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Friday Dance Music Guide: The Week’s Best New Tracks From Joy (Anonymous), Jauz, Tiga & Hudson Mohawke & More

This week in dance music: we talked to the legend Green Velvet (who assured us he doesn’t actually feel legendary) and rounded up the best new dance projects out this week.

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Joy (Anonymous), “JOY (Up The Street)”



The Label: Astralwerks

The Spiel: Joy (Anonymous) emerged out of London in the wake of the pandemic with a brightly energetic hybrid of electronic music that’s as emotive as it is effective in getting crowds moving. (And if that sounds like someone else you know, bear in mind that the duo is friends and collaborators with fellow parenthesis enthusiast Fred again..) The sophomore Joy (Anonymous) album, Cult Classics, demonstrates the pair’s efficacy with music that’s tightly produced, extremely warm and as deep as it is playful. Made over the last year, the album’s foundations were forged at Imogen Heap’s house in east London, where the guys — Henry Counsell and Louis Curran — invited a fleet of collaborators over, with the fun and humanity of those sessions evident throughout the no-skips LP.

The Artists Say: “This has been a journey sonically and emotionally over the last two years,” the pair wrote on Instagram. “you are the reason this record got finished, it was your reactions and feedback in the Joy meetings that made realize it was done, so thank you! this is just another journal entry in our tide based journey so keep an eye on it for more things to come.”

deadmau5, “Ghosts ‘N’ Stuff” (Jauz Remix)



The Label: mau5trap

The Spiel: In the 14 years since its release, deadmau5 and Rob Swire’s “Ghosts ‘n’ Stuff” has become an all-time classic, a simultaneously of-the-era and totally timeless song that some producers have cited as the reason they started making electronic music. A remix thus seems like an impossible and/or superfluous task, but Jauz’s new edit (only the third official remix in the track’s history) demonstrates an inventive freshness, with the Bay Area producer keeping the bones of the original — including the entirety of Swire’s call-to-arms vocals — but paring down portions, extending segments and adding a kind of wavy mechanical touch that altogether really works. The track drops ahead of deadmau5’s headlining shows this weekend at Red Rocks Amphitheater, with Jauz, Good Times Ahead and Volaris on support act duties.

The Artist Says: “Making a remix for a song as revered and respected as ‘Ghosts n’ Stuff’ is honestly almost an impossible task,” says Jauz. “It was intimidating and humbling, to say the least. But it was also a great exercise to remind myself how to stop putting pressure and expectation on myself, and just make whatever comes out naturally. I made eight different versions of this remix and this is the only one that really felt like ‘me.’ Thanks to Joel and the team for letting me remix one of the greatest electronic records of all time.  It was an honor and such a cool experience”  

Tiga, Hudson Mohawke & Jesse Boykins III, “Silence of Love”



The Label: Love Minus Communications

The Spiel: Tiga and Hudson Mohawke continue their LMZ project with “Silence of Love,” on which vocalist Jesse Boykins III uses his almost painfully gorgeous voice to repeatedly request, “Won’t you meet me in the quiet?,” over a track that builds to an immersive lushness that’s anything but.

The Artist Says: “It’s a song,” Tiga writes, “about finding the essence of life in the quiet space that only love can provide.”

PEEKABOO, Eyes Wide Open



The Label: Peekaboo Music/Create Music Group

The Spiel: PEEKABOO’s debut album came hot out of the gate, with its lead single “Badders” (featuring Skrillex, Flowdan and G-Rex) racking up seven million streams in the two months since its release. That track was just a preview of the heaviness the Detroit producer serves throughout his debut album Eyes Wide Open, a 13-track collection of thick, sometimes spooky and thoroughly tough-as-nails productions, with collaborators including Zeds Dead, Grabbitz and LYNY.

The Artist Says: “Thank you all so much for supporting me on this journey so far,” the producer writes. “The last 5 years have been the craziest of my life and I’m so grateful to everyone in this community.” 

Nicole Moudaber & The London Community Choir, “Rise Up”



The Label: Nothing Else Matters

The Spiel: We all have those tracks that make us scream “I love this song!” when they come on in the club. For Nicole Moudaber, one of those song’s is Soul Providers’ 2001 single “Rise,” which the techno producer and the London Community Gospel Choir put their own mega-joyful spin on with today’s “Rise Up.” The track is more of a house production than Moudaber’s usual techno output, but the way she pairs the wall of synth with the choir’s exclamations to keep rising conjures a certain dark club toughness that will get dancers reaching for the light.

The Artist Says: “This single has always resonated with me on a deeply personal level, but it is also so relatable on a universal level – considering all that is happening in the world right now,” says Moudaber. “The message ‘Rise, Rise Up, Dust off and do it again’ is such a powerful message: together we can come together and rise up to the next level. We recorded with eight members of the London Community Gospel Choir and let me tell I had goosebumps! I think we made a little piece of magic that day. I am so happy you guys can all finally hear it”

Blink-182 Earns Second Rock & Alternative Airplay No. 1 With ‘One More Time’

Blink-182 earns its second consecutive and total No. 1 on Billboard’s Rock & Alternative Airplay chart, as “One More Time” tops the Nov. 11-dated ranking.

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The song lifts from No. 2 to No. 1 with 9 million audience impressions, up 11%, in the Oct. 27-Nov. 2 tracking week, according to Luminate.

The song follows the group’s “Edging,” a 17-week leader on the list beginning nearly a year ago.

Concurrently, “One More Time” rules the Alternative Airplay survey for a fourth week. It also rises 5-4 on Mainstream Rock Airplay, marking Blink-182’s second-highest-charting entry, after “Edging” reached at No. 2 in January.

“One More Time” is also bubbling under Adult Alternative Airplay; should it chart, it would become the band’s first appearance there.

The song has crossed over to non-rock radio formats, too. It rises 32-29 on Adult Pop Airplay, having become the band’s first title to make the tally since “I Miss You,” which peaked at No. 24 in 2004.

On the most recently published multi-metric Hot Rock & Alternative Songs chart (dated Nov. 4), reflecting activity Oct. 20-26, “One More Time” ranked at No. 10. In addition to its radio airplay, the song earned 3.8 million official U.S. streams and sold 2,000 downloads in that span.

The song is the second single from Blink-182’s LP One More Time…, the trio’s ninth studio album and first since the return of guitarist and vocalist Tom DeLonge. The set debuted at No. 1 on the Billboard 200 dated Nov. 4 with 125,000 equivalent album units earned.

All Billboard charts dated Nov. 11 will update on Billboard.com on Tuesday, Nov. 7.

The Beatles’ 50 Top Songs on the Billboard Hot 100

On the Billboard Hot 100 dated Jan. 18, 1964, Steve & Eydie, the duo of Steve Lawrence and Eydie Gormé, and The Beach Boys made room for a new act in between them. The former rose from No. 52 to No. 44 with their track “I Can’t Stop Talking About You” and the latter fell 38-46 with “Be True to Your School.”

At No. 45? “I Want To Hold Your Hand,” its debut marking the first Hot 100 hit for The Beatles. The single by the quartet — George Harrison, John Lennon, Paul McCartney and Ringo Starr — would quickly become the group’s first No. 1, beginning a seven-week stay atop the chart dated Feb. 1, 1964.

Just over six years later, The Beatles had racked up a record total 20 Hot 100 No. 1s. With 71 entries, including 34 top 10s, the most among groups, through the chart dated Nov. 4, 2023, the Fab Four’s impact on the Hot 100 has been so huge that the band reigns as the top-performing act in the survey’s history.

Meanwhile, over 59 years since their debut, The Beatles have released what’s billed as their last single together, “Now and Then.” The song, which premiered in full Nov. 2, 2023, completes what Lennon began as a demo tape, Harrison, McCartney and Starr worked on in the mid-1990s, and McCartney and Starr, with the aid of new technology, turned into the latest intriguing chapter in Beatlemania.

Of all their songs, which stand as The Beatles’ biggest Hot 100 hits? Browse their 50 best-performing singles below.

The Beatles’ 50 Biggest Billboard Hits recap is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames are weighted to account for the difference between turnover rates from those years.

Viola Davis Busts a Move to Beyoncé’s ‘Break My Soul’ on ‘Hunger Games’ Set in Full Costume: Watch

After attending Beyoncé’s historic Renaissance World Tour earlier this year, is it any surprise that Viola Davis was jamming along to the music icon’s Billboard 200-topping dance record while filming The Hunger Games: The Ballad of Songbirds & Snakes?

In a Thursday (Nov. 2) behind-the-scenes TikTok posted to the official Lionsgate account, the Academy Award winner releases her wiggle while listening to Queen Bey’s “Break My Soul” in full costume and makeup.

As wardrobe team members are adjusting her hair and makeup, the How to Get Away With Murder Actress wiggles her shoulders in time to the pre-chorus and chorus of Beyoncé’s Grammy-winning hit, which reached No. 1 on the Billboard Hot 100, becoming the first of two Hot 100 top 10 hits from Renaissance. In the clip, Davis is in full glam as Dr. Volumnia Gaul, the head gamemaker of the 10th Hunger Games in The Ballad of Songbirds & Snakes.

Davis has frequently expressed her love for Beyoncé, and at the top of this year, both entertainers made history with their respective Grammy victories. With four wins for her Renaissance album, Beyoncé officially became the most-awarded act in Grammy history. As for Davis, her best spoken word album victory helped her become just the third Black woman in history to achieve EGOT (Emmy, Grammy, Oscar, Tony) status.

The new Hunger Games prequel is set to hit theaters on Nov. 17, just under two weeks before the earliest public screenings of Beyoncé’s highly anticipated Renaissance documentary concert film (Nov. 30). Just as the initial four Hunger Games filmed gifted audiences memorable musical moments such as Taylor Swit & The Civil Wars‘ “Safe & Sound” and Lorde’s “Yellow Flicker Beat,” The Ballad of Songbirds & Snakes will arrive with a Rachel Zegler-led soundtrack.

Zegler’s Lucy Gray Baird is the film’s female lead, and she will sing eight songs on the soundtrack — including her haunting cover of Jennifer Lawrence’s “The Hanging Tree” — with additional contributions from Sierra Ferrell, Molly Tuttle and Olivia Rodrigo. “Can’t Catch Me Now,” Rodrigo’s new original song for the film, arrived on streaming platforms on Friday (Nov. 3).

Check out Viola Davis getting her groove on below:

Behati Prinsloo Reveals 3rd Child With Adam Levine Is a Boy, Says Singer Was ‘So Nervous’ Cutting the Umbilical

Nearly a year after Maroon 5 singer Adam Levine and wife Behati Prinsloo welcomed their third child, the Victoria’s Secret model has finally revealed some details about the newest addition to their family. In a chat with actresses Teresa Palmer and Sarah Wright Olsen on The Mother Daze podcast, Prinsloo said that daughters Dusty Rose, 7 and Gio Grace,5, now have a little brother to play with, marking the first time the couple has revealed the sex of their newborn.

Prinsloo said the baby (whom she referred to as “he”), was born in January and arrived 10 days past her due date and that after skipping an epidural or water birth, the experience was exhausting, but also joyful. “I was in this state of bliss but also insane pain and bliss and pain and bliss, and I was fighting this… rollercoaster of feelings and pain…levels,” she said.

She also detailed how Levine, 44, who was present for the birth of the couple’s daughters, was also by her side “every step of the [way]” through their son’s birth and that he still can’t stop talking about the experience. “It was his favorite thing to watch and to be there and to help me through it … and people telling him what to do to help me too,” Prinsloo said.

Prinsloo added that she felt “so connected” to her husband of 10 years, especially when he cut their son’s umbilical cord, which was tricky because he’s left-handed. “He’s a leftie, so… the scissors, it’s always a mess,” she said of Levine’s participation, which she noted made him “so nervous.”

The couple have mostly kept baby No. 3 out of the public eye, giving a teasing glimpse of the unnamed boy in a June Instagram Story in which they posted a pic of the singer lifting their bundle of joy high in the air, with the child’s face obscured out of frame.

Listen to Prinsloo on The Mother Daze podcast here.

Laura Pausini, Latin Recording Academy’s 2023 Person of the Year: ‘I Didn’t Think That Was Possible’

In a few days, Laura Pausini will be honored as the Latin Recording Academy’s 2023 Person of the Year — becoming the first artist born outside of Latin America or Spain to receive the accolade, one of the biggest handed out each year as part of the Latin Grammy Awards celebrations. And although the news took her by surprise, she proudly says that she feels Latina.

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“For 30 years I always say that I am the most Mexican, most Argentinian, most Spanish Italian… because I have grown up spending many days of my life with you,” says the Italian pop legend, who has recorded in Spanish since the beginning of her career. “Maybe not my blood, but my soul, my ideas, my ideals, I have made them grow with yours, and I feel Latin.”

On Wednesday, Nov. 15, on the eve of the 24th edition of the Latin Grammys — which for the first time leave the United States to take place in Seville, Spain — Pausini will be celebrated at a gala in which other stars will perform versions of her well-known repertoire. It’s something she has done for other Persons of the Year, from Juan Gabriel in 2009 to Marc Anthony in 2016 to Marco Antonio Solís last year. That means she knows the drill, and won’t know in advance who will sing for her that night, or which songs they will sing.

What she does know is that she will be accompanied by her entire family to cap off a year of great personal and professional achievements, including her March wedding to Paolo Carta after 18 years together; the recent release of Almas Paralelas, her first studio album in five years; her upcoming world tour, which starts in December; and of course, her award as Person of the Year.

“It is the true celebration of a life, of the lives of us Pausinis. I don’t see it only as my career,” says the star. “My family is obviously the one that knows the most about my love for Spanish, for Latin America, and my parents are very excited, my daughter, my husband, my sister will come.”

Born in Faenza, Italy, Pausini started her music career at age 19, rising to fame in 1993 after winning the 43rd Sanremo Music Festival. Her records have sold more than 70 million copies worldwide, she has done nine world tours, and landed three songs in the top 10 on Billboard’s Hot Latin Songs chart: “Las Cosas Que Vives,” “Víveme” and “Como Si No Nos Hubiéramos Amado” — all of them Spanish versions of songs she originally recorded in Italian.

A Latin Grammy and Grammy winner, Pausini also shares a Golden Globe Award with Diane Warren for best original song, for “Io sì (Seen)” from the movie The Life Ahead, which was also nominated to an Oscar. Beyond music, she has been honored with the Starlite Humanitarian Award, the Global Gift Humanitarian Award, and was named Person of the Year by the Diversity Media Awards for her support of the LGBTQ+ community, among other honors.

“Laura Pausini is one of the most talented and beloved artists of her generation whose commitment to advocacy and equal rights is exemplary,” said Manuel Abud, CEO of The Latin Recording Academy, when the award was announced in May. “Throughout her more than three-decade career her extraordinary voice continually breaks down barriers across languages and genres, creating a special bond with audiences around the world.”

You have had a year full of emotions. How do you feel now, just a few days before being honored as Person of the Year?

I feel blessed, I must say, because after 30 years [career] what is happening in my life is not obvious. I realize all that and I feel very grateful. I hope I deserve all that, and that’s why I work so much, especially for the people who are still there, who continue to believe in me, perhaps more than myself, and give me the strength to continue.

What did you think when they told you that you were the Latin Recording Academy’s Person of the Year, being an Italian artist?

They told me that the president [Manuel Abud] wanted to talk to me. Since I had finished co-hosting Latin Grammys a few months earlier with Anitta, Thalia and Luis Fonsi, I thought that something was not good and that he wanted to tell me something about it. So we started this Zoom and he told me: “Laura, on behalf of the Academy, I want to tell you that you are the Person of the Year.”

I mean, very unexpected! Especially because of what you’ve said, I’m Italian, so I didn’t think that was possible for me. I asked him if I could video-call my father, since he was the one who instilled in me the love for music… Each of us was in another city, the three crying with joy. I really started sobbing like crazy, it was very emotional.

I didn’t expect it at all and I am very grateful that I am the first [honoree] who was not born in a Latin American country [or in Spain]. But, for 30 years I always say that I am the most Mexican Italian, the most Argentine, the most Spanish, the most everything, because I have grown up spending many days of my life with you. Maybe not my blood, but my soul, my ideas, my ideals, I have made them grow with yours, and I feel Latin.

Last year, you sang at the Marco Antonio Solís tribute as Person of the Year, and you have also done so at other galas in the past. How do you feel now that you will be the one honored and others will sing your songs for you?

(laughs) That makes me smile. Besides, I’m starting to imagine who will sing, whether it will be my friends I know or new singers. I have no idea because you can’t know, and I know how it works because, as you said, last year I sung for Marco Antonio, but I also sung for Marc Anthony and also for the great Juan Gabriel, so I already had the experience of being on stage as a guest while the Person of the Year did not know. So, this time it’s my turn and I receive it with great pride.

What do you expect from that night?

Well, my whole family will come, and it is the true celebration of a life, of the life of us Pausinis — I don’t see it only as my career. My family is obviously the one that knows the most about my love for Spanish, for Latin America, and my parents are very excited, my daughter, my husband, my sister will come. I don’t know if I can fully make people understand what it means for a person who has always been considered a “foreigner” to feel part of you. For us as a family it is to feel truly loved, as if we were born there. It’s something really very deep that touches a life within a person, more than a career.

You just released your first album in five years, Almas Paralelas. Why did it take so long?

Never before had so much time passed between the previous album and the new one, and I have to say that a lot of things have happened in my life in recent years, some incredible as you also already know, like the Golden Globe, an Oscar nomination, starring in a docu-film about my life… But there have also been moments of great insecurity, fear, doubt, especially thinking about the future as a woman, obviously as a mother, and logically as a singer.

I questioned how I could deserve, for example, the new awards that I won, because with every award that you win comes a new responsibility, and I was afraid of not being able to have new responsibilities. I wondered if I was really capable of accepting a daily challenge with what is happening today, every day, between the wars, imagine in Italy during COVID, but more importantly, with myself. So the truth is that I was blocked for a time. I needed help, and thanks to the people who are by my side, close to me, I regained some of my strength and then I began to challenge myself again, and worked, in a very long search, on new songs. I also worked hard to get to the point where I had the nerve to put my voice and face before everyone’s judgment.

Now I am very happy with what I am singing on my new album, Almas Paralelas. It is a truly conceptual album that covers 16 stories of real people that are different from each other. It is an album that celebrates diversity and the right to individuality, which in my opinion should be respected more as citizens of the same streets, but with different souls, different dreams, different desires. So on this album it’s like we live in a world with shared places, but not necessarily the same ideas. And in this world represented [on the album cover] by the street and its zebra crossing, I’d like there to always be respect and love between the individuals who inhabit it, and I would like for the listener to fall in love with the human beings who live like souls on a parallel path.

What have you learned about yourself in these 30 years of career?

I have learned that my stubbornness has saved me many times. My determination to be very honest with myself, and then with the audience, has allowed me to have no regrets — although it may have happened that some songs work better than others… Sometimes I’ve been suggested to change my style, or adapt more to what worked on the radio. At this point, I am happy to have been determined to listen to my skin in the selections of the songs, obviously trying to have new artists by my side, new producers who will help me maintain my melodic style, but with more contemporary, current sounds. I didn’t want to change.

In reality, I have not changed; I have grown in age and mentality, but I am not a different person. My ideals are the same, so I want my music to continue to be a reflection of my mind.

Friday Music Guide: New Music From Jung Kook, The Beatles, Olivia Rodrigo and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Jung Kook makes an extended statement, The Beatles give one last farewell, and Olivia Rodrigo remains impossible to pin down. Check out all of this week’s picks below:

Jung Kook, Golden 



Jung Kook has spent his entire career on an upward trajectory — first within BTS, scoring global hits and conquering stadiums, and more recently as a solo artist, notching billions of streams (literally) with a sleek brand of pop and smart collaborations. Golden, his debut solo album, takes some time to reflect on those dizzying highs, but also wants to keep the good times rolling: “Closer to You” (created with Major Lazer) allows Jung Kook to hop between forceful declarations and intimate breaths, while songs like the yearning dance track “Somebody” and the opulent surefire hit “Standing Next to You” demonstrate why Jung Kook deserves to be considered a superstar on his own.

The Beatles, “Now and Then”



Positioning a piece of music as “the final Beatles song” naturally provides it with weighty expectations that are impossible to match — so consider “Now and Then,” a demo recorded in the ‘70s that was revived with modern technology and features all four members, a surprise treat hiding in their hallowed discography instead. Along with a new music video directed by Peter Jackson, the wistful, understated “Now and Then” serves as a subtle reminder of the band’s continued power, now more than a half-century removed from their original studio album.

Olivia Rodrigo, “Can’t Catch Me Now” 



Although some of the lyrics to Olivia Rodrigo’s new single “Can’t Catch Me Now,” which comes from the soundtrack to The Hunger Games: The Ballad of Songbirds & Snakes, seem to document an action sequence from the upcoming prequel film (“But I’m in the trees, I’m in the breeze / My footsteps on the ground,” Rodrigo sings), the pop superstar provides a gentle touch to the lilting acoustic track reminiscent of the softer moments from recent sophomore album GUTS. Instead of aiming at flash for the end credits, Rodrigo has unveiled a heartfelt new edition to both the Hunger Games musical canon and her own catalog.

Megan Thee Stallion, “Cobra” 



Megan Thee Stallion’s “Cobra” opens with a two-note electric guitar chug that serves as a snarl — and while Meg has flaunted plenty of braggadocio over the course of her career, her new single warns against getting too close because of how wounded she’s feeling. “Ayy, damn, I got problems / Never thought a bitch like me would ever hit rock bottom,” she spits, locating an impressive balance between emotional vulnerability and head-knocking hooks on “Cobra.”

Marshmello, Sugar Papi 



Marshmello has founded a sprawling, globe-trotting career on deferential collaboration, bending his aesthetic towards various artists in the worlds of pop, rock, R&B, country and everything in between. Sugar Papi, a full-length journey into Latin music, unsurprisingly features a star-studded guest list that includes Young Miko, Nicky Jam, Farruko, Anuel AA, Manuel Turizo and Fuerza Regida, among many others — yet the project sounds authentic and hard-earned, with Marshmello augmenting his featured artists without ever overpowering them, a skill that he’s developed throughout his run.

Editor’s Pick: Spiritual Cramp, Spiritual Cramp



The members of San Francisco punk group Spiritual Cramp have been kicking around for years, both releasing EPs together and operating separately in other projects — but their self-titled debut carries the kinetic energy of a brash young band barging onto the rock scene with intentions of shaking things up. The hooks here are stylish and relentless, each sugary melody cloaking the band’s anger at the state of the world; like plenty of great punk groups, Spiritual Cramp want you to hum along and question authority in equal measure.

Tiffany “New York” Pollard Drags Omarosa For All The Filth, X Applauds The Legend

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Jason Aldean Says ‘Try That In A Small Town’ Video Backlash Was ‘A Little Surprising’

Four months after creating a firestorm with his “Try That in a Small Town” video, Jason Aldean professes to still not understanding what all the fuss was about. In an interview with the Los Angeles Times promoting his just-released 11th studio album, Highway Desperado, the 46-year-old singer said the backlash to the song and video was “a little surprising” to him.

“I mean, I felt like the song would probably start a conversation about the state of the country,” he said of the track that was labelled as pro-gun and a “modern lynching song” by detractors who said the threat-filled lyrics appeared to promote violence. “Us putting that song out and it doing what it’s done just shows me there’s a lot of people out there that feel the same way I feel,” he said of the track that hit No. 1 on the Billboard Hot 100 for a week before suffering a historic fall from the top spot.

After incorrectly claiming that there are “laws being passed” that prohibit shop owners from retaliating against thieves — the Times noted that an early version of a California Senate bill had a provision that would have prohibited businesses from requiring non-security employees from confronting shoplifters — the singer said he “made a point” in the song’s video to show “people of all races and colors doing things that in my opinion were not cool.”

The controversial video that had Aldean performing in front of the Maury County Courthouse in Columbia, TN — the site of the 1927 lynching and hanging of 18-year-old Henry Choate over allegations that he sexually assaulted a white girl, as well as the spot of a 1946 race riot in which two Black men were killed — was pulled from CMT shortly after its debut.

Lyrics challenging those who would “carjack an old lady at a red light,” “cuss out a cop” or “pull a gun on the owner of a liquor store” were juxtaposed in the visual with images of an American flag burning, protesters clashing with police, looters breaking a display case and thieves robbing a convenience store. The narrative also featured images of a Black Lives Matter protest that appeared to be edited out after the backlash.

Asked if he would have shot the video elsewhere had he been aware of the the well-known history of the video’s location, Aldean said it would have been “more of a conversation,” offering that there have been “a ton of things” that were shot on the same location “and it was never brought up. Then all of a sudden, our video comes out. People were trying to find something where there was nothing.”

When the interviewer asked if lines such as “around here we take care of our own” couldn’t potentially be seen as “white people circling the wagons,” or at the least a “pretty hysterical portrait of urban chaos” Aldean said, “you could take it as that if that’s how you want to take it. But the way you take it, versus the way I said it and meant it, it’s not necessarily accurate. It’s a very simple message: What I see happening, I’ve never seen that in the towns I grew up in in Georgia. It just doesn’t happen, and it wouldn’t last.”

Aldean was also asked to comment on a show he played last year at Nashville’s Bridgestone Arena in which the crowd booed when he mentioned fellow country star Maren Morris in the midst of his long-running feud with the singer. Morris had earlier taken Aldean and his wife, Brittany, to task for her transphobic comments; Morris’ recent single, “The Tree,” was accompanied by a video that was seen as a response to the “Try That” clip.

“I’ve never talked to her for more than probably 10 seconds. So I don’t really have an opinion about her,” he said of Morris. “The only thing I knew was that she was coming after my wife in the media. Obviously, her and I are on completely different ends of the spectrum as far as our beliefs. But I don’t know her at all, truly. That’s what was so weird for me: This chick’s coming after us, and I’ve never even talked to her before. Yet she claimed to know so much about me and my wife somehow.”

In a lightning round of questions, Aldean was asked if President Biden was legitimately elected and responded, “depends on who you ask,” while confirming that he was “very happy” with his decision to not get the COVID-19 vaccine. As for whether he wants twice-impeached, four-times indicted former one-term president Donald Trump to be the GOP nominee next year, he said it “wouldn’t hurt my feelings. I like Trump. Hung out with him a couple times — been very cool to me. I have nothing but good things to say about the guy.”

Pardison Fontaine Dragged For Filth After Megan Thee Stallion Raps About Alleged Infidelity In “Cobra”

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Jay-Z's 40/40 Club Celebrates 18th Anniversary

Source: Johnny Nunez / Getty / Megan Thee Stallion

Megan Thee Stallion is BACK and coming in HOT with “Cobra,” the first single off her newly formed imprint, Hot Girl Productions, that has the Hotties screaming yaaaassss, and giving her ex, Pardison Fontaine, the side eye.

Thee Stallion gets really introspective on her latest single, “Cobra,” and details all the drama she had to deal with to get back to this point.

Amidst all the excitement for the new song, Megan Thee Stallion’s former boo, Pardi, is catching all of the strays. In the explosive second verse of the song and accompanying music video, the Houston rapper details some infidelity that went down in her bed.

“Pulled up, caught him cheatin’/ Gettin’ his d*ck sucked in the same spot I’m sleepin’,” the “Hot Girl Summer” crafter raps.

While not saying his name directly, the Hotties and everyone else quickly assumed she was talking about Pardi. The couple, who made their relationship official in 2021, dated for two years before quietly splitting up.

Thee Stallion was spotted with Belgian soccer player Romelu Lukaku at a wedding for his teammate—no word on if the two are still dating.

While Pardi is now linked to Burna Boy’s long-rumored ex, Jada Kingdom.

The Hotties Are BIG MAD

No surprise, following the salacious bars, the Hotties are H O T and have been reading Pardi for filth on X, formerly known as Twitter. “pardison FONTAINE, t*ry l*nez, and fuck ass DR*KE… count your fuckin days,” one X user wrote. 

While others are just flat out saying they will put their hands on the rapper/songwriter, “Pardison Fontaine, when I catch you…” another post on x read. 

We don’t condone violence here at HipHopWired. Still cheating on Megan Thee Stallion with some other woman in her bed, we totally understand why the ladies, especially the Hotties, are BIG MAD.

Damm Pardi.

You can see more reactions in the gallery below.

Photo: Johnny Nunez / Getty

2. Well damn

3. Accurate