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New York Knicks star Jalen Brunson proved why he was named this year’s Kia Clutch Player of the Year after delivering a huge three-point make against the Detroit Pistons in their first-round series. Despite a spirited performance from the upstart Pistons, Jalen Brunson, who seemingly lives for these moments, dropped the dagger from beyond the arc and sank the hopes of Detroit.
The Knicks visited the Pistons with a 3-2 advantage in their best-of-seven series, which got testy in game 4 with the Pistons showing plenty of fight in the contest and coming away with the win. It appeared that the Pistons were on their way to capturing the win on their home court, but the tight defense of the Knicks and their hot shooting tied things up towards the end of regulation.
Brunson faced yet another round of boos and insults from fans and a relentless onslaught of speed, offense, and defense from Detroit’s young core of Cade Cunningham, Ausar Thompson, and Jalen Duren. However, with the game tied 113-all and just 20 seconds on the clock, Brunson tied the cape around his neck and went to work.
With the much taller Thompson guarding him, Brunson shrugged off the coverage, hit a crossover dribble, and drained one of the biggest three-pointers of the 2025 NBA Playoffs. After hitting the shot, Brunson blew kisses to the crowd, and the Pistons made an effort to score, but the Knicks’ defensive scheme headed off their plans.
Brunson and the New York Knicks will now face the defending champion Boston Celtics in what’s expected to be a must-see series.
On X, Jalen Brunson’s clutch heroics were the top-trending topic. We’ve got reactions below.
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Photo: Gregory Shamus / Getty
Maroon 5 has returned with a major pop crossover moment. On Friday (May 2), the Adam Levine-fronted band unveiled their new single “PRICELESS” featuring BLACKPINK’s LISA, released via 222/Interscope Records.
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The track marks Maroon 5’s first-ever collaboration with a K-pop artist and offers a guitar-driven sound that nods to the group’s early 2000s roots, paired with LISA’s confident rap feature. The accompanying music video, shot on 35mm film and directed by Aerin Moreno, draws inspiration from Mr. & Mrs. Smith.
“It’s just a guitar-based song which we haven’t really done in so long. It happened first for us while we were recording the album. I think it’s just the purest and we are so happy to have LISA on it,” frontman Adam Levine said in a statement.
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He added, “The guitar intro is literally me playing into an audio message on my iPhone with an unplugged guitar. I actually got a little emotional recording ‘cause it was sort of reconnecting to our roots, which a lot of our fans have been saying ‘hey we want to hear that sound again.’ It’s been like over 20 years so I think it’s time for that to return.”
Teasers of the track, which Maroon 5 previewed on Instagram in late April, included Levine’s falsetto vocals alongside a rap verse from LISA: “Yeah, talk is cheap boy stop it/ Got my love that’s a real big profit.”
In the days leading up to the confirmation of “Priceless,” Maroon 5 also teased the collab by posting an Instagram photo from behind of the lead singer and a mystery woman standing side by side, gazing out of a floor-to-ceiling window at a cityscapeLISA’s IG Story also featured a clip with audio, showing the K-pop star lying back while seemingly filming a music video.
The single also serves as the first preview of Maroon 5’s upcoming 2025 album, which the band first teased during Levine’s recent appearance on The Tonight Show Starring Jimmy Fallon (April 8).
“PRICELESS” follows Maroon 5’s 2021 album Jordi, which peaked at No. 8 on the Billboard 200. For LISA, the track adds to her growing list of international collaborations as a solo artist, following the success of her 2021 debut single “LALISA” and her ongoing work with BLACKPINK.
Watch the “PRICELESS” video and stream the single now.
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Westside Gunn recently dropped his Heels Have Eyes EP, and the closing track “EGYPT” was one of the standout cuts from the quick project. After sampling Doechii‘s 2024 interview with Ebro Darden for the opening portion of the track, Westside Gunn tapped the TDE lyricist for the remix, and the verse is a show-stopper.
Heels Have Eyes was a surprise drop from Westside Gunn and released in conjunction with the Buffalo rapper’s Heels Have Eyes 6: 4 The Culture pro wrestling event from his rising promotion. The EP was Gunn’s second release for 2025 after dropping the 12 mixtape earlier this year in February.
Produced by Cee Gee, “EGYPT’s hard-as-nails beat set the perfect platter for Gunn to feast and dropped one of the strongest verses we’ve heard from Hip-Hop’s self-proclaimed top curator. And to highlight how much Gunn is tapped into the culture, Doechii, who counts herself a fan of the Griselda mastermind, delivered a face-melting set of bars that we hope leads to more collaborations with the rest of the camp like Conway The Machine, Benny The Butcher, and Armani Caesar.
Check out some lines from Doechii’s feature:
Roberto Cavalli, see the nipples through my shirt/
My Daisy Dukes prolly drag a n*gga through the dirt/
Snuck up on his mama, hit the n*gga where it hurts/
Smith Wess’s on the Glock, double C’s on the purse/
Embroidered bed sheets, 500-hundred thread count/
Almost choked on my grills tryna eat the lamb chop/
Swallowed two pills, hid the Grammy in my t*tties/
Took a PJ to see Westside’s city/
Why did Doechii do that to us? We aren’t worthy.
Check out the remix for “EGYPT” below and keep scrolling to see the reactions from fans on X.
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Photo: Getty
A little more than a month since unleashing their collaborative studio album I Said I Love You First, Selena Gomez and Benny Blanco are giving fans another romantic release by way of the record’s deluxe edition.
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The couple have adopted a swift turnaround for the release of the appropriately-titled I Said I Love You First… And You Said It Back, announcing its arrival only two days prior, on Wednesday (April 30).
“The deluxe version of my album with @itsbennyblanco is called I Said I Love You First…And You Said It Back and it’s out this Friday, 5/2!” Gomez wrote on Instagram. “There are some new songs, some favorites you might recognize, and reimagined songs from the original album. Can’t wait for you to hear them!”
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Alongside the original 14-track album, the deluxe version is complemented by an additional eight tracks, featuring unheard tracks, remixes, and collaborations.
These include fresh cuts such as “That’s When I’ll Care,” the Cake-interpolating “Talk,” and the Gomez solo venture “Stained.” Meanwhile, GloRilla is tapped for a remix of “Cowboy” while DJ Sliink offers a new version of “Bluest Flame.”
Gracie Abrams returns for an acoustic version of “Call Me When You Break Up,” and a live Vevo performance of “How Does It Feel to Be Forgotten” also joins the mix. The new set closes out with the dreamy “Guess You Could Say I’m in Love,” a collaboration with Texas shoegaze outfit Cigarettes After Sex.
The pair promoted the new drop by teasing that the video for “Talk” would drop on Thursday night (May 1), encouraging fans to “pick out your prom outfit.”
It arrived just a week after Blanco posted a video on Instagram of the couple going to the mall to get their prom pics taken after revealing that Gomez never got to go to her prom. The video shows Gomez getting ready in a purple ballgown and planting a kiss on her fiancé as they do a classic walk-down-the-stairs dress reveal. In the limo ride to the mall, Blanco excitedly leans out the window of their stretch limo and tells the driver in the lane next to him: “We’re going to prom!”
After first starting dating in mid-2023, Blanco and Gomez got engaged in December last year. In March, they dropped I Said I Love You First, their first joint album as a couple, which debuted at No. 2 on the Billboard 200.
Stream I Said I Love You First… And You Said It Back below.
Mexican American powerhouse Fuerza Regida has turned their vision into reality with the release of their ninth studio album, 111XPANTIA, released Friday (May 2). Explored through imaginative storytelling exploratory regional Mexican music sounds, the 12-track album captures the group’s hustle, evolution, and deep connection to their roots.
The title — pronounced “ixpantia” and derived from the Náhuatl word, a dialect of the Aztecs meaning “to manifest” — reflects frontman Jesús “JOP” Ortiz Paz’s lifelong belief in the power of the law of attraction and turning dreams into reality. “This is the most important album of my career, the one that brings everything together,” JOP previously told Billboard Español.
Opening with the gritty anthem “GODFATHER,” it sets the tone for an explorative ride beyond Mexican music, free of collaborations for the first time in the band’s history. From nostalgic nods like “Malboro Rojo” that evoke their early norteño-laden sound to inventive risks like the corrido synth-laced “Nocturno” and innovative banjo riffs on “Peliculiando,” Fuerza Regida expertly balances their street-inspired roots with inventiveness.
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Adding another layer of intrigue, the loop of Vicente Fernández’s live version of “Acá Entre Nos” is subtly reimagined throughout “Ansiedad,” while a hypnotic sample of Ellie Goulding’s vocals from “Don’t Say a Word” is seamlessly woven into “Tu Sancho,” adding another surprise element for fans diving into the album’s details.
111XPANTIA arrives during a period of sky-high momentum for the San Bernardino troupe, following the massive success of their No. 1 hit “Me Jalo” with Grupo Frontera — which topped Billboard‘s Latin Airplay and Regional Mexican Airplay charts — and the teaser track “Por Esos Ojos,” which has already surpassed 154 million streams on Spotify alone since its February release.
With ambition woven into every song, the album continues to testifies Fuerza Regida’s ability to dream big, push boundaries, and stay true to their roots along the way.
They are slated to perform at Madison Square Garden and Hollywood Bowl June 20 and 21, respectively. The album is now available across all streaming platforms and physical formats, including CD and vinyl.
Stream 111XPANTIA below.
Quavo is always going to do what he can to keep TakeOff’s legacy alive. Huncho joined forces with his late nephew on Friday (May 2) for the posthumous collaboration “Dope Boy Phone.” Explore See latest videos, charts and news See latest videos, charts and news The Migos frontman announced the single earlier this week with […]
Just weeks after announcing the release of their sophomore LP, English duo Wet Leg have unveiled a run of North American tour dates.
The group’s tour will officially launch in the U.K. in May before a series of festival appearances throughout Europe across the summer. In September, the band will make their way back to North America, launching an 18-date tour in Seattle on Sept. 1, and wrapping up in Los Angeles on Oct. 17.
The Isle Of Wight-formed duo – made up of Rhian Teasdale and Hester Chambers – will be hitting the road in support of their second album, Moisturizer, which releases on July 11 via Domino Records. The pair increased speculation of a new era in March, plotting a handful of U.S. dates before issuing their first new single since 2022, “Catch These Fists,” on April 1.
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“We were just kind of having fun and exploring,” said Chambers in a press release, describing the band’s creative process for Moisturizer, which involved decamping to Southwold, East Sussex, to write together in spring 2024. “We focused on: Is this going to be fun to play live? It was very natural that we would write the second record together,” added Teasdale.
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The new album was produced by Dan Carey, who also worked on Wet Leg’s debut, and features performances from the duo’s touring band: Ellis Durand (bass), Henry Holmes (drums) and Joshua Mobaraki (guitar, synth).
Wet Leg rose to fame in 2021 with the release of their debut single “Chaise Longue.” Reaching No. 15 and 21 on the Alternative Airplay and Rock Airplay charts respectively, the Mean Girls-referencing track was featured on the band’s self-titled debut LP in 2022, which reached No. 14 on the Billboard 200 upon its release.
Such was the success of Wet Leg that they scored a nomination for best new artist at the 2023 Grammys, with “Chaise Longue” taking home best alternative music performance and their LP winning best alternative music album. The group have also managed to snare high-profile support slots for the likes of Harry Styles and the Foo Fighters in stadiums around the world in recent years.
Wet Leg – 2025 North American Tour Dates
Sept. 1 – Paramount Theatre, Seattle, WASept. 3 – Malkin Bowl, Vancouver, BCSept. 5 – Revolution Hall, Portland, ORSept. 9 – First Avenue, Minneapolis, MNSept. 10 – Salt Shed, Chicago, ILSept. 12 – HISTORY, Toronto, ONSept. 13 – MTELUS, Montreal, QCSept. 14 – Roadrunner, Boston, MASept. 15 – Franklin Music Hall, Philadelphia, PASept. 17 – Summerstage in Central Park, New York, NYSept. 19 – 9:30 Club, Washington, DCSept. 21 – Shaky Knees, Atlanta, GASept. 28 – Ohana Music Festival, Dana Point, CASept. 30 – Fox Theater, Oakland, CAOct. 3 – Arizona Financial Theatre, Phoenix, AZOct. 7 – The Criterion, Oklahoma City, OKOct. 14 – Lowbrow Palace, El Paso, TXOct. 17 – The Greek Theatre, Los Angeles, CA
Even as he’s signed to one of Nashville’s biggest labels, Eric Church has amassed more than a little experience over the past nearly two decades in pushing back against the typical Music Row way of doing things, and thus, bursting the confines of how and when artists are expected to create and release albums, approach touring and build a fanbase.
Early in his career, Church was already stacking his albums with songs such as “These Boots” and “Sinners Like Me” that became fan-favorites, regardless of whether they became radio hits. Albums including Sinners Like Me and Carolina spawned hits that broke ever-higher through the ranks on Billboard‘s Country Airplay chart, and by third album Chief, he earned a double-header of Country Airplay No. 1s with “Drink in My Hand” and “Springsteen.” He’s also been quick to pivot when needed to bring music to his fans the way he wants — like after he was let go from an opening slot on Rascal Flatts’ tour in 2006, when he booked a series of club shows in the same cities, on the same nights as the Flatts tour would play, and dubbed it the “Me and Myself Tour.”
Not content with the status quo, he’s shaken things up with songs such as the marijuana-centered “Smoke a Little Smoke,” and music videos for “Lightning” and “Homeboy” that were filmed the former Tennessee State Prison. He took his 2015 album Mr. Understood directly to fans first, with a surprise release to members of his fanclub. And more recently, he’s displayed his artistic freedom onstage at freewheeling residencies and/or shows at the Country Music Hall of Fame and Museum, as well as at own Chief’s bar in downtown Nashville, and during festivals such as CMA Fest and Stagecoach.
So, it’s no surprise that many songs on Evangeline Vs. The Machine album, out today (May 2), center on the power of music as a healer, encourager, energy lifter, emotional solace and infinite creative source. However, the muses behind the steely-eyed defiance that vibrates through the album run far deeper and wider than the Nashville industry’s machinations. Inspired by the collaborative approach of New Orleans jazz, Church approached the new album with the all-encompassing, spontaneous nature of a live show, teaming again with producer Jay Joyce and bolstering his core blend of country, rock and soul with a choir, horns and full-bodied strings.
What his succinct, eight-song album lacks in length, it more than makes up for in depth of creativity and intention, with songs that stretch well beyond country music’s typical lyrical trifecta of relationships, trucks and alcohol. Evangeline Vs. The Machine finds Church writing and recording songs inspired by his own discomfort with being creatively bound, as well as by the natural disaster of Hurricane Helene and by the tragedy of the Covenant School shooting that took place in 2023.
Here, Billboard ranks the eight songs on his new project.
“Storm in Their Blood”
Australian music festival Spilt Milk has returned from a fallow year with what is shaping up to be one of the country’s biggest touring events in 2025.
Confirming its 2025 lineup on Friday (May 2), the Spilt Milk festival has announced that the four-date affair will be headlined by Kendrick Lamar and Doechii, with Sara Landry, Dominic Fike, and Schoolboy Q rounding out the topline. While Lamar’s appearance will be his first Australian visit since 2022, and the other headliners have previously performed on Australian soil, Doechii will make her debut visit to the country as part of the festival.
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D4vd, Nessa Barrett, and Sombr also join Australian producer Skin on Skin as second-tier additions, while international names such as Rebeca Black and Chance Peña join local acts The Dreggs, The Rions, Ninajirachi, and more.
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Lamar’s high-profile addition to the festival is something of a coup for the event, which first launched in 2016 as a one-day affair in the country’s capital, Canberra.
After three years of events, the festival expanded to the Gold Coast and regional Victorian city Ballarat in 2019, with the likes of CHVRCHES, Khalid, and Juice WRLD appearing on the lineup. The Ballarat edition of Spilt Milk would also serve as Juice WRLD’s final performance before his passing just one week later.
The festival returned from a COVID-induced hiatus in 2022, though announced they would be taking another year off in 2024. “Sorry pookies, we couldn’t get you the Spilt Milk you deserve this year,” event organizers wrote in July. “Sooo imma dip for a bit and come back when I can make all ur dreams come true.”
At the time, concerns were raised for the future of Spilt Milk given the cancellation of other high-profile festivals such as Splendour in the Grass, though organizers confirmed on May 1 that it would return in December 2025. The four-date affair will take place across Ballarat, Perth, Canberra, and the Gold Coast between December 6-14.
Jack Antonoff was named ASCAP Pop Music Songwriter of the Year at a private event at the Petersen Automotive Museum in Los Angeles on Thursday (May 1). The hitmaker co-wrote six of ASCAP’s most-performed songs of the past year: Sabrina Carpenter’s “Please Please Please” and no fewer than five songs by Taylor Swift: “Anti-Hero,” “Fortnight,” “I Can Do It with a Broken Heart,” “Is It Over Now? (Taylor’s Version) (From the Vault)” and “Karma.”
Antonoff, 41, has won 11 Grammys, including two in songwriting categories: song of the year for “We Are Young” (which he co-wrote with his fun. bandmates and Jeff Bhasker) and best rock song for “Masseduction” (which he co-wrote with Annie Clark, a.k.a. St. Vincent). He won best song musically and lyrically at the 2023 Ivor Novello Awards for “King” (which he co-wrote with Florence Welch of Florence + the Machine).
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Teddy Swims’ breakthrough hit “Lose Control” is the ASCAP Pop Music Song of the Year. Co-written by ASCAP songwriter Joshua “Ammo” Coleman, it set a new record for the longest run song in the top 10 of the Billboard Hot 100 (59 weeks, as of this week). The smash is published by Kobalt Music and Top Notch High Quality Music.
ASCAP Pop Music Publisher of the Year goes to Sony Music Publishing. Among their list of honored works are “A Bar Song (Tipsy)” (Shaboozey), “Hot to Go!” (Chappell Roan), “Houdini” (Dua Lipa), “Not Like Us” (Kendrick Lamar), “Stick Season” (Noah Kahan) and “Texas Hold ‘Em” (Beyoncé).
ASCAP Pop Music Award-winning songwriters this year also include Amy Allen, Beyoncé, Chappell Roan, Dan Nigro, Dua Lipa, Justin Timberlake, Justin Tranter, Noah Kahan, Olivia Rodrigo, Shaboozey and Victoria Monét.
The ASCAP Pop Music Awards honor the songwriters and publishers of the most-performed ASCAP pop songs of 2024. The winning songs are determined by data for terrestrial and satellite radio and for programmed and on-demand audio streams, all provided by Luminate Data LLC.
More information on the 2025 ASCAP Pop Music Award winners is available at www.ascap.com/popawards25.
