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Jason Mraz Punches His Ticket for ‘DWTS’ Finale

Jason Mraz has barely put a foot wrong during his stint on Dancing With The Stars.

The two-time Grammy Award winner stayed true to form Tuesday night (Nov. 28), for the semi finals of ABC’s DWTS.

Fresh from topping the leaderboard with a perfect score, Mraz and his dance partner Daniella Karagach had two bites at the cherry. First up, a Viennese Waltz, a routine performed to his own song “I Won’t Give Up”. The performance was “refined,” remarked Carrie Ann Inaba. But it wasn’t perfect, earning a score of 27 out of 30.


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Next up, the duo did the double with a Paso Doble, dancing to “Diablo Rojo” by Rodrigo y Gabriela. The pressure was on, but they didn’t show it as their efforts landed a perfect 30 out of 30. Inaba said she was “looking for magic,” and “that dance was magic.”

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Bruno Tonioli remarked that Mraz was so good, he looked like a “man possessed by the devil”.


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Would dancing like the devil be enough to get Mraz to the finals? Well, the short answer is yes. The 57/60 scorecard was enough to place Mraz and Karagach in fourth place. The longer answer involves a twist, which sees all five groups of contestants advance to the finale, with the judges’ scores from the semis carrying over.

Last week, the 46-year-old singer did the business on Dancing With The Stars, now in its 32nd season, as the celebrity dance-off paid tribute to Taylor Swift. After voicing his concerns on an early exit, Mraz and Karagach nailed it, earning a perfect score of 40 from the judging panel for their Argentine Tango to “Don’t Blame Me.” And in the “Relay Dances,” the pair bagged the additional three points for a perfect night out — and a spot at the top of the leaderboard.

In a recent interview with GLAAD, Mraz recounted his performance with Swift during her Speak Now world tour in 2011, and praised her work as an ally to the LGBTQ community. “It’s beautiful,” he said of Swift’s kinship. “If you want your music to be popular, you’re going to hopefully have it be heard by all ears. Therefore, you’re representing all ears, and you should be inclusive of all ears.”

Dancing with the Stars airs Tuesdays at 8 p.m. ET on ABC and Disney+.

‘The Voice’: ‘Special’ Kaylee Shimizu Sings Quincy Jones In the Playoffs

Somehow, Kaylee Shimizu makes singing look like a glorious gymnastics routine — all style, grace, strength, athleticism.

Hailing from Ewa Beach, Hawaii, the 17-year-old got everyone’s attention during the Blind Auditions with a cover of the Beatles’ “Golden Slumbers.”

She earned a four-chair turn. “We’re just stunned right now. Your voice was just dazzling, it was so creative it was so musical,” John Legend remarked at the time, her future coach. “You know you could win The Voice, right,” he added. “You have so much confidence delivering these impossible notes.”

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Then, in the Knockouts, more knockout stuff with a performance of Aretha Frankin’s “Ain’t No Way,” lifted from the late legend’s Lady Soul album from 1968.

Nothing would stand in Shimizu’s way of competing in the Playoffs, which she launched into with a cover of master producer Quincy Jones’ “You Put a Move On My Heart” featuring Tamia, from 1999.

Shimizu breathes blues, and jazz, into the song, punctuated with her trademark dynamite runs and big, showy high notes.

“It really is phenomenal that you are the age that you are, and your voice has this much control and depth and range. Your low voice is really gorgeous. I love the warmth in it,” Legend enthused. “The fact that you can do that and then go to those notes in the stratosphere that almost no one on the planet can hit, you’re ready for this. You are ready to be a big star. You’re so special Kaylee.”

Special, however, doesn’t always win talent shows. Luck can play a part in it. Bad luck, too, as Kaylee Shimizu found out. The teen was eliminated, as were Kristen Brown and Taylor Deneen.

Team Legend singers Azán, Lila Forde and Mac Royals advance to The Voice season 24 Live Round, where they’ll be joined by Huntley, Nini Iris and Mara Justine (Team Niall); Jordan Rainer, Jacquie Roar and Ruby Leigh (Team Reba); and BIAS, Tanner Massey and Kara Tenae (Team Gwen).

Watch Shimizu’s performance on NBC‘s The Voice below.


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Jimmy Barnes Leads Mushroom’s 50th Anniversary Celebrations With Star-Studded Concert

The music of Mushroom, its mighty roster, and the chutzpah, energy and x-factor of its late leader Michael Gudinski was on display Sunday, Nov. 26 for Mushroom 50 Live, an all-star concert celebrating the independent music company’s half century.

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Billed as a “once-in-a-lifetime event,” the show at Melbourne’s Rod Laver Arena was a conveyer belt through a musical time machine, taking the audience for a non-linear stroll through the history of Mushroom, glued together with interviews, tributes, vintage reels and footage of MG.

When Jimmy Barnes delivered a fiery performance at the top of the show, a statement was made — strap in.

Barnes, the rock legend who boasts more No. 1 albums on the ARIA Chart than any other artist, and who fronted Cold Chisel, the quintessential Aussie rock band, performed two of his signature songs, “No Second Prize” and “Working Class Man.”

“It is so nice to be here celebrating 50 years with Mushroom,” Barnes told the crowd. “I was singing with Mushroom for 40 of those years. The other 10 I was watching Mushroom and watching the bands they were developing. It’s such an honor to be here. We’ve got a lot of friends in this room, a lot of friends here I can feel them, even the ones who aren’t here, I can still feel them,” Barnes noted, a nod to his old mate MG. “They’re in my heart.”

The hits kept rolling. Vika & Linda performed “I’m Living in the ‘70s,” a classic from Skyhooks, the glam rock band that gave MG and Mushroom its breakthrough. Amy Shark spun a fresh interpretation of Kylie Minogue’s “Can’t Get You Out of My Head,” DMA’S turned their attention to “Silver” and “Lay Down,” Frente returned to “Ordinary Angels,” Paul Kelly hit “Before Too Long” and a cover of Sunnyboys’ “Alone With You,” Christine Anu sang “My Island Home.”

Anyone who has signed to Mushroom “will tell you that that it feels like a family, and tonight feels like an extension of that family” explained Missy Higgins, who made several trips to the stage.

Goanna’s Shane Howard, a late addition to the lineup, had the audience on its feet early with a rousing performance of “Solid Rock,” a statement song that sounds as relevant now as it did on its release in the early ‘80s.

Mushroom’s recognition of the great artistry of Australia’s Indigenous music community was in full view as Yothu Yindi got the room shaking with “Djäpana (Sunset Dreaming)” and “Treaty”, then Dan Sultan orchestrated a pin-drop moment with his rendition of the late, great Archie Roach’s “Took The Children Away.”

Both of MG’s kids, Kate and Matt, spoke on the night. “He created a family environment that extended to artists as well as his staff and the whole music industry,” Kate enthused. “Dad was incredibly proud that a song which was written in our family home at Mount Macedon by a Melbourne band became a global hit.” That song was The Temper Trap’s “Sweet Disposition,” and, naturally, Dougy Mandagi and Co. were on hand to deliver the goods.

On paper, and with 36 artists doing their part, Mushroom 50 Live looked like a logistical nightmare. No doubt it was, though the production team and the artists, the majority performing on a rotating main stage, with several others on a second stage in the round, pulled it off.

The evening reached its climax with Mark Seymour’s mini-set, which included Hunters & Collectors’ “Throw Your Arms Around Me.” Seymour performed the much-loved, often-covered song in a virtual duet with Ed Sheeran, whose own solo rendition of the song leads-off the recently-released Mushroom tribute album, 50 Years Of Making Noise. Gremlins did their sneaky work on Sheeran’s video link. No biggie. The audience lapped it up, both in the room and back home.

The free-to-air Seven Network hosted the marathon, four-hour special event and won the night. Mushroom 50 Live was the most-watched entertainment show of the evening, capturing 557,000 metro viewers, according to OzTAM data, with 490,000 tuning in for the late session and 350,000 caught the finale. Across the nation, some 830,000 people tuned in, according to Mushroom.

“We’re one of the great music countries of the world and Melbourne is the music capital of Australia,” Matt Gudinski, chairman and CEO of Mushroom Group, said as he looked down the barrel of the Seven Network’s cameras. It’s a business that was “created to nurture and promote Australian talent.” And today, “we’re passionate as ever about discovering new talent that can be embraced by the world.”

Mushroom 50 Live was part of the ALWAYS LIVE 2023 program, a 17-day statewide celebration of contemporary live music supported by the Victoria Government through Visit Victoria.

Troye Sivan Shortlisted For 2023 Australian Music Prize

Albums by Troye Sivan, Genesis Owusu, Gretta Ray and Jen Cloher are among the finalists for the 19th annual Australia Music Prize, announced Thursday, Nov. 29.

Sivan has a chance of extending his winning streak, which earlier this month saw the Aussie pop star clean up at the 2023 ARIA Awards with four wins, including song of the year and best solo artist. The Perth, Western Australia-raised singer and songwriter is one of nine artists nominated for the AMP, earning a nod for Something to Give Each Other, his ARIA Chart-topping third studio album.

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Meanwhile, Owusu can go a perfect two-from-two with Struggler, his sophomore effort. The Ghana-born, Canberra-raised hip-hop-meets-funk artist won the AMP in 2021 for Smiling with No Teeth.

Cloher, the singer, songwriter and guitarist, is recognized on the shortlist with I Am The River, The River is Me, her third AMP nomination after chances at the 2013 and 2017 editions.

Gretta Ray is no stranger to industry accolades, having triumphed in the Vanda & Young Global Songwriting Competition and Triple J Unearthed contest earlier in her career. Making Positive Spin, her second album, was “such a joyous, rewarding process,” she explains. The collection “heavily focuses on the theme of gratitude, and after touring it throughout Australia and the U.K. over these past few months, being shortlisted for this prize has me feeling more grateful than ever.”

Also in the running are longplays by Angie McMahon (Light, Dark, Light Again), Floodlights (Painting Of My Time), Mo’Ju (ORO,PLATA,MATA), Polaris (Fatalism), and RVG (Brain Worms).

One of the top honors in Australia’s music awards calendar, the AMP celebrates “the album as an art form,” regardless of commercial success.

Those eligible Australian artist albums were released during the period Jan. 1 to Oct. 27, 2023, with the winner snaring A$30,000 ($20,000), courtesy of headline sponsor SoundMerch. Almost 450 eligible albums were considered this time by a judging panel of industry experts.

“It’s always an honor to be shortlisted for the AMP, I know how rigorous a process goes into deciding on the final nine,” comments Cloher in a statement unveiling the shortlist. “To be honest, it’s the only music award that I take seriously on this continent.”

Spearheaded by founder and prize director Scott Murphy, previous AMP recipients include Sampa the Great (twice), the Avalanches, Courtney Barnett, the late Gurrumul, and the most recent champ, King Stingray.

The winner for 2023 will be announced during an event held next Wednesday, Dec. 6 at the APRA AMCOS offices in Sydney. Universal Music Australia labels EMI, Virgin and Island Records continue their support of the AMP by contributing funds which enable nominees to attend the finale.

2023 AMP shortlist:

Angie McMahon – Light, Dark, Light Again
Floodlights – Painting Of My Time
Genesis Owusu – Struggler
Gretta Ray – Positive Spin
Jen Cloher – I Am The River, The River is Me
Mo’Ju – ORO,PLATA,MATA
Polaris – Fatalism
RVG – Brain Worms
Troye Sivan – Something to Give Each Other

Yes, Ally Brooke Is ‘Trying to Reunite’ With Her Former Fifth Harmony Members

As a teaser for the new music that she has on the horizon, former Fifth Harmony member Ally Brooke dropped “Gone to Bed” this past September as a way to go back to her pop roots.

In a new interview with Billboard News, Brooke breaks down her latest single. “I love it so much, it’s basically about two lovers. You want to see your lover but you don’t and you end up seeing that person, and you’re like ‘Man, I really should’ve gone to bed,’” she explains.

The track comes years after Fifth Harmony — which was reduced to Normani, Lauren Jauregui and Dinah Jane after Camila Cabello left — disbanded in 2018. During her interview, Brooke says she hadn’t seen any of her former collaborators until recently, when she and Dinah Jane reconciled at a party for the first time in five years. The reunion was healing, she shares, especially since they’ve had time to grow separately.

“We’re women now and we have grown so much and we have done our own thing, gone our own ways and gone our own path. And now we’re together in a different light,” she explains, while hinting at more reunions with the other members in the future. “I’m trying to reunite with them, so I think some sort of reunion may happen.”

In the years since her work with Fifth Harmony, Brooke dabbled in Latin music, but revealed that she ultimately missed making the pop sounds of her earlier career. “I felt I really wanted to go back to who I truly was, the pop artist that I am,” she recalls. “I recently reconnected with my former A&R from my Fifth Harmony days … he’s amazing, he’s responsible for all the hits. We recently reconnected. He played ‘Gone to Bed’ and I completely fell in love. I was like, ‘That’s my record.’”

As for what’s next for Brooke’s solo endeavors, she promises that an album is on the horizon for 2024: “There is 100 percent an album, but that will be for next year,” she says. “Fingers crossed, but it’s really true. We’re just beginning to work on it and we have a lot that’s in store.”

Watch Brooke’s full Billboard News interview in the video above.

Ally Brooke Talks Possible Fifth Harmony Reunion, ‘Under the Tree’ EP & More | Billboard News

Singer Ally Brooke stopped by Billboard News and opened up about a potential Fifth Harmony reunion, her return to pop music, creating her new holiday EP Under the Tree and more!

Ally Brooke:
I’ve just learned to really own who I am and be unapologetic and just be free, that’s what it is, just to be free.

Tetris Kelly:
Hey, it’s Tetris with Billboard News, and look who I got hanging out with me today! Ally Brooke. What’s up, girl?

Your return to pop. You said, “You need a banger? Well, I’m gonna give it to ya.” “Gone to Bed,” tell me about the single.

I love it so much. So it’s basically about two lovers. You want to see your lover but you don’t, and you end up seeing that person and you’re like, “Man, I really should have just gone to bed.”

Tetris Kelly:
It’s like pop, it’s very in-your-face pop, but you dabbled in a lot of things from Latin to EDM. So what made you decide on this sound for this project?

Ally Brooke:
Well, I was going to the Latin route and I loved it, but I felt like I really wanted to go back to who I truly was, you know, the pop artist that I am. I have recently reconnected with my former A&R from the Fifth Harmony days, named Joey Arbagey. He’s amazing; he’s responsible for all the hits. We recently reconnected. He played “Gone to Bed” and I completely fell in love. I was like, “That’s my record.”

Tetris Kelly:
And the fact that you’ve worked with him for so long. So how has that been, to be at a new label, but also have somebody that knows you really well?

Ally Brooke:
We made, you know, history together. So to have that and to have like a fresh perspective now and being in 2023 is really amazing. I’m kind of bringing that old energy but bringing the new energy too.

Watch the full video above!

Are Holiday Hits by Kelly Clarkson, Ariana Grande & Justin Bieber Poised to Be the New Christmas Classics?

It’s almost December, so Mariah Carey and Brenda Lee are back in the top 10 of the Billboard Hot 100 and snuggled up in the top two spots of our newly returned Holiday 100 chart. But if you look beyond “All I Want for Christmas Is You” and “Rockin’ Around the Christmas Tree,” what songs are poised to become the next Christmas classics?

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On the new Billboard Pop Shop Podcast, Katie & Keith are identifying relatively modern holiday songs — released less than 20 years ago but adorning the Holiday 100 for at least five Christmas seasons — that look like they might have the staying power to become evergreen hits.

The biggest “new” classic: Kelly Clarkson‘s “Underneath the Tree,” which returns to the Holiday 100 top 10 this week at No. 9. The song, which Clarkson co-wrote with Greg Kurstin, was the lead single from her first Christmas album, 2013’s Wrapped in Red. It has so far peaked at No. 8 on the Holiday 100, in 2014. Could this be the year it climbs even higher?

For the rest of our modern merry melodies, listen to this week’s Pop Shop Podcast below:

Also on the show, we’ve got chart news on how Jack Harlow hits No. 1 on the Billboard Hot 100 with “Lovin’ On Me” and how Dolly Parton scores her highest-charting album ever on the Billboard 200 with Rockstar.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

ENHYPEN Score Sixth Top 10 on Album Sales Chart With ‘Orange Blood’

ENHYPEN score their sixth top 10 on Billboard’s Top Album Sales chart (dated Dec. 2), as the Korean pop ensemble’s Orange Blood bows at No. 2. The set sold 87,000 copies in the U.S. in the week ending Nov. 23, according to Luminate.

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Also in the top 10 of the new Top Album Sales chart, Dolly Parton notches her first No. 1 on the 32-year-old list with the arrival of Rockstar; Taylor Swift has half of the top 10 thanks to sale pricing and promotions for Black Friday, and Cher’s Christmas vaults 23-10 after its release on vinyl.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of the 87,000 copies sold of Orange Blood, physical sales comprise 86,000 (all on CD) and digital download album sales comprise 1,000. Its sales were bolstered by its availability across a dozen collectible CD packages (including exclusive versions sold by Barnes & Noble, Target and Walmart; all with branded merchandise inside, some with randomized elements).

As previously reported, Parton’s Rockstar rules Top Album Sales with her biggest sales week of the modern era (since Luminate began electronically tracking sales in 1991), with 118,500 copies sold. Its sales were enhanced by a variety of iterations available on vinyl and CD.

Swift has half of the top 10 on Top Album Sales for a third time, thanks to sale pricing and promotions previewing the Black Friday shopping holiday on Nov. 24. (Swift previously had five of the top 10 on the Nov. 11-dated list, and six of the top 10 on the July 22-dated chart.) On the latest Top Album Sales ranking, Swift’s 1989 (Taylor’s Version) falls 2-3 (64,000; down 7%), Folklore jumps 14-6 (20,000; up 77%), Midnights rallies 11-7 (19,000; up 57%), Lover leaps 16-8 (18,000; up 80%) and Speak Now (Taylor’s Version) shoots 15-9 (17,000; up 72%). All are former No. 1s on the tally.

Stray Kids’ ROCK-STAR falls 1-4 in its second week on Top Album Sales, selling 46,000 copies (down 78%). Jung Kook’s chart-topping Golden dips 4-5 with 20,000 sold (down 42%).

Rounding out the top 10 is Cher’s Christmas, which returns to the region, zipping 23-10 with 14,000 sold (up 82%) following the set’s release on vinyl on Nov. 17. It sold a little over 6,000 copies on vinyl. Christmas debuted and peaked at No. 5 on the Nov. 4-dated chart.

In the week ending Nov. 23, there were 2.34 million albums sold in the U.S. (up 1.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.98 million (up 2.6%) and digital albums comprised 361,000 (down 3.1%).

There were 923,000 CD albums sold in the week ending Nov. 23 (down 3.4% week-over-week) and 1.046 million vinyl albums sold (up 8.6%). Year-to-date CD album sales stand at 31.921 million (up 2.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 41.441 million (up 17.1%).

Overall year-to-date album sales total 90.474 million (up 6.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 73.857 million (up 10.4%) and digital album sales total 16.617 million (down 9.4%).

Garth Brooks & Trisha Yearwood Perform ‘Imagine’ During First Lady Rosalynn Carter Memorial

Garth Brooks and Trisha Yearwood were among those who gathered in Atlanta on Tuesday (Nov. 28) to pay their respects and honor the life of former first lady Rosalynn Carter, who died Nov. 19 at age 96.

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The memorial service took place at Glenn Memorial United Methodist Church, on the campus of Atlanta’s Emory University, just over two hours away from the longtime home Rosalynn Carter shared with her husband, former U.S. President Jimmy Carter, who also attended the memorial service.

Brooks and Yearwood took part in the service, with Yearwood singing the John Lennon classic “Imagine,” and Brooks accompanying her on guitar. Following the performance, Yearwood briefly touched Carter’s coffin before the couple exited the stage.

Brooks and Yearwood came to know the Carters through volunteer work with Habitat for Humanity. During a press conference on Nov. 20 to celebrate his Friends in Low Places Bar & Honky-Tonk in downtown Nashville, Brooks noted that Georgia natives Yearwood and Rosalynn Carter had forged a close friendship over the years. Brooks told reporters that Yearwood called Carter a “quiet warrior.”

“What she says is very quiet, yet very powerful,” Brooks told reporters, “and what she taught Miss Yearwood — what she teaches us all — is the lion doesn’t have to roar, and the statement doesn’t have to be more than a few words to get your point across. She was great at that, and everyone loved her for that.”

In 2021, Brooks and Yearwood honored the Carters’ 75th wedding anniversary by gifting them with a fully restored red 1946 convertible, which was made the same year the Carters wed.

Watch Brooks and Yearwood’s “Imagine” cover at the memorial service below:



Method Man & Ghostface Killah ft. Nicole Bus “Claudine,” E-40 “Lift It” & More | Daily Visuals 11.28.23

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The Wu-Tang Clan haven’t reunited for a new album in what seems like ages, but luckily for us we do get a few Wu collaborations here and there and when they do get together we’re more than happy to take a trip back to the 36 Chambers in which they honed their craft.

This time around we’ve been blessed with a new joint from Clansmen Method Man and Ghostface Killa who tap the talents of Nicole Bus for their visuals to “Claudine” which utilizes grainy footage of the rappers spitting their bars while a collage of old school hood films and footage make up the rest of the video.

From a few Hip-Hop icons to another, E-40 is still doing his thing after decades in the game and for his latest clip to “Lift It,” 40 Fonzarelli gets it poppin’ at an underground soiree where the lights are dim but the beats is loud.

Check out the rest of today’s drops including work from Doe Boy, Baby Smoove, and more.

METHOD MAN & GHOSTFACE KILLA FT. NICOLE BUS – “CLAUDINE”



E-40 – “LIFT IT”



DOE BOY – “HUH”



BABY SMOOVE – “WANNA BE”



OOHWOP – “BACKSTABBERS”



JAY FIZZLE – “BUILT FOR THIS”



TAPER TY & ROSCO FEDDI – “THIS THAT”



RYGIN KING – “SAUNA”