Music

7 Last-Minute DIY Costume Ideas to Pay Tribute to Your Favorite Latin Star This Halloween

Halloween is sneaking up on us, and if you’re a music junkie who hasn’t figured out your costume yet, don’t stress: Billboard has got you covered. 

In true fashion, we compiled a list of easy, last-minute DIY (do it yourself) costume ideas to assist you in dressing up as some of the trendiest Latin stars of 2022. 

The list includes inspirations from three of the most popular tours this year: Bad Bunny’s World’s Hottest Tour, Karol G’s Strip Love Tour, and Rosalia’s Motomami Tour. The list also suggests dressing up as two of the artists who are enjoying newfound popularity on TikTok: Colombian urbano singer-songwriter Feid and local Texas band Grupo Frontera, who’s making the rounds with their norteño version of Morat’s “No Se Va.”  

For those who like to wear matching Halloween costumes with their significant other, we recommend a cute and simple Camilo and Evaluna Montaner look, inspired by their new parenthood stage. And, of course, if you’re obsessed with Rauw Alejandro’s “Punto 40” track, we’ve got a costume idea for you and your squad as well. 

Point is, whether you’re trying to top your costume from last year or just looking to get in the spooky spirit, these DIY costume ideas won’t disappoint. Billboard recommends the following costumes inspired by some of our favorite Latin artists that are fun and easy to put together at the last minute. Check out the list below:

Wynonna Judd to Welcome Brandi Carlile, Kelsea Ballerini & More for The Judds: Love Is Alive Concert Special

Wynonna Judd is set to pay tribute to a special concert moment she shared with her mother and The Judds partner, Naomi Judd, during The Judds 1991 Farewell Tour.

The Country Music Hall of Fame member will welcome Ashley McBryde, Brandi Carlile, Kelsea Ballerini, Little Big Town and Martina McBride on Nov. 3 when she headlines The Judds: Love Is Alive – The Final Concert in Murfreesboro, Tenn., at Middle Tennessee State University’s Murphy Center, the same venue where the Judds played their final show together on Dec. 4, 1991, as part of their farewell tour that year. The concert was filmed for a pay-per-view show.

CMT and Sandbox Productions will film the upcoming concert, with plans to air it as a television special in March 2023 on CMT. Additional special guests are still to be announced.

The event will also mark the largest concert to take place at the Murphy Center since The Judds held their final show together at the venue nearly 31 years ago. Tickets for the event go on sale Wednesday (Oct. 26) beginning at 2 p.m. CT.

“Stepping onstage at the Murphy Center for the first time since Dec. 4, 1991, will be so surreal for me. It was an emotional night over 30 years ago, and will be an emotional night — for different reasons — now,” Wynonna said in a statement. “I can’t wait to lean into the nostalgia with the artists who have made this tour so special, and recreate one of the most iconic nights in Judd ‘Herstory!’”

“It’s serendipitous magic on so many levels to be able to capture Wynonna’s return to the Murphy Center, almost exactly 31 years to the date. And it’s especially meaningful as an MTSU alum to produce such a landmark event, working hand in hand with the university’s faculty and staff to have their students actively participate in the production in its entirety,” said Margaret Comeaux, CMT’s executive producer & senior vp of production, music & events. “We are also extremely excited to collaborate once again with our amazing partners at Sandbox to present a true Judds event spectacular that has been decades in the making, and continue to tell the next chapter in Wynonna’s story.”

“I remember when I was 15 years old, watching The Judds 1991 Farewell Concert on repeat when it first came out on Pay-Per-View. This is such an incredible, full circle moment to reproduce that same iconic special with Wy, and having her joined by all the powerhouse women she has brought with her on tour,” said Sandbox Productions’ Jason Owen, executive producer. “I’m so excited for everyone to watch – and for the incredible legacy of The Judds to live on forever.”

“What is most compelling about the Judds’ music is that it captures the love between two women. The Murphy Center event will allow us all to celebrate that love. After all, it was love that built a bridge between the Judds and their audience,” added Beverly Keel, dean of the college of media and entertainment, MTSU. “It is love that connects the family of country music females and strengthens them as they work to make their voices heard.”

Earlier this week, it was revealed that The Judds: The Final Tour will extend into 2023, with a slate of additional shows, welcoming McBryde, Carlile, Ballerini, Little Big Town and McBride on select dates. The tour will visit Nashville’s Bridgestone Arena on Friday, Oct. 28, featuring McBride and Trisha Yearwood.

Wynonna’s mother and The Judds partner Naomi died in April at age 76, just one day before The Judds were inducted into the Country Music Hall of Fame.

The Contenders: Taylor Swift Leads Billboard 200 Race by a Midnight Mile, Trailed by Arctic Monkeys & YoungBoy Never Broke Again

Welcome to The Contenders, a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming chart dated Nov. 5: Taylor Swift’s Midnights laps the rest of 2022’s full-length releases in its first couple of days, while the Arctic Monkeys aim for their first top five entry on the chart and YoungBoy Never Broke Again plans his sixth (!!) top 20 album of 2022.  

Taylor Swift, Midnights (Republic)  

Soon after its Oct. 21 release, Taylor Swift’s Midnights was no longer competing with the rest of the albums released in the past week, or even in the past year — Billboard reported it as the first album of the 2020s to cruise past the 1 million-equivalent album units mark after just three full days. At this point, Swift’s main rival is her own history: The 1.3 million units it had moved as of Monday (Oct. 24) just passed her reputation and its 1.238 million first-week units moved back in Dec. 2017 for the biggest debut of the past half-decade. (After that, she’s getting into Adele territory.)  

Swift pulled off this blockbuster bow by finding a happy medium in between the surprise-release strategy of her 2020 Folklore and Evermore sets and her more traditional rollouts of the 2010s. Though the album was announced months in advance (at August’s MTV Video Music Awards), no singles came out before Midnights did; instead, Swift gradually unveiled song titles and themes of the set, building up anticipation for the set while still keeping its actual sound under wraps. Then, when the 13 tracks finally debuted at once at (of course) midnight on Oct. 21, Swift also teased an additional surprise for the true insomniacs among the Swifties — which ended up being the album’s 3am Edition, a deluxe version with seven bonus cuts.  

Swift also boosted her first-week numbers the old-fashioned way: by releasing tons of physical products. Midnights has already set the single-week record for vinyl copies sold in the modern era (since Luminate began tracking music sales in 1991) with over 500,000 records — more than most artists can now manufacture, let alone sell. Her sales are also boosted by a standard digital album, an iTunes-exclusive version with a bonus track, four standard CD and vinyl editions (each with a different cover, and different-colored records; the CDs are available in explicit and censored versions), a cassette tape, and even a Target-exclusive “Lavender” edition of the album on CD and colored-vinyl LP, with three bonus tracks on the CD. For good measure, she sold autographed versions of the four explicit CDs and the four vinyl LPs on her web store.  

Arctic Monkeys, The Car (Domino) 

In a universe without Swift, this week’s Billboard 200 talk might be about whether or not the Arctic Monkeys would finally score their first No. 1. The U.K. indie quartet, superstars in their home country for the better part of two decades, have claimed six straight No. 1s on the U.K. Official Charts without getting higher than No. 6 on the Billboard 200, with 2013’s A.M.. But the group has only grown in stateside popularity since that album’s release, with several tracks from both that set and their older catalog becoming streaming perennials after finding popularity on TikTok.  

This week, the band releases its seventh album, The Car, preceded by the dreamy singles “There’d Better Be a Mirrorball” and “Body Paint.” Neither song has found the same streaming success as lusty old hits — “505,” from 2007’s Favourite Worst Nightmare, remains their lone entry on this week’s Rock Streaming Songs chart. But the album has received rave reviews, and the band is preparing for its biggest tour so far, including arena headlining dates in Chicago and Boston, and two nights at New York’s Forest Hills stadium.  

YoungBoy Never Broke Again, Ma’ I Got a Family (Atlantic): Another week, another Billboard 200 contender from New Orleans rapper YoungBoy Never Broke Again. After hitting the chart’s top 20 with each of his first five full-length releases this year (including a collaborative set with DaBaby) – most recently with mixtape 3800 Degrees, which debuted at No. 12 just earlier this month – he’s now looking to go six for six with Ma’ I Got a Family. (Given the rapper’s recent decamping from Atlantic to Motown, some insiders have speculated that his particularly prolific release schedule of late has been at least partly motivated by contract fulfillment.)  

If the market isn’t too crowded for another YoungBoy album, this one might get a warmer reception on streaming than his previous one. While 3800 Degrees ran just 13 tracks and featured no big-name guest stars, Family boasts 19 tracks and includes marquee features from Nicki Minaj and Yeat. It’s also hosted by DJ Drama in the style of his classic Gangsta Grillz mixtapes – a throwback framework for the 23-year-old MC that also helped propel Tyler, the Creator’s Call Me If You Get Lost set to No. 1 in 2021. 

IN THE MIX 

Jeezy & DJ Drama, SNOFALL (YJ/Def Jam): Speaking of DJ Drama – he’s had a busy week, also co-headlining the Snofall set with southern rap great and frequent collaborator Jeezy. The 17-track set features appearances by next-generation streaming stars Lil Durk, 42 Dugg and EST Gee.  

Carly Rae Jepsen, The Loneliest Time (School Boy/Interscope): It was 10 years ago that Carly Rae Jepsen’s “Call Me Maybe” first swept the U.S., topping the Billboard Hot 100 and introducing a new karaoke standard to the masses. The Canadian singer-songwriter has found more modest crossover success in the years since, but remains a cult favorite among pop fans – a status re-confirmed with her well-received sixth album, The Loneliest Time, and advance singles “Western Wind” and “Beach House.” 

Le Sserafim, Antifragile (Source) After making their EP debut in May with Fearless, Korean quintet Le Sserafim returns this October with sophomore EP Antifragile, which arrives with eight different varieties of CD packages box set (including randomized paper-good inserts like photocards and posters). The set’s title track has already made an international impact, debuting at No. 79 on Billlboard’s Global 200 listing this week.  

Blink-182’s ‘Edging’ Already No. 1 on Rock & Alternative Airplay Chart

After just its first week-and-a-half of availability, Blink-182‘s “Edging” is No. 1 on Billboard‘s Rock & Alternative Airplay chart.

The song tops the Oct. 29-dated ranking with 5.7 million audience impressions in the Oct. 17-23 tracking week, according to Luminate. It debuted at No. 2 the week before with 3.9 million in audience, tallied from its release Oct. 14 through Oct. 16.

It’s the trio’s first No. 1 on the chart, which began in 2009. Its previous best, “Bored to Death,” peaked at No. 2 in 2016.

With a two-week chart trip to No. 1, “Edging” is one of just 10 songs to crown the list in two frames or fewer. It’s the second song to complete such a sprint in 2022, following Red Hot Chili Peppers‘ “Black Summer,” which also took just two weeks in February.

“Edging” is currently a standalone single and Blink-182’s first release with Tom DeLonge on vocals and guitars since he departed the band in the mid-2010s. Alkaline Trio‘s Matt Skiba filled in on guitar and vocals for the group’s two most recent albums, 2016’s California and 2019’s Nine; the former spent a week at No. 1 on the Billboard 200 chart, while the latter debuted and peaked at No. 3.

Concurrently, “Edging” soars 12-2 on Alternative Airplay, Blink-182’s best rank since “She’s Out of Her Mind” peaked at No. 2 in 2017. The band boasts three No. 1s on the chart: “All the Small Things” in 1999, “I Miss You” in 2004 and “Bored” in 2016. The group first reached the chart in 1997 with “Dammit,” which hit No. 11 the next year.

“Edging” also jumps 33-22 on Mainstream Rock Airplay.

Following its first week of streams and sales, “Edging” opens at Nos. 4, 6 and 7 on the streaming-, airplay- and sales-based Hot Alternative Songs, Hot Rock Songs and Hot Rock & Alternative Songs charts, respectively. In addition to its radio airplay, which totaled 7.5 million impressions across all formats Oct. 14-20, the song drew 6.1 million official U.S. streams and sold 9,000 downloads in its first seven days.

The song also enters the all-genre Billboard Hot 100 at No. 61, becoming Blink-182’s highest ranking song since “I Miss You” peaked at No. 42 in 2004.

Consumption of the rest of Blink-182’s catalog, which includes eight studio albums beginning with 1995’s Cheshire Cat, also rose Oct. 14-20, sparked by the new single as well as the announcement of the band’s new tour, its first since DeLonge rejoined the band. In that span, Blink-182’s music received 30.2 million official on-demand U.S. streams, up 57% over Oct. 7-13. Excluding “Edging,” the numbers remain striking: 24.1 million streams, a 25% vault.

Even more substantial: the band’s three-week gains, from Sept. 30 through Oct. 20, encompassing the DeLonge reunion announcement Oct. 11 and the release of “Edging” Oct. 14:

Blink-182 Official On-Demand U.S. Streams

  • Sept. 30-Oct. 6: 11.9 million
  • Oct. 7-13: 19.2 million, up 62%
  • Oct. 14-20: 30.2 million, up 57% (24.1 million, up 25%, without “Edging,” released Oct. 14)

The band’s catalog surged 154% Oct. 14-20 as compared to Sept. 30-Oct. 6, or 103% when removing “Edging.”

Additionally, “All the Small Things” re-enters the Oct. 29 Hot Rock & Alternative Songs chart (where older titles are eligible to appear if in the top half and with a meaningful reason for their returns). The song, which topped Alternative Airplay for eight weeks and hit No. 6 on the Hot 100 in 1999-2000, ranks at No. 22 on Hot Rock & Alternative Songs with 3.1 million streams, up 16%.

Other Blink-182 classics with sizable streaming gains Oct. 14-20 include “I Miss You” (2.5 million, up 14%), “What’s My Age Again?” (2.3 million, up 23%) and “First Date” (1.5 million, up 35%).

“Edging” additionally bounds in atop Rock Digital Song Sales and Alternative Digital Song Sales with its 9,000-download count, Blink-182’s first No. 1 on both charts. It’s also Nos. 7 and 8, respectively, on Rock Streaming Songs and Alternative Streaming Songs.

On the Top Rock & Alternative Albums chart, the band’s 2005’s Greatest Hits collection pushes 23-13 with 12,000 equivalent album units earned, up 26%. The set also returns to the all-genre Billboard 200‘s top half, jumping 117-64, its first time in that region since February 2006.

Rihanna Fans Are Losing It Over ‘Lift Me Up’ Announcement: ‘We Made It Out the Drought!’

Rihanna had the Internet lit up when she announced her official return to music. While RiRi didn’t share plans for her highly anticipated ninth studio album, the singer is set to unveil her new single “Lift Me Up” from the upcoming Marvel sequel Black Panther: Wakanda Forever on Friday (Oct. 28).

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The upcoming song was written by Tems, Oscar winner Ludwig Göransson, Rihanna and Panther director Ryan Coogler as a tribute to the late Panther star Chadwick Boseman, who died in August 2020 at age 43. The track will be released on the Ri’s Westbury Road label in partnership with Roc Nation/Def Jam Recordings/Hollywood Records. 

“After speaking with Ryan and hearing his direction for the film and the song, I wanted to write something that portrays a warm embrace from all the people that I’ve lost in my life. I tried to imagine what it would feel like if I could sing to them now and express how much I miss them,” said Tems in a statement. “Rihanna has been an inspiration to me so hearing her convey this song is a great honor.”

The “Love on the Brain” singer hasn’t released an album since Anti dropped six years ago, and spent two weeks at No. 1 on the Billboard 200 chart. Her break from live shows is also slated to end on Feb. 12, 2023, when she headlines the 2023 Super Bowl Halftime Show.

As expected, Ri’s fans, affectionately called the Navy, took to Twitter to share their excitement over the news. See some of the best fan reactions below.

Ariana Grande Debuts Blonde Hair Ahead of Playing Glinda in ‘Wicked’ Movie: See the Photo

Ariana Grande is becoming even more “Popular” thanks to her wicked new look. In a Wednesday (Oct. 26) Instagram post, the 29-year-old musician unveiled her newly blonde hair — dyed to match the golden tresses of Wicked character Glinda, whom Grande is set to play in an upcoming film adaptation of the musical — and her friends and fans alike are freaking out about it.

In her latest IG photo, Grande poses with her eyes closed, head turned to the side to show off her brand new, soft yellow ponytail. Her eyebrows appear to be dyed to match the shade of her hair, mimicking the Good Witch of the North’s naturally blonde look.

In spite of her gravity-defyingly big reveal, however, the “Positions” singer played coy in her caption. “New earrings,” she simply wrote.

Nevertheless, people in the comments knew exactly what she was doing. “GLINDA ERA,” replied one fan.

“Good news, She’s HERE,” commented Jordan Barrow, who plays Boq in the Broadway cast of Wicked, referencing lyrics to the musical’s opening number.

Cynthia Erivo, on the other hand, played along with the pop star’s slyness. “Earrings are AMAZING!! ??,” commented the actress, who will star opposite Grande in Wicked as the Wicked Witch of the West, Elphaba. So did Jon M. Chu, the director of the musical’s film adaptation — “Earrings look great!” he quipped.

Based on the Broadway musical of the same name by Stephen Schwartz, Wicked follows two magical enemies-turned-best friends played by Grande and Erivo. The project will be split into two separate films, the first of which is slated to hit theaters in December 2024.

Check out Ariana Grande’s thrillifying new look below.

Adele Pours Out the Rose in Cheeky ‘I Drink Wine’ Music Video: Watch

It’s time to bust out the Whispering Angel, because Adele unveiled the music video for her latest single “I Drink Wine” on Wednesday (Oct. 26).

In the amusing clip, directed by Joe Talbot, the songstress wears a sparkling gold gown as she floats along a river on an inner tube with a glass of wine in hand.

“Why am I obsessing/ About the things I can’t control?/ Why am I seeking approval/ From people I don’t even know/ In these crazy times I hope to find/ Something I can cling on to/ ‘Cause I need some substance in my life/ Something real, something that feels true,” she sings as she encounters a team of synchronized swimmers, a handsome fisherman and a shadowy troupe of chic back-up singers along her journey down the river.

The merlot-soaked ballad peaked at No. 18 on the Billboard Hot 100 back in December following the release of 30, but is just now being given the promotional push as the third single off the body of work following No. 1 smash “Easy On Me” and its top 5 follow-up “Oh My God.”

Since the release of her 30 singles, Adele has earned her first Primetime Emmy for her 2022 CBS concert special Adele One Night Only, leaving just a Tony Award short of reaching EGOT status. She also canceled and later rescheduled her still upcoming Las Vegas residency and hand-selected an all-female lineup that included Kacey Musgraves, Gabrielle and more to support her two-date headlining run at the U.K.’s BST Hyde Park Festival.

Watch Adele float down the river in “I Drink Wine” below.

Anahi Teases Comeback With New Juan Gabriel Collaboration, ‘Dejame Vivir’: Listen

Anahí is making her official comeback to music with a new collaboration alongside Juan Gabriel

The single—released posthumously, six years after Juanga’s passing—is a new version of his Rocío Dúrcal-assisted “Déjame Vivir” that launched in 1984. Almost 40 years later, the Mexican pop star gives it a modern EDM twist. 

“Who’s excited to listen to it?” the singer asked her fans on Instagram on Tuesday (Oct. 25), sharing a 15-second preview of the video that features both stars. 

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“Déjame Vivir,” which marks Anahí’s first official release since “Latidos” in 2020, follows El Divo de Juarez’s “Mía Un Año” released last month in collaboration with Eslabon Armado. 

The collaborative track with Juanga comes after his duets with Marc Anthony, J Balvin, and other major artists who formed part of his Los Dúo 2 album released in 2015, which ruled the No. 1 spot on the Top Latin Albums chart for 20 weeks in 2016. 

Although it’s Anahí’s first single in two years, she has kept herself busy with music endeavors in the time since — in June, the former Rebelde star joined Karol G on stage for an epic rendition of RBD’s 2004 hit “Salvame.” The performance that took place during the Bichota Reloaded tour in Mexico City became the first time Anahí performed live in 11 years. The singer’s last concert prior to that was in 2011 with her Go Any Go Tour. 

Anahí has also been spotted spending time with her former RBD bandmates Maite Perroni, Christian Chávez and Christopher Von Uckermann — first in December 2020 when they hosted a virtual reunion called “Ser o Parecer,” and most recently for Perroni’s wedding to longtime boyfriend Andrés Tovar. 

“Déjame Vivir,” which drops at 7 p.m. on Thursday, Oct. 27, will form part of the upcoming Los Dúo 3 set.

Watch a preview below:

Red Hot Chili Peppers Score Second No. 1 of 2022 on Top Album Sales Chart With ‘Return of the Dream Canteen’

Red Hot Chili PeppersReturn of the Dream Canteen debuts atop multiple Billboard album charts (dated Oct. 29). The set, which is the band’s second studio effort of 2022, bows at No. 1 on Top Album Sales, Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Top Current Album Sales, Tastemaker Albums and Vinyl Albums. The set sold 56,000 copies in the U.S. in the week ending Oct. 20, according to Luminate.

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Notably, on the Top Album Sales chart, the Peppers have scored a pair of No. 1s in 2022 (Unlimited Love and Return of the Dream Canteen) – making it the first group with two No. 1 rock albums on the chart in less than 12 months since 2005. That year, System of a Down doubled-up at No. 1 with Mezmerize and Hypnotize. (The Peppers have logged their two 2022 No. 1s six months and two weeks apart; System of a Down notched theirs in 2005 six months and a week apart.)

In total, the Peppers have logged four No. 1s on Top Album Sales: Canteen, Unlimited Love, The Getaway (2016) and Stadium Arcadium (2006).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums rank the week’s most popular rock and alternative albums, rock albums and alternative albums, respectively, by equivalent album units. Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales. Tastemaker Albums ranks the week’s best-selling albums at independent and small chain record stores. Vinyl Albums tallies the top-selling vinyl albums of the week.

Of Return of the Dream Canteen’s 56,000 copies sold, vinyl sales comprise 26,500 – 48% of its first-week. CD sales comprise 21,500 – 38% of its debut frame. The album’s robust vinyl sum was driven by over 10 available variants, including exclusive versions for Target, independent record stores and the Peppers’ webstore.

The album was led by the single “Tippa My Tongue,” which hit No. 1 on both the Rock & Alternative Airplay and Alternative Airplay charts. On the latter, it’s the 15th No. 1 for the group, extending its record for the most No. 1s in the chart’s history.

Stray KidsMAXIDENT falls to No. 2 in its second week on Top Album Sales, with 25,000 sold (down 78%). The 1975 collect its fourth top 10-charting effort on the list with Being Funny in a Foreign Language, as the band’s new studio set bows at No. 3 with 20,000 sold.

Backstreet Boys’ first holiday album, A Very Backstreet Christmas, launches at No. 4 on Top Album Sales with nearly 20,000 sold. It’s the 11th consecutive top 10 for the group – the entirety of their charting releases. It also opens at No. 1 the Top Holiday Albums chart, which ranks the week’s most popular holiday albums by equivalent album units.

Alter Bridge debuts at No. 5 with Pawns & Kings (14,000 sold) – giving the rock act its fourth top 10. NCT 127’s 2 Baddies falls 4-6 with 7,000 (down 40%), Beyoncé’s former leader Renaissance tumbles 2-7 with nearly 7,000 (down 86%) and Harry Styles’ chart-topping Harry’s House rises 13-8 with 6,500 (down 2%).

Rounding out the top 10 is the debut of Lil Baby’s It’s Only Me (No. 9; a little over 6,000) and TWICE’s former No. 1 Between 1&2: 11th Mini Album (11-10, 6,000; down 16%).

In the week ending Oct. 20, there were 1.680 million albums sold in the U.S. (down 11.4% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.32 million (down 13.7%) and digital albums comprised 360,000 (down 1.8%).

There were 644,000 CD albums sold in the week ending Oct. 13 (down 9.9% week-over-week) and 666,000 vinyl albums sold (down 17.1%). Year-to-date CD album sales stand at 27.402 million (down 7.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 30.698 million (up 2%).

Overall year-to-date album sales total 74.832 million (down 7.6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 58.523 million (down 2.8%) and digital album sales total 16.309 million (down 21.6%).

Selena Gomez Tests Positive for COVID-19, Cancels ‘Tonight Show‘ Appearance

Selena Gomez has had to put her upcoming plans on hold. On Wednesday (Oct. 26), the singer and Rare Beauty mogul shared that her scheduled appearance on The Tonight Show Starring Jimmy Fallon has been canceled due to her testing positive for COVID-19.

“I’m not going to be on Fallon tonight. I ended up getting COVID but am resting and feeling ok,” the singer assured fans in a post to her Instagram Story, which featured a photo of her napping in a couch with her two dogs close by. “A friendly reminder COVID is still out there. Get updated on your boosters. I was actually scheduled to get mine this week. Love you all.”

Gomez has been promoting her project Selena Gomez: My Mind & Me. The documentary, which will be released via the streaming platform on Nov. 4, will see the Disney Channel alum exploring her physical and mental health issues, and her attempts to heal over the past six years.

“After years in the limelight, Selena Gomez achieves unimaginable stardom. But just as she reaches a new peak, an unexpected turn pulls her into darkness,” a release describing the documentary reads. “This uniquely raw and intimate documentary spans her six-year journey into a new light.”

Gomez will release “My Mind & Me,” the song featured in the documentary’s official trailer, on Nov. 3 at 8 a.m. ET.