Music
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The second season of Netflix’s XO, Kitty makes major waves on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), for January 2025, led by Jung Kook’s “Seven” at No. 1.
Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of January 2025.
Jung Kook’s “Seven,” which features Latto, enjoyed a synch in the eighth and final episode of XO, Kitty’s second season, which premiered alongside the other seven episodes on Jan. 16. In fact, it’s one of two songs from that eighth episode; ENHYPEN’s “XO (Only If You Say Yes)” bows at No. 9.
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“Seven” earned 12.5 million official on-demand U.S. streams in January 2025 en route to its Top TV Songs coronation, according to Luminate. The tune became Jung Kook’s first Billboard Hot 100 No. 1 when it reigned for a week in July 2023 (it’s also Latto’s lone ruler to date).
In all, XO, Kitty boasts half of Top TV Songs’ 10 positions for January 2025. Chappell Roan’s “Picture You” is the next biggest at No. 3 (10.1 million streams), followed by Dua Lipa’s “Illusion” at No. 5 (5.9 million streams, 1,000 downloads).
Stay tuned for more potential XO, Kitty entries on the chart; the show was renewed in February for a third season.
The top non-XO, Kitty entry for January 2025 belongs to Apple TV+’s Severance, which returned for its second season beginning last month, with one episode premiering each week. It’s The Who’s “Eminence Front” that appears on the survey, entering at No. 2 via 3 million streams and 1,000 downloads after being heard in the third episode (Jan. 31).
“Eminence Front” peaked at No. 68 on the Hot 100 in January 1983.
See the full top 10, which also features music from Will Trent, The Recruit, Landman and High Potential, below.
Rank, Song, Artist, Show (Network)1. “Seven,” Jung Kook feat. Latto, XO, Kitty (Netflix)2. “Eminence Front,” The Who, Severance (Apple TV+)3. “Picture You,” Chappell Roan, XO, Kitty (Netflix)4. “50 Ways To Leave Your Lover,” Paul Simon, Will Trent (ABC)5. “Illusion,” Dua Lipa, XO, Kitty (Netflix)6. “BILLIE EILISH.,” Armani White, The Recruit (Netflix)7. “Blue Collar,” Drayton Farley, Landman (Paramount+)8. “Pretty Wings (Uncut),” Maxwell, High Potential (ABC)9. “XO (Only If You Say Yes),” ENHYPEN, XO, Kitty (Netflix)10. “Got Me Started,” Troye Sivan, XO, Kitty (Netflix)
With Trinidad and Tobago’s 2025 Carnival set to kick off this weekend (March 1), Machel Montano has gifted his island — and the whole world — a new album full of soca bangers and international collaborations.
On Tuesday (Feb. 25), the King of Soca dropped One Degree Hotter, his first full-length offering since 2021’s Wedding Album. Titled in reference to both his sizzling soca catalog and newly earned Master’s degree in Carnival Studies from the University of Trinidad & Tobago, One Degree Hotter boasts an impressive roster of collaborators, including Grammy-winning R&B star Ne-Yo (“Truth & Balance”), Nigerian Afrobeats megastar Davido (“Fling It Up”), Trinidadian vocalists Drupatee & Lady Lava (“Pepper Vine”), Vincentian soca superstar Skinny Fabulous (“Fallen Fetters”) and fellow Trini soca giant Bunji Garlin (“Home Is Where the Heart Is”).
One Degree Hotter also includes a special “road mix” of “Pardy,” Montano’s latest smash, and a top contender for the highly coveted Road March title at Carnival this year. Should he pull off another victory, Montano will tie the legendary Lord Kitchener for the most Road March wins of all time (11).
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Montano’s new project arrives just two months into what’s already been a banner year for the soca icon. Last month (Jan. 13), he brought played the very first soca set in NPR Tiny Desk history, delivering spirited renditions of classics like “Famalay,” “One More Time,” “Fast Wine” and “Like Ah Boss.”
Over the weekend (Feb. 22), Montano found himself in a bit of hot water with Nicki Minaj and her Barbz. During a performance of “Good Spirit,” Montano exclaimed, “Nicki Minaj, stop fighting meh down,” which some took as an accusation that the Trinidadian-American rapper was working against Montano by linking up with Trinidad Killa for their new “Eskimo” collaboration. Minaj promptly responded via her Instagram page, threatening to “cuss [Montano] very stink.” Montano then shared a formal apology via social media, saying, “It was a misunderstanding – a mistake on my part – and I’m a big man and I will say that. Nicki, you know I respect you and you know I love you and I did not try to jump out there and attack you and I didn’t want any of your fans or you to feel that you have ever done anything to fight me down. You did the opposite. You always lift me up.”
All is well between the two artists now, with Montano even proposing a collaboration between himself, Minaj and Trinidad Killa. In 2023, Montano and Minaj joined forces for “Shake the Place”; last year, Minaj brought him out as a special guest at one of the New York shows of her Pink Friday 2 World Tour.
Machel Montano has earned three top 10 Reggae Albums: 2015’s Monk Monte (No. 2), 2016’s Monk Evolution (No. 5) and 2019’s G.O.A.T. (No. 1).
Stream One Degree Hotter below.
Balloon, one of the 2010s most iconic Vocaloid producers, has created hit song after hit song, like “Charles.” In 2017, he also began creating music under the name Keina Suda. On April 16, 2025, he will be releasing a new concept album, Fall Apart.
Billboard Japan took the occasion of the new release and the “VOCALOID Collection (VocaColle) – 2025 Winter” (a submission-based Vocaloid event held on Niconico) to talk with Reol, and Sheeno Mirin, who joined Balloon on “Redire,” one of the songs on the new album. The three artists talked about the process of reinterpreting “Redire” and reflected on their shared roots: Niconico and Vocaloid culture.
Reol, Sheeno. How long have you two known Balloon?
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Reol: I first discovered Balloon when I heard “I touched a vase.” Afterwards, I saw the live-action music video for “MOIL,” which he created as Keina Suda. I started paying close attention to him in part because of his artistic style, going from the Vocaloid scene to singing using his own voice, and in part because the timing of his major label debut was very close to my own. Going back through his past music, I discovered that this was the person behind Balloon.
Balloon: Before I knew it, Reol and I were friends. I don’t remember how I found out about Reol, but one thing that made a big impression on me was the music video for “Give me a break Stop now.” At the time, people who had come up through Niconico were very cautious when it came to revealing themselves. Reol, on the other hand, just burst out of the gates. I hadn’t met her yet, but she made a really big impression on me as someone with an incredibly strong spirit, which also came across in the way she presented herself.
Sheeno: I think I found out about Balloon through “Charles” when I was in elementary school. When I was in elementary school, all I listened to was Vocaloid, and I especially loved Vocaloid rock.
Reol: When I first found Niconico, Vocaloid made a huge impression on me, too. Vocaloid’s not the name of a musical genre but the name of the software, so Vocaloid culture includes all kinds of different music. Every day, people were uploading new songs, so it was really exciting and I was just glued to it.
Balloon, what led you to reach out to these two to work on “Redire” for your new album Fall Apart, which comes out on April 16?
Balloon: I’d like to answer that by first talking about when I wrote “Redire.” At the time, I’d been thinking about starting to release music under the name Keina Suda. Back then, when people emerged from the Vocaloid culture, there was always this risk that they’d never be able to return to the Vocaloid scene. So when I was writing “Redire,” I was thinking “this just might be my last Vocaloid song.” On top of that, I was juggling way too much at the time. For some of the songs I wrote, I was in such a conflicted state of mind that after I finished the songs, I couldn’t bring myself to listen to them myself for a while.
Unlike me, Reol is really strong—in her lyrics, in her singing voice, and as a person—and that strength is apparent to anyone who sees her. I wanted to hear Reol take these songs that I’d written with such mixed emotions in the past and sing them in a bright, radiant style.
Reol: Keina always felt like a colleague or a classmate. There’s what I’d almost call a kind of pressure felt by people who started out on Niconico and went on to debut on a major label. A feeling that they have to create output that can make them proud to have roots in the Niconico scene. So hearing Keina say that when he wrote “Redire,” he was ready to bid a temporary farewell to the culture, I thought, “Ah, so that’s why you let me work on it.”
Balloon: I think I found out about Sheeno through “Heterodoxy.” Of course, I love it as a tune in its own right, but I also thought “his musical sensibilities are the exact opposite of my own.” I felt envious—he was doing something I couldn’t do even if I tried. That got me thinking about how a person like that would reinterpret one of my own songs. I couldn’t even imagine what it would sound like if Sheeno’s music and Reol’s music intersected.
The album is titled Fall Apart, which carries this nuance of “destruction.” Balloon, did you make any requests of these two when you asked them to work on the album?
Balloon: For me, personally, the album’s title has a hidden theme, a hope that that’s what would happen, but I didn’t make any specific requests. I just trusted in everyone’s own interpretations.
Sheeno: I really agonized over it (laughs). The original song is just too perfect. But when I heard Reol would be doing the vocals, I started thinking that an electro sound would be a good fit. It’s a sound I use in my own music, and it matches Reol’s musical sensibilities, too. I designed the sound of the song to emphasize the restlessness of the original by speeding up the BPM and adding some sharp-edged synth.
Reol: I think it came out feeling even more heartfelt. I discovered Mirin through “Then Your Thought Should Just Die,” and my impression was that he had a really powerful personal philosophy which came out in the songs he wrote. When the new arrangement of “Redire” arrived, the lyrics were Balloon’s, but in the sound you got a strong feeling of Sheeno Mirin’s philosophy.
Balloon: I know. I listened to Sheeno’s new arrangement, before Reol recorded her vocals, and it was a huge surprise. It was like something completely new and unknown. I knew I’d made the right choice in reaching out to him.
For all three of you, your roots lie in Niconico. What kind of place was it for you?
Balloon: In one word, “home.” It’s a place that will always welcome you back, and if you go out into the world, you can feel proud that your roots are in Niconico.
Reol: Initially, for me, it was an escape. There was a time when I just didn’t feel like I had a place in the world. When I discovered Niconico, it was like it accepted all of my gloom.
Sheeno: Earlier, Reol talked about how all kinds of things came together in Vocaloid. That’s how I felt about Niconico. That foundation is the reason that there are so many genres of Vocaloid songs, and why you can find truly niche songs.
You’re all taking part in the VocaColle 2025 Winter playlist project. What criteria did you use when choosing songs?
Balloon: I picked songs that shaped who I was a decade ago. There’s a lot of music on Niconico that made a huge impression on me, but I picked the true giants, artists that are like “you can’t talk about Niconico without talking about them.”
Reol: My theme was “another style of schoolhouse.” I put the songs in chronological order, and I included songs from recent years. It goes without saying that the songs I cover are all songs I would recommend, so for my playlist I limited myself to songs I haven’t covered.
Sheeno: I have my own playlist of about 2,000 songs that have less than 10,000 plays, so I selected at random from that list. A long time ago, I tried to listen to every single Vocaloid song on Niconico, and there are lots of great songs with few plays. I want people to know that.
—This interview by Yuuka Higaki first appeared on Billboard Japan
Kelsea Ballerini wants to leave the past in the past. The country superstar briefly stopped her show while performing her Rolling Up the Welcome Mat track “Penthouse” on tour at Hard Rock Live in Hollywood, Fla., on Sunday (Feb. 23), after she heard fans shouting profanities about her ex-husband, Morgan Evans. In “Penthouse,” written about her […]
As a vocalist, Chappell Roan‘s got some serious pipes — but as a plumber, she knows how to fix ’em, too. The singer-songwriter just unveiled the second version of her upcoming song “The Giver,” posing as a plunger- and wrench-wielding specialist for a new 7-inch vinyl now available on her website. On Tuesday (Feb. 25), […]
Young Thug is locked in to perform his first live show since coming home from prison last Halloween. However, his fans in the States might be a bit disappointed because the show is overseas. Thugger will headline the third day of Belgian music festival Les Ardentes on July 5. Earlier Tuesday (Feb. 25), organizers posted […]
Metallica hit the stage for the first time on March 14, 1982, at Radio City in Anaheim, Calif. — with the original lineup of James Hetfield, Lars Ulrich, future Megadeth founder Dave Mustaine on guitar and Ron McGovney on bass, playing covers of Diamond Head and Sweet Savage songs, as well as their own “Hit the Lights” and “Jump in the Fire.”
More than four decades later, the San Francisco Bay Area-based thrash metal troupe is still at it — arguably bigger and better than ever. “Playing shows was always the thing,” Hetfield said some years ago. “We wanted to make records, yeah — but when we first got together we just wanted to play, man, just get on stage and play.”
Mission accomplished, it’s safe to say. Metallica has toured the world many times to this point — and thanks to a 2013 performance in Antarctica, it is in fact the only band that’s played on all seven continents. It’s been a constant touring presence, too; 2001, when the group was searching for a new bass player, is the only year Metallica didn’t play any shows, and it’s mixed full-scale, multi-year world tours with lighter-but-still-significant concert runs.
Over the decades, the band has performed more than 1,600 times, moving from dive bars to stadiums and headlining at events such as Woodstock ’94, Monsters of Rock, Lollapalooza, OzzFest and more. As other members entered the lineup — guitarist Kirk Hammett (1983-present) and bassists Cliff Burton (1982-86), Jason Newsted (1986-2001) and, since 2001, Robert Trujillio — Metallica polished its performing craft to the point where it could even play shows alongside the San Francisco Symphony. Its stage productions have also become legendary; Metallica is the band that introduced the idea of the Snakepit, an in-stage fan area, and it’s made use of all manner of pyrotechnics and other visual effects, but never eclipsing what really brings fans to the shows — pulverizing, complex, epic music that makes heads bang, eardrums bleed and venue walls rattle.
“I don’t know if we could ever lose our edge because our music is a quality of our persons, our being,” Hammett explains. “It’s just very natural for us to sound the way we do. It flows like water. There’s never any shortage of really aggressive, edgy, energetic music from us, because that’s part of who we are as people. It’s not an affectation; it’s who we really are.”
Here’s our ranking of the group’s many long and sometimes strange road trips.
Summer Sanitarium Tour (2000)
Robert John, a singer-songwriter whose inimitable voice lent itself to a number of Billboard Hot 100 hits including “Sad Eyes” and an enduring version of “The Lion Sleeps Tonight,” died on Monday (Feb. 24). He was 79 years old.
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The star’s son, Michael Pedrick, confirmed the news of his death to Rolling Stone. While no cause of death was given, John was still recovering from a stroke he suffered a few years prior to his passing.
Born Bobby Pedrick, Jr., in Brooklyn, New York, first made waves in the pop world at just 12 years old with the single, “White Bucks and Saddle Shoes.” The song peaked at No. 74 on the Hot 100 in 1958, marking his first of many hits on the chart. In 1965, he changed his name and by 1971, he notched a major hit, a cover of The Tokens’ 1961 classic, “The Lion Sleeps Tonight.” John’s version, one of the most popular renditions of the track to this day, made its way to No. 3 on the Hot 100 and No. 6 on the Adult Contemporary songs chart.
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Throughout the 1960s and 1970s, John was a mainstay on the Billboard charts, hitting No. 49 with 1968’s “If You Don’t Want My Love,” No. 71 with 1970’s “When the Party Is Over,” and No. 99 with 1972’s “Hushabye.”
In 1979, after John worked as a staff writer for Motown for a few years, he topped the Billboard Hot 100 songs chart with his seminal hit, “Sad Eyes,” which also hit the top 10 on the Adult Contemporary chart. At the 22nd annual Grammy Awards, “Sad Eyes” was nominated for best pop vocal performance, male.
“Sad Eyes” was also featured on John’s third, self-titled album, which peaked at No. 68 on the Billboard 200 albums chart. His career continued throughout the 1980s, with the release of his last album, Back on the Street in 1980. Overall, John earned a collective 10 Hot 100 tracks and five Adult Contemporary hits.
John is survived by his four sons and several grandsons, his ex-wife Diane and his partner Susan.
Shaboozey orders up a 35th frame atop Billboard’s multi-metric Hot Country Songs chart with his crossover smash, “A Bar Song (Tipsy).”
As it holds atop the tally dated March 1, the track breaks out of a tie with Sam Hunt’s “Body Like a Back Road,” which led for 34 frames in 2017, to become the sole longest-leading title by a single act since Hot Country Songs became the genre’s singular songs ranking in 1958. Overall, only Bebe Rexha and Florida Georgia Line’s duet “Meant to Be” has led longer: for 50 weeks, beginning in December 2017.
“A Bar Song” totaled 59.8 million in all-format airplay audience, 16.2 million official U.S. streams and 4,000 sold Feb. 14-20, according to Luminate.
The track, co-written by the Virginian (born Collins Obinna Chibueze), first hit the Hot Country Songs summit last May. It also logged a record-tying 19 weeks at No. 1 on the all-genre Billboard Hot 100 and a record-shattering 27 weeks atop the all-format Radio Songs chart.
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“A Bar Song (Tipsy),” on American Dogwood/EMPIRE, with country radio promotion by Magnolia Music, additionally ruled Country Airplay for seven weeks beginning last August, the longest reign for an artist’s initial entry on the chart. Plus, it became the first song to crossover to the top five, or even top 10, on Country Airplay, Pop Airplay, Adult Pop Airplay and Rhythmic Airplay.
Meanwhile, when “A Bar Song” initially reached the Hot Country Songs apex, it dethroned Beyoncé’s “Texas Hold ‘Em,” marking the first time that two Black artists have led the list back-to-back.
Here’s a look at the 10 longest-leading No. 1s on Hot Country Songs (since 1958):
50 weeks, “Meant to Be,” Bebe Rexha & Florida Georgia Line, starting December 201735 weeks, “A Bar Song (Tipsy),” Shaboozey, May 202434 weeks, “Body Like a Back Road,” Sam Hunt, February 201727 weeks, “I Hope,” Gabby Barrett, July 202025 weeks, “Last Night,” Morgan Wallen, February 202324 weeks, “Fancy Like,” Walker Hayes, July 202124 weeks, “Cruise,” Florida Georgia Line, December 201221 weeks, “10,000 Hours,” Dan + Shay & Justin Bieber, October 201920 weeks, “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, September 202319 weeks, “You Proof,” Morgan Wallen, May 202219 weeks, “The Bones,” Maren Morris, March 202019 weeks, “Walk On By,” Leroy Van Dyke, September 1961
While many musicians acknowledge separating their on and offstage persona, KINO breaks his life into three parts and tries to live their truths through his own honest expression.
There’s Kang Hyung-gu, his birth name that represents his most authentic self that friends know. Under his stage name KINO, he’s a member of chart-topping K-pop boy band PENTAGON with Cube Entertainment, and also a soloist under his independently launched NAKED label. Despite the 27-year-old saying he has difficulty sharing himself at all times, the person who asked strangers to rate his single at Coachella last year is the same friendly, determined face walking into a New York City studio before the kickoff of his first U.S. solo tour. KINO quickly shares which photos he likes best, sets up his phone to record b-roll and behind-the-scenes content, and has his outfit and an assembly of accessories selected to reflect the colors and mood of his current musical era.
Released at the top of 2025, KINO’s latest single “Skyfall” is a stirring, string and piano-led ballad with a soaring chorus reminiscent of the stand-still moment of JVKE’s breakout Billboard Hot 100 hit “Golden Hour.” Accompanied by a black-and-white shot of him singing in concert as the cover art, “Skyfall,” and November’s gritty guitar cut “Everglow,” show a noticeably less produced version of the star compared to the electro-pop, viral-ready bop “Broke My Heart” featuring TikTok Billboard Top 50 chart-topper Lay Bankz. But it’s all part of showcasing the person he is right now and the styles and sounds accompanying it. KINO says it’s all leading to a project that “will be the most honest album in my life.”
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KINO’s I Think I Think Too Much Tour is an insight into his mind, naming the trek — which hit eight cities in 12 days for its U.S. leg — off what literally keeps him up at night. Alongside the personalized name, KINO says he was confident that audiences needed to experience his new music live. “The theme of this concert is emotion,” he tells Billboard. “When I want to express my emotions to the audience, I have to be in front of them, so it’s very important to meet them in person.”
KINO’s choice to close the concert with the unreleased, racing rock-pop anthem “Back in Time,” complete with a call-and-response bridge perfect to singalong to on the radio or at music festivals, feels like his intuition at work. This final impression KINO makes during this intimate concert feels like the first steps in sending him down a path to procure a global pop hit of his very own — one he’ll be able to say was a true expression of himself.
You named this tour I Think I Think Too Much and your album If This Is Love, I Want a Refund. These aren’t typical titles. Are these all things you’ve personally thought about?
That’s right; that’s the biggest direction of this company, too. Because as a solo artist, I could not help but not to share my story. It’s very important to me that I’m showing myself and showing my mind within. So, I was looking for the thoughts I’m thinking about the most recently and found that “I think I think too much” is the one. After I launched this company and debuted as a solo artist, I’m always thinking things over and over till the night, so I Think I Think Too Much is connected from a conversation I had.
The reason why I wanted to bring this concert to another country and more cities was because I think my music is very good to listen to, but I believe my music is not complete with only listening. My music is complete when people listen and watch the performance together. The theme of this concert is emotion and when I want to express my emotions to the audience, I have to be in front of them, so it’s very important to meet them in person.
You released “Everglow” and “Skyfall” with softer and more emotional tones than If This Is Love, I Want a Refund. What are you sharing now?
“Skyfall” is a breakup song that captures the regret of love taken for granted. And it’s perfect for this season, so, if listeners can relate to this story, that would be amazing. And “Skyfall” was also inspired by the 007 [James Bond] film. “Skyfall” was a place where loving memories and regrets linger, so when the idea came up, I thought it would be the perfect word to describe the sound. So, Billboard, I hope you like it. Please invite me to another interview when I’m on the Billboard charts.
But I don’t want to show KINO the celebrity. I want to show the human Kang Hyung-gu. I think that I cannot be defined by one person: I have a lot of emotions and personality in my mind. But I’m just like a human like everyone: I fail, I regret, I fear, I cry, I smile. All those emotions and all those personality aspects make me and completes me, right? That’s why I don’t want to define myself as a one-genre artist. I have many music genres and emotions for the different music in me. I’m changing every moment, every single day! And I’m going to change in the future too.
Are these singles leading to a new album?
We’re planning a lot of things for this year, but the most important thing is, of course, the album. I’m writing the songs, and as I told you, I am still figuring out who I am. I think this will be the most honest album in my life. It’s very hard to be brave, but I’m challenging myself to be an artist who can explore and reach the next future. It will be totally different [in terms of] the genres and styles of music. I have some tracks I want to spoil, but nothing is set at this moment. I’m working with a lot of different artists at this moment — maybe some who fans might know, some from totally different scenes — but one spoiler is “electronic sound.”
KINO
Lauren Nakao Winn
Why was it important for you to launch NAKED? You could have easily stayed where you were for longer.
One of them is to differentiate from my work in the band and as a solo artist. And then I have another reason, which is to challenge myself. I love to challenge myself and I believe that will bring me to another kind of better future. If I don’t challenge myself or stay in a comfortable job, I feel like I’m dead. It’s hard to explain, but if I stay in my comfort zone, I feel like I won’t be able to change or grow. But I also didn’t start this just to take the risk itself, right? I feel like by taking these risks, something will come out of it in return. I don’t know what it might be, but that’s also the reason why I’m doing it.
I went through your music before the tour and found “POSE” from 2022. That was the first time I remember seeing you solo. I’m curious what you think of that song today?
I have two different purposes as a member of PENTAGON and as a solo artist. At that time, I was only a member of PENTAGON, so I wanted to be successful because that’s your goal as a member of a team. But after I launched this company and debuted officially as a solo, I want to talk about personal and individual things through my solo music. So, it’s totally different. At that time, I was making “POSE” just for the success.
What are your goals or successes today? What do you want to manifest to happen in 2025?
Honestly, um, I want to be on the Billboard charts. For real, it’s not like I’m not joking. While trying to be myself, that’s also my biggest goal because I’m making music with my 100 percent honest feelings. I feel like I lost myself for a long time, so I’m looking for the real me and figuring out who I am. So, after I’ve found that and made some music with the honest KINO, I want to be on the Billboard charts with that music. That’s my goal.
When had you felt like you had lost yourself?
It was after the I Think I Think Too Much show in Seoul in September. Around that moment, I was wondering, “What do I have to show for myself to the world?” And then I realized that I’ve never shown myself 100 percent. Of course, I’ve shared some stories, but I don’t think I talked about myself fully. After I realized that, I wanted to be honest. It’s very hard to be brave to show myself, including the parts I didn’t want to show.
KINO
Lauren Nakao Winn
You said it’s also important to keep your purpose with the group intact. Can you share more about including PENTAGON in your mind?
I think I exist because of them. Because I have a team and members of a team behind me, I can still exist for 20, 25 [years] as KINO. Of course, it’s very important to me to be my own artist, but as I mentioned, I have a lot of purposes. PENTAGON is very important in my life. They kept me alive and that’s how I keep going mindfully. It’s about loyalty and friendship, but actually, for me, it’s more like a “family-ship.” They’re always next to me, the biggest supporters, and I can lean on them. We always meet up, talk on the phone, and, of course, have a group chat, even if we’re just sending a meme or GIFs.
Beyond your band mates, I really like your How I Met KINO series on YouTube and seeing new sides and these unexpected friendships. Where did the idea come from?
Before we launched the show, I wondered, “What KINO have I not shown to my fans yet?” All the people around me tell me, “You’re very Kang Hyung-gu when you’re with your friends, the real you.” So, I’ve never noticed that, but after, I realized, “Oh, it’s perfect to show my moments of friendship to the audience.” And I feel like all my fans really love the moments when I’m with my friends. I’m so sick of the camera turning on and needing to sit up and be perfect. I became more comfortable in front of the camera and that was an amazing change.
Photography and Creative Direction by Lauren Nakao Winn
Assisted by Jovita Tedja
KINO
Lauren Nakao Winn