Music

Ke Personajes, Big One & FMK Rule Billboard Argentina Hot 100 for a Third Week

Ke Personajes, Big One and FMK rule the Billboard Argentina Hot 100 chart for third week, as their first partnership, “Un Finde: Big One Crossover #2,” holds atop the ranking dated May 6.

It’s the third song to rule the tally for at least three weeks in 2023, after Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” (four weeks at the penthouse, starting the Jan. 21-dated list) and another Big One collab, “En La Intimidad,” with Emilia and Calljeron Fino (seven consecutive weeks starting chart dated Feb. 25). The latter rebounds 9-4 on the current tally.

BM’s “M.A (Mejores Amigos)” holds steady at No. 2 for a third week after leading the chart for one week (dated April 15), while Ke Personajes’ “Pobre Corazón,” featuring Onda Sabanera, continues at its No. 3 high for a second week.

Yng Lvcas and Peso Pluma score their first top 10 as “La Bebe” rallies 13-5 in its seventh week. Meanwhile, Grupo Frontera likewise clocks its first top 10 thanks to its Bad Bunny collab, “Un X100to,” which surges 24-7.

Argentinian Milo J nabs the Hot Shot Debut of the week with “Rara Vez” at No. 17. It’s his highest entry among six total chart appearances. He previously secured a top 40 on his first try as “Milagrosa” peaked at No. 36 on the March 25-dated list.

Further, Quevedo and Myke Towers’ “Playa del Inglés” takes home the Greatest Gainer honors of the week with a 36-rank climb, from No. 85 to No. 49.

Five other songs debut this week, starting with Khea and Tiago Pzk’s “Para Amarte a Ti,” at No. 76. Andres Calamaro returns with “Costumbres Argentinas,” his collaboration with Los Auténticos Decadentes, at No. 77. Feid and Sean Paul’s “Niña Bonita” launches at No. 82, while Fito Paez places two simultaneous songs: “El Amor Después del Amor” and “Brillante Sobre el Mic” at No. 89 and No. 93, respectively.

Trisha Yearwood Reacts to Dolly Parton’s ACM Awards Joke About Threesome With Garth Brooks

There are probably very few women in the world who could get away with joking about a threesome with another woman’s husband, but it’s no surprise that Dolly Parton is one of them. After the beloved country queen quipped about having a ménage à trois with her ACM Awards co-host Garth Brooks and Trisha Yearwood during the ceremony’s opening monologue on Thursday (May 11), the latter artist responded with lots of love for Parton.

“Everybody loves Dolly,” Yearwood told Entertainment Tonight, following her performance with Carly Pearce at the awards show.

“Actually, people think this is Dolce and Gabbana but it’s Dolly and Garth,” she added, referencing the designers of her red-carpet outfit. “Everybody loves Dolly. We love Dolly so much.”

The joke in question happened toward the beginning of the program, with first-time host Brooks praising Parton, an ACM Awards veteran, for being country music’s GOAT, which, of course, stands for “greatest of all time.” To really hit it home, Parton then brought a literal goat on stage with her, before leaving the audience at the Ford Center in Frisco, Texas, breathless by joking, “I know why you are doing that GOAT thing … I think that stands for ‘Garth Organizes a Threesome.’”

Parton had also noted that both Brooks and Yearwood, who’ve been married since 2005, have said that the “9 to 5” singer is their shared “hall pass.”

“I thought I couldn’t love you any more,” a blushing Brooks replied.

That wasn’t Dolly’s only PG-13 joke of the night, though. She also squeezed in a jab at her voluptuousness while complimenting Brooks. “I’ll never forget when Garth came on the scene and just changed the game of country music forever. Like, in a flash, Garth became one of the biggest stars of all time,” she shared. “I remember when I came along, people were saying that I’m two of the biggest stars in music — I’m still milking it.”

Jonas Brothers, BLACKPINK & More Acts That Released Albums With Very Literal Titles

Sometimes, album titles show a great deal of thought. The 1975’s I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It is a title of great complexity and beauty. The full title of Fiona Apple’s 1999 album When the Pawn… is an eight-line poem that contains a whopping 444 characters.

But sometimes artists just like to keep it simple. Real simple. Led Zeppelin’s first four albums were titled Led Zeppelin, Led Zeppelin II, Led Zeppelin III and Led Zeppelin IV.

Chicago titled a long series of albums with just the band’s name and the number of studio albums they had released at that point. They kept this up, with just a couple of exceptions, from Chicago II in 1970to Chicago 18 in 1986.

Adele kept it as simple as could be with the titles of her albums 19, 21, 25 and 30 – her ages when she wrote and recorded them.

Then there are the album titles that are quite literal – they tell you exactly what the album is, with no flourishes whatsoever. The latest example is Jonas BrothersThe Album, which was released today (May 12). As you’ll see below, it’s not the first time an act has titled an album The Album. (Here’s a ranking of all 12 tracks on the album by Billboard writer Hannah Dailey, who, in the spirit of literal titles, could have titled this piece, The Ranking.)

There have been many other examples of literal album titles over the years, as you’ll see when you scroll through this sampling of albums where it’s all right there in the title – with no frills added. All of these albums made the Billboard 200, with peak positions shown below.

Friday Music Guide: New Music From Jonas Brothers, Lil Durk & J. Cole, Shakira and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Jonas Brothers are back for more summer fun, Lil Durk and J. Cole turn contemplative, and Shakira tries to continue her hot streak. Check out all of this week’s picks below:

Jonas Brothers, The Album 

Happiness Begins was, for all intents and purposes, Jonas Brothers’ comeback album, a wildly successful return in 2019 after a 10-year gap between full-lengths that brought the trio to the top of the Hot 100 for the first time and launched a long-running, mega-selling arena tour. Four years later, The Album smartly does not try to recapture lightning in a bottle: instead of trying to manufacture another “Sucker,” the project moves briskly across shared ideas and throwback musical interests, as songs like “Waffle House,” “Summer Baby” and “Montana Sky” function like retro FM radio offerings stuffed with warm harmonies. The JoBros have little to prove at this point in their careers, and the looseness of The Album seems to telegraph: this is where the real fun begins.

Lil Durk feat. J. Cole, “All My Life” 

“All my life, they been trying to keep me down,” a choir of children sings on the new Lil Durk/J. Cole team-up “All My Life,” a nod to the doubt that both rappers faced from hip-hop gatekeepers as they evolved their careers over the past decade-plus. Instead of a straightforward proved-the-haters-wrong anthem, Durk and Cole wisely expand their shared focus on the track, with Durk lamenting the systemic issues that forced him to turn to rap as a form of survival, and Cole sounding haunted by the violence that too often pervades his world.

Shakira, “Acróstico” 

Casual fans might regard “Acróstico,” the tender new single from Shakira, as a heat check from the Colombian superstar, considering the monumental success she’s already achieved this year with her Bizarrap collaboration “BZRP Music Sessions, Vol. 53” and Karol G duet “TQG” both hitting the top 10 of the Hot 100. Yet Shakira has spent her entire mastering this sort of piano ballad as powerhouse vocal display: “Acróstico” shimmers with restrained production and technically dazzling emotion, as Shakira follows a pair of ostentatious team-ups with a gorgeously stripped-down solo showcase.

Bailey Zimmerman, Religiously. The Album 

Bailey Zimmerman’s Leave the Light On EP, featuring his smash hit “Rock and a Hard Place,” is barely six months old at this point, but considering the commercial breakthrough that the country singer-songwriter has experienced since its release, it’s little surprise that his debut album has promptly arrived in time for summer streaming. Fortunately, Religiously. The Album finds cohesion in Zimmerman’s songwriting: the Illinois native supplements his husky drawl with phrases that cut right to the listener’s core, whether he’s asking rhetorical questions (“Fix’n To Break”), setting a dimly lit scene (“You Don’t Want That Smoke”), or asserting the “broken roads that I’m tryin’ to mend” (“Where It Ends”).

BTS, “The Planet” 

A soundtrack single from the action-adventure animated film Bastions, “The Planet” marks a welcome check-in from BTS as the world-conquering K-pop group continues its break from group activities. And while it remains to be seen how much the BTS members can actively promote the new track, “The Planet” sounds like a hit regardless of the marketing plan: a snappy electro-pop track with a pogoing beat and playful vocal performances from all of the members, the song contains the hooks and tempo to highlight several summer playlists.

Lauren Daigle, Lauren Daigle

Nearly five years have elapsed between Lauren Daigle’s 2018 album Look Up Child, which turned the singer-songwriter into one of the most successful artists in contemporary Christian music in recent memory, and this year’s self-titled follow-up, during which Daigle signed a new label deal with Atlantic Records, teamed up with veteran producer Mike Elizondo and generally pushed her artistry into several exciting new directions. Instead of doubling down on the stately balladry of her breakthrough hits, Daigle explores ‘60s pop, folk, jazz and R&B on the project, creating a fantasia of inspiration powered by her mammoth vocal takes.

Achtung! U2 Adds More Dates Again to Las Vegas Residency

Get ready to rattle and hum if the previously announced run of U2 Las Vegas residency dates didn’t work for you, because the band has added eight more shows to U2:UV Achtung Baby Live At Sphere, which was originally announced in a Super Bowl commercial.

Citing “unprecedented demand,” the band — who have nearly two dozen Grammys under its belt — announced the new batch of residency concerts at The Venetian on Friday (May 12), with the press release noting that there have been more than one million ticket requests to date. The eight addition concerts brings the show total to 25, with the newly added dates happening Dec. 1-16.

This is the second time U2 has extended its residency. The band added seven dates in late April, also citing demand for tickets in its decision to tack on more shows.

Tickets start at $140, which includes taxes and fees. According to the announcement, U2.com paid subscribers may submit a presale ticket request for the newly added shows even if they already have tickets for previous concerts, with presale happening now through 7 a.m. ET on Monday, May 15. General onsale begins May 19 at noon ET via Ticketmaster.

“U2 hasn’t played live since December 2019 and we need to get back on stage and see the faces of our fans again,” Bono, The Edge and bassist Adam Clayton said in a previous statement announcing the Las Vegas residency at the new, state-of-the art theater at The Venetian. “And what a unique stage they’re building for us out there in the desert. We’re the right band, Achtung Baby the right album, and Sphere the right venue to take the live experience of music to the next level. That’s what U2’s been trying to do all along with our satellite stages and video installations, most memorably on the ZOO TV Tour, which ended in Tokyo 30 years ago this fall. Sphere is more than just a venue, it’s a gallery and U2’s music is going to be all over the walls.”

See U2’s newly added dates to its residency:

  • Friday, Dec. 1
  • Saturday, Dec. 2
  • Wednesday, Dec. 6
  • Friday, Dec. 8
  • Saturday, Dec. 9
  • Wednesday, Dec. 13
  • Friday, Dec. 15
  • Saturday, Dec. 16

Every Song Ranked on The Jonas Brothers’ New Record ‘The Album’

Jonas Brothers fans had to wait four long years for a new album — although, that’s nothing compared to the ten-year gap between 2009’s Lines, Vines and Trying Times and the band’s 2019 comeback record Happiness Begins. Nevertheless, Friday (May 12) certainly gives major cause for celebration, the trio’s long-awaited sixth studio record The Album finally arrives, with 12 new tracks made with 80 degree weather and clear skies in mind.

Inspired by such legends soul and pop legends as Stevie Wonder, Earth Wind & Fire and the Bee Gees, The Album is saturated with bright synths and unabashed joy, as Kevin, Joe and Nick Jonas profess their love for their ladies, their kids and their carefree lifestyle, making for a final product that’s poised for many hours of summer playback. It comes after months of buildup — as well as one long COVID-19 pandemic — with the guys having tested out many of the songs over the course of coast-to-coast residencies and a sold-out run at Yankee Stadium. This August, they’ll go on a proper North American tour in support of projects new and old, promising to play music from all five of their internationally-released albums.

“I hope people feel like they’re part of our journey for a moment in time,” Nick says of the band’s new era in a statement. “One of the things I always say about Jonas fans, which I think is the greatest honor ever, is that I think they’ve really allowed us to be a part of their journey. We’ve stayed true to ourselves, most
importantly, and who we are as artists, what we want to say, and what is authentic to us. I hope
people feel a part of our journey and know we’re honored to be a part of theirs.”

“Just go for it,” adds Joe, addressing first-time listeners of The Album. “Sit down with it and listen to it from start to finish. Please don’t skip any songs.”

With that, keep reading to see Billboard‘s ranking of those 12 songs from The Album below:

Backstage at the 2023 ACM Awards with Lainey Wilson, HARDY, Chris Stapleton and Other Top Winners

HARDY and Lainey Wilson were the leading nominees going into Thursday night’s (May 11) ACM Awards and they were the top winners coming out. Both took home four awards, including music event of the year and visual media of the year for their dark duet, “Wait in the Truck.”

But they were far from the only artists snagging trophies. Cole Swindell was also a multiple winner for his hit, “She Had Me at Heads Carolina,” which grabbed both song and single of the year. Ashley Gorley was a double winner, sharing in the song of the year honor, while also being named songwriter of the year. 

The show, which took place at The Star at the Ford Center in Frisco, Texas, was hosted by Dolly Parton and Garth Brooks, and aired for the second consecutive year on Amazon’s Prime Video.

The fast-paced, two-hour ceremony featured performances from Keith Urban, Jason Aldean, Jelly Roll, Wilson, Hardy, Carly Pearce and Trisha Yearwood, Ashley McBryde, Miranda Lambert and a slew of other artists. One of the few no-shows was entertainer of the year nominee and male artist of the year winner Morgan Wallen, who earlier this week was ordered by doctors to go on vocal rest and postpone his next six weeks’ worth of shows, including his ACM Awards performance.

From Wilson to HARDY and Swindell to entertainer of the year Chris Stapleton, Brothers Osborne and Old Dominion, many of the winners came backstage to chat with Billboard about their victories and what was coming next for them after a night of celebrating. 

Ed Sheeran’s ‘Subtract’ Soars to No. 1 In Australia

Nothing and no one can stop Ed Sheeran from reigning over the Australian albums chart with – (subtract via Atlantic/Warner).

The English singer and songwriter sprints to No. 1 on the ARIA Albums Chart, published May 12, for a perfect six-from-six leaders in these parts.

The chart summit is a familiar place for Sheeran. In his career to date, he has logged a total of 43 weeks at No. 1.

The final album in Sheeran’s mathematics-themed collection, subtract follows + (plus) in 2012, X (multiply) in 2014, ÷ (divide) in 2017, No. 6 Collaborations Project in 2019, and = (equals) in 2019 by going all the way to the top.

Sheeran has a seemingly unbreakable bond with Australia. When his – = ÷ x Tour (pronounced The Mathematics Tour) passed through earlier in the year, the Brit established multiple records. With 105,000 tickets sold for a concert at the Melbourne Cricket Ground, he set the new mark for attendance at a ticketed concert. He shattered his own record the following night, with 109,500 tickets sold.

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The “Shape of You” singer also holds the all-time record for tickets sold on a single tour, set when his 2018 Divide tour, produced by Frontier Touring, passed the one million milestone for the first time.

Meanwhile, homegrown indie band Pacific Avenue flourishes with Flowers (BMG/ADA), the Gerringong four-piece’s full length debut LP, new at No. 3.

Rapper Big Twisty (real name: Dom Littrich) says a top 3 start “is probably the most surreal feeling we have felt yet since starting Pacific Avenue in 2017. I remember growing up and hearing about top 10 ARIA albums and seeing all of my idols named among the list.”

Following a lap of the country for the World Is A Vampire festival with Jane’s Addiction, Amyl & The Sniffers, and others, the Smashing Pumpkins debut at No. 5 with ATUM (Orchard), the final part of a rock trilogy.

Further down the list, Australian country artist Brad Cox bows at No. 7 with Acres (Sony), his third album. That’s a new peak and a first-ever top 10 appearance for Cox, besting the No. 12 peak for 2020’s My Mind’s Projection.

Over on the ARIA Singles Chart, Morgan Wallen’s “Last Night” (Republic/Universal) locks up a fifth consecutive week at No. 1.

With subtract dominating the albums chart, a string of tracks from it, and earlier Sheeran works, impact the singles survey. “Eyes Closed,” the first release from the new LP, lifts 21-7, while “Curtains” opens at No. 24 — the highest debut on the latest frame. That’s Sheeran’s 66th appearance in the top 100, ARIA reports.

Elsewhere, “Shivers” improves 24-22, “Bad Habits” gains 46-40, “Boat” rides up the chart 99-48, 2017’s “Perfect” lifts 60-55, 2014’s “Thinking Out Loud” reenters at No. 79, and his monster hit from 2017 “Shape Of You” returns at No. 81.

Tommy Castro Repeats as Entertainer of the Year at 2023 Blues Music Awards: Full Winners List

Tommy Castro won the B.B. King entertainer of the year award for the second year in a row at the 44th Annual Blues Music Awards, which were held at the Renasant Convention Center in Memphis on Thursday May 11.

The evening’s other top award winners were Buddy Guy, Albert Castiglia and John Németh, with two awards each. Guy’s The Blues Don’t Lie picked up album of the year and contemporary blues album. Castiglia won blues rock album (I Got Love) as well as blues rock artist. Németh won traditional blues album (May Be the Last Time) as well as instrumentalist harmonica.

The double wins for Guy’s album make up for its Grammy loss in February. The album was nominated for best traditional blues album but lost to Taj Mahal & Ry Cooder’s Get on Board: The Songs of Sonny Terry & Brownie McGhee. Likewise, Charlie Musselwhite’s Mississippi Son won here for acoustic blues album after losing at the Grammys for best traditional blues album.

For the fourth consecutive year, Christone “Kingfish” Ingram took home contemporary blues male artist. Other artists who held on to their crowns for a second year in a row were Castiglia – blues rock artist; Danielle Nicole – instrumentalist bass, Curtis Salgado – soul blues male artist; and Sue Foley – traditional blues female artist (Koko Taylor award).

First-time winners were Laura Chavez – instrumentalist guitar; Thornetta Davis – soul blues female; and Dylan Triplett – best emerging artist album for Who is He?.

Tedeschi Trucks Band won band of the year for the third time.

In a nice touch, three awards are named after late blues legends. The entertainer of the year award is named after B.B. King, who died in 2015. The award for traditional blues female artist is named after Koko Taylor, who died in 2009. The award for instrumentalist – piano is named after Pinetop Perkins, who died in 2011.

Here’s a complete list of winners for the 2023 Blues Music Awards.

B.B. King entertainer of the year 

Sugaray Rayford

WINNER: Tommy Castro

Eric Gales

Bobby Rush

Mr. Sipp (Castro Coleman)

Band of the year 

Anthony Geraci & The Boton Blues Allstars

John Németh and the Blue Dreamers

Rick Estrin and the Nightcats

Southern Avenue

WINNER: Tedeschi Trucks Band

Song of the year

Altered Five Blues Band “Great Minds Drink Alike” (Jeff Schroedl)

WINNER: Buddy Guy “The Blues Don’t Lie” (Tom Hambridge)

Eric Gales “I Want My Crown” (Eric Gales, Joe Bonamassa)

John Németh “The Last Time” (John Németh)

Shemekia Copeland “Too Far to Be Gone” (John Hahn/Will Kimbrough)

Best emerging artist album

Blue Moon Marquee / Scream, Holler & Howl

DaShawn Hickman / Drums, Roots & Steel

WINNER: Dylan Triplett / Who Is He?

Jose Ramirez / Major League Blues

Yates McKendree / Buchanan Lane

Acoustic blues album

WINNER: Charlie Musselwhite / Mississippi Son

Corey Harris / The Insurrection Blues

Duwayne Burnside / Acoustic Burnside

Harrison Kennedy / Thanks for Tomorrow

Rory Block / Ain’t Nobody Worried

Blues rock album

WINNER: Albert Castiglia / I Got Love

Bernard Allison / Highs & Lows

Colin James / Open Road

Eric Gales / Crown

Tinsley Ellis / Devil May Care

Contemporary blues album

WINNER: Buddy Guy / The Blues Don’t Lie

Diunna Greenleaf / I Ain’t Playin’

Janiva Magness / Hard to Kill

Larry McCray / Blues Without You

Shemekia Copeland / Done Come Too Far

Soul blues album

Kat Riggins / Progeny

Kirk Fletcher / Heartache by the Pound

WINNER: Sugaray Rayford / In Too Deep

The Love Light Orchestra / Leave the Light On

Trudy Lynn / Golden Girl

Traditional blues album

Kenny Neal / Straight From the Heart

Bob Corritore / Bob Borritore & Friends: You Shocked Me

Duke Robillard / They Called it Rhythm & Blues

WINNER: John Németh / May Be the Last Time

John Primer / Hard Times

Acoustic blues artist

WINNER: Doug MacLeod

Guy Davis

Harrison Kennedy

Rhiannon Giddens

Rory Block

Blues rock artist

Walter Trout

WINNER: Albert Castiglia

Tommy Castro

Joanne Shaw Taylor

Tinsley Ellis

Contemporary blues female artist

WINNER: Ruthie Foster

Beth Hart

Janiva Magness

Teresa James

Vanessa Collier

Contemporary blues male artist

Selwyn Birchwood

Chris Cain

WINNER: Christone “Kingfish” Ingram

Ronnie Baker Brooks

Mr. Sipp (Castro Coleman)

Soul blues female artist

Annika Chambers

Trudy Lynn

WINNER: Thornetta Davis

Kat Riggins

Vaneese Thomas

Soul blues male artist

John Németh

Johnny Rawls

WINNER: Curtis Salgado

Don Bryant

Billy Price

Traditional blues female artist (Koko Taylor award)

Dietra Farr

Diunna Greenleaf

Rhiannon Giddens

Rory Block

WINNER: Sue Foley

Traditional blues male artist

Billy Branch

Duke Robillard

WINNER: John Primer

Johnny Burgin

Sugar Ray Norcia

Instrumentalist – bass

Bob Stronger

WINNER: Danielle Nicole

Larry Fulcher

Michael “Mudcat” Ward

Willie J. Campbell

Instrumentalist – drums

Chris Layton

Cody Dickinson

Derric D’Mar Martin

WINNER: Kenny “Beedy Eyes” Smith

Tony Braunagel

Instrumentalist – guitar

Chris Cain

Christoffer “Kid” Andersen

Joanna Connor

Kirk Fletcher

WINNER: Laura Chavez

Instrumentalist – harmonica

Billy Branch

Bob Corritore

Jason Ricci

WINNER: John Németh

Dennis Gruenling

Instrumentalist – horn

WINNER: Deanna Bogart

Gregg Piccolo

Jimmy Carpenter

Mark Kaz Kazanoff

Sax Gordon Beadle

Instrumentalist – piano (Pinetop Perkins piano player award)

WINNER: Anthony Geraci

Ben Levin

Dave Keyes

Jim Pugh

Kenny “Blues Boss” Wayne

Instrumentalist – vocals

Curtis Salgado

Danielle Nicole

Diunna Greenleaf

John Németh

WINNER: Shemekia Copeland

SEVENTEEN Scores Fifth Straight No. 1 on Top Album Sales Chart

SEVENTEEN keeps up its perfect track record on Billboard’s Top Album Sales chart (dated May 13) as the act’s SEVENTEEN 10th Mini Album: FML debuts atop the list – the 13-member Korean pop ensemble’s fifth consecutive No. 1, of five total entries. All have also bowed at No. 1. The title sold 132,000 copies in the United States in the week ending May 4, according to Luminate – the fourth-largest sales week for an album in 2023 and SEVENTEEN’s best sales week yet.

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Like many K-pop releases, the CD edition of FML was issued in collectible CD packages (14 total, including exclusives for Barnes & Noble, Target and the Weverse webstore), each containing a standard set of items and randomized elements (postcards, mini posters, bookmarks and stickers).

FML was also available as a standard digital download album, as well as via 17 digital download variants that were sold exclusively through the act’s official webstore, each with alternate cover art. Four of them have two bonus tracks – one instrumental track and a voice memo from certain group members – that are different on each album. The remaining 13 alternate digital albums all have the album’s standard tracklist, just with a different cover (one for each of the group members). Of FML’s first-week album sales, 98% were CDs, while the remaining 2% were digital album downloads. The set was not available in any other retail format (such as vinyl or cassette).

Also in the top 10 of the new Top Album Sales chart, The National, Grateful Dead and ILLENIUM arrive with their latest releases.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Agust D’s D-Day falls to No. 2 (25,000; down 79%) after debuting at No. 1 a week ago.

The National’s First Two Pages of Frankenstein starts at No. 3 with a little over 24,000 copies sold (with a little more than 15,000 of that sum powered by vinyl sales). It’s the fifth top 10-charting effort for the act.

Grateful Dead’s Dave’s Picks, Volume 46: Hollywood Palladium, Los Angeles, CA – 9/9/72 bows at No. 4 with 21,000 sold. It’s the latest in the group’s long-running archival concert series.

A trio of former No. 1s is next on Top Album Sales, as Metallica’s 72 Seasons falls 3-5 (13,000; down 49%), Taylor Swift’s Midnights dips 5-6 (11,000; down 30%) and Melanie Martinez’s Portals shifts 6-7 (just over 7,000; down 47%).

ILLENIUM’s self-titled album debuts at No. 8 with 7,000 sold, largely from vinyl sales (nearly 6,000). It’s the second top 10 for the dance/electronic act.

Rounding out the top 10 on the new Top Album Sales chart is TWICE’s former leader Ready to Be: 12th Mini Album (rising 22-9 with nearly 7,000; down 10%) and Swift’s Folklore (14-10 with 6,500; down 26%).

In the week ending May 4, there were 1.827 million albums sold in the U.S. (down 37.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.482 million (down 42.6%) and digital albums comprised 344,000 (down 1.6%).

There were 712,000 CD albums sold in the week ending May 4 (down 6.3% week-over-week) and 762,000 vinyl albums sold (down 57.9%). Year-to-date CD album sales stand at 11.936 million (up 5% compared to the same time frame a year ago) and year-to-date vinyl album sales total 17.058 million (up 27.3%).

Overall year-to-date album sales total 35.534 million (up 10.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 29.181 million (up 17%) and digital album sales total 6.353 million (down 12.7%).