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While some recent industry statistics show a slowdown in the U.S. streaming market, spending remains quite healthy, according to new figures from market research firm MusicWatch.
Most notably, 50 million more Americans bought recorded music in 2024 than a decade earlier. Products included in that count are on-demand music subscriptions, paid internet radio subscriptions, physical formats such as CDs and LPs, and digital downloads. Some of that increase can be attributed to population growth over the last 10 years. The total U.S. population — including people under 13 and non-internet users who are typically not counted in market research surveys — grew by roughly 19 million over that period. But since the number of music buyers far outstripped population growth, most of the growth came from an increased interest in music products.
By MusicWatch’s estimate, about half of all Americans aged 13 to 70 — 132 million people — paid for a music subscription in 2024, including on-demand music streaming and satellite radio. Recently released RIAA figures put the subscription count at 100 million, which is an average for 2024 (meaning the subscriber count at the end of the year was higher than 100 million). Satellite radio company SiriusXM finished 2024 with 31.6 million self-pay subscribers, according to its latest financial results.
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Not only are more Americans spending money on music, they’re spending more — even after adjusting for inflation. Americans spent $112 per capita on recorded music in 2024, up nearly 10% from $102 in 2023, according to MusicWatch. Back in 2014, per-capita spending was approximately $80, which is about $91 when adjusted for inflation. Taking inflation into account, per-capita spending increased approximately 32% over the past decade.
Live music spending fared even better than recorded music, jumping 17% to $281. Ticket inflation explains some of that increase, but not all — the percentage of people who bought a ticket rose to 56% from 51% in 2023. What’s more, spending on music merchandise such as T-shirts rose 45%.
Over the last decade, streaming turned U.S. recorded music revenue growth positive after an approximately 15-year downslide caused by digital piracy and a shift to selling single-track downloads rather than albums. Digital download sales have declined sharply over the past decade — from $2.3 billion in 2015 to $329 million in 2024, according to the RIAA — and piracy still exists despite the sharp rise in music buyers. MusicWatch found that 14 million Americans admitted to stream ripping music files in 2024. “Music piracy isn’t the scourge it was 20 years ago,” MusicWatch wrote, “but it’s still happening.”
Music piracy isn’t the only old habit that dies hard. While CD sales have fallen 61% over the last decade, 56 million Americans still listen to CDs in the car, and 48 million listen to digital downloads while driving. Both numbers are in decline, MusicWatch notes, “but nevertheless they represent a massive pool of listeners.”
¡Bienvenidos a Mic’d Up! This exciting first episode is an exclusive and immersive behind-the-scenes experience of Billboard chief content officer for Latin and Español Leila Cobo’s life during Billboard Latin Music Week, a notable event in the Latin music calendar. Explore See latest videos, charts and news See latest videos, charts and news Viewers will […]
Billboard Women in Music 2025 BTS has added yet another hit music video into YouTube‘s Billion Views club, as their 2016 clip for “Blood Sweat & Tears” has surpassed the milestone. “Blood Sweat & Tears” is the group’s eighth music video to reach one billion views, and the list also includes “Butter,” “Dynamite,” “Boy With Luv” featuring Halsey […]
Billboard Women in Music 2025
Nogizaka46‘s “Navel Orange” tops this week’s Billboard Japan Hot 100, on the chart released April 2.
The 38th single by the popular girl group launched with 611,511 CDs after dropping March 26, more than its previous single. The song tops sales and comes in at No. 9 for downloads, No. 13 for radio airplay, and No. 21 for video views to give the group its 28th leader on the tally.
Mrs. GREEN APPLE’s “Lilac” drops a notch to No. 2, but continues its domination of multiple metrics. The Oblivion Battery opener rules streaming for the 30th week with 9,912,320 weekly streams, video for the 13th week, and karaoke for the 12th week.
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Sakanaction’s “Kaiju” holds at No. 3. Downloads for the Orb: On the Movements of the Earth opener are down to 74% compared to the week before, streaming 92%, radio 60%, and video 62%, while karaoke gains for the second week in a row to 113%.
Mrs. GREEN APPLE’s “Darling” rises 6-4. Karaoke for the three-man band’s latest hit increased for the ninth consecutive week to 105% and radio is also up to 103% week-over-week. The band’s long-running hit from 2023, “Que Sera Sera,” follows at No. 5, jumping 6 slots this week to re-enter the top 10. The song logs its 101st week on the Japan Hot 100 and boasts over 600 million total streams.
Outside the top 10, JO1’s “BE CLASSIC” debuts at No. 11. The lead title track off the eleven-member boy band’s best-of album, released Apr. 2, tops downloads and comes in at No. 18 for streaming and No. 4 for videos. Also, cherry blossom season is in full gear in Japan and Ketsumeishi’s “Sakura” from 2005 has re-entered the Japan Hot 100. Downloads, streaming, videos, and karaoke for the classic seasonal staple have increased and the track hits No. 89 this week.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 24 to 30, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Gracie Abrams‘ “That’s So True” ascends a spot to No. 1 on Billboard’s Adult Pop Airplay chart (dated April 5). The song is her first leader on the radio ranking. It previously became her first No. 1 on any airplay chart when it crowned Pop Airplay for two weeks in March. The song, on Interscope/ICLG, […]
Ashley Gorley, Charlie Handsome, Jessie Jo Dillon, Morgan Wallen and Jelly Roll are among the songwriters who will be honored at the 2025 CMA Triple Play Awards. This year’s ceremony, hosted by composer and CMA board member Jim Beavers, will be held Tuesday, April 29, in Nashville.
The CMA Triple Play Award is presented to songwriters who pen three No. 1 songs within a 12-month period based on the Country Aircheck chart and two key Billboard charts — Country Airplay and Hot Country Songs. (See the full list of honorees below.)
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Gorley and Handsome each had a hand in writing six No. 1 hits, which means they each pick up two Triple Play Awards. These are Gorley’s 25th and 26th CMA Triple Play Awards, extending his lead as the most decorated recipient in the award’s history. And he has an even bigger honor coming up: On June 12, he’ll be inducted into the all-genre Songwriters Hall of Fame at the annual gala at the Marriott Marquis Hotel in New York.
Dillon was nominated for a Grammy for songwriter of the year, non-classical, this year for the second year in a row. This is her first CMA Triple Play Award. Other songwriters receiving their first CMA Triple Play Awards this year are Rocky Block, John Byron, Jordan Minton and Taylor Phillips. Triple Play honorees Wallen and Jelly Roll are both notable for being superstar artists in addition to being songwriters.
CMA will also honor 73 songwriters who have achieved their first No. 1 country hit since the previous ceremony.
“Songwriters are the heartbeat of Country Music, and the CMA Triple Play Awards allow us to recognize the incredible talent and dedication it takes to write not just one, but three No. 1 songs in a year,” says Sarah Trahern, CMA CEO. “We’re also proud to celebrate those reaching their first No. 1 — a milestone that marks the beginning of many great stories. We look forward to uniting our songwriting community later this month to honor these achievements and the creative contributions that continue to shape the genre.”
Music publisher David Conrad is set to receive the 2024 CMA Songwriter Advocate Award, which honors individuals who have significantly supported and advanced the art and careers of songwriters. Conrad, a music publishing veteran with more than 35 years of experience, is a driving force in establishing Nashville as a leading songwriting hub. Starting as GM for Charley Pride‘s PiGem/Chess Music in 1973, he went on to serve as head of Almo/Irving Music’s Nashville office.
“Some of my favorite folks in the Nashville song business have been recognized before me so it’s twice the honor,” Conrad said in a statement. “This is as good as it gets, and I am privileged to be included.”
The 2025 CMA Triple Play Awards recipients are being recognized for the following songs:
Rocky Block
“Man Made a Bar,” recorded by Morgan Wallen feat. Eric Church
“Cowgirls,” recorded by Morgan Wallen feat. ERNEST
“Pour Me a Drink,” recorded by Post Malone feat. Blake Shelton
John Byron
“Thinkin’ Bout Me,” recorded by Morgan Wallen
“Pour Me a Drink,” recorded by Post Malone feat. Blake Shelton
“Love Somebody,” recorded by Morgan Wallen
Zach Crowell
“God Gave Me a Girl,” recorded by Russell Dickerson
“Stars Like Confetti,” recorded by Dustin Lynch
“Outskirts,” recorded by Sam Hunt
Jessie Jo Dillon
“Memory Lane,” recorded by Old Dominion
“Back Then Right Now,” recorded by Tyler Hubbard
“Halfway to Hell,” recorded by Jelly Roll
Ashley Gorley
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen
“Cowgirls,” recorded by Morgan Wallen feat. ERNEST
“Bulletproof,” recorded by Nate Smith
“Young Love & Saturday Nights,” recorded by Chris Young
“Love Somebody,” recorded by Morgan Wallen
“I Am Not Okay,” recorded by Jelly Roll
Charlie Handsome
“Thinkin’ Bout Me,” recorded by Morgan Wallen
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen
“Cowgirls,” recorded by Morgan Wallen feat. ERNEST
“Pour Me a Drink,” recorded by Post Malone feat. Blake Shelton
“Love Somebody,” recorded by Morgan Wallen
“I’m the Problem,” recorded by Morgan Wallen
Jelly Roll
“Halfway to Hell,” recorded by Jelly Roll
“I Am Not Okay,” recorded by Jelly Roll
“Liar,” recorded by Jelly Roll
Ben Johnson
“TRUCK BED,” recorded by HARDY
“Bulletproof,” recorded by Nate Smith
“Liar,” recorded by Jelly Roll
Chase McGill
“God Gave Me a Girl,” recorded by Russell Dickerson
“Mamaw’s House,” recorded by Thomas Rhett feat. Morgan Wallen
“Chevrolet,” recorded by Dustin Lynch feat. Jelly Roll
Jordan Minton
“Save Me the Trouble,” recorded by Dan + Shay
“your place,” recorded by Ashley Cooke
“Love You, Miss You, Mean It,” recorded by Luke Bryan
Randy Montana
“Different ’Round Here,” recorded by Riley Green feat. Luke Combs
“Where the Wild Things Are,” recorded by Luke Combs
“This Is My Dirt,” recorded by Justin Moore
Hunter Phelps
“TRUCK BED,” recorded by HARDY
“Take Her Home,” recorded by Kenny Chesney
“Bulletproof,” recorded by Nate Smith
Taylor Phillips
“Thinkin’ Bout Me,” recorded by Morgan Wallen
“World on Fire,” recorded by Nate Smith
“I Am Not Okay,” recorded by Jelly Roll
Ernest Keith Smith
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen
“Cowgirls,” recorded by Morgan Wallen feat. ERNEST
“I’m the Problem,” recorded by Morgan Wallen
Josh Thompson
“Angels (Don’t Always Have Wings),” recorded by Thomas Rhett
“Stars Like Confetti,” recorded by Dustin Lynch
“Young Love & Saturday Nights,” recorded by Chris Young
Morgan Wallen
“Mamaw’s House,” recorded by Thomas Rhett feat. Morgan Wallen
“I Had Some Help,” recorded by Post Malone feat. Morgan Wallen
“Love Somebody,” recorded by Morgan Wallen
Billboard Women in Music 2025
Zenyara Desert Nights is back and bigger than ever for 2025.
Global experiential agency Corso Marketing Group (CMG) and underground nightlife tastemakers Framework have revealed the lineup for their invite-only late-night festival series, returning April 11–13 and April 18–20, with exclusive access driven by Dorsia and in collaboration with Tao Group Hospitality.
Held at the sprawling, 70-acre Zenyara estate in the Coachella Valley, the two-weekend affair promises deep grooves, underground legends and the kind of high-touch hospitality money can’t buy — unless you’re on the list.
The 2025 lineup features a stacked roster of talent, including Bob Moses (Club Set), Vintage Culture, Mau P, WHOMADEWHO (Hybrid Set), Dixon b2b Jimi Jules, Mahmut Orhan, Damian Lazarus b2b Dennis Cruz and more. A special guest is also confirmed for Saturday, April 12 — because Zenyara never misses a surprise moment.
2025 lineups
Weekend One
Friday, April 11: Ahmed Spins, Bob Moses (Club Set), Damian Lazarus b2b Dennis Cruz, KILIMANJARO
Saturday, April 12: Special Guest
Sunday, April 13: Dixon b2b Jimi Jules, WHOMADEWHO, Yulia Niko, DESIREE, Sparrow & Barbossa
Desert Nights
Courtesy Photo
Weekend Two
Friday, April 18: Mahmut Orhan, Vintage Culture, Ahmed Spins, Beltran
Saturday, April 19: ChaseWest, Mau P, Autograf, Miramar
Sunday, April 20: Francis Mercier, Mind Against, Tripolism + more TBA
Desert Nights
Courtesy Photo
Since launching in 2018, Zenyara Desert Nights has earned a reputation as one of the most exclusive, off-site experiences of Coachella season — where the energy of a club night meets the polish of a luxury brand retreat. Past editions have featured performances from artists like RÜFÜS DU SOL, Kaytranada, Skrillex and Solomun, while attracting an elite mix of artists, designers, athletes and industry leaders from around the globe.
And just when you think they’ve peaked, enter Rodeo Nights, Zenyara’s first-ever country-inspired weekend, set for April 25–27 during Stagecoach. Full lineup details are still under wraps, but expect luxury with a side of cowboy boots.
With premium brand partners including Patrón El Alto, Red Bull, Heineken, Rivian, and Outcast, immersive activations will be spread across Zenyara’s aquatic playground, complete with a private beach, a full spa, golf and tennis courts, and a rooftop-ready infinity pool. Co-produced by CMG and Framework, in association with Dorsia and Tao Group Hospitality, Zenyara 2025 is once again shaping up to be the desert’s most coveted invite—and the late-night party everyone will wish they got into.
Save this storySaveSave this storySaveYo La Tengo and Built to Spill have announced a co-headlining tour for this summer. Set to take place across select U.S. cities, the eight-date run begins on July 10 in Atlanta, Georgia, and concludes on July 18 in Louisville, Kentucky. Check out their full list of tour dates below.These co-headlining dates will cap off Yo La Tengo’s already ongoing tour. The indie rock trio is making their way across the country this spring, with several multi-night residencies at select venues. Their newest album, 2023’s This Stupid World, also came with the five-song EP The Bunker Sessions several months later. Yo La Tengo also recently released their score from Kelly Reichardt’s 2006 drama Old Joy this past March.As for Built to Spill, their last studio album was 2022’s When the Wind Forgets Your Name. Last year, they went on a 30th anniversary tour for their 1994 LP There’s Nothing Wrong With Love.All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.Yo La Tengo & Built to Spill: Summer 2025 TourBuy Now at TicketmasterYo La Tengo:04-25 Baton Rouge, LA – Chelsea’s Live04-26 Houston, TX – The Heights Theater04-27 Austin TX – Austin Psych Fest04-29 Dallas, TX – The Kessler Theater04-30 Oklahoma City, OK – Tower Theater05-02 Santa Fe, NM – Meow Wolf05-03 Santa Fe, NM – Meow Wolf05-04 Flagstaff, AZ – Orpheum Theater05-06 Solana Beach, CA – Belly Up05-07 Pioneertown, CA – Pappy + Harriet’s05-08 Los Angeles, CA – The Novo05-09 San Francisco, CA – The Chapel05-10 San Francisco, CA – The Chapel05-12 San Francisco, CA – The Chapel05-13 San Francisco, CA – The Chapel05-15 Salt Lake City, UT – Kilby Block Party07-10 Atlanta, GA – The Eastern ^07-11 Nashville, TN – The Ryman ^07-12 St. Louis, MO – The Pageant ^07-13 Chicago, IL – The Salt Shed ^07-15 St. Paul, MN – Palace Theatre ^07-16 Milwaukee, WI – The Pabst Theater ^07-17 Fisher, IN – Nickel Plate Amphitheater ^07-18 Louisville, KY – Iroquois Amphitheater ^^ with Built to Spill
Plus, two Beatles and their spouses, Sonny & Cher and more.
Billboard Women in Music 2025 After dropping the highly anticipated “Nokia” video, Drake made some merch available on his website, andJoe Budden Podcast co-host Melyssa Ford isn’t happy about it. Explore See latest videos, charts and news See latest videos, charts and news On DrakeRelated.com, the Toronto rapper is selling a “Hot Moms Vixen” hoodie […]