. The same attorneys under Williams (Meredith Foster, Emily A. Johnson, Christy Slavik, Madison Reddick Smyser and Mitzi Steiner) are all still on board, and the district attorney’s office has since added Maurene Comey — one of the lead prosecutors in the sex trafficking case against Ghislaine Maxwell, a top accomplice of Jeffrey Epstein.
Go read Billboard’s full story on all the lawyers involved in the Diddy litigation.
When does the trial start and how long will it take?
The proceedings will kick off on Monday (May 5) with jury selection. Jurors will be pre-screened with a questionnaire about their backgrounds and beliefs; Combs’ lawyers said in earlier filings that they want to ask their opinions of “people with multiple sexual partners.” After a broader pool is established, the two sides will spar in court over how to pick 12 jurors who can impartially decide the case.
Once a jury is selected, the trial will really get under way on May 12, first with opening statements by both sides, then with witness testimony. The trial is widely expected to last at least eight weeks, though that’s only an estimate. Back in 2021, the trial of R. Kelly — another major musical artist facing RICO charges over allegations of sexual abuse — took six weeks to complete.
How will the prosecution make its case?
If R. Kelly’s trial is any guide, prosecutors are likely to offer jurors mountains of evidence and hours of witness testimony aimed at painting a vivid picture: of an all-powerful man abusing his role at the top of an organization to coerce women into sexual activity against their will.
That will likely include not just the alleged sexual assaults, but all that happened before and after them, including threats, isolation, financial dependence and blackmail. “These are the tools of coercive control,” Nadia Shihata, one of the prosecutors in the Kelly case, told Billboard last year. “In the R. Kelly case, we called it the ‘Predator’s Playbook’.”
In court documents filed early in the case, the feds said they had interviewed more than 50 witnesses during their investigation, “many of whom saw or experienced the defendant’s abuse.” They also said they had pulled evidence from over 120 cellphones, laptops and other electronic devices.
One explosive piece of evidence that jurors will definitely see is the infamous 2016 surveillance video of him assaulting his former girlfriend Cassie Ventura in the hallway of a Los Angeles hotel. Though he initially apologized, Diddy’s lawyers have fought hard to keep it out of the trial, arguing the clip would “unfairly confuse and mislead the jury.” But prosecutors called that a “desperate” attempt to avoid “crushing” evidence, and Subramanian ruled last week that it could be played at the trial.
How will Diddy’s lawyers defend him?
Since the earliest days of the case, Diddy’s lawyers have signaled that they plan to build their narrative around the idea of consent — that the star’s sexual encounters with the alleged victims, while perhaps weird and unseemly, were ultimately still consensual.
At a bail hearing days after Combs was arrested, Agnifilo hinted at that argument, telling the judge that the star and then-girlfriend Cassie had brought sex workers into their relationship because “that was the way these two adults chose to be intimate.” And at a hearing just days ago, Agnifilo suggested that Diddy was a “swinger.”“There’s a lifestyle called swingers, call it whatever you will, that he was in, that he might have thought was appropriate,” Agnifilo said, according to Reuters. “Part of the reason people think it’s appropriate is because it’s common.”
What happens if Diddy is found guilty?
Short answer: Lots of prison.
If Combs is convicted on the racketeering charge or either of the sex trafficking charges, he’s facing a potential life prison sentence; the trafficking charges alone have a mandatory minimum of 15 years, which would leave Diddy in federal prison until he was 70 years old. The Mann Act charges carry lesser penalties, with a maximum of 10 years in prison.
Recent RICO cases against alleged sex abusers don’t offer a rosy outlook for Diddy. In the R. Kelly case, the singer was sentenced to 31 years; Raniere, the NXIVM cult leader convicted of turning vulnerable women into sexual “slaves,” was sentenced to 120 years.
Even if acquitted on all charges — and court watchers aren’t optimistic — Combs is still facing a rough future. His reputation will be difficult to repair, and much of his once-formidable business empire is already crumbling. He’s also facing dozens of civil lawsuits, where he could still be held liable for monetary damages even if he’s cleared on the criminal charges.
Nelly shared his thoughts on President Donald Trump’s first 100 days in office before stepping on stage for his Stagecoach performance. In a quick interview with Fox News Digital prior to his Stagecoach set on April 26, Nelly called himself a “glass half-full type of guy” when speaking on Trump’s first 100 days back in […]
Mike Peters, the lead singer of Welsh rock band The Alarm died on Tuesday (April 29) at age 66 following a decades-long battle with cancer. The death of the author of such strident 1980s alt rock anthems as “Blaze of Glory,” “Spirit of ’76,” “Sixty Eight Guns” and “The Stand” was confirmed in a statement from the group’s publicist titled “Totally Free.”
As the lone remaining original member of the punk-turned-rootsy rock group formed in Rhyl, Wales in 1977 (originally known as The Toilets) Peters continued to tour and release music during a three-decade battle with several forms of cancer, putting himself up as an indefatigable advocate for blood cancer patients.
Last April, before launching a 50-date U.S. tour, he was diagnosed with Richter’s Syndrome, an aggressive form of lymphoma. According to the release, even after extensive treatment at the Christie NHS Foundation Trust in Manchester, U.K., including experimental therapies, doctors could not halt the cancer’s progress.
Michael Leslie Peters was born in Wales on Feb. 25, 1959 and logged time in early Hairy Hippie and The Toilets, forming the latter after being inspired by a Sex Pistols show he attended in 1976. Teaming up with childhood friend and bassist Eddie McDonald, as well as drummer Nigel Twist and guitarist Dave Sharp — initially as Seventeen — the group gelled as The Alarm in 1981, when they were signed to Miles Copeland’s IRS Records, the early indie rock home of groups including R.E.M., The Go-Go’s, Fine Young Cannibals, Wall of Voodoo and many more.
They got a crucial break when U2’s agent saw them live and invited the band to open for the then-ascending Irish group in December 1981. Their sound — a mix of acoustic roots rock, new wave balladry and howling, uplifting anthems — began to gain traction as they supported U2 on that band’s 1983 War tour.
The hard road work paid off on the Alarm’s 1984 debut album, Declaration, which spotlighted Peters’ sensitive, heartfelt lyrics on tracks including the opening salvo, “Marching On.” The anthem for youth found him wailing, “These are the kids they’re powerless/ So you tell them so/ These are the kids they’re powerful/ Don’t say you haven’t been told.”
Setting the tone for the next two decades, the album also featured such fist-in-the-air shout-along hymns to fortitude and fight as “Where Were You Hiding When the Storm Broke?,” “We Are the Light,” “Blaze of Glory” (not to be confused with the Bon Jovi song of the same name) and one of the Alarm’s most beloved calls to arms: “Sixty Eight Guns.”
The song mixed a jaunty rockabilly-meets-mariachi horns sound with another one of Peters’ rallying cries for misunderstood youth, in this case inspired by a late1960sGlasgow street gang who went by the song’s title. “They’re after you with their promises/ Promises of love/ They’re after you to sign your life away,” Peters sings in his signature urgent, raspy yowl. “Sixty-eight guns will never die/ Sixty-eight guns our battle cry/ Sixty-eight guns,” he adds on the chorus.
The group expanded their sound on 1985’s sophomore effort, Strength, which added some churchy organs to the title track and added a handful of other classics to their live repertoire, including the synth-speckled “Knife Edge” and yet another heart-pumping call to arms, the harmonica and piano painted homage to the band’s early origins, “Spirit of ’76.”
They would release three more albums during their initial run, including 1987’s Eye of the Hurricane — featuring their signature ballad, “Rain in the Summertime” — as well as 1989’s Tony Visconti-produced Change, which got them their first and only Billboard Hot 100 top 50 hit with “Sold Me Down the River” (No. 50). That album also represented one of the group’s chart peaks in America, topping out at No. 75 on the Billboard 200 album chart; Strength hit No. 39 in February 1986 and Declaration ran up to No. 50 in April of 1984.
Among their other Hot 100 charting singles were “Strength” (No. 61), “Rain in the Summertime” (No. 71) and “Presence of Love” (No. 77).
After the release of their fifth, and final, LP by the original lineup, 1991’s Raw, the band split up and got back together just one more time, for an episode of VH1’s Bands Reunited, in October 2003. Peters continued his musical march with the Poets of Justice band featuring his wife, Jules Peters, on keyboards, as well as releasing his first solo album, Breathe, in 1994, one year before his first cancer diagnosis.
Peters was diagnosed with non Hodgkin’s lymphoma in 1995, battling that form of cancer, as well as later being twice diagnosed with lymphocytic leukemia in 2005 and 2015. Taking on the disease with the same vigor that fed his songs, Peters co-founded the music-driven charity Love Hope Strength with his wife Jules — who was diagnosed with breast cancer in 2016 — as a means to raise awareness around stem cell donation. The organization’s “Get on the List” campaign at his shows helped add more than 250,000 people to the global stem cell registry.
The singer also kept a sparkle in his eye amidst his health battles, releasing an album by his hoax teen group The Poppy Fields, in 2004, scoring a hit on British radio with the blitzing “45 R.P.M.” Though the song clearly featured Peters’ signature vocals, at the time he said the masked effort was an attempt to shake-up the media’s perception of the by-then 20-plus year old band by concealing their identities and enlisting a group of younger musicians in the band the Wayriders to pose as the veteran act.
In addition to solo singles and albums, Peters, who shared the stage with icons including Bruce Springsteen and Bob Dylan over the years, performed with the indie/new wave supergroup Dead Men Walking with members of The Mighty Wah!, The Damned and the Sex Pistols and briefly joined on as the lead singer of Scottish band Big Country in 2011 following the death of singer Stuart Adamson.
In addition to touring, Peters performed the “highest show ever” on Mt. Everest in 2007, where he was joined by some other 1980s new wave legends, including Cy Curnin and Jamie West of The Fixx, Glen Tillbrook of Squeeze and Slim Jim Phantom of the Stray Cats for a show to raise cancer awareness. A tireless advocate for cancer awareness, Peters shared his stories with his fans and encouraged them to join him on mountain-climbing treks to Mount Kilimanjaro and the Himalayas and released a documentary in 2018 on the BBC about Jules’ cancer battle, While We Still Have Time.
Peters posted from his hospital room in January, his signature shock of long blonde hair shaved down to a slim mohawk, as he shared a new song, “Chimera,” which he said celebrated his receipt of his CAR-T cell therapy on what he called his “new birthday.” Peters booked a series of shows in June of this year in Wales, dubbed “The Alarm Transformation Weekends,” in advance of the upcoming release of his final album, Transformation. He also completed the second volume of his memoirs, Volume 2 HOPE – 1991-2005.
Check out some of The Alarm’s most beloved hits below.
A video of Belfast hip-hop trio Kneecap allegedly calling for the death of British MPs (Members of Parliament) is being assessed by anti-terror police in the U.K. The clip from November 2023 appears to show one member of the band saying: “The only good Tory is a dead Tory. Kill your local MP.” At the time, the Conservative Party – also known as the Tories – were in government with a large majority.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
This follows news last week that a historic video of the band expressing support for Hamas and Hezbollah – both of which are ascribed terror group status by the U.K. government – was being assessed by London’s Metropolitan Police. Under anti-terror laws, it is an offence to express support for such groups. A spokesperson for Kneecap did not respond to a request for comment.
On Sunday (April 27), a spokesperson for the Met said: “We were made aware of a video on 22 April, believed to be from an event in November 2024, and it has been referred to the Counter Terrorism Internet Referral Unit (CTIRU) for assessment and to determine whether any further police investigation may be required. We have also been made aware of another video believed to be from an event in November 2023.” The group are yet to be charged with any offence.
A U.K. government spokesman told the BBC: “We unequivocally condemn threatening remarks made towards any individual. Political intimidation and abuse must have no place in our society. We recognise the chilling effect that harassment and intimidation of elected representatives can have on our democracy. All reports of intimidation, harassment and threats are taken extremely seriously. We work with the police and Parliament to do everything in our power to crack down on threats to elected officials.”
The news comes in the wake of the fall-out following the band’s sets at Coachella earlier this month. During their performance, the band displayed a message stating, “Israel is committing genocide against the Palestinian people. It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.”
On Friday, news emerged that the group had split with their U.S. booking agent IAG, and there have been calls for the group’s U.S. work visas to be revoked. Sharon Osbourne, wife and manager of Ozzy, said, “This behavior raises concerns about the appropriateness of their participation in such a festival and further shows they are booked to play in the USA.” Kneecap are due to perform a headline tour in North America this October.
Kneecap have alleged on social media they have “faced a co-ordinated smear campaign,” saying their shows have previously “called out” the conflict in Gaza. They also suggested that they were considering legal action against the “malicious efforts.” Kneecap’s manager Daniel Lambert said the band had received “severe” death threats after Coachella.
Kehlani got on camera to give a statement regarding the cancellation of their upcoming performance at Cornell after the university’s president said the singer “has espoused antisemitic, anti-Israel sentiments.”
Cornell had booked Kehlani to headline the school’s Slope Day, an annual celebration following the last day of classes, set for May 7 this year. Earlier this week, the invite was rescinded.
Kehlani’s performance was officially canceled on Wednesday, per an email Cornell president Michael I. Kotlikoff sent to students and faculty. According to a New York Times report, Kotlikoff wrote in the email that “the selection of Kehlani as this year’s headliner has injected division and discord … In the days since Kehlani was announced, I have heard grave concerns from our community that many are angry, hurt and confused that Slope Day would feature a performer who has espoused antisemitic, anti-Israel sentiments in performances, videos and on social media.”
“I am being asked and called to clarify and make a statement yet again, for the millionth time, that I am not antisemitic nor anti-Jew,” Kehlani said on Saturday (April 26) in a video uploaded on Instagram.
“I am anti-genocide, I am anti the actions of the Israeli government, I am anti an extermination of an entire people, I am anti the bombing of innocent children, men, women — that’s what I’m anti,” they spelled out.
Kehlani continued: “In fact, the very first Live that I did in the beginning of this genocide was with a really beautiful Jewish organization called Jewish Voices for Peace, and I still continue to learn from and work alongside really impactful Jewish organizers against this genocide.”
“I want to be very clear in stating that I do believe God has plans for me and that’s not gonna stop nothing that I have going on, but I’m asked to clarify because this keeps coming up as a means to silence me, as a means to stop things that happen in my career, as a means to change the course of my life, and I just don’t believe that,” said Kehlani, who also noted they were in the studio working on new music. “So here’s the clarification that you needed. I hope this is everything you needed. Straight from my mouth, not a written statement with a white background from my notes.”
“Back to my album,” they concluded. Kehlani’s next full-length release will be the follow-up to 2024’s Crash.
Kehlani has been transparent about their support for Palestine and criticism of Israel in the Israel-Hamas war. In the singer’s 2024 “Next 2 U” video, they wore kaffiyehs, had dancers waving Palestinian flags, and featured the phrase “Long Live the Intifada.” In 2023, the musician joined a coalition of musicians to sign the Artists Against Apartheid letter, which called for a ceasefire.
Watch Kehlani’s Instagram reel from this weekend below.