Music
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For Riot Games’ goal to elevate women and marginalized genders in esports with its Game Changers initiative, few music-gaming collaborations would make a more natural fit than KATSEYE and Valorant.
The newly Grammy-nominated act’s song “M.I.A,” off their Billboard 200 top 10 EP Beautiful Chaos, is reimagined in a new “Valorant Game Changers Version,” out Tuesday (Nov. 11) ahead of the 2025 Valorant Game Changers Championship finals, taking place this month in Seoul. However, this collaboration carries extra resonance because one of KATSEYE’s six members is an avid gamer who appears to have manifested the team-up.
“I used to just say it on livestream before I even knew anything was gonna happen with KATSEYE and Valorant,” Megan shares, speaking to Billboard exclusively about the new partnership. “So when they presented this collaboration, I was literally so stoked. I’ve been playing this game since I was like 14 years old on my brother’s computer in COVID times; this is so nostalgic to me, honestly.”
Now 19, Megan’s enthusiasm — as well as KATSEYE’s larger message of inclusivity and empowerment — is threaded throughout the reworked anthem, with new lyrics drawing on themes of perseverance and community that stem from the connections in gaming when uplifting one another.
“We all stand behind that anyone can play any game and there shouldn’t be any weirdness,” the Honolulu native adds. “We really, really do think this aligns so much with KATSEYE and our brand. We’re so, so excited to do this collab.”
With several No. 1 Billboard chart hits to its name, Riot Games has leaned into music as a storytelling mechanism for gaming before. However, Valorant Game Changers shines the spotlight on new players in its first-person shooter game, with its global championship in Asia for the first time. The event will run Nov. 20-30 in Seoul, with finals scheduled from Nov. 28-30 at Riot’s LoL Park esports stadium in Seoul. Bringing in Korea-based HYBE and its global girl group KATSEYE positions the collaboration as a cultural handshake between two rapidly growing cultural communities.
“KATSEYE already had a ton of fans across Riot [Games] and in the Valorant community,” Jonny Altepeter, Riot Games’ senior manager of music supervision and A&R, tells Billboard. “When we found out Megan was a VAL player and they were excited to collab, it just made sense.”
For Altepeter, the appeal of reworking “M.I.A” resonated both musically and to the culture within the gaming community: “Sonically, it has that high-energy, bold confidence that works so well in our world. And thematically, it lined up perfectly with the moment we were trying to capture…our artist collaborations are everything. We’re always looking for voices that feel exactly right for a specific moment in our universe. We’re really intentional — and honestly, pretty precious — about VAL music, because we know how much it means to our community. Every artist we bring in is chosen for a reason. They bring something unique that helps elevate the story we’re telling, both in-game and beyond. That level of care and specificity is what sets us apart. We’re not just trying to find good songs… we’re building meaningful creative partnerships that help shape the emotional core of our world. And we’re so grateful to the artists who trust us and bring their full selves to that process.”
Anna Donlon, head of Valorant Studios and the architect behind Game Changers, frames the partnership as precisely the kind of crossover Riot Games built the program to foster.
“When we started Game Changers, the goal was always bigger than just competition,” Donlon shares. “It was about creating a space for players who hadn’t always seen themselves represented in esports. This year’s anthem and music video captures that same spirit, bringing people together, no matter where they come from. Across all our global events, music has been a powerful way to connect players, celebrate them and deepen their bond with Valorant. At the Game Changers Championship finals, you’ll see all of that come to life: the energy, the pride, the love for the game. And having South Korea’s own Ninetails, the first all-Korean team to qualify for the championship, take the stage on home turf? That’s going to make it even more special.”
Altepeter calls collaborations with actual players “hands down our favorite types of collaborations” because players-turned-artists speed up creative chemistry. “When someone already understands our world, everything just flows better…you can always feel that real connection in the final result.”
Check out the results for yourself with KATSEYE’s new video for “M.I.A. (Game Changers Version)” here and read on for more with Megan below.
KATSEYE X VALORANT Game Changers – “M.I.A. (Game Changers Version)”
Riot Games Music
How does it feel remixing “M.I.A” for the Valorant Game Changers initiative?
Megan: “M.I.A” is such a hard-hitting, strong, confident song. Especially with Valorant, since it’s such a cool, fun, very fierce game, I feel like going with “M.I.A” was just the perfect song. Especially [how] it tells a story with determination and perseverance, so I think going with this new reimagined version of “M.I.A” for Valorant was just like a no-brainer decision for all of us.
How did KATSEYE get involved in the program and what did it mean to you also to be here as a player?
Megan: Especially with me being a player myself, I used to just say on livestream before I even knew anything was gonna happen with KATSEYE and Valorant. I was like, “Oh yeah, I play Valorant.” It was just something that I said because it’s something I used to do in my free time. When they presented this collaboration, I was literally so stoked. I’ve been playing this game since I was, like, 14 years old on my brother’s computer in COVID times; this is so nostalgic to me, honestly. So, when we were presented this, I was literally jumping for joy. This is literally my game; I love this game. So it really does mean a lot to me and especially with the Game Changers, with what it represents — it’s just so cool. We’re just all so excited for this collaboration and we’re just so grateful that we’re able to do it.”
What’s your history with gaming and Valorant?
Megan: I grew up with a brother, so a lot of the games that I would play, my brother would introduce them to me. When I was little, I would always want to play dolls with him, but obviously he wasn’t going to play with dolls. So then he would introduce me to computer games like Valorant, Minecraft and those kind of games. And then he was really into Valorant and I was like, “OK, like let me get into this.” And I did. It was just so addictive. Especially during COVID and everything, like that was my sh–. That’s all, really, I could do because no one was going outside and it was a fun way to play with your friends. I feel like it was just a cool thing to do on my free time and it felt so much fun. There’s nothing really more to it than just saying that it was really, really fun and I really am such a competitive person that loves games like these — I thrive in it. [Laughs]
Do you have a go-to agent you play with in Valorant?
Megan: I usually play as Sage, the healer. There’s like this little term for Valorant players that you say they’re the “pocket Sage,” so I would usually be a pocket Sage when I would play with my friends. I would be their support to heal them when they’re dying.
Do you ever play Valorant with any of your KATSEYE members?
Megan: No, I actually haven’t got the chance to yet. I feel like right now we’re like so busy with our schedule, but I really specifically want to see how Yoonchae will play with me. [Laughs] I have to teach her how to be a pocket Sage — I feel like she’d be a really good pocket Sage. Yeah, we really do need one sit-down gaming session, all six of us, to play Valorant and see who’s naturally gifted. I think that Lara would be Jett. I feel like Sophia could maybe be Neon since Neon is Filipino…
This Game Changers program is meant to empower people from different backgrounds and marginalized genders. Have you ever experienced pushback as a girl gamer? Are things changing?
Megan: Honestly, I think it’s better now, but there were times in games where you would turn your microphone on and play with random people who were online, trying to find a group member. It was such a big thing for a second where if a girl turned their mic on, they would start bullying the girl — it happened to me a few times. It was pretty crazy, but then the funniest thing is when you’re really good, as a girl, and they get so mad. [Laughs] But I just don’t understand that, it was a big thing but I don’t think it’s as big of a thing now. It’s just them thinking that I was going to drag them behind and I ended up being the last one standing, pulling through and carrying the team. It’s the funniest thing ever, honestly, I just laugh.
Do you notice any direct link between music and gaming? Does music enhance the experience?
Megan: Music and games are such a big thing and I feel like people don’t really realize how much music is incorporated and how much it like really affects the gameplay. I mean, when you’re in combat mode, you want some good hype-up music and when you’re in more of a chill vibe, you would want like some [chill music], you know what I mean? It really does affect the whole overall vibe. I think Fortnite would play concerts in their games, which was so insane and so, so cool. I love how like they incorporated that in such a fun way. I would honestly love to do a virtual concert one day. I’d love to see how that works — it’s so intriguing.
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Madi Diaz pulled double duty while recording her recently released seventh album, Fatal Optimist. In addition to laying down her own songs, the singer also recorded a track-by-track cover of Blink-182’s breakthrough 1999 album, Enema of the State.
The collection — dubbed Enema of the Garden State in honor of the location of the studio — is available only on Bandcamp, with proceeds earmarked for the Defending our Neighbors Fund, which provides legal assistance to immigrants in the midst of the Trump administration’s massive immigration enforcement actions.
“These recordings started out as a fun exercise fueled by the love and fandom I have for blink-182 and the record Enema Of The State,” Diaz wrote in an Instagram post on Monday (Nov. 10) of the re-record she tracked in a New Jersey studio while “peeling back layers and tracking/writing Fatal Optimist. “Every morning producer and engineer Andrew Maury would set up some mics and turn on the 4 track. I had been listening to this batch of songs obsessively (again) on my jogs and I wanted to see if I could run these songs and let the nostalgia drive my memory for the lyrics and tear through a punky acoustic arrangement,” Diaz added.
“No planning, no overthinking, no analyzing allowed, just ripping into the songs. It was pure joy with no clear intention of releasing this project until recently. We started thinking about how incredible the name Enema Of The State is for a record,” she wrote of the joyously juvenile LP featuring the classic hits “What’s My Age Again?,” “All the Small Things” and “Adam’s Song,” among others.
Not for nothing, Diaz said the album’s once-silly, punny title is suddenly not so hilarious. “How the title is somehow so current and politically culturally socially ironic… How ridiculous it is to cover this record in 2025 when it feels like we need to flush the system and give our whole government a health check / gut check,” Diaz wrote. “There is so much going on at this moment across America and so much pain with ICE raids and false condemnations of hard working American citizens and undocumented immigrants. And maybe we could use this version of enema of the (garden) state to raise awareness and money for people in need of defense and aid in their right to live and work and breathe and be and stay on American soil.”
Diaz noted that while she was born in the U.S., her family is made up of Danish and Peruvian immigrants, like so many other American families whose roots trace back to other nations. “There is a lot here we have to love and protect and nurture,” said Diaz, who promised that “every penny” it generates will go to the Defending Our Neighbors Fund, a rapid-response non-profit that helps families, adults and children in need of advocates access legal representation and financial support in the midst of the Trump administration’s aggressive, nationwide immigration raids.
“They are providing immediate grants for trusted organizations to deploy legal advice and bond assistance,” she said of the organization. “For me, it’s about much more than a nostalgia for teenage rebellion against mom and dad. F–k ICE. Enema Of The State Forever.”
You can purchase the entire digital album now and listen to acoustic versions of “Don’t Leave Me” and “Anthem” for free here.
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Long live CMAT summer. The Irish pop star has been revealed as the latest headliner for the 2026 edition of London’s Lido Festival, performing on June 12.
The booking marks the Irish pop star’s first-ever U.K. festival headline slot. It follows a stellar year that has seen her cross over into the mainstream and deliver much talked-about performances at high-profile events including Glastonbury, All Points East and Green Man.
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She will be joined by a stacked bill of artists on the day, with supports including Father John Misty and Sharon Van Etten & The Attachment Theory. The other names confirmed to appear so far are: Beverly Glenn-Copeland and Elizabeth Copeland, Getdown Services, Katy J Pearson, Junior Brother, Jacqui McShee’s Pentangle and Zakia (DJ).
Tickets for the event, which will take place in Victoria Park, go on sale on Thursday (Nov. 13) at 10 a.m. (BST). More information can be found at the festival’s official website.
In August, CMAT (born Ciara Mary-Alice Thompson) unveiled her third studio album EURO-COUNTRY via AWAL. Upon release, the record hit No. 2 on the Official U.K. Albums Chart, her highest placing on the chart to date.
The continued success of EURO-COUNTRY has also seen the songwriter land a Mercury Prize 2025 nomination, as well embark on sold-out tours across the U.K. and the U.S. The LP follows 2023’s Crazymad For Me and her debut album If My Wife New I’d Be Dead, released the year prior.
The inaugural Lido festival took place this year, welcoming 35,000 fans a night with Charli xcx, Jamie xx, Massive Attack and London Grammar all topping the bill across two weeks of shows.
Named after Victoria Park’s Lido Field, the event has a strong focus on sustainability and holds community events during the week. Its second iteration will also include electronic duo Maribou State, who are headlining the festival on June 20.
Trending on Billboard SZA‘s Not Charity has teamed up with the Los Angeles-based restaurant Jon & Vinny’s to provide 1,400 free meals for people who are struggling to put food on the table in the midst of the longest government shutdown in history as their SNAP (Supplemental Nutrition Assistance Program) benefits dry up. Explore See […]
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Femme It Forward will be hosting its fourth annual Give Her FlowHERS Gala this month, Billboard can exclusively announce on Tuesday (Nov. 11).
Ciara will be honored with the Muse Award, which pays homage to a living legend whose legacy, impact and timeless music inspires past, current and future generations. Kehlani will receive the Alchemist Award, honoring a woman who turns her struggles into strength and her truth into timeless art. She is also being honored at ASCAP Women Behind the Music on Wednesday, Nov. 12. They also received two Grammy nominations when the full slate was announced last Friday (Nov. 7) for best R&B song and best R&B performance with “Folded,” Kehlani’s first Billboard Hot 100 top 10 hit. Jhené Aiko will receive the Glow Getter Award, which honors women who embody wellness, self-care and purpose. Last year, Aiko launched her holistic self-care brand Jhenetics, which includes elixirs, body balms, lotions and bath soaks that aim to “nourish the spirit and cultivate balance from the inside out,” according to its website.
Mariah the Scientist will be honored with the Bloom Award, spotlighting a breakthrough artist whose growth and grace have transformed her journey into full bloom. Mariah’s “Burning Blue” lead single from her fourth studio album Hearts Sold Separately became her highest-charting hit on the Hot 100 (No. 25) this year, while Hearts Sold Separately became her highest-charting album on the Billboard 200 (No. 11). Normani will receive the Femme It Forward Award, which honors women who have made incredible inroads within their industries and communities through impactful service and leadership. Nikki Taylor, Teyana Taylor‘s mother, will be honored with the Queens Raising Queens Award, awarded to mothers and maternal figures whose love, guidance and example empower the next generation of women to rise, thrive and lead. Teyana — who received her first Grammy nomination for best R&B album with Escape Room — accepted the Visionary Award in 2023.
Gail Mitchell, Billboard executive director of R&B and hip-hop, will be honored with the Mentor Excellence Award, which recognizes leaders who open doors and pour into the next generation through mentorship at the highest level. Sylvia Rhone, former chairwoman/CEO of Epic Records, will receive the Legacy Award, which honors visionary leaders whose groundbreaking contributions have not only shaped the entertainment industry, but built the very foundation on which future generations now stand. Rhone was the first Black industry executive and woman to chair a major record company. She was Billboard‘s Women in Music executive of the year in 2023.
“Every year, Give Her FlowHERS reminds me why this work matters. It’s about celebrating the women who show up, do the work and keep moving our culture and industry forward,” says Heather Lowery, CEO/founder of Femme It Forward, in an exclusive statement. “For me, it’s not just about honoring them, it’s about creating a space where women feel seen, supported and inspired to take up space unapologetically. This year’s honorees truly embody what it means to lead with purpose, create from the heart and pour into others while they rise.”
The 2025 Give Her FlowHERS Gala will return to the Beverly Hilton on Friday, Nov. 21. This year’s theme, “Same Root. New Flower,” celebrates the beauty of evolution, the shared roots that connect us all as woman and endless ways we continue to bloom. The gala serves as a fundraiser for Next Gem Femme, Femme It Forward’s mentorship program that’s designed to improve equity and accelerate career opportunities for women in music and entertainment. The mentorship program and gala reflect Femme It Forward’s deep commitment to cultivating a thriving ecosystem of women supporting women, rooted in community, creativity and purpose.
Trending on Billboard Metallica surprised Melbourne fans on Saturday night (Nov. 8) by covering Aussie punk rock legends The Living End during their M72 World Tour stop at the city’s Belluna Arena — and frontman Chris Cheney has officially responded, with a delightfully cheeky tale from his high school days. Explore See latest videos, charts […]
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A wave of international Bluesfest 2026 artists have confirmed headline dates across Australia for March and April next year, in addition to their festival sets at Byron Bay’s Tyagarah Tea Tree Farm.
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Among them are The Black Crowes, Sublime, Buddy Guy, The Pogues, Marcus King Band, Kenny Wayne Shepherd Band, and Talking Heads’ Jerry Harrison and King Crimson’s Adrian Belew, who will perform their Remain In Light show with special guest Robert Randolph.
The announcement arrives days after Bluesfest confirmed its first artist lineup for 2026. While Split Enz and Counting Crows have already rolled out separate tour itineraries, the new additions round out a larger national offering, giving fans beyond Byron Bay a chance to catch exclusive one-night-only shows in capital cities and select regional centres.
Sublime will appear at Melbourne’s Festival Hall on April 1, followed by Bluesfest on April 2 and a final stop at Sydney’s Hordern Pavilion on April 4. The Black Crowes will tour extensively, performing at The Forum in Melbourne, Fortitude Music Hall in Brisbane, Newcastle Entertainment Centre, and Sydney’s Enmore Theatre, either side of their Byron Bay date.
Buddy Guy, who turns 90 in July 2026, will play the Sydney Opera House and Melbourne’s Palais Theatre. His appearances at Bluesfest mark what could be his final Australian performances. The Pogues, commemorating the 40th anniversary of their 1985 album Rum, Sodomy & the Lash, will headline shows in Fremantle, Adelaide, Melbourne and Sydney, with multiple performances also scheduled at the festival.
Additional sideshows include Marcus King Band touring Sydney, Melbourne and Adelaide; Kenny Wayne Shepherd Band marking 30 years of Ledbetter Heights; and Jerry Harrison & Adrian Belew performing their Remain in Light collaboration in Melbourne, Sydney and Brisbane.
Presale access opens Tuesday, Nov. 11 at 11 a.m. AEDT via the Bluesfest Touring website, with general public tickets available from Thursday, Nov. 13. Tickets and full information are available via bluesfesttouring.com.au.
The Bluesfest sideshow rollout underscores the event’s growing national footprint as it continues to rebound from the pandemic era. Bluesfest 2025 welcomed more than 109,000 attendees — its biggest turnout since 2019 — and was described by festival director Peter Noble as “the third-biggest event we’ve done in the history of the festival.”
“We’ve worked hard to get here,” Noble said in April. “We’ve had the highest attendance of any Australian festival since pre-COVID… Festivals are back.”
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Peach PRC is set to headline her biggest shows yet, announcing a string of arena and theatre dates across Australia and New Zealand for March 2026.
The Australian pop star will launch her Wandering Spirit tour in Melbourne on March 12 at the Palace Foreshore, followed by stops in Adelaide, Sydney, Brisbane and Perth. She’ll then make her New Zealand headlining debut with performances at Shed 6 in Wellington on March 28 and Powerstation in Auckland on March 29.
The tour follows a blockbuster two years for Peach, who released her debut EP Manic Dream Pixie in 2023. That project debuted at No. 1 on the ARIA Albums Chart and featured the breakout single “Perfect for You,” which went on to win Best Single at the 2024 Rolling Stone Australia Awards.
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Earlier this month, Peach returned with her latest single “Miss Erotica” — a provocative, high-fantasy ode to strip clubs and the showgirls who shaped her early adulthood. Co-written in Los Angeles with Ryan Linvill and Maya Kurchner (Olivia Rodrigo, Chappell Roan), the track marks a bold creative turn for the singer, ushering in what she has described as her most empowered era to date.
Across her catalogue, Peach PRC has racked up over 230 million global streams, alongside more than 2 billion social views and 27 million video views. Her early hits — including “Josh,” “God Is a Freak” and “Forever Drunk” — earned her a loyal online following, but her live presence has grown in tandem. The 2026 tour marks her most extensive run to date, following support slots for Yungblud and previous sold-out headline dates in Sydney and Melbourne.
Joining her on all Australian dates are New York pop singer Maude Latour — who released her debut album Sugar Water in 2024 and has appeared at major festivals including Lollapalooza and Governors Ball — and rising Sydney artist Salty, whose viral 2024 single “See U in 3” kicked off a new era of theatrical, emotionally rich pop.
Frontier Touring will host a members-only presale beginning 1 p.m. local time on Thursday, Nov. 13. General sale begins Friday, Nov. 14 at 3 p.m. local time.
Trending on Billboard Mark Hoppus is heading to Australia in 2026 — but this time, he’s not coming with Blink-182 or a bass guitar in hand. Instead, the beloved frontman will take fans behind the scenes of his life and career for An Evening of Storytelling with Mark Hoppus, a spoken-word live tour that promises […]
Trending on Billboard The Eagles have added more 2026 dates to their Sphere residency, extending their run as the artist with the most dates at the Las Vegas immersive venue to 56. The new shows will take place March 20-21 and March 27-28. The Rock & Roll Hall of Fame inductees had previously announced […]
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