Music

David Guetta & Bebe Rexha’s ‘I’m Good (Blue)’ Hits No. 1 on Pop Airplay Chart

David Guetta and Bebe Rexha’s viral collab-turned-smash “I’m Good (Blue)” ascends to No. 1 on Billboard’s mainstream top 40-based Pop Airplay chart (dated Jan. 28).

The song, on What a DJ/Warner Records, gained by 2% to 15,551 plays on 153 reporting stations, or, an average of 102 plays per panelist, Jan. 13-19, according to Luminate.

All charts dated Jan. 28 will update on Billboard.com Tuesday, Jan. 24.

Guetta claims his second Pop Airplay No. 1, after “Without You,” featuring Usher. As the song topped the tally dated Dec. 3, 2011, Guetta ends the longest break between leaders since the chart began in 1992: 11 years, one month and three weeks. He surpasses Sean Paul’s 10-year, three-month and one-week gap in 2006-16.

Rexha also achieves her second Pop Airplay No. 1, after “Me, Myself & I,” with G-Eazy, reigned for two weeks in April 2016.

Meanwhile, as “Good” climbs from No. 3 to the Pop Airplay summit, it bests the peak of the song that it prominently interpolates: Eiffel 65’s “Blue (Da Ba Dee),” which reached No. 2 on the list in January 2000.

Guetta and Rexha’s single holds at its No. 4 high on the most recently published all-genre, multi-metric Billboard Hot 100 (dated Jan. 21), likewise having topped the No. 6 peak of Eiffel 65’s hit.

“[David] had played [‘I’m Good’] at a festival after we had cut it, and somebody took a YouTube video of it and posted it,” Rexha recently told Billboard‘s Pop Shop Podcast. “Then somebody found that and made a remix and posted it to TikTok. Then this big gamer posted it from TikTok, and then it blew up from her page.

“It’s crazy, because you just never know what people want,” Rexha added. “Everybody was going crazy and being like, ‘We want this song! Why can’t we find it?’ And I was hitting up David [saying], ‘David, people really want this record! We should just put it out!’ At this point, it’s viral on TikTok, and people are asking for it. Let’s just give the people what they want. It’s just a great, fun record.”

Cardi B Offers an Update & Advice on Her Court-Ordered Community Service: ‘Obey the Law’

Cardi B is doing the time. Three days after getting the deadline for her court-ordered community service — assigned to her as part of a plea deal stemming from a 2018 strip club altercation — extended until March 1, the 30-year-old rapper posted a small update on Twitter.

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True to Cardi fashion, the post had an element of fun: The “WAP” musician shared a mirror selfie with one hand on her hip, making a funny faux-stern face at the camera. “Second day of community service……,” she wrote Friday (Jan. 20). “Obey the law.”

With long acrylic nails, a chic pink sweater and Tabi luxury split-toe boots, it certainly doesn’t look like Cardi is heading out to do something like, say, clean up trash from the side of the road. But this is the woman who raps “Bodak Yellow” and “I Like It,” so she very well could be putting in some elbow grease while being effortlessly glam.

Cardi was originally assigned the community service after pleading guilty in September to two misdemeanor charges stemming from a 2018 incident in which she was involved in a physical fight with female bartenders at Angels Strip Club in Queens, New York. The deadline for her to complete the 15 days of service had been Tuesday (Jan. 17), at which point she hadn’t completed a single hour, a spokesperson for the Queens District Attorney told People.

Luckily, she was given a month and a half extension by the Queens County Criminal Court. And based on her tweet, it looks like she’s putting in the work.

“Personally and professionally, Cardi is dedicated to community service and charitable endeavors,” her attorney said in a statement to People after she received the extension. “She therefore appreciates the court giving her until March 1 to complete her community service commitment in Queens, New York.”

See Cardi’s post about community service below:

Miley Cyrus‘ ’Flowers‘ Just Broke Spotify’s One-Week Streaming Record

She can buy her own flowers and set her own records! Miley Cyrus broke the Spotify record for the most-streamed song in a single week on Thursday (Jan. 19) thanks to her latest hit “Flowers.”

After the streamer shared the news on its social channels, the superstar took to her own Instagram Stories and Twitter to react. “Thank you so much @Spotify and my amazing fans,” she wrote, using a red heart emoji to communicate her gratitude for all the support the song has received.

So far, the lead single off the upcoming Endless Summer Vacation has bowed at No. 1 on the ARIA Singles Chart in Australia and No. 2 on the U.K. Official Singles Chart. The song will make its official mark on the Billboard Hot 100 when the coming week’s charts are unveiled on Monday (Jan. 23), though Billboard readers already voted it as their favorite new release last week.

“Flowers” has also received a resounding stamp of approval from none other than Gloria Gaynor. “I’m in Nashville working on new music and just heard, ‘Flowers,’ for the first time @MileyCyrus,” the disco icon tweeted. “Your new song carries the torch of empowerment and encourages everyone to find strength in themselves to persevere and thrive. Well done Miley!”

In addition to flipping Bruno Mars’ 2014 single “If I Was Your Man” on its head, part of the song’s appeal comes from the litany of potential Easter eggs pointing to its narrative being about Cyrus’ relationship with ex-husband Liam Hemsworth, from her choosing to release the track on his 33rd birthday to a reference to the Woolsey Fire that burned down the couple’s Malibu home back in 2019 tucked into the lyrics.

Check out Spotify’s announcement of Miley’s new record and read her sweet reaction:

First Country: New Music From HARDY, Dolly Parton, Chapel Hart, Jordan Davis & More

First Country is a compilation of the best new country songs, videos & albums that dropped this week.

HARDY, The Mockingbird & The Crow

HARDY, the reigning ACM songwriter of the year, has earned a reputation as one of Nashville’s top songsmiths, writing hits for everyone from Florida Georgia Line to Morgan Wallen, and leading the radio charts on songs like “One Beer.” His latest album, a half country/half rock project, out via Big Loud/Big Loud Rock, is a norm-busting, unbridled 17-track set that finds HARDY in full, centered possession of his musical range. His considerable country songcraft on tracks like “Happy” and “Wait in the Truck” crashes into the unrestrained grunge of “Sold Out” and “I Ain’t in the Country No More.” There’s no mistaking the artistic defiance in “Radio Song,” featuring Jeremy McKinnon, which punches back at industry restrictions (“Do this, do that/ That shirt, this hat/ Don’t forget to smile/Kiss the ring once in a while…Well f**k that and f**k you”). He wraps the album with the anthemic “The Redneck Song,” a country melody espousing trucks covered in mud, dip spit on a collar and Earnhardt shirts from Walmart, intertwined with a surging, arena-ready chorus.

Dolly Parton, “Don’t Make Me Have to Come Down There”

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A danceable melody pairs with Parton’s effervescent-yet-motherly vocals on the Rock and Roll Hall of Famer’s latest. The song details a dream Parton had, of seeing a higher power looking down on the world in despair, and seeking greater reconciliation, love and peace (“Why can’t you learn to listen and learn to love and share?”), even as the world rages with wars, pandemics, politics and hate. The song ends with a quirky chorus that builds Parton’s airy, angelic voice into its own circle of harmonies.

Jordan Davis, “No Time Soon”

Davis’ “Buy Dirt” (featuring Luke Bryan) won song of the year at the 2022 CMA Awards, and Davis sits atop Billboard‘s Country Airplay chart this week with “What My World Spins Around.” He turns up the heat on his latest, a sensuous song shot through with romantic fervor, as Davis’ voice builds with anticipation on lines like “My heart’s like a matchbook and your kiss is a fuse.” Davis’s upcoming album, Bluebird Days, will be released Feb. 17.

Mandi Sagal, “One Less Broken Heart”

“If you would’ve faced your demons in the dark/ This world would have one less broken heart,” Sagal states here, her tenderly bruised vocal soaring over acoustic guitar as she details the pills, smoke and whiskey her ex turned to instead of doing the hard work of healing. Instead, she’s the one spilling to strangers seated across from her and working through the relationship’s emotionally tattered aftermath, as she deadpans, “Guess I’m doing all the work you wouldn’t do.”

Chapel Hart, “Glory Days”

On the familial trio’s latest, “Glory Days” — written by the group’s sisters Danica and Devynn Hart and cousin Trea Swindle (along with songwriter Jim Beavers) — they return to the positivity and sass found on some of their earlier releases, along with their signature earthy, smooth harmonies. The new track chronicles the countless miles, concerts, rejections and breakthroughs they’ve faced on their journey to this point and showcases the spirited determination and gratitude for music that has taken them to stages including America’s Got Talent and the Grand Ole Opry.

Meghan Patrick, “She’s No Good for Me”

This swirling, peppy track bubbles with youthful energy, but draws listeners into Patrick’s space of self-examination and emotional evolution. Here, she looks back on the girl she used to be, grateful that her reality is no longer one of repeated heartbreaks and endless nights fueled by “Smoking Marlboro Lights, running up my tab again,” only to end up “passed out, makeup on, stained my pillow case.” Another strong outing from this Canada native, who has taken home multiple Canadian Country Music Association awards.

Caitlyn Smith, “Lately”

This lush piano ballad showcases Smith’s beguiling, peerless vocals, as she conveys the myriad ways she attempts to distract herself from thoughts of her absent lover. The song’s cozy, unhurried production only elevates the feelings of longing and loneliness the lyrics encapsulate. Smith is well-known as a top-shelf song crafter and engaging performer, and this song is yet another testament to her ineluctable talents. Smith’s High & Low album is due April 14.

Willie Nelson, “Busted”

On his upcoming album, I Don’t Know a Thing About Love, the legendary singer-songwriter honors another gifted writer, Harlan Howard, with performances of 10 Howard compositions — including this tale of a poor farmer fretting over various financial hardships, while still retaining hope. Written by Howard in 1962, the song has previously been recorded by Johnny Cash with the Carter Family, Ray Charles and John Conlee. Nelson himself has history with this song, having previously performed a live rendition of it with Charles, which was included on the 2005 duets project Genius & Friends. Here, on this solo rendition, his voice is spright and weathered at all the right moments, and right at home among this sparse, honky-tonk amalgam of guitars, harmonica and bluesy rhythms.

Selena Gomez Shoots Down The Chainsmokers‘ Drew Taggart Dating Rumors: ’I Like Being Alone Too Much’

You might not want to start workshopping ship name combos for Selena Gomez and Drew Taggart (Drewlena? Gogart?) just yet. A couple days after rumors began to swirl that the Only Murders in the Building star was dating the Chainsmokers musician, Gomez took to her Instagram Stories to set the record straight.

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“I LIKE BEING ALONE TOO MUCH,” she wrote Thursday (Jan. 19), according to Entertainment Tonight. “#iamsingle.” The 30-year-old “Rare” singer had written the message over a black and white hilltop nature landscape, though she reportedly deleted the post quickly after uploading it.

Before Gomez shut it down, speculation over her possible courtship with the “Closer” musician had started making rounds a few days prior, when the pair was spotted bowling together in New York City. Photos of the bowling alley hangout were published on Page Six, which reported that the two had been seen “making out” and interacting with fans.

The dating rumors were ill-timed, however, as they surged just days after Taggart and his Chainsmokers bandmate Alex Pall raised eyebrows with a revelation that they had joined in on threesomes together in the early days of their career. “They were never planned,” Pall recalled of those days on Alex Cooper’s Call Her Daddy podcast.

“It was also the days when we used to have to share hotel rooms,” he continued. “In Europe they have the two beds, they don’t even split them apart … so it’s almost by force that we were forced into these scenarios.”

Though she may not be dating anyone at the moment, it’s not like Gomez doesn’t have anything going on right now — she’s started working on season three of Only Murders and recently teased that her new album is in the works.

Inside the Wide-Open 2023 Grammy Race for Best Musical Theater Album

Unlike seven years ago, when Hamilton’s Grammy win for best musical theater album was a foregone conclusion, this year’s contest appears to be wide-open.

The award could go to the cast album from the latest revival of one of Stephen Sondheim’s most beloved musicals, or to the album from a musical that celebrates the legacy of pop legend Michael Jackson or to the album from a show (A Strange Loop) that has already won a Pulitzer Prize and two Tony Awards, including best musical.

The Grammys have presented an award for best musical theater album every year since they started in 1959 (though the name of the category has changed over the years). This year, 42 albums were entered and eligible in the category, from which six were nominated.

Four of the nominated cast albums are from newly-produced shows – MJ: The Musical, Mr. Saturday Night, Six and A Strange Loop. The other two are from revivals – Into the Woods, which first opened on Broadway in 1987, Caroline, or Change, which first opened on Broadway in 2004.

Voters in this category are asked to focus on the cast album, not their memories of the show. (The Rules and Guidelines handbook for the 65th Annual Grammy Awards states: “This award honors excellence in the performances(s) in and production of musical theater recordings. Elements of the corresponding stage production should not be considered in evaluating the recording.”) 

The award is presented to the principal vocalist(s) and to the album producer(s) of 50% or more of the playing time on the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible if no previous recording of said score has been nominated in this category. Caroline, or Change had not previously been nominated in this category, so its composer, Jeanine Tesori, and lyricist, Tony Kushner, are eligible. Into the Woods had been, so its composer/lyricist, Sondheim, is not. 

A few category quirks: Recordings of revues that reflect a dramatic theme are eligible, but benefit/tribute concerts featuring performances of various musical show songs are not. Non-musical theater performance albums are likewise not eligible.

Let’s take a closer look at the six nominees:

Rebecca Milzoff and Keith Caulfield assisted in preparing this list.

Here’s Fall Out Boy’s Plan to Fill Guitarist Joe Trohman’s Slot During His Break: Exclusive

As Fall Out Boy gear up to promote their upcoming eighth studio album, So Much (For) Stardust (March 24), the veteran emo rockers are down one crucial member. Following this week’s announcement that co-founding guitarist Joe Trohman is taking an indefinite hiatus due to mental health issues, the group performed as a power trio.

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During Wednesday night’s Jimmy Kimmel Live! appearance to play the album’s first single, the supercharged “Love From the Other Side,” singer Patrick Stump played electric guitar alongside bassist Pete Wentz and drummer Andy Hurley, with Trohman’s bouncy, high-energy presence noticeably missing; the band has played without Trohman on stage before when the guitarist suffered a back injury. Though no tour dates have been announced yet for the band’s Stardust era, a source close to FOB tells Billboard that there is tentative plan in place to deal with Trohman’s absence.

As of now, the source says that Trohman’s longtime guitar tech will be “filling in and providing support” for any promotional appearances and any yet-to-be-determined future tour dates. In fact, the tech has already appeared with FOB whether you realized it or not, playing some of Trohman’s parts offstage during recent promo gigs.

Trohman plays on the new album but will not participate in promotion around the project. The guitarist has been with the band since its early 2000s formation in the suburbs of Chicago, alongside singer Stump, Wentz and Hurley. In an Instagram post on Wednesday he said, “Without divulging all the details, I must disclose that my mental health has rapidly deteriorated over the past several years. So, to avoid fading away and never returning, I will be taking a break from work which regrettably includes stepping away from Fall Out Boy for a spell.” 

As for whether he plans to return, the 38-year-old guitarist said, “Absolutely, one-hundred percent. In the meantime, I must recover which means putting myself and my mental health first.”

‘Women, Power, Freedom’: Hear a New Electronic Compilation From 12 Iranian Female Producers

Since Iranian uprisings against the country’s oppressive regime began last fall, one silver living is that the music of Iranian artists is being noticed and listened to by a global audience.

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Two of these artists, producers AIDA and Nesa Azadikhah, have curated Woman, Life, Freedom, a 12-song compilation of original electronic music from female Iranian artists released on Friday (Jan. 20) via Apranik Records, founded in 2022 as a response to the protests.

“Woman, Life, Freedom” is the slogan for this movement, which began upon the murder of 22-year-old Iranian woman, Mahsa Amini, by the country’s morality police on Sep. 16, 2022. The global outpouring from around the globe in the wake of these protests have has found its way into all art forms, with music arguably at the forefront.

The Islamic Republic of Iran’s punishment of its people through imprisonment, sentences and executions — including that of high-profile individuals such as rapper Toomaj Salehi — is motivating artists to create. Featuring female Iranian producers TK SarrSew, MENTRIX and Sharona Lico as well as AIDA and Azadikhah, Woman, Life, Freedom ranges in style from electro to breaks to techno, ambient and experimental. The tracks are bold and unapologetic, with topics and inspiration wholly tied to the current situation in Iran.

AIDA and Azadikhah represent the far ends of the Iranian population spectrum. AIDA is an Iranian producer living abroad, with her international perspective and strong roots to her ancestral country both reflected in her music. A DJ/producer who’s equally skilled in playing traditional Iranian instruments, Azadikhah lives in the capital city of Tehran, creating within the confines of a regime which believes in the silencing of women, particularly in song.

“The theme of this collection is power, defiance, and ferocity and can be heard across all of the tracks,” AIDA and Azadikhah share in a statement. “This is the energy with which Iranian women continue to push for freedom. We dream of a future where women and girls can openly and safely practice, grow, and shine within arts, especially electronic music.”

Proceeds from the not-for-profit compilation will benefit charities aimed at helping women who are struggling in Iran. The first of these Iran-based organizations specifically aids women and children recovering from domestic violence, addiction, homelessness and societal distress.

Listen to and purchase Woman, Life, Freedom via Bandcamp.

Here’s Why (Sigh) ‘Pee Diddy’ Is Trending

You’ve heard of Diddy, P. Diddy, Puffy and Puff Daddy. Now, get ready for Sean Combs’ newest nickname — no, seriously, get ready, as in, brace yourselves — Pee Diddy.

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Your eyes do not deceive you. The 53-year-old rapper and record producer’s newest nickname is 100% inspired by a very different type of … ahem … No. 1 than what’s found on the Billboard charts. The phrase “Pee Diddy” has been trending atop Twitter since Combs’ girlfriend, City Girls’ Yung Miami, revealed Thursday (Jan. 19) that she enjoys a “golden shower.”

“It say take a shot if you like golden showers — I do,” the 28-year-old “Act Up” rapper said on her REVOLT talk show Caresha Please while playing a drinking game with guest Trina. “It’s fun. You know when you’re drunk … you can pee on me in the shower … it just depends on how the night flowing.”

Though she didn’t name names, it didn’t take long for fans to associate Yung Miami’s … um … appreciation for water sports with Diddy, whom she’s been confirmed to be dating since last summer. It also didn’t take long for a “golden” pun opportunity to occur to the good people on Twitter, which has been absolutely flushed with slightly vulgar posts and memes about “Pee Diddy,” a not-so-subtle twist on P. Diddy.

Watch her full interview below, and see the best tweets about and reactions to “Pee Diddy” below:

First Stream: New Music From Trippie Redd, Kali Uchis, The Kid LAROI and More

Billboard’s First Stream serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Trippie Redd drops back in with a surprise, Kali Uchis gives us a kiss-off and The Kid LAROI introduces a new era. Check out all of this week’s First Stream picks below:

Trippie Redd, Mansion Musik 

If the title of Trippie Redd’s new surprise album is familiar, that’s because it’s one letter removed from Chief Keef’s fiercely beloved 2018 mixtape Mansion Musick; Keef serves as the executive producer, as well as something of a spiritual forefather, to Trippie’s latest opus, which boasts 76 minutes of unhinged energy and A-list guest stars. Mansion Musik begins with a zonked-out burst — Future, Lil Baby, Juice WRLD and Keef himself are all featured within the first five songs — never really lets up, with Trippie Redd flexing over distorted guitars, trap beats and anyone who doubts his ferocious power.

Kali Uchis, “I Wish You Roses” 

Kali Uchis’ placement on the 2023 Coachella lineup — the third most prominent name on Sunday’s bill, right behind Frank Ocean and Björk — is a subtle indication for the perceived potential of the genre-blending singer-songwriter following a pair of beguiling albums and the viral sensation of “Telepatía.” “I Wish You Roses” delivers on that promise, a swaying, luxurious vocal showcase that acts as a fond farewell to someone circling out of one’s life and another showcase of Uchis’ power as a hook creator; her ability to conjure lush choruses and sing them with verve and tenacity nods to the artist stepping more into the mainstream this year.

The Kid LAROI, “I Can’t Go Back to The Way It Was (Intro)” 

“I Can’t Go Back to The Way It Was (Intro)” may represent the soft launch of The Kid LAROI’s return: as the first song released from long-awaited full-length The First Time, its short run time and parenthetical note suggest that “Love Again,” which arrives next week, will more closely resemble a proper single. Yet that doesn’t mean the 95-second track isn’t full of intrigue: although “I Can’t Go Back” features LAROI’s brand of warbled melancholy, the pounding drums and ghostly harmonies hint at an expansion of his sound, which has yielded some major hits thus far but could be ballooning into something on a grander scale.

Måneskin, Rush! 

Although Måneskin has taken a highly unorthodox path toward international fame — the Italian rock quartet blew up thanks in part to a years-old cover of a Four Seasons song being scooped up on TikTok and crossing over to streaming platforms — the group isn’t going anywhere now that they’ve arrived. Rush!, their first full-length since their global boom, capitalizes on the brighter spotlight with limitless hooks (some of which are courtesy of Max Martin) and clean, radio-ready guitar hooks; Måneskin is adept at pivoting to the mainstream without shedding any of their ostentatious personality or rock tenacity, which makes the album both a solid introduction as well as a logical next step.

Kim Petras, “Brrr”

Kim Petras is wasting no time harnessing the momentum of “Unholy,” her enormous No. 1 hit with Sam Smith: after ending the year with the single “If Jesus Was a Rockstar,” Petras quickly returns with “Brrr,” a hypnotic hyperpop track that more closely resembles the seductive swirl of “Unholy.” Petras has long been adept at tossing out double entendres and sinking her teeth into synth-pop refrains, but with newfound top 40 juice, a crackling song like “Brrr” could help translate a chart-topping assist into a major solo moment.

Mac DeMarco, Five Easy Hot Dogs 

Last year, Mac DeMarco challenged himself to start driving and not return home until he had created a new album. “Maybe it’s the last couple of years, or maybe it’s my age now, but the idea of forgoing any sort of normalcy or comfort and making my entire life, for a segment of time, completely insane feels very inspiring to me,” he explains in a press release. “I stayed out on the road doing this for almost four months.” He came back with Five Easy Hot Dogs, a charming instrumental exercise that plays out in the order of his trip, and feels like a sumptuous conversation with a curious soul who happens to be an acclaimed, still-evolving indie singer-songwriter.