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If you win the Grammy Award for album of the year, it stands to reason that you must have also won whatever genre album award you competed for. And most album of the year winners since 1995, when the Grammys introduced numerous genre album categories, have won also won in the appropriate genre album categories. […]

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Big Sean puts in the work, A$AP Rocky has a gift for fans and Muni Long is back with more R&B gems. Check out all of this week’s picks below:

Big Sean, Better Me Than You 

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“Back to the basics, back to the work,” Big Sean raps in the opening minutes of his new album Better Me Than You — and the Detroit star’s first album since 2020 indeed carries a sense of head-down purpose, with guest artists like Gunna, Syd, Kodak Black and Bryson Tiller lending a hand as Sean carries the torch of no-frills hip-hop.

A$AP Rocky, “Tailor Swif” 

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A previously leaked track that A$AP Rocky has properly released as a gift to fans, “Tailor Swif” finds the rapper quickly jumping between come-up stories and double-entendre boasting: “Even when I was po’, I was out here, eatin’ goats,” he spits, as the flute-laden production urges him to keep going.

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Muni Long, Revenge 

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After waiting many years for her solo moment, then achieving it with the top 20 smash “Hrs & Hrs,” Muni Long has happily returned sooner than later with Revenge, which follows 2022’s Public Displays of Affection: The Album as another R&B songwriting showcase, highlighted by the electric recent hit “Made For Me.”

Tommy Richman, “Thought You Were the One” 

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After “Million Dollar Baby” zoomed into the top 10 of the Hot 100 and “Devil is a Lie” continued his upward trajectory, Tommy Richman shows off his vulnerable side on “Thought You Were the One,” which molds his new jack swing riffing and falsetto croon into a more heartbroken pose.

Zedd, Telos 

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When you revive Jeff Buckley’s “Dream Brother” for a dance remix, you know you are taking some big swings — and Zedd, the veteran EDM star who has scored hits by taking chances in the pop world, spends new album Telos pushing his style into intriguing new territories as a wide smattering of guests (Muse! Dora Jar! John Mayer!) swing by to help.

Noah Kahan, Live From Fenway Park 

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At long last, Noah Kahan has left the road after spending multiple years gradually growing his fan base and venue size — but before wrapping up a tour that eventually made him a stadium headliner, the singer-songwriter recorded Live From Fenway Park, a live album that captures Kahan beaming through his catalog at the hometown gig.

Victoria Monét & Usher, “SOS (Sex on Sight)” 

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Continuing a fruitful year in which Victoria Monét won the best new artist Grammy and Usher headlined the Super Bowl halftime show, “SOS (Sex on Sight)” allows both artists to warble about desire and showcase their abilities as master collaborators — some of their strongest respective work has been alongside other artists, and “SOS” is another winning team-up.

Editor’s Pick: Fireboy DML, Adedamola 

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For casual fans who only know Nigerian singer-songwriter Fireboy DML’s global smash “Peru,” new album Adedamola is both a sumptuous listen and personal new entry into his discography, building upon his global success with anecdotes about his journey and engrossing relationship musings; this album simmers, and never loses your attention.

The 2025 Eurovision Song Contest is setting up roots in the northern Swiss town of Basel. Organizers announced the news on Friday (August 30), revealing that the 69th edition of the international singing competition will visit Switzerland for a third time next May 13, 15 and 17 when it sets up shop Basel’s 12,000-capacity St. Jackobshalle Arena; Eurovision previously took place in Lugano for the very first edition in 1956 and Lausanne in 1989.

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Switzerland took home the top prize in the inaugural year of Eurovision, when Lys Assia’s “Refrain” came out on top and then won again in 1988 when Celine Dion triumphed with “Ne partez pas sans moi.” Following last year’s win by Swiss singer Nemo, riverside town Basel, the third largest city in the country, was tapped to host this year after beating out Geneva for the honor.

Nemo thrilled the crowd last year in Malmö Arena in Sweden when the singer — who identifies as non-binary, representing the first Eurovision win by a non-binary act — performed their song about coming to terms with their identity.

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The annual Eurovision finals are one of the most-watched TV events of the year, with the 2024 edition drawing in more than 160 million viewers. According to a release announcing next year’s host, the two Swiss cities who were the final candidates were chosen according to criteria including hotel capacity, security, available venues, sustainability, transportation infrastructure and experience with large events.

“The EBU is thrilled that Basel has been selected as the Host City for the Eurovision Song Contest 2025,” said Eurovision executive supervisor Martin Österdahl in a statement. “The Contest was born in Switzerland in Lugano back in 1956 and it’s great to be bringing it back to its birthplace almost 70 years later. Basel’s strategic location at the crossroads of Europe makes it the ideal setting for an event that celebrates the power of music to connect people across borders.”

He continued, “With its unique blend of tradition and innovation, Basel reflects the spirit of the Eurovision Song Contest. The city’s exceptional St. Jakobshalle venue and outstanding hospitality will ensure a memorable experience for delegations, artists and fans alike. Following Contests in the Italian and French speaking parts of the country in 1956 and 1989 we’re also excited to bring the Eurovision Song Contest to German Switzerland for the very first time.”

Basel, a town of 177,000 situated on the River Rhine, is one of the country’s cultural capitals, home to dozens of museums and world-class architecture. Tickets for the nine 2025 shows, including dress rehearsals, are expected to go on sale in the next few months.

Check out the 2025 announcement below.

They don’t call her mastermind for nothing. When she isn’t crafting songs, albums and concert setlists, Taylor Swift apparently draws up plays, as revealed by Patrick Mahomes in a new interview. While speaking to Chris Simms for NFL on NBC in a video posted Thursday (Aug. 29), the Kansas City Chiefs quarterback gushed about the […]

LL Cool J and Eminem have joined forces for the first time on a brand new track slated to land on LL’s upcoming The Force album, which arrives on Sept. 6.
The single finds the pair of lethal MCs passing the baton back-and-forth while spitting rapid-fire bars, one hotter than the next. “Murdergram Deux” landed on Friday (Aug. 30) without much of any notice from LL or Em that the track was on the way.

“Give blessings to my disciples, professional I’m a sniper/ Like eight miles away, me and Marshall doing murders/ With dirty burners, break them down and melt them in the furnace,” LL Cool J raps over the skittering Q-Tip production.

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Eminem closes out “Murdergram Deux” seemingly without taking a breath and brings the uptempo track across the finish line with a hat tip to his Dr. Dre and 50 Cent-assisted “Crack a Bottle.”

“Go ahead and crack a bottle, ’cause this is E and J/ Meaning me and James (Yeah), got that avocado/ And we the sociopaths, and we got your ho on our laps/ And we’re goin’ back to Cali so she can blow on our sax,” he spews.

It’s been a turbulent journey for “Murdergram” to receive an official release, as an unfinished version of the track was leaked earlier this year, which frustrated the Queens-bred icon.

“It’s not A.I., but it’s not official. It’s not official, it’s not the right version,” he previously told Raymond T. “People just walk all in the kitchen, touching the rolls before they’re done — you know, how your grandmother slaps your hand when you try to check the pots early. It’s not A.I., it’s a real joint.”

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Em joined LL Cool J as a guest on his Rock The Bells radio show in 2018, during which the Detroit artist recalled meeting the rapper for the first time on the set of his “Just Don’t Give a F–k” video.

“I’m like, ‘Yo, he’s in here by himself.’ I was buggin’ the f–k out,” Em said. “You quoted a lyric back to me. You said, ‘Yo, how can I be white/ I don’t even exist.’ You quoting that lyric back to me, was like, ‘I think I s–t myself.’”

Eminem also made an appearance at the 2021 Rock & Roll Hall of Fame induction for LL Cool J, where the duo performed his “Rock the Bells” hit.

LL Cool J’s The Force album serves as his first since 2013’s Authentic, and is slated to feature Snoop Dogg, Busta Rhymes, Rick Ross, Saweetie, Nas and more.

Listen to “Murdergram Deux” below.

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Post Malone’s “Pour Me a Drink” featuring Blake Shelton hops three spots to No. 10 on Billboard’s Country Airplay chart (dated Sept. 7). It increased by 18% to 18.6 million audience impressions Aug. 23-29, according to Luminate.

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Post Malone adds his second Country Airplay top 10, after “I Had Some Help,” featuring Morgan Wallen, led for four weeks beginning in June. Both singles are from his first country LP, F-1 Trillion, which soared in at No. 1 on the Aug. 31-dated Top Country Albums chart and the all-genre Billboard 200 with 250,000 equivalent album units earned in the United States. It scored the second-biggest week for a country title this year, after Beyoncé’s maiden release in the genre, Cowboy Carter, arrived with 407,000 in April.

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Shelton banks his 36th Country Airplay top 10 and his first since “Minimum Wage” hit No. 9 in June 2021. He ties fellow Oklahoman Reba McEntire for the ninth-most top 10s; Kenny Chesney and George Strait lead all acts with 61 each dating to the chart’s 1990 start, followed by Tim McGraw with 60.

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Post Malone boasts two concurrent Country Airplay top 10s, as “I Had Some Help” holds at No. 2 (28.1 million in audience). Plus, newest F-1 Trillion single “Guy for That,” featuring Luke Combs, ranks at No. 41 (2.6 million).

Shaboozey Cracks Open Six-Pack

Shaboozey rules Country Airplay for a sixth total and consecutive week with “A Bar Song (Tipsy).” The track, which drew 28.8 in reach among chart reporters (down 3%), is only the second country career-establishing No. 1 to reign for as many as six weeks (counting acts’ first Country Airplay entries as a lead artist or their initial songs promoted to country radio); Carrie Underwood’s “Jesus, Take the Wheel” logged six weeks on top in early 2006.

“A Bar Song (Tipsy)” added a seventh week at No. 1 on the Billboard Hot 100 dated Aug. 31, claiming outright 2024’s longest reign, surpassing the six nonconsecutive weeks on top for Post Malone’s “I Had Some Help.” Shaboozey’s hit has likewise logged the sole longest command this year on the multimetric Hot Country Songs chart, its 11 weeks at No. 1 having bested Beyoncé’s “Texas Hold ‘Em,” which ruled for 10 weeks in February-April.

All charts dated Sept. 7 will update on Billboard.com Wednesday, Sept. 4 (a day later than usual due to the Labor Day holiday Sept. 2).

Sabrina Carpenter collects her third No. 1 on Billboard’s Pop Airplay chart as “Please Please Please” ascends to the top of the list dated Sept. 7. The song follows her “Espresso,” which ruled for three weeks in July, and “Feather,” which led for a week in April. “Please Please Please,” released on Island Records and […]

When Nico Baran was 10, he discovered the popular digital audio workstation FL Studio during a class presentation and started making dance tracks. “That helped me build up my skills for making loops,” says Baran, who soon transitioned to R&B and trap productions.
Seven years later, in 2020, the Houston-born, Madrid-based producer started DM’ing loops to members of the producer collective and record label Internet Money. One member, oktanner, played the beats for CEO Taz Taylor, who brought Baran onto the team that year. Taylor asked Baran to send him ideas ahead of his session with The Kid LAROI, which led to Baran scoring his first major placement on LAROI’s debut mixtape, F*ck Love, co-writing and co-producing “Tragic” featuring YoungBoy Never Broke Again.

He has since compiled a genre-spanning résumé — and an impressive original loop library, which he often shares as sounds on TikTok — producing songs for rappers like Lil Tecca, A Boogie Wit Da Hoodie and Shy Glizzy, as well as Latin artists like Bad Bunny with Young Miko, Eladio Carrión and Fuerza Regida. In June, when Baran posted a now-viral snippet titled “Love Is Gone” — a moody instrumental that has since amassed 1.8 million TikTok plays and 4.3 million official on-demand global streams, according to Luminate — Drake caught wind of the hype. “He reached out to me through Instagram,” Baran says. “I’m still sending him stuff to this day.”

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Wallace Joseph, SVP of A&R at Warner Chappell Music, calls the producer a “genius,” saying his talent is “purely natural. What he’s doing is next level; whether he’s playing keyboards, producing, or anything else, everything he touches goes viral.”

Ahead, Baran is hoping to make time for his own music as well, saying he “definitely” wants to release an album of his own — “kind of like Metro Boomin and DJ Khaled,” he says, “where I can bring artists into my own sound.”

¥$ (with Lil Wayne), “Lifestyle”

Last November, Baran wrote, “POV: Ty Dolla $ign & Kanye need beats for their next album,” over a TikTok featuring one of his loops. In December, when Ye previewed “Lifestyle” during an Instagram Live filmed at a private Las Vegas party teasing Vultures 2 (despite Vultures 1 not having dropped), Baran noticed a familiar beat: The song sampled “Love Is Gone.” As Baran recalls, “People were sending me screen recordings through Instagram like, ‘Kanye sampled you!’ ” One of the song’s producers, Australian duo FNZ, had sent Ty “Love Is Gone.” Baran says, “He liked it a lot. He showed it to Kanye, and Kanye loved it. It still feels unbelievable.”

Ice Spice & Central Cee, “Did It First”

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In 2023, songwriter-producer Lily Kaplan sent Baran a Dropbox link and asked him to tinker with her vocal tracks. He built a loop around one of them by chopping up the line “Baby, do you understand?” and adding synths before sending it to RIOTUSA, Ice Spice’s go-to producer. RIOT ultimately used it for Ice and Central Cee’s “Did It First,” one of the buzzier singles from her debut album, Y2K!, that dropped in July. “Ice Spice really loved that one loop, and it kind of went crazy,” says Baran of the track, which hit No. 10 on Hot R&B/Hip-Hop Songs.

The Kid LAROI, TBA

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Four years after “Tragic,” one of LAROI’s producers reached out to Baran about sampling a loop that he had posted on TikTok to use on a track from the Australian artist’s forthcoming second album. (His debut, The First Time, arrived last November.) “That’s mainly what I’m focusing on right now,” Baran reveals. “I’m sending a lot of ideas to LAROI’s producers. Aside from that one song, hopefully more [will] come about.”

A version of this article originally appeared in the August 31, 2024 issue of Billboard.

Andrea Bocelli has joined forces with Karol G for a new duet called “Vivo por Ella,” which arrived Friday (Aug. 30) via Decca Records/Sugar Music. The new single reinvents one of the Italian tenor’s most iconic tracks, “Vivo Per Lei” (“I Live for Her”), which originally features Spanish singer Marta Sánchez. The single is part of Bocelli’s upcoming album, Duets, which is slated to release on Oct. 25 and celebrates his 30th anniversary in music.

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 Switching out the original piano for a blend of bow-stroked (arco) and plucked (pizzicato) violin notes, the newly reimagined version of the song adopts a slightly faster pace than the ’90s version. This powerful rendition features the passionate tenor of the Italian paired seamlessly with the vibrant vocals of the Colombian superstar. The song is produced by David Foster and Ellis.

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“This song holds a very special place in my heart, and it’s a great honor to reimagine it with one of the most talented and exciting new artists in the world, Karol G,” Bocelli said in a statement. “Her beautiful voice helps create a timeless celebration of love and music that will find new fans and resonate across generations.”

Karol G added in the press release, “I discovered Andrea when I was a teenager. I was super connected to his music, the power of his voice and his unique way of creating music. This song is a huge honor for me – it’s a song I’ve always loved, and when I was invited to sing ‘Vivo por Ella,’ it felt like coming home. It’s a song I really feel inside myself, it feels like it’s going to be a special point in my career.”

The original “Vivo Per Lei” achieved success in numerous countries when it was released in 1995 on his album Bocelli, including on the Billboard charts, peaking at No. 16 on Hot Latin Songs, No. 8 on Tropical Airplay and No. 9 on Latin Pop Airplay.

This career-spanning 32-track collection of Duets also includes duets with Ed Sheeran, Celine Dion, Sarah Brightman, Dua Lipa, Jennifer Lopez, Giorgia and Luciano Pavarotti, as well as Shania Twain, Chris Stapleton, Gwen Stefani, Marc Anthony, Hans Zimmer and more.

Stream the song below:

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Duets tracklist:

CD11. “Time To Say Goodbye” (Sarah Brightman)2. “Vivo Por Ella” (Karol G)3. “Quizás, Quizás, Quizás” (Jennifer Lopez)4. “Fall On Me” (Matteo Bocelli)5. “Perfect Symphony” (Ed Sheeran)6. “Da stanotte in poi (From This Moment On)” (Shania Twain)7. “Holding On” (Gwen Stefani)8. “Il mare calmo della sera” (Chris Stapleton)9. “The Prayer” (Céline Dion)10. “La vie en rose” (Édith Piaf)11. “E più ti penso – from ‘Once Upon A Time In America’” (Ariana Grande)12. “If Only” (Dua Lipa)13. “Somos Novios” (Christina Aguilera)14. “Return To Love” (Ellie Goulding)15. “Rimani qui” (Elisa)16. “Vivo per lei” (Giorgia)CD21. “Dare To Live (Vivere)” (Laura Pausini)2. “Can’t Help Falling In Love” (Katharine McPhee)3. “Hallelujah” (Virginia Bocelli)4. “Amazing Grace” (Alison Krauss)5. “Moon River – from ‘Breakfast At Tiffany’s’” (Sofia Carson)6. “Canto della terra” (Lauren Daigle)7. “La voce del silenzio” (Marc Anthony)8. “Canzoni stonate” (Stevie Wonder)9. “Un amore così grande” (Veronica Berti)10. “Notte ‘e piscatore” – Live in Modena (Luciano Pavarotti)11. “Io ci sarò” (Lang Lang)12. “Pianissimo” (Cecilia Bartoli)13. “The Pearl Fishers Duet” – Live in Central Park (Bryn Terfel)14. “Bambina mia ricordati” (Virginia Bocelli)15. “What Child Is This?” (Mary J. Blige)16. “Time To Say Goodbye” (Matteo Bocelli, Hans Zimmer)

Sabrina Carpenter has been one busy woman. Just one week after dropping her sixth studio album, Short n’ Sweet, the 25-year-old pop star released a surprise bonus track — and Barry Keoghan was first in line to download. Sharing an outtake from her Short n’ Sweet cover shoot, Carpenter announced the new song on Instagram […]