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Camila Cabello is continuing the rollout for her upcoming album, C,XOXO, and the superstar took to Instagram on Wednesday (May 8) to announce a new collaboration with Lil Nas X titled “He Knows.” Explore See latest videos, charts and news See latest videos, charts and news “SHE’S A PROVOCATEUR, DANCEFLOOR CONNOISSEUR,” she captioned a close-up […]
Víctor Manuelle has teamed up with Henry Cárdenas‘ CMN Events (Cárdenas Marketing Network) for his new tour, Retromántico, and future performances as an exclusive agent, Billboard Español can announce. The collaboration covers all markets, including United States, Latin America and Europe. It does not, however, include Puerto Rico. The deal, according to CMN, promises to […]
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Future and Metro Boomin set off an explosive back-and-forth war via their recent collaborative album, WE DON’T TRUST YOU and he’s coming back this weekend with more heat. With the announcement of a new mixtape dropping on the same day, Gunna plans to drop an album some fans believe the Freebandz honcho dissed the former YSL affiliate.
Gunna, who is currently on his “Bittersweet” tour and prepping for the release of his new album, ONE OF WUN, slated to drop this Friday (May 10). The Young Stoner Life X account tweeted the news of the ew album, which the “pushin P” rapper reshared on his timeline.
Eagle-eyed fans took notice of Future tweeting about his upcoming untitled mixtape and some believe it’s an attempt to step on Wunna’s release date.
“F*ck yo album Sh*t ain’t slappin like my MIXTAPE, read the first of a series of tweets. He followed with replies that read “MAY TENTH” and “MIXTAPE PLUTO” before ending his salvo.
Gunna, perhaps in response to those lines, wrote, “F*c What These boys talkin bout” and left the cryptic message at that.
We haven’t been able to determine if a connection between the replies on X is inspired by beef but considering Hip-Hop’s current climate, fans are making up their theories. We’ve got reactions from all sides below.
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Photo: Prince Williams / Getty
Lady Gaga is releasing a new concert film on HBO and Max. The special, Gaga Chromatica Ball, premieres on Saturday, May 25. Watch the trailer below.The new movie captures Lady Gaga’s September 2022 Chromatica Ball performance at Dodger Stadium in Los Angeles. According to the HBO press release, the film includes “breathtaking live performances of some of Gaga’s biggest and most cherished hits, including ‘Stupid Love,’ ‘Bad Romance,’ ‘Just Dance,’ ‘Poker Face,’ ‘Shallow,’ ‘Rain on Me,’ and more.”Revisit the reviews of Chromatica and its remix companion, Dawn of Chromatica.Photo courtesy of HBO
Everyone has to put their foot in their mouth sometimes, even notoriously outspoken artists like English singer-songwriter Lily Allen. On Monday (May 6), the “Smile” singer formally apologized to Elton John for her years-long resentment of him — and she also revealed how it all stemmed from a grave misunderstanding on her part.
The newly-minted EGOT winner and Allen have a storied history together, with John having been her manager years ago. “He would call me like once every couple of weeks to check in and say hi and make sure I was okay,” she reminisced on the “Miss Me?” BBC podcast that she co-hosts with Miquita Oliver. “And there was some times in that period where I wasn’t okay.”
Allen was signed to John’s Rocket Music Entertainment Group when she was recording and promoting 2009’s It’s Not Me, It’s You, which peaked at No. 5 on the Billboard 200, marking her highest-charting LP in the U.S. The two officially parted ways some years later following the release of Sheezus, Allen’s third studio album, in 2014.
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“We parted ways, and I wrote this long letter to say how sad I was about the situation and that there was a big Elton-shaped hole in my life,” she said on the podcast. “Over the next few years as my life began to sort of spiral out of control, I held much resentment for the fact that I’d made myself very vulnerable in this letter and told him all about my sobriety, and I was quite cross with him for a few years.”
After Oliver probed for specifics regarding the source of Allen’s animosity toward John, she explained, “When I moved here to America, I was unpacking and I found the letter. I never sent it! Elton, if you’re listening — which you’re probably not — I love you and I no longer harbor that resentment towards you.”
While John has not publicly acknowledged Allen’s admission, the revelation does mark a relatively lighter news cycle for the controversial “5 O’Clock” singer. Earlier this year, Allen criticized the “quite calculated” campaign behind Beyoncé‘s critically lauded Cowboy Carter album, to which “212” rapper Azealia Banks replied, “You’re going to stop right there and sit this one out.”
Both Banks and Allen have been vocal critics of Queen Bey’s country pivot, which hasn’t deterred the “Texas Hold ‘Em” singer from topping both the country and Americana/folk charts with her star-studded new album.
Creepy Nuts’ “Bling-Bang-Bang-Born” returns to No. 1 on the Billboard Japan Hot 100, dated May 8, extending its record to 14 weeks atop the tally.
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The hip-hop hit dominated the chart for most of this year after it first hit No. 1 on the chart released Jan. 31 and stayed there for 13 straight weeks. The MASHLE Season 2 opener slipped to No. 2 last week (May 1) but returned to score its 14th week atop the list. The track has increased in all metrics of the chart’s methodology except streaming compared to the previous week. Downloads for the long-running hit are up by 117%, radio airplay and video views by 105%, and karaoke by 120%. And it’s far from doing poorly in streaming as well; weekly streams remain almost the same as the week before and the total has surpassed 300 million at the second fastest pace in Japan chart history.
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Moving 4-2 this week is Mrs. GREEN APPLE’s “Lilac.” The song gained 130% in downloads, 127% in karaoke, and notably, 425% in radio from the week before, hitting its highest position yet.
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Debuting at No. 3 is SixTONES’ 12th single “Neiro.” The theme song for the drama series Omukae Shibuya-kun starring member Taiga Kyomoto launched with 540,564 CDs sold, outselling the group’s previous single “CREAK” (471,285 first-week sales). The track tops sales and comes in at No. 9 for radio and No. 18 for video.
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In other chart moves, the theme song of a project by TOBE’s artists, called “Be on Your side,” re-enters the chart at No. 12 after selling 75,157 copies in its first week, and the first single “MORNING SUN” by EXILE B HAPPY — the new EXILE TRIBE music group led by EXILE TETSUYA — bows at No. 15.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Apr. 29 to May 5, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
K-pop boy band ATEEZ talk about being a part of the Grammy Museum’s K-pop exhibit with their labelmates XIKERS, their experience performing at Coachella last month, being inspired by watching other artists at Coachella like Tyler the Creator, how they define K-pop and how they feel about the rise of the global genre, working on […]
GloRilla’s anthem “Yeah Glo!” wins the No. 1 spot on Billboard’s Mainstream R&B/Hip-Hop Airplay chart as the single crowns the list dated May 11. It climbs from No. 2 after a 14% surge in plays made it the most-played song on U.S. monitored mainstream R&B/hip-hop radio stations in the April 26 – May 2 tracking week, according to Luminate.
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“Yeah Glo!,” promoted by CMG/Interscope Records/ICLG, gives rapper GloRilla, whose real name is Gloria Woods, her third No. 1 on Mainstream R&B/Hip-Hop Airplay. She previously reigned with her first two appearances: “FNF,” with producer Hitkidd, topped the list for one week in August 2022, while “Tomorrow 2,” with Cardi B, ruled for 10 nonconsecutive weeks in December 2022 – February 2023.
The “Yeah Glo!” radio rise parallels the song’s strong streams due to viral buzz on social media. It’s been especially prominent on TikTok, where users have used the song in clips in two common ways. In one version, two people rock side to side – one delivering the hook’s main lyrics, while the other acts as a hype act and lip syncs the “yeah, Glo!” ad-lib between lines. The song has also inspired a dance challenge, which GloRilla herself has noticed and participated in during her latest concerts. One video of the rapper from a stop at Louisiana State University, by user @amyroselin, has drawn 10.6 million views on the platform.
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In addition to its Mainstream R&B/Hip-Hop Airplay triumph, “Yeah Glo!” drives 7-3 on the Rap Airplay chart through a 16% increase in weekly audience. It likewise cracks the top five on R&B/Hip-Hop Airplay, which ranks songs through combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, it pushes 6-5 and registers 12.6 million in audience, up 15% from the previous week. On Rhythmic Airplay, “Glo!” grows 22-21 thanks to an 18% boost in plays at the format in the tracking week. Combined, the mounting radio activity thrusts “Glo!” 37-27 on the all-genre Radio Songs chart, where it tallied 17.4 million in total audience, a 16% week-over-week gain.
Swelling radio activity, in turn, helps fuel “Yeah Glo!” on the multi-metric Hot R&B/Hip-Hop Songs chart, which combines radio airplay results with streaming and sales data for its ranks. It climbs 13-11 on the list thanks to 17.4 million in airplay audience, 12.6 million official U.S. streams (up 7%) and 1,000 in sales (down 5%). The same statistics also spark its 59-38 swing on the all-genre Billboard Hot 100.
“Yeah Glo!” appears on GloRilla’s Ehhthang Ehhthang EP, released on April 5. The set debuted at No. 5 on the Top R&B/Hip-Hop Albums chart and has remained in the top 10 for its first four weeks, sitting at No. 8 on the current edition.
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Following President Biden keeping his promise and signing the bill that could ban TikTok in the United States, the social media platform is suing in hopes of keeping that from happening.
Spotted on the AP, TikTok and its China-based parent company ByteDance sued the US Government, challenging the law and calling for the potential banning of the popular video-sharing app and most young adults’ source of “news” if it fails to find a US-approved buyer.
ByteDance has nine months to find a buyer and gets a three-month grace period if it finds a US-approved buyer.
The lawsuit claims the US Government’s law is an attack on free speech that has never been done before and unfairly singles out TikTok.
Per The AP:
In its lawsuit, ByteDance says the new law vaguely paints its ownership of TikTok as a national security threat in order to circumvent the First Amendment, despite no evidence that the company poses a threat. It also says the law is so “obviously unconstitutional” that its sponsors are instead portraying it as a way to regulate TikTok’s ownership.
“For the first time in history, Congress has enacted a law that subjects a single, named speech platform to a permanent, nationwide ban, and bars every American from participating in a unique online community with more than 1 billion people worldwide,” ByteDance asserts in the lawsuit filed in a Washington appeals court.
President Biden signed the law as part of a larger foreign aid package. This law is the first time the US has imposed a potential ban on a single social media company.
Advocates of free speech argue that the law is similar to the behavior of oppressive regimes like China, which is ironic because the US is trying to keep US citizen’s private data out of the hands of the Chinese government.
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The lawsuit states that ByteDance has no intention of selling TikTok, which aligns with reports that the company prefers a ban over a sale. However, if it did, ByteDance would need Beijing’s blessing to make that happen.
Another sticking point is TikTok’s algorithm, which has been the “key to the success of TikTok in the United States,” which the Chinese government “made clear” in its lawsuit would be part of any sale.
According to both entities, the new law would force them to shut down in the US by Jan.19 because operating in the US would be technologically and legally impossible.
The lawsuit also claims that a US-only version of TikTok would be technologically impossible because there would be no “operational relationship” between the US TikTok app and the Chinese company.
While we don’t know what TikTok’s fate will be, one thing is for sure: This will be a long, drawn-out situation.
Maya Rudolph loved her time on Saturday Night Live so much, she never left. The comedian is set to host this weekend’s (May 11) episode of the iconic sketch comedy series, and she revealed to cast members Andrew Dismukes and Chloe Troast that she’s been living in a closet at the studio in a new […]
