Music

Gigi Hadid & Baby Khai Kick Off the New Year With ‘A Little R&R’: See Their Beach Day Pics

Gigi Hadid took to social media on Friday (Jan. 20) to show off her recent beach vacation with daughter Khai.

“Celebrated the new year w a lil r&r,” the supermodel captioned the slideshow on Instagram.

Though she follows a strict policy of keeping Khai’s face off social media, the seaside snaps made clear the 2-year-old she shares with ex Zayn was there for the fun.

In one photo, Hadid spells out “Mama [hearts] Khai” in the sand with her own head cut out of the frame. Another shows Khai balanced on her mom’s shoulders in stark grayscale, while a third features the tot carefully outside the edge of the photo, frolicking in the surf while Hadid wears a red bikini top and baggy, multi-colored board shorts over her matching bottoms.

A few months ago, Hadid offered an update on Khai’s growth and development, telling Sunday Today, “I think she’s a genius. But I think that’s what everyone says about their kid. It’s so much fun. The more that she talks, and understands, and remembers, it just gets more and more fun. And she’s a blessing.”

For his part, Zayn most recently unveiled “Angel,” a posthumous collab with Jimi Hendrix in honor of what would’ve been the late guitar legend’s 80th birthday. At the time, the former One Directioner called being asked to join the track “such an unexpected and huge honour,” adding, ” I have so much respect and admiration for Jimi, his music and fans…Happy 80th Jimi.”

See the sweet photos of Hadid and baby Khai’s holiday in the sun below.

Watch Yuuri’s New ‘Billimillion’ Music Video Animated by Tekken

J-pop singer-songwriter Yuuri premiered the new music video accompanying his latest song “Billimillion” on Jan. 19.

The new track by the 28-year-old musician lends support to the younger generation trying their best to get by in modern times, through an allegorical story about an old man who offers a young man large sums of money in exchange for 50 years of his life. The “Betelgeuse” singer has been performing this song that encourages people to make decisions they won’t regret since last year, including his tour celebrating his YouTube channel sailing past a million subscribers.

The visuals released on YouTube features Tekken’s flip animation depicting the message and story of the new track through his signature black-and-white drawings.

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Kelly Clarkson Warns ‘You Should Probably Leave’ in This Chris Stapleton Kellyoke Cover: Watch

Kelly Clarkson is allowing her country side to shine.

On the Friday (Jan. 20) episode of The Kelly Clarkson Show, the American Idol winner gave the Chris Stapleton single “You Should Probably Leave” a spin for her daily Kellyoke performance.

Accompanied by her band Y’all, the “Since U Been Gone” singer lets her full vocal range shine in the cover, singing, “‘Cause I know you and you know me/ And we both know where this is gonna lead/ You want me to say that I want you to stay/ So you should probably leave/ Yeah, you should probably leave.”

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“You Should Probably Leave” was released in 2020 as the first single from Stapleton’s fourth studio album, Starting Over. The track — which tells the story of an on-off couple who simply can’t stay away from each other — peaked at No. 28 on the all-genre Billboard Hot 100. Over on Country Airplay, the track spent a week at No. 1.

Recently, Clarkson performed Blink-182’s “All the Small Things” for Kellyoke, as well as Duran Duran’s “Ordinary World,” Chris de Burgh‘s “The Lady in Red” and Joji‘s 2022 breakthrough hit “Glimpse of Us.”

Watch Clarkson’s cover for “You Should Probably Leave” in the video below.

Raven-Symoné Reveals You Don’t Know How to Pronounce Her Name

Turns out we’ve been saying Raven-Symoné‘s name wrong this whole time.

On Thursday, the star hopped on TikTok to offer a lesson on the correct pronunciation of her moniker. “Yo, that’s Raven-Symoné,” she wrote on the six-second video before adding, “It’s pronounced See-mon-ye.”

To elucidate her point even further, the That’s So Raven star included a lip sync to a popular TikTok sound where someone offscreen insists, “Shut up, it is not,” to which she emphatically mouths, “Yes, it is.”

However, the video’s caption also made it clear that she wasn’t taking the issue too seriously, considering she wrote, “Those who know…KNOW… fit was cray that day.”

Obviously, the revelation sent the minds of millennials who grew up on the Disney Channel spinning. “RAVENN!! YOU LET THIS SLIDE FOR TOO LONG,” one fan wrote, while another stated, “The whole time ‘I’m raven simone and you’re watching Disney channel,’ you could have said it right cause how they gon make you say your own name wrong.” However, another follower was quick to defend the star by pointing out, “She said ‘Hi I’m Raven from That’s So Raven and you’re watching Disney Channel’ never said her last name.” (Although technically, “Symoné” is just the second half of Raven’s first name, not her last.)

Last year, Raven-Symoné advocated for an issue much larger than her name by leading a set-wide walkout with the cast and crew of Raven’s Home to protest Florida’s “Don’t Say Gay” bill, which was then making its way through the state’s legislature before Gov. Rick DeSantis signed it into law in late March.

Watch and learn how to pronounce Raven’s full name below.

How Much Money Could Madonna’s Celebration Tour Make?

When Madonna hits the road later this year for her career-spanning Celebration Tour, she’ll be taking a global victory lap, further cementing her legacy as the Queen of Pop. She’ll also be taking home big money — upwards of $100 million, by Billboard‘s estimate.

The parade of concerts will feature Madonna’s greatest hits from across her 40-year career, a rare straightforward ambition for one of the world’s most enigmatic artists. With 38 top 10 songs on the Billboard Hot 100 and 23 top 10 albums on the Billboard 200, the tour stands to continue her streak as the highest-grossing solo female artist in Billboard Boxscore history (provided she can fend off Taylor Swift‘s upcoming Eras tour). How high will it go?

Madonna’s touring career began in earnest with 1985’s The Virgin Tour, averaging more than 10,000 tickets and $100,000 per night, according to figures reported to Billboard Boxscore. (The average ticket price on that tour was $14.74, a distant whiff of what her — and all artists’ — arena concert tickets cost in the 2020s. In today’s dollars, adjusted for inflation, that skimpy price would translate to $29.56.)

Already a sell-out force, Madonna’s next trek, 1987’s Who’s That Girl World Tour, tripled her draw and nearly quintupled her selling power in just two years, pacing 35,000 tickets and $756,000 per show in a mix of arenas and stadiums that year.

Both of those figures were just the beginning. They were followed by 1990’s Blond Ambition Tour, 1993’s The Girlie Show and seven tours in the 21st century that have grossed at least $50 million each.

Madonna’s highest-grossing tour thus far is the 85-date Sticky & Sweet Tour in 2008-09, playing stadiums around the world to the tune of $407.7 million and 3.5 million tickets. Fifteen years later, it remains the highest-grossing tour by a woman ever. (Her next trek, 2012’s MDNA Tour – her lengthiest tour by number of shows at 88 – played a mix of stadiums and arenas, and became her second-highest grossing run, with $305.2 million.)

The Celebration Tour was announced on Tuesday (Jan. 17) with 26 shows in North America and 12 in Europe. Throughout this week, that routing expanded to 41 and 20, respectively. Madonna begins the trek on July 15 in Vancouver and is scheduled to wrap Dec. 2 in Amsterdam. Thus far, no dates outside the U.S., Canada and western Europe have been announced.

To gauge the tour’s financial prospects, it would be unfair to simply reflect on Madonna’s most recent tour. That was the 2019-20 Madame X Tour, an experiment that placed the Queen of Pop in intimate theater-based mini-residencies in major markets on both sides of the Atlantic. The 75-show run sold itself out at 179,000 tickets and $51.5 million, but it’s an outlier in a career comprised of (much) larger venues.

A more apt comparison would be the Rebel Heart Tour of 2015-16, a string of 82 arena shows after the stadium madness of her previous two treks. That tour grossed $169.8 million and sold 1.05 million tickets worldwide, including quick stints in Asia and Oceania. On the Rebel Heart Tour, more relevant to the Celebration routing, Madonna averaged $1.8 million and 12,500 tickets in the U.S. and Canada, and $1.7 million and 14,600 tickets in Europe. Given her current 61-show routing for The Celebration Tour, maintaining those averages would put the entire run on track to gross $106.9 million and sell 802,000 tickets.

But ticket prices have risen since Madonna was charging $15-and-under in the ‘80s, including a significant spike in the last five years. Platinum ticketing and dynamic pricing have blown out arena and stadium grosses in the post-pandemic era, with Bad Bunny, Harry Styles, The Rolling Stones and more approaching $200 averages on tour last year.

For example, on Elton John’s Farewell Yellow Brick Road Tour, his average arena ticket in North America jumped from $139 in 2018 to $181 in 2022. That’s a 30% increase, which would bolster Madonna’s projected gross to $140.6 million. But the surge in prices hasn’t been as great in Europe, which could soften our prediction back toward the $130 million mark.

Further, Madonna has long been a global icon. So far, The Celebration Tour spans two continents, while she has frequently hit South America, Asia and Oceania throughout her career. An expansion of the tour — which seems like a natural idea based on the marketability of an all-hits show — would drastically change what is realistic for the 2023 trek. And as noted above, Madonna already increased the number of North American shows for the tour by more than 50% before The Celebration Tour’s general on-sale began on Jan. 20. Demand could dictate further additions.

Today’s on-sale generated over 600,000 tickets sold, with 35 sold-out shows and more to become available next week.

Over nearly 40 years, Madonna has grossed a reported $1.376 billion and sold 11.7 million tickets across 575 shows. That makes her the most successful female act in Boxscore history. The Celebration Tour will nudge her closer to the $1.5 billion mark. Among all acts, only four have grossed more in Boxscore history.

Myke Towers, Andy Rivera & More: What’s Your Favorite New Latin Music Release? Vote!

This week, our First Stream Latin roundup — which is a compilation of the best new Latin songs, albums and videos recommended by the Billboard Latin editors each week — is powered by new music from Nicky Jam, Myke Towers and Eddy Herrera, to name a few.

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The list includes some urban selections like Myke Towers’ three-song EP Sweet & Sour, which he dropped as a surprise on his 29th birthday (Jan. 15). Hinting at what could possibly be the first part of an album in 2023, following his 2021 set Lyke Mike, the EP encompasses the Puerto Rican rapper’s creative versatility, navigating from saucy drill (“Pauta & Flow”) to R&B-tinged hip-hop (“Los Angeles”) to a hard-hitting reggae plena (“El Joseo”). 

Nicky Jam also dropped his first single of the year called “Toy a Mil,” where he laces reggae beats with Dominican dembow and sings about a girl he was waiting to be single. Colombian reggaetonero Andy Rivera, on the other hand, turns bad boy in “No Pinto Pajaritos,” a midtempo, sensual reggaeton track, in which he assures that he doesn’t sugarcoat things — and that he is, in fact, only interested in having a fling.

Additionally, we spotlighted newcomers Ivonne Galaz and Tania Dominguez (both of Rancho Humilde) on their soulful collab “No Puedo Olvidarte,” backed by dreamy requintos, soft drum beats and a howling bass; the enigmatic electro-pop self-titled debut album of Astronomía Interior, the latest musical configuration of Jesús Báez and Ángel Mosqueda, better known respectively as the keyboardist and bassist of Zoé; and an infectious merengue song that finds Eddy Herrera, Felipe Peláez, and Omar Enrique, drinking their heartbreaks away.  

What’s your favorite new Latin music release this week? Vote below!

Carly Pearce Recalls Having a Warrant Out for Her Arrest — And Using Concert Tickets to Get Out of It

With CMA and ACM Awards wins to her credit — not to mention chart-topping songs including “Never Wanted to Be That Girl” and “I Hope You’re Happy Now” — Grand Ole Opry member Carly Pearce has been steadily adding accolades since she released her debut song, her first Country Airplay chart-topper “Every Little Thing,” in 2017.

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On Friday (Jan. 20), Pearce shared a video with fans and revealed a wild story from an early radio tour, when Pearce was crisscrossing the country to promote her debut single and she had a run-in with the police.

“I’m going to tell you about the time that I had a warrant out for my arrest,” she began.

While traveling on the radio tour, her flight was canceled, forcing Pearce and her band to have to rent a car and drive to where they were playing the next day.

“I was driving through the great state, my home state of Kentucky and I didn’t realize the speed limit went very quickly from like 70 to 35 — and let’s just be real, I was already going, um, 85,” she recalled.

A cop pulled her over and gave her a ticket. “I could tell he was, like, really annoyed, but we had to get to the show, so I didn’t look at the speeding ticket until I got to the venue a few hours later and realized I had a reckless driving ticket. So I paid the ticket and thought nothing of it — and then got a call that there was a warrant out for my arrest, because I did not go to traffic school or pay the full amount of my ticket, because I didn’t realize it’s a big offense if you are reckless driving.”

With a deep sigh, she continued, telling fans that there was one bright side to the ordeal.

“You’re never gonna believe it, but the cop was a country fan, and I bartered my way to pay the ticket and give him tickets to my show — and he dropped the warrant, or the charge or whatever you want to call it. That police officer in Kentucky, thank you. You can come to a show anytime. But yeah, I’m kind of bad,” she says, with a mischievous gleam in her eyes.

The video ends with another video clip of Pearce — this time, seemingly ready to head onstage — as she continues, “The moral of the story, y’all, is be aware of the speed limits where you are going and it pays to be a country singer sometimes,” she added with a wink and a smile.

Pearce is nominated for a Grammy leading into next month’s awards show, earning a nod for best country duo/group performance for “Never Wanted to Be That Girl” with Ashley McBryde. She is opening shows on Blake Shelton’s Back to the Honky Tonk tour.

Here Are the Lyrics to Miley Cyrus‘ ‘Flowers’

Miley Cyrus broke the Spotify record for the most-streamed song in a single week thanks to her latest hit “Flowers,” her ode to loving and taking care of herself.

In addition to flipping Bruno Mars’ 2014 single “If I Was Your Man” on its head, part of the song’s appeal comes from the litany of potential Easter eggs about Cyrus’ relationship with ex-husband Liam Hemsworth, from her choosing to release the track on his 33rd birthday to a reference to the Woolsey Fire that burned down the couple’s Malibu home back in 2019 tucked into the lyrics.

If you need a guide to follow along to Miley Cyrus’ “Flowers,” find the lyrics below:

We were good, we were gold
Kinda dream that can’t be sold
We were right ’til we weren’t
Built a home and watched it burn

Mm, I didn’t wanna leave you
I didn’t wanna lie
Started to cry but then remembered I

I can buy myself flowers
Write my name in the sand
Talk to myself for hours
Say things you don’t understand
I can take myself dancing
And I can hold my own hand
Yeah, I can love me better than you can

Can love me better
I can love me better, baby
Can love me better
I can love me better, baby

Paint my nails, cherry red
Match the roses that you left
No remorse, no regret
I forgive every word you said

Ooh, I did not wanna leave you, baby
I didn’t wanna fight
Started to cry but then remembered I

I can buy myself flowers
Write my name in the sand
Talk to myself for hours, yeah
Say things you don’t understand
I can take myself dancing, yeah
I can hold my own hand
Yeah, I can love me better than you can

Can love me better
I can love me better, baby
Can love me better
I can love me better, baby
Can love me better
I can love me better, baby
Can love me better
Oh, I

I did not wanna leave you
I didn’t wanna fight
Started to cry but then remembered I

I can buy myself flowers (oh)
Write my name in the sand (mmh)
Talk to myself for hours (yeah)
Say things you don’t understand (never will)
I can take myself dancing, yeah
I can hold my own hand
Yeah, I can love me better than
Yeah, I can love me better than you can

Can love me better
I can love me better, baby (oh)
Can love me better
I can love me better (than you can), baby
Can love me better
I can love me better, baby
Can love me better
I

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group

Written by: Gregory Aldae Hein, Michael Pollack, Miley Cyrus

Kelsea Ballerini Shows Off Her Fourth ‘Baby’ Tattoo: ‘Kinda Want More’

Kelsea Ballerini has officially added more ink to her body, bringing her grand total to four tattoos — or “little baby tats” in her own words. The country singer hopped online for an “Ask Me Anything” session via her Instagram Stories, and revealed her new body art.

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A fan during the Q&A session asked, “new tattoos?” in the AMA box, to which the “Hole in the Bottle” singer shared a picture of her posing in the mirror in a green bikini, showing off her new body art: a tiny wave.

“I got a little wave on my hip,” she told the inquiring fan. And apparently, the new ink has been a long time coming — “I’ve been wanting it since 2016 and just randomly one day did it. it’s my fourth little baby tat. kinda want more. kinda don’t want my mom to kill me,” she added.

The singer shed light on how she got her first tattoo in a 2021 interview with Shape. “This is a story I’ve never told publicly. The day before my first photo shoot, I panicked because I wanted a tattoo but didn’t have one yet,” she said. “And I was like, What if this single [‘Love Me Like You Mean It’] works and people start to follow me? Then all of a sudden, I get a tattoo. People will be like, ‘She’s going off the deep end.’”

That first tattoo, Ballerini revealed, ended up being the “how sweet the sound” lyric from “Amazing Grace” on her left forearm. “It was just this youthfully innocent way of saying, ‘I’ve got to be who I am from the beginning of this,’” she added. “A lot of artists and public people have a persona that they step into, but I can’t do that. I don’t want any surprises. I just want it all to be out there.”

See Ballerini’s new tattoo below.

Miley Cyrus‘ ‘Flowers’ Gave Diane Keaton a ‘Reason to Dance In My Own Backyard!’

It’s safe to say Diane Keaton is a fan of Miley Cyrus‘ “Flowers.” On Friday (Jan. 20), the actress decided to take herself dancing to the anthem on social media.

“@mileycyrus YOUR INCREDIBLE SONG GAVE ME A REASON TO DANCE IN MY OWN BACKYARD!” the Academy Award winner captioned her Instagram post, which shows her jumping into the grass and getting down as Cyrus’ voice sings, “I can buy myself flowers, write my name in the sand/ Talk to myself for hours, say things you don’t understand/ I can take myself dancing and I can hold my own hand/ Yeah, I can love me better than you can.”

Of course, in her trademark fashion, Keaton just so happens to be wearing a wide-brimmed bowler hat, sunglasses, a long-sleeved black turtleneck and matching wide-leg pants for her jaunt in the backyard.

The Annie Hall star got plenty of support for her jubilant dance, with Kerry Washington commenting, “SAME!” followed by an appropriately bright string of flower emojis. Thalia also wrote, “You are the best” while Christy Carlson Romano playfully pleaded, “Adopt me,” after seeing Keaton’s moves.

Keaton isn’t the only famous face who’s become an instant Smiler thanks to Cyrus’ latest single. A few days prior, Gloria Gaynor expressed her own appreciation for the song in a separate Instagram post, writing, “Your new song carries the torch of empowerment and encourages everyone to find strength in themselves to persevere and thrive. Well done Miley!” upon hearing the song for the very first time.

Check out Keaton joyfully grooving to Cyrus’ “Flowers” below.