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Benny The Butcher & Lil Wayne “Big Dog,” Plies “Choke” & More | Daily Visuals 11.3.23

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National Urban League 21 Pillars Tour - Interrupting Racism Summit

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While Benny The Butcher’s been making random guest appearances all over the place on numerous rappers records, the man hasn’t had a big name collabo in quite some time but today the bully out of Buffalo gets to cookin’ with one of the Hip-Hop greats and we couldn’t be happier with the end product.

Linking up for the black-and-white visuals to “Big Dog,” The Butcher and Weezy get their Sin City vibe poppin’ as they take the the dead of night with some vicious dogs as their backup and spit the kind of bars to remind y’all how they keep they respective blocks on lock. As cool as this was we’re still waiting on a new Griselda project. Just sayin.’

Plies meanwhile seems to be into that freaky ish that could accidentally get you locked up as in his clip for “Choke” the self-proclaimed goon shows that he has a nack for putting his hands around the neck of his female lovers. As long as it’s consensual it should be all good, right?

Check out the rest of today’s drops including work from Rara, Hbc Jerms, and more.

BENNY THE BUTCHER & LIL WAYNE – “BIG DOG”



PLIES – “CHOKE”



RARA – “DOPE FLOW FREESTYLE”



HBC JERMS – “BACK UP”



LUHBODY – “POPLAR”



BIG SAD 1900, BLUEFLAG 1900 & MADNORTH 1900 – “DO MY 1 TWO”



BLOODLINE BEEZY & FMB DZ – “DRIP WALK”



ROME STREETZ – “SHAKE & BAKE”



2023 Rock & Roll Hall of Fame Red Carpet Photos

The Rock and Roll Hall of Fame red carpet welcomed a slew of stars to the Barclays Center in Brooklyn on Friday (Nov. 3) night to honor the Rock Hall’s Class of 2023.

This year sees the induction of Kate Bush, Sheryl Crow, Missy Elliott, George Michael, Willie Nelson, Rage Against the Machine and The Spinners. Additionally, DJ Kool Herc and Link Wray see induction in the musical influence category; Chaka Khan, Al Kooper and Taupin enter the ranks in the musical excellence field; and Don Cornelius is inducted with the Ahmet Ertegun Award.

The eclectic Rock Hall Class of 2023 brought out performers and presenters who spanned hip-hop, rock, pop, R&B and country: Adam Levine, Brandi Carlile, Carrie Underwood, Chris Stapleton, Common, Dave Matthews, Elton John, H.E.R., Ice-T, LL Cool J, Miguel, New Edition, Olivia Rodrigo, Queen Latifah, Sia, Stevie Nicks and St. Vincent.

Even before the ceremony started, the Barclays Center was lit. When it was announced that LED wristbands, which were provided for the audience, would factor into Missy Elliott’s performance, the crowd roared its excitement to see the hip-hop trailblazer take the stage.

The night of the show, Kate Bush confirmed she would not be attending.

“I am completely blown away by this huge honour – an award that sits in the big beating heart of the American music industry. Thank you so much to everyone who voted for me. I never imagined I would be given this wonderful accolade.”

Bush didn’t provide a reason for her absence, but the art rock icon is known as an artist who shies away from the spotlight (not to mention that she doesn’t exactly love flying). “I’m afraid I won’t be able to attend the ceremony tonight, but for me the real honour is knowing that you felt I deserved it.”

SiriusXM Shares Spike 20% on Q3 Earnings As Music Stocks Post Big Gains Overall

Shares of SiriusXM gained 20.1% this week following the company’s third-quarter earnings on Tuesday (Oct. 31) that showed the satellite radio company, which also owns music streamer Pandora, was more profitable despite flat revenue and small losses of self-pay satellite and Pandora subscribers.

Shares of SiriusXM rose to $4.95, its highest closing price since Aug. 3. With the help of a 155,000 increase in promotional subscribers, the company’s total satellite radio subscribers were flat at 34 million. Revenue was unchanged from a year ago at $2.27 billion, but SiriusXM’s net profit grew nearly 50% to $363 million.

Investors will be watching intently next Wednesday (Nov. 8) when SiriusXM unveils a new streaming app as well as in-car innovations and new programming. “This leading content and upcoming product upgrade will be paired with our unmatched business model, which we expect to continue delivering significant and growing free cash flow in the years ahead,” said CEO Jennifer Witz during Tuesday’s earnings call

The 20-stock Billboard Global Music Index gained 6.9% to 1,394.40, its best week-on-week performance since the index gained 7% in the week ended Nov. 25, 2022. Last week, the index almost fell into correction territory — a 10% decline from its recent high — but this week’s gains reduced the deficit to the high of 1,447.32 (week ended July 21) to 3.7%.

Eighteen of the index’s 20 stocks finished the week in positive territory. Of the two stocks to decline this week, Hipgnosis Songs Fund dropped only 0.8% while Abu Dhabi-based Anghami fell 15.9%. 

Led by SiriusXM, the index’s three radio stocks had an average weekly gain of 13.3%. iHeartRadio, the largest radio company in the United States, gained 16.8% to $2.50. The company will report quarterly earnings on Tuesday (Nov. 9). Cumulus Media shares improved 2.9% to $4.91. Additionally, the index’s four live music companies gained an average of 8%, while record labels and publishers as well as streaming companies had average one-week gains of 3.8%. 

Round Hill Music Royalty Fund was removed from the index this week after the completion of its $468 million acquisition by Concord. At the acquisition price of $1.15 per share, the London-listed Round Hill Music Royalty Fund gave investors a 47.4% year-to-date return. 

Stocks everywhere enjoyed a strong week as the U.S. Federal Reserve left interest rates unchanged on Wednesday, leading investors to predict the central bank would forgo further rate hikes. In the United States, the Nasdaq composite rose 5.9% and the S&P 500 gained 5.2%. In the United Kingdom, the FTSE 100 rose 1.7%. South Korea’s KOSPI composite index gained 2.8%. 

Live Nation shares rose 10.9% after the company’s third-quarter results on Thursday showed that the company hit all-time records in revenue and adjusted operating income (AOI). Total revenue reached $8.2 billion, up 32% year over year, and AOI rose 35% to $836 million. Ticketmaster revenue grew 57% to $833 million in the third quarter. Through mid-October, Ticketmaster sold 140 million tickets to Live Nation events — more than the 121 million sold in full-year 2022. 

Even though consumers are feeling pinched by inflation, demand continues to be strong across venue sizes and geographies, according to president/CEO Michael Rapino. “I have weekly booking calls with the over 40 presidents around the world and we talk about from clubs up to stadiums and festivals,” Rapino said during Thursday’s earnings call. “We have not seen anything taper off in any sense.”

Other stocks surpassing a 10% gain were Chinese music streamer Cloud Music, which gained 12.7% to 96.35 HKD ($12.31), and New York-based Reservoir Media, which gained 12.1% to $5.95. Reservoir Media will release its latest quarterly results on Tuesday (Nov. 7). 

Mariah Carey on The Beatles’ Chart Record, New Music From Jung Kook, Olivia Rodrigo & More | Billboard News

It’s Friday, November 3rd, and we’re breaking down all the new music releases this week! Jung Kook’s debut solo album ‘Golden’ is out now, Olivia Rodrigo drops a new track titled “Can’t Catch Me Now” for ‘The Hunger Games: The Ballad of Songbirds & Snakes,’ The Beatles release their final song “Now and Then” and more! Mariah Carey pranked Jimmy Kimmel on his show ‘Jimmy Kimmel Live!’ this week and opened up about The Beatles’ chart record and paying her children to join her on tour. Billboard’s staffers were at some showstopping concerts this week. We give you an inside look at Doja Cat’s Scarlet Tour in LA, the moment when Carlos Vives was surprised by Shakira during his stop in Miami and more!

Tetris Kelly
Jung Kook has arrived and more new music. We have City Girls on the couch. Mariah Carey tells Jimmy how she feels about The Beatles. We go to concerts with Doja Cat and Kim Petras and play ‘This or That’ with Keityn. Happy ‘Golden’ day! It’s Friday, November 3rd. I’m Tetris Kelly, and this is Billboard News. There’s so much music and news today, so I’ll stop rambling and give you the first entry in our Friday Music Guide.

Tetris Kelly
After back-to-back hit singles, Jung Kook has given us his first full solo album with ‘Golden.’ More new music will be coming at you throughout the show, but let’s get to some news.

Tetris Kelly
What a way to wake up. Mariah season is here and she pranked Jimmy Kimmel and stopped by his show to give an interview with all the Mimi we needed.

Tetris Kelly
In the most Mariah Carey way possible, the superstar woke up Jimmy Kimmel at 2 a.m. in his home to declare it’s time for Christmas season. And now that it’s time to play her 19th No. 1 on repeat that she cared that The Beatles just put out a new song that could add to their 20 No. 1s,

Tetris Kelly
And her kids will be joining her on her Christmas tour. But will they be getting paid?

Tetris Kelly
Actually, now I need to call Mariah. Gotta love a moneymaking opportunity, Ms. Carey.

Watch the full video above!

Every Time BTS Has Appeared on Late-Night Shows

BTS are no strangers to late-night talk shows, whether its putting on a jaw-dropping performance or showing off their personalities in interviews. Now, the group is joining the late-night scene one at a time, with Jung Kook set to make his solo Tonight Show debut on Monday, Nov. 6, as a guest and performer.

Jung Kook’s appearance on The Tonight Show Starring Jimmy Fallon comes just three days after the release of his debut solo studio album, Golden, which arrived first thing Friday (Nov. 3). The new record houses a pair of Billboard Hot 100 top five hits: the Latto-assisted “Seven” (No. 1) and Jack Harlow collaboration “3D” (No. 5). On Monday, Spotify confirmed that “Seven” became the fastest song to reach 1 billion streams in the platform’s history — doing so in just 108 days.

And while it’s Jung Kook’s first time on the late-night stage solo, he’s a veteran to shows like the Tonight Show, The Late Late Show With James Corden, Jimmy Kimmel Live! and The Late Show With Stephen Colbert. Since 2017, BTS have been regulars on late-night shows, giving their fanbase, affectionately called the ARMY, plenty of content to enjoy.

To celebrate Jung Kook’s debut solo Tonight Show performance, we at Billboard have compiled every single U.S. late-show appearance from BTS and its solo members. See them below in chronological order.

Dolly Parton Hailed by Lainey Wilson, Darius Rucker, Sting & More in ABC Special Trailer: ‘We All Need More Dolly’

Leading up to this year’s CMA Awards in Nashville, Dolly Parton takes ABC News’ Robin Roberts behind the scenes of her new album, Rock Star.

The hourlong ABC News special Dolly Parton – From Rhinestones to Rock & Roll will air Tuesday from 10-11 p.m. ET. Together, Parton and Roberts discuss Dolly’s collaborations with numerous rock artists on her new album, including Paul McCartney, Ringo Starr, Pat Benatar, Peter Frampton, John Fogerty and Steven Tyler. Current CMA Awards co-host Luke Bryan will host the special.

They also discuss the stories behind many of Parton’s iconic fashion looks over the years. Those fashions and stories make up Parton’s newly released book Behind the Seams: My Life in Rhinestones. The book was also celebrated during the recent grand-opening celebration of Parton’s fashion exhibit at Lipscomb University in Nashville.

The trailer for the hourlong special features a plethora of artists discussing what they love about the 77-year-old member of both the Country Music and Rock & Roll Halls of Fame. The special features appearances from Jelly Roll, Carly Pearce, Keith Urban, Cody Johnson, Miranda Lambert, Sting, Lainey Wilson, Darius Rucker, Tim McGraw, Jordan Davis and Luke Combs.

“Ask me what I love about Dolly Parton, and I’ll say everything,” “Need a Favor” singer Jelly Roll says in the special.

Though Parton’s accomplishments, talent and confidence are world-class, she also reveals to Roberts that she has her moments of nervousness too.

“I’m scared sometimes, you know, I’m not made of stone,” Parton says at one moment in the preview clip.

The upcoming CMA Awards, hosted by Bryan and Peyton Manning, will air live on ABC from Nashville’s Bridgestone Arena on Nov. 8. Leading this year’s nominees are Lainey Wilson with nine nominations (including her first entertainer of the year nod) and first-time nominee Jelly Roll, with five nominations.

See the trailer for Dolly Parton – From Rhinestones to Rock & Roll below:



Kelly Clarkson Is Ready for the Holidays With Jazzy ‘Love, You Didn’t Do Right By Me’ Cover: Watch

With Halloween officially behind us, the holiday season is now in full swing — and so is Kelly Clarkson‘s daily Kellyoke segment on The Kelly Clarkson Show.

The American Idol alum, who earlier this week sank her teeth into a cover of Olivia Rodrigo’s “Vampire,” swapped the spooky vibes for something much lighter and jazzier, delivering her unique take on Rosemary Clooney’s 1954 track “Love—You Didn’t Do Right by Me” on Friday (Nov. 3).

Her band Y’all — which included a pianist, drummer, cellist and bass guitarist this time around — followed Clarkson’s vocals with ease as she hit the track’s soaring high notes and gave special attention during moments that put her stunning vibrato on display.

“Love you didn’t do right by me/ I’m back on the shelf and I’m blaming myself but it’s you/ My one love affair didn’t get anywhere from the start/ To send me a Joe who had winter and snow in his heart wasn’t smart/ Love You didn’t do right by me/ As they say in the song…you done me wrong,” she delicately sang on the chorus of the track.

The song was written by Irving Berlin for the 1954 American musical film White Christmas and was performed by Clooney in the holiday movie. The Christmas classic was directed by Michael Curtiz and starred Bing Crosby, who contributed the title song to the soundtrack.

Clarkson’s latest Kellyoke serves as a warm-up for her next gig as host and performer at NBC’s annual Christmas in Rockefeller Center telecast. The program is slated to air on Wednesday, Nov. 29, at 8 p.m. ET on NBC and will stream on Peacock.

Watch Clarkson’s latest Kellyoke cover in the video above.

Metro Boomin’s Red Bull Symphonic Concert: Exclusive Photos

The Weeknd once sang “Metro Boomin turn this ho into a mosh pit” on their Billboard Hot 100 No. 1 hit “Heartless,” but last Thursday (Oct. 26), he turned Los Angeles’ Dolby Theatre into an entire hip-hop symphony during his Red Bull Symphonic concert.

His one-night-only experience marked the West Coast premiere of the Red Bull Symphonic, which showcases a collaboration between a modern artist and a classical musical director, together with a full-scale orchestra. It made its U.S. debut last November, when Rick Ross teamed up with conductor Maestro Jason Rodgers and the 50-piece, all-Black Orchestra Noir in Atlanta.

The hip-hop superproducer partnered with conductor Anthony Parnther (Encanto, Star Wars: The Mandalorian, Creed II, Black Panther: Wakanda Forever) and the Symphonic Orchestra to reimagine many of his biggest hits, including Future‘s “Mask Off,” Migos and Lil Uzi Vert‘s “Bad and Boujee,” Post Malone and Quavo‘s “Congratulations,” Kanye West‘s “Father Stretch My Hands, Pt. 1” and his own “Creepin’” alongside The Weeknd and 21 Savage. Considering his star-studded list of collaborators, Metro also treated attendees to surprise guests John LegendSwae LeeNav and Roisee to perform songs from his 2022 Billboard 200-topping album Heroes & Villains and the 2023 Spider-Man: Across the Spider-Verse soundtrack he executive produced.

“Sh–’s so beautiful,” Metro told his devout fans. “Tonight is a celebration. We celebrate music, we celebrate culture, we celebrate y’all for listening to this music and making it what it is.”

Check out exclusive behind-the-scenes and performance photos from his Red Bull Symphonic show below.

Kate Bush Confirms She Won’t Attend Rock Hall Induction Ceremony: ‘The Real Honour Is Knowing That You Felt I Deserved It’

It looks like Kate Bush will stick to running up hills instead of Rock & Roll Hall of Fame stages. The “Wuthering Heights” singer is set to be honored at the Rock & Roll Hall of Fame induction ceremony on Friday night (Nov. 3), but a new statement confirms that she will not attend the Barclays Center-hosted celebration.

Bush opened the statement — which was posted to her official artist website — with heartfelt appreciation. “I am completely blown away by this huge honour – an award that sits in the big beating heart of the American music industry,” she wrote. “Thank you so much to everyone who voted for me. I never imagined I would be given this wonderful accolade.”

Alongside Bush, Sheryl Crow, Missy Elliott, George Michael, Willie Nelson, Rage Against the Machine and The Spinners will all be inducted into the Rock & Roll Hall of Fame this year.

“The RRHOF [Rock & Roll Hall of Fame] has welcomed me into the most extraordinary rostrum of overwhelming talent,” she mused. “When I was growing up my hero was Elton John. I pored over his music, longed to be able to play piano like him and longed to write songs that could move people in the way his work moved me.”

Last year, Bush earned a surprise runaway hit in 1985’s “Running Up That Hill (A Deal With God).” The song climbed all the way to No. 3 on the Billboard Hot 100 — becoming the most successful song of her career on the Billboard charts in the process — after it was used in a pivotal scene in season 4 of the Emmy-winning Netflix sci-fi drama Stranger Things. She referenced the phenomenon, writing, “Last year was such a surprisingly successful time for my track [‘Running Up That Hill’] and I’m sure that a lot of you who’ve voted me [into] the RRHOF also drove that track up the charts. Thank you!”

She continued, “I’m afraid I won’t be able to attend the ceremony tonight, but for me the real honour is knowing that you felt I deserved it.”

Bush did not give any explanation for her absence. For all intents and purposes, Bush’s statement acts as a de facto acceptance speech. She made sure to thank her biggest inspirations and closest collaborators, as well as wax poetic about what music means to her.

“Music is at the core of who I am and, like all musicians, being on the journey of trying to create something musically interesting is rife with feelings of doubt and insecurity,” she wrote in closing. “I’m only five foot three, but today I feel a little taller.”

Click here to read Kate Bush’s full statement.

Most Tracks on Spotify Won’t Earn a Royalty Under New Scheme

Most tracks on Spotify will not be eligible to receive royalties based on the company’s proposed royalty scheme that will go into effect in 2024. That’s because a track must reach a threshold of 1,000 streams within 12 months to receive royalty payouts, according to an article this week written by Kristin Graziani, president of music distributor Stem. A source with knowledge of the plan confirmed the details to Billboard.

According to Spotify’s Loud & Clear website, 37.5 million tracks had surpassed 1,000 all-time streams as of 2022. That’s out of a catalog of 100 million tracks at the end of 2022, per Spotify’s 2022 annual report. In other words, almost two-thirds of Spotify’s catalog has never reached the 12-month minimum stream count to be eligible to receive royalties. Given that’s all-time streams since the company launched in 2008, it stands to reason that fewer yet will reach 1,000 streams within a 12-month period.

While this 1,000-stream threshold affects a large number of tracks, it doesn’t impact much of Spotify’s royalties to creators and rights holders. Implementing the threshold will shift about 0.5% of Spotify’s royalty pool to more popular tracks, a source tells Billboard. That was equal to about $46 million in royalties in 2022, based on Spotify’s $9.27 billion cost of sales that year, which represents virtually all royalty payouts.

Tackling fraudulent streams could have a larger impact than a minimum threshold. Spotify’s new royalty scheme also imposes financial penalties for music distributors and labels when fraudulent activity has been detected on tracks they uploaded. That should incentivize distributors to locate and remove fraudulent tracks before they can get to streaming platforms.

Various estimates put fraudulent tracks’ share of listening — at Spotify and elsewhere — at 3% to 10% of total streams. With the 2022 global streaming market valued at $17.5 billion, according to the IFPI, up to $1 billion worth of streaming royalties globally is ending up in the wrong hands. Removing those fraudulent streams from eligibility means all other tracks will receive a greater share of the royalty pool.

French music company Believe would get a “significant double-digit” percentage growth in its market share at Deezer under the company’s new artist-centric royalty scheme, Believe CEO Denis Ladegaillerie said during the company’s Oct. 24 earnings call. The bulk of that impact comes from fighting streaming fraud and abuse, said Ladegaillerie, adding that Deezer has a “much higher” level of streaming fraud and abuse than Spotify and Apple Music. In contrast, he added, changing how royalties are allocated to artists would impact an “extremely marginal” amount of royalties.

A cleaner, easier way to improve all artists’ royalties — one resisted by streaming services until recently — is to raise subscription prices. Every time a streaming service raises fees by 10% — such as Spotify going from $9.99 to $10.99 per month in the U.S. in July — the royalties earned from those subscribers increase a commensurate amount. Deezer has raised its price twice in less than two years. Amazon Music, Apple Music and YouTube Music have also raised prices in the last year.