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Olivia Rodrigo Sends ‘Love’ to Fans After ‘Vampire’ Debuts at No. 1 on Hot 100

Olivia Rodrigo’s “Vampire” sunk its teeth into the Billboard Hot 100 dated July 15, 2023, debuting atop the chart.

The 20-year-old pop star took to Instagram on Monday (July 10) to celebrate her third leader on the tally, sharing a screenshot of the Hot 100 top 10 and writing, “AHHHHH IM SO EXCITED AB THIS!!! thank you x1000 to everyone who bought and streamed vampire I love you!!!! and thank u to my amazing team!!!! ahhhh!!!!”

See her post here.

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“Vampire” follows Hot 100 hits “Drivers License” and “Good 4 U” in 2021, both of which also launched at No. 1. The track serves as the lead single from Rodrigo’s upcoming sophomore album Guts, due out Sept. 8, and since “Drivers License” introduced her first project, Sour, she becomes the first artist ever to debut the lead singles from two career-opening albums at No. 1 on the Hot 100.

Rodrigo’s achievement also dethrones Morgan Wallen’s “Last Night,” which now sits at No. 2 on the Hot 100 after 13 weeks at No. 1 

“We always said that it was kind of our version of a rock opera,” Rodrigo told Billboard of “Vampire,” which she wrote with her frequent musical collaborator Dan Nigro. “I think as the album was coming together, we were coming up with a bunch of songs that we really liked, but this one always stuck out to me as something that I felt like was honoring my singer-songwriter roots, but felt like an evolution – in a good way that wasn’t too stark. So, I really liked it for that, and it was always one of my favorites.”

Cesar Gueikian Named Permanent CEO at Gibson Brands

The board of directors at Gibson Brands has confirmed Cesar Gueikian as president/CEO of Gibson Brands. Gueikian, who previously served as brand president, was named as interim CEO following the exit of Gibson Brands’ former president/CEO, James Curleigh, in May.

Gueikian joined Gibson in 2018 and has been instrumental in the resurgence of the instrument maker. He helped relaunch the portfolio of brands, shape a new portfolio structure, create Gibson Media and launch Gibson TV. As a musician, guitarist and songwriter, he has also performed and recorded with artists including Mana, Kirk Hammett, and Rob Trujillo (Metallica), Rex Brown (Pantera), Dave Mustaine (Megadeth), Snake Sabo (Skid Row), Jared James Nichols, Richie Faulkner (Judas Priest) and Fito Paez.

“I have had the opportunity to work closely with Cesar as we have rebuilt Gibson over the past five years,” said Gibson Brands chairman Nat Zilkha in a statement. “He has established a remarkable track record at Gibson, shaping our product, our marketing, our artist relationships, and many of our important growth initiatives. In addition, Cesar has an extraordinary personal passion for music, and for Gibson guitars in particular.”

Gueikian added in a statement that he’s “honored and humbled” to take on the role: “The support from our board, team, artists, and fans has been overwhelming and I look forward to continuing the work we started with our leadership team, who always challenge me to be better. We have an epic history in music, which comes with responsibility, and we are constantly asking ourselves how to be more relevant and leverage our iconic past to be more creative the older we become as a brand. Our future depends on our team’s passion and pride in the work they do, and on creative collaboration with our artists around the world across genres of music.”

Lil Uzi Vert Scores Third No. 1 Album on Billboard 200 With ‘Pink Tape’

Lil Uzi Vert’s Pink Tape debuts at No. 1 on the Billboard 200 albums chart (dated July 15), earning 167,000 equivalent album units in the U.S. in the week ending July 6, according to Luminate. It’s the rapper’s third chart-topper and launches with the year’s third-largest debut, by units earned, and the biggest week of the year for any rap or R&B/hip-hop album.

Further, Pink Tape brings a rap album to No. 1 on the Billboard 200 for the first time in 2023, marking the longest wait in a calendar year for rap set to lead the list since 1993. That year, the chart didn’t see a rap set top the tally until Cypress Hill’s Black Sunday opened at No. 1 on the Aug. 7, 1993-dated chart (two years before Uzi was born on July 31, 1995).

The last rap album to lead the Billboard 200 prior to Pink Tape was Metro Boomin’s Heroes & Villains, which spent one week atop the chart dated Dec. 17, 2022. The 29-week gap between Metro and Uzi is the longest the Billboard 200 has gone without a rap album at No. 1 since 1992-93, when 34 weeks separated Ice Cube’s The Predator (one week at No. 1, Dec. 5, 1992, chart) and Cypress Hill’s first of two weeks at No. 1 with Black Sunday (Aug. 7, 1993).

Between Heroes & Villains and Pink Tape were six different No. 1s: SZA’s SOS notched 10 nonconsecutive weeks atop the list, Morgan Wallen’s One Thing at a Time logged 15 nonconsecutive frames, and four albums each led for one week during that span – TOMORROW X TOGETHER’s The Name Chapter: Temptation, Karol G’s Mañana Será Bonito, Taylor Swift’s Midnights and Stray Kids’ 5-STAR.

Also in the new top 10 of the Billboard 200, aespa notches its second top 10-charting set as third mini album MY WORLD bows at No. 9, and Rylo Rodriguez scores his first top 10 with the No. 10 bow of Been One.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 15, 2023-dated chart will be posted in full on Billboard‘s website on July 11. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Pink Tape’s 167,000 equivalent album units earned in the week ending July 6, SEA units comprise 154,000 (equaling 210.39 million on-demand official streams of the set’s 26 songs – the largest streaming week of 2023 for any rap or R&B/hip-hop title), album sales comprise 11,000 and TEA units comprise 2,000.

Lil Uzi Vert announced Pink Tape’s June 30 release just four days earlier, on June 26.

Uzi previously hit No. 1 on the Billboard 200 with Eternal Atake in 2020 and Luv Is Rage 2 in 2017. The rapper hit the top 10 with Pluto x Baby Pluto, a No. 2-peaking collaborative set with Future in 2020.

Back on the new Billboard 200, Wallen’s One Thing at a Time falls to No. 2 with 110,000 equivalent album units earned (down less than 1%) after 15 nonconsecutive weeks atop the list – the most weeks at No. 1 since Adele’s 21 logged 24 nonconsecutive weeks at No. 1 in 2011-12. One Thing at a Time has earned in excess of 100,000 equivalent album units in all 18 of its chart weeks. It extends its own record as the album with the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.

Peso Pluma’s Génesis holds at No. 3 on the Billboard 200 in its second week with 68,000 units (down 7%), Swift’s Midnights is also a non-mover at No. 4 with 54,000 (down 5%), Wallen’s former No. 1 Dangerous: The Double Album climbs 7-5 with 48,000 (up 2%), SZA’s SOS rises 8-6 with 44,000 units (down 6%) and Gunna’s A Gift & a Curse falls 5-7 with nearly 44,000 (down 20%)

Swift’s chart-topping Lover climbs 9-8 on the latest Billboard 200 with 43,000 equivalent album units earned (up 1%). Swift’s most recent album release, Speak Now (Taylor’s Version), a re-recorded edition of her 2010 No. 1 album Speak Now, bowed on Friday, July 7. If Speak Now (Taylor’s Version) premieres at No. 1 on the Billboard 200 chart dated July 22, it would mark Swift’s 12th No. 1 – surpassing Barbra Streisand for the most No. 1s among women. All 11 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless through 2022’s Midnights have debuted at No. 1. Speak Now (Taylor’s Version) is Swift’s third re-recorded project, following Red (Taylor’s Version) and Fearless (Taylor’s Version), both in 2021.

Aespa’s MY WORLD debuts at No. 9 with 40,000 equivalent album units, marking the second top 10-charting set for the Korean group. Of that sum, album sales comprise 39,000 (making the set the top-selling album of the week), SEA units comprise 1,000 (equaling 1.33 million on-demand official streams of the set’s six tracks) and TEA units comprise a negligible sum.

MY WORLD was initially released in the U.S. via retail download and streaming services on May 5, but did not chart on the Billboard 200 until now, following its CD release on June 30.

Like many K-pop releases, the CD edition of MY WORLD was issued in collectible CD packages (more than 16, including exclusive editions for Amazon, Barnes & Noble, Target, Walmart and the act’s webstore), each containing a standard set of branded merchandise items and randomized branded elements (such as photo cards, posters and stickers). Effectively all of the album’s sales in the week ending July 6 were on the CD format, with a negligible sum generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).

Rapper Rylo Rodriguez closes out the top 10 with his first top 10-charting set, as Been One debuts at No. 10 with 35,000 equivalent album units earned. SEA units comprise effectively all of that sum, equaling 47.93 million on-demand official streams of the set’s 19 songs. (Album sales and TEA units combine total a negligible sum.) Been One is the artist’s second charting effort, following the No. 37-peaking G.I.H.F. (Goat in Human Form) in 2020.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Ryan Gosling Laments Being ‘Always No. 2’ in ‘Barbie’ Song ‘I’m Just Ken’: Watch

He’s just Ken, and he has a song to share with the world. In the latest preview for the highly anticipated Barbie movie, Academy Award nominee Ryan Gosling belts out his character’s de facto theme song, “I’m Just Ken.”

In the Great Gerwig-helmed film, Gosling plays Ken to Margot Robbie’s Barbie, as the two dolls grapple with the existential adventures of the real world. “I’m just Ken/ Anywhere else, I’d be a 10/ Is it my destiny to live and die / a life of blond fragility,” Gosling croons, lamenting about how he’s “always No. 2.” The new song soundtracks a teaser in which a legion of Kens, including some portrayed by Simu Liu and Ncuti Gatwa, follow Gosling’s Ken as he performs the power ballad.

“I’m Just Ken” is just the latest example of how music is an intrinsic part of the upcoming Barbie film. Dua Lipa’s “Dance the Night,” which has thus far peaked at No. 31 on the Billboard Hot 100, soundtracks a massive dance party scene, and the film’s soundtrack has already spawned a top 10 hit on the Hot 100 with Nicki Minaj, Ice Spice and AQUA’s “Barbie World.”

Executive produced by Mark Ronson, Barbie The Album is also set to feature songs from Lizzo, Fifty Fifty, Kaliii, Ava Max, Haim, Tame Impala, The Kid Laroi, Khalid, Gayle and more. On Thursday (July 6), Oscar and Grammy winner Billie Eilish revealed that she was one of the surprise artists on the soundtrack. Co-written with her older brother and go-to collaborator FINNEAS, her contribution to the album is titled “What Was I Made For?

Barbie is not the first time Gosling has blended music and acting. In the early ’90s, the Barbie star was a child actor on Disney Channel’s Mickey Mouse Club alongside fellow child performers Britney Spears, Christina Aguilera and Justin Timberlake. In 2017, he earned his second career Academy Award nomination for best actor in a leading role for his acclaimed performance in Damien Chazelle’s movie musical La La Land.

Watch Gosling sing “I’m Just Ken” above.

Megan Moroney Plays Fishing for Answers | Billboard Country Live

Megan Moroney plays Fishing for Answers at Billboard’s Country Live event.

Megan Moroney:
What’s up, y’all? I’m Megan Moroney, and I’m going Fishing for Answers with Billboard.

“What’s your secret talent?” I can do the ABCs backwards. Z, Y, X, W, V, U, T, S, R, Q, P, O, N, M, L, K, J, I, H, G, F, E, D, C, B, A. I don’t know when or how I learned how to do that.

“Where’s the craziest place you’ve ever run into a fan?” Probably the bathroom at Chili’s.

“What’s your favorite dance move, and can you show us?” It’s the worm and moonwalk, but I’m not going to do either of those. I’m in a dress.

“Best concert you’ve ever attended?” The Eras Tour. No question.

Oh, God, this one is so hard. “Who’s your style icon and why?” I don’t really have one. I just wear whatever the hell I want.

“Who was your musical inspiration growing up?” Definitely Miranda Lambert and, in high school, Kacey Musgraves.

“Who’s made you the most starstruck?” Meg Thee Stallion. She sat in front of me at the CMT Awards, and I was just in awe. She’s so pretty.

“First celebrity crush?” Probably Zac Efron. I feel like that’s everyone’s first celebrity crush.

Watch the full video above!

Billie Eilish Teases ‘What Was I Made For’ in ‘Barbie’ Film Promo

Billie Eilish revealed just days ago that she’s joined the star-studded list of artists contributing to the Barbie soundtrack, and the 21-year-old superstar teased her emotionally driven track in a short teaser clip posted to Instagram on Monday (July 10).

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In the 30-second promotional video, a voice is heard telling Barbie, played by Margot Robbie, to “take my hand, close your eyes, now, feel.” A soft, melancholy piano melody plays in the background before Eilish is heard singing the title of the track, “What Was I Made For.”

“absolutely over the MOOOOON excited for you to see this,” she captioned the post. See the clip here.

“What Was I Made For” is slated for a July 13 release and features contributions from Eilish’s Grammy-winning older brother, FINNEAS.

Executive produced by Academy Award-winning songwriter and producer Mark Ronson, the Barbie soundtrack is set to feature songs from some of contemporary pop’s biggest and brightest stars, such as Lizzo, Fifty Fifty, Kali, Gayle, Khalid, Haim and Ava Max. A slew of singles have already been released from the soundtrack, including two that have reached the Billboard Hot 100: Dua Lipa’s “Dance the Night” (No. 31) and Nicki Minaj, Ice Spice and AQUA’s “Barbie World” (No. 7).

Barbie hits theaters on July 21.

Here’s When ‘Rap Sh!t’ Season 2 Premieres

Max’s original series Rap Sh!t will premiere its second season on Thursday, Aug. 10, the streaming service announced Monday (July 10).

It was first revealed that Rap Sh!t would be renewed for a second season last September. “We are so excited to continue this journey with Shawna and Mia and the incredibly fun world of Rap Sh!t. With the wonderfully comedic and unique perspectives of Aida Osman, KaMillion, Issa Rae, Syreeta Singleton and the team at Hoorae, season two is sure to bring even more seducing and scheming,” Sarah Aubrey, head of original content at Max, said in a statement at the time.

The first two episodes of season two will premiere on Aug. 10, while the remainder of the eight-episode season will continue releasing episodes weekly. The finale will air on Thursday, Sept. 21.

Season two follows Shawna (played by Aida Osman) and Mia (KaMillion) and their rise to fame as Miami’s hottest new rap duo, but the two “find themselves at a pivotal moment in their rap career as they are forced to decide if they will stay true to themselves or conform to the demands of the music industry,” according to a press release.

Jonica Booth, RJ Cyler and Daniel Augustin are also part of the season two cast.

Rap Sh!t is executive produced by Issa Rae and showrunner Syreeta Singleton, as well as Montrel McKay for Hoorae, Jonathan Berry, and Dave Becky for 3 Arts Entertainment, and Jim Kleverweis. City Girls‘ Yung Miami and JT, Kevin “Coach K” Lee and Pierre “P” Thomas for Quality Control Films and Sara Rastogi and Jax Clark for Hoorae also serve as co-executive producers. Rae’s audio content company Raedio handles music supervision for the series.

Watch the teaser for Rap Sh!t season two below.


https://youtube.com/watch?v=tqR76mqILkU&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

DaBaby Dropped From Copyright Lawsuit Against Dua Lipa Over ‘Levitating’

DaBaby has been dropped from a copyright lawsuit accusing him and Dua Lipa of ripping off their smash hit “Levitating” from decades-old songs.

In an order Monday (July 10), a Manhattan federal judge granted a request by lawyers for L. Russell Brown and Sandy Linzer to voluntarily dismiss the rapper from their case, which claims Lipa’s massive hit infringed their 1979 song “Wiggle and Giggle All Night” and their 1980 song “Don Diablo.”

The accusers did not explain why they were dropping their case against DaBaby (real name Jonathan Lyndale Kirk), who featured on a popular remix of Lipa’s song. But they made clear that the case would continue against Lipa herself and music companies involved in the song: “For the avoidance of doubt, plaintiffs maintain and do not hereby dismiss their claims against any other defendant in this matter.”

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An attorney for Brown and Linzer declined to comment on why they had dismissed DaBaby from the case. An attorney for DaBaby did not return a request for comment.

Brown and Linzer’s case, filed in March 2022, was one of two federal copyright lawsuits filed in quick succession over “Levitating” — a massive hit that spent 77 weeks on the Hot 100 and was named the No. 1 Hot 100 song of 2021. The case claimed the melody that starts just a few seconds into “Levitating,” when Lipa sings “If you wanna run away with me,” was a “duplicate” of a similar passage featured in the two earlier songs.

The other “Levitating” case, filed just days earlier by a reggae band named Artikal Sound System, claimed Lipa had lifted her song’s core hook from their little-known 2015 song “Live Your Life.” But the band dropped that lawsuit last month, just days after a federal judge cast serious doubt on whether Artikal could prove that Lipa ever even heard their song.

Though Brown and Linzer’s case will continue against Lipa, they could be facing a similar ruling soon.

Last summer, Lipa’s lawyers made the same arguments as they made in the Artikal case, saying the two accusers could not prove that she had ever had “access” to the earlier songs — a make-or-break requirement for any copyright lawsuit. Brown and Linzer’s attorneys have countered that their songs had millions of listens on internet platforms, giving the “Levitating” writers ample opportunity to hear them.

A ruling on that question is pending.

Jack Harlow’s First Wax Figure Makes Its Debut at Madame Tussauds Las Vegas

Another rapper has been immortalized in wax! On Monday (July 10), Madame Tussauds Las Vegas revealed that Jack Harlow is one of the lastest celebrities to enter its gallery, and the result is so good, the “Whats Poppin” singer could not believe the similarities.

Madame Tussauds shared an Instagram video of the Kentucky native meeting his wax figure for the first time alongside the unveil. Harlow hilariously remarked on the figure’s beauty, and expressed previous doubts that the wax could mimic his appearance so accurately.

“Damn! Wow … he’s just beautiful, Jesus. That is crazy. Is this mine? Everything just looks like he’s about to come to life. It’s good. He’s cut. I just wanna knock his a– over, you know? Way, way exceeded my expectations,” he said in the video. “I was worried I was going to see him and be like, ‘OK, this is funny because it’s an attempt,’ but it looks just like me for real.”

The figure, which took around six months and 20 studio artists to create in the museum’s London location, is dressed in the custom-designed suit by Musika New York from his video for “Churchill Downs (feat. Drake).” As for the accessories, Harlow’s wax figure wears diamond studs, a Rolex and a jewel encrusted Kentucky-shaped pendant that hangs from a chain in its hands. 

“Jack Harlow’s new figure is a perfect addition to our museum,” said Linsey Stiglic, marketing manager for Madame Tussauds Las Vegas, in a press release. “His confidence, humor, and of course, music is admired by all, and we’re so thrilled to welcome him to our Las Vegas attraction.”

See Harlow’s wax figure reveal below.

‘Vampire’ Week: Olivia Rodrigo Soars In Atop Both Billboard Global Charts

Olivia Rodrigo’s “Vampire” blasts in at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 15).

The song introduces Rodrigo’s sophomore album Guts, due Sept. 8.

Plus, Taylor Swift’s “Cruel Summer” surges from No. 9 to No. 3 on the Global 200 and hits the Global Excl. U.S. top 10, jumping 14-7. The song was originally released on her 2019 album, Lover, and is now being promoted as her newest single.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which started in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Tale of the Crypt: ‘Vampire’ No. 1 on Global 200

Olivia Rodrigo’s “Vampire” launches at No. 1 on the Billboard Global 200, as it drew 86.3 million streams and sold 13,000 downloads worldwide from its release June 30 through July 6.

The song is Rodrigo’s third Global 200 leader, following “Drivers License” (eight weeks on top) and “Good 4 U” (six) in 2021, both of which also debuted at No. 1.

Rodrigo becomes the first woman with as many as three No. 1s since the Global 200 began in 2020, and overall joins only BTS (seven) and Bad Bunny (three) with at least that high a total. (Justin Bieber, BLACKPINK, Drake and Taylor Swift each boast two No. 1s.)

Rodrigo is also the first woman with three No. 1 debuts on the Global 200. Overall, only BTS (five) has more.

Miley Cyrus’ “Flowers” descends to No. 2 on the Global 200, after 13 nonconsecutive weeks at No. 1 beginning upon its debut in January; Swift’s “Cruel Summer” charges 9-3, up 16% to 44.1 million streams and 4% to 5,000 sold worldwide; Eslabon Armado and Peso Pluma’s “Ella Baila Sola” dips 3-4, after six weeks at No. 1 starting in April; and Yng Lvcas and Peso Pluma’s “La Bebe” falls to No. 5 from its No. 2 high.

Rodrigo Also New Atop Global Excl. U.S.

Olivia Rodrigo’s “Vampire” likewise premieres at No. 1 on the Billboard Global Excl. U.S. chart, with 51.5 million streams and 4,000 sold outside the U.S. June 30-July 6.

The song is Rodrigo’s second Global Excl. U.S. leader, after “Drivers License” dominated for nine weeks in 2021. She ties Swift for the most No. 1s among women since the chart originated in 2020.

YOASOBI’s “Idol” recedes to No. 2 on the Global Excl. U.S. chart, following three nonconsecutive weeks at No. 1 beginning in June; Miley Cyrus’ “Flowers” slides 2-3, after 13 weeks at No. 1 starting in January (as it tied Harry Styles’ “As It Was” for the chart’s longest command); Fifty Fifty’s “Cupid” keeps at No. 4 after two weeks on top beginning in May; and Yng Lvcas and Peso Pluma’s “La Bebe” drops 3-5 after hitting No. 2.



Elsewhere in the Global Excl. U.S. top 10, Swift’s “Cruel Summer” flies 14-7, with 29.7 million streams and 1,000 sold (up 19% in both metrics) outside the U.S. Released on Swift’s 2019 album Lover, and now being promoted as her newest single, the song becomes her 11th Global Excl. U.S. top 10, the most among women and tied for second with BTS among all acts, after Bad Bunny’s 14.

“Cruel Summer” has been gaining momentum in recent weeks, as Swift has been performing it on her current Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 15, 2023) will update on Billboard.com Tuesday (July 11). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.