Music

Billboard’s 21 Under 21: See Who Made the 2023 List

Billboard’s annual celebration of the most innovative and influential young artists in the music industry includes Olivia Rodrigo, The Kid LAROI, d4vd, Ayra Starr and more.

This year’s 21 Under 21 package features the next generation of superstars who are savvier than ever — and know the importance of balancing nonstop careers while still maintaining at least a shred of privacy.

It’s something that fast-rising newcomer d4vd has already mastered. The 18-year-old — who teased his breakout hit “Romantic Homicide” on social media without ever showing his face — has quickly become one of alternative music’s most promising new artists. And come May 26, he’ll release his debut EP, Petals to Thorns.

The 2023 list includes other new names like alternative artist Riovaz, fast-rising R&B trio FLO and Afropop sensation Ayra Starr alongside more familiar chart-toppers like Olivia Rodrigo, The Kid LAROI and Lil Tecca — all of whom are teasing anticipated new projects on the way.

Rodrigo shared an update on her Sour follow-up in an Instagram story at the top of the year, LAROI debuted a new song off his upcoming album during his April Coachella set and in February Lil Tecca captioned a video on Instagram of himself in the studio, “when we droppin this album?”

It’s clear for the artists on this list that the year ahead — and, considering their early start, the years to come — will continue to be bright, if not nonstop.

Methodology: Billboard editors and reporters weighed a variety of factors in determining the 2023 21 Under 21 list, including, but not limited to, impact on consumer behavior, measured by metrics such as album and track sales, streaming volume (listed here as each artist’s on-demand official U.S. career streams, according to Luminate), social media impressions and radio/TV audiences reached; career trajectory; and overall impact in the industry, specifically during the past 12 months. Unless otherwise noted, Luminate is the source for sales/streaming data.

A version of this list originally appeared in the May 13, 2023 issue of Billboard.

The Weeknd Changes Social Media Display Names to His Birth Name

After announcing his decision to axe his artist moniker during his interview with W Magazine recently, The Weeknd took a step in that direction when he changed all of his display names on social media to his birth name — Abel Makkonen Tesfaye. 

The cover story featuring his The Idol co-star Lily-Rose Depp highlighted their upcoming controversial HBO Max series, The Idol, and revealed Tesfaye’s desire to “kill The Weeknd.”

“I’m going through a cathartic path right now. It’s getting to a place and a time where I’m getting ready to close the Weeknd chapter,” the singer told W Magazine. “I’ll still make music, maybe as Abel, maybe as The Weeknd. But I still want to kill The Weeknd. And I will. Eventually. I’m definitely trying to shed that skin and be reborn.”

Though Tesfaye has taken the initial steps in removing his iconic artist name from social media, he revealed his plans to complete one more album under The Weeknd. “The album I’m working on now is probably my last hurrah as The Weeknd,” he said during his interview. “This is something that I have to do. As The Weeknd, I’ve said everything I can say.”

Later in the story, Tesfaye explained how playing the role of Tedros in the upcoming HBO musical drama had a physical and emotional toll on him. “I had to take off The Weeknd outfit, put on Tedros’ wig, shoot with [Depp’s character] Jocelyn, then go back to being The Weeknd,” he reflected on the shift between characters. “Then, after the concert, I lost my voice. No voice came out at all. That’s never happened before. My theory is that I forgot how to sing because I was playing Tedros, a character who doesn’t know how to sing. I may be looking too deeply into this, but it was terrifying. As The Weeknd, I’ve never skipped a concert. I’ve performed with the flu. I’ll die on that stage. But there was something very complicated going on with my mind at that moment.”

The Idol debuts June 4 on Max.

Halsey Makes Surprise Appearance at Suga’s L.A. Show For Live Debut of ‘Suga’s Interlude’

Halsey helped Suga close out his three-night stand at Los Angeles’ Kia Forum on Sunday night (May 14) by joining the BTS member for the live debut of their 2020 joint track “Suga’s Interlude” from Halsey’s Manic album.

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In a video of the special moment posted by the Forum, Suga smiled broadly as Halsey sang “I’ve been trying all my life/ To separate the time/ In between having it all and giving it up,” while the packed house held up their flashlights to illuminate the arena. “Shout out to Halsey!” Suga enthused as the song wound down and the crowd screamed in delight.

The old friends then talked about how long it had been since they shared a stage, with Halsey noting that the last time Suga was in L.A. he came to her house, “and now I feel like I’m in your house,” she added with a laugh. Suga’s North American tour kicked off on April 26 and is slated to wind down with a two night stand at Oakland Arena on Tuesday (May 16) and Wednesday (May 17).

The singer — in the midst of a global tour in support of his debut solo album under his Agust D alter ego, D-Day — is slated to head to Asia after the American swing, kicking off with a three-show stand at the Indonesia Convention Exhibition Center in Tangerang Regency, Indonesia on May 26-28.

Suga set a new high for a BTS member on the Global Charts when he scored four debuts on the Global Excl. U.S., including the May 6-dated chart’s highest new entry, with “Haegeum” kicking off at No. 12. In addition, “Amygdala,” “Huh?!” with fellow BTS member J-Hope, and “D-Day” followed at Nos. 127, 182 and 200, respectively. Once you add in “People Pt. 2,” Agust D’s duet with Iu, jumping up from No. 108 to No. 64, Agust racked up five songs on last week’s Global Excl. U.S. ranking. That’s more songs in one week than any BTS member has simultaneously charted as a soloist, surpassing Jimin’s recent four song swing on the April 8 chart.

Check out footage of the performance below.

Eurovision Contestants Mae Muller, Loreen Make Early Gains In U.K. Chart Race

Europe didn’t care much for it, but the British are falling for Mae Muller’s “I Wrote A Song.”

Muller had the honor of representing her homeland, the United Kingdom, at the Eurovision Song Contest, the grand final of which was presented Saturday night (May 13) at Liverpool Arena.

The U.K. so often flounders at Eurovision, and Muller’s entry had an underwhelming reaction from the Eurovision panel and with viewers, coming second-from-last with just 24 “public” and “jury” votes, well off the pace of winners Sweden with 583 combined points.

Despite that lackluster feedback, Muller’s song is heading for its first U.K. top 10 appearance, and should handsomely beat its No. 30 peak, set in March of this year.

Based on sales and streaming data captured from the first 48 hours of the chart cycle, “I Wrote A Song” is on track to lift 36 places to No. 9. If it holds its chart tune, the song, co-written with Karen Poole and Lewis Thompson, will give Mae her first top tier appearance.

Meanwhile, Sweden’s Loreen should experience that winning feeling all over again on the U.K. chart, as her Eurovision winning song “Tattoo” is poised to debut at No. 28. On the weekend, Loreen became the first woman to win Eurovision twice, and the second artist overall after Johnny Logan, the Melbourne-born Irish singer.

At the pointy end of the chart blast, Calvin Harris and Ellie Goulding are shuffling to a sixth non-consecutive week at No. 1 with “Miracle”. It’s one of several dance music tunes on the way up, including Switch Disco and Ella Henderson’s “React” (No. 6) and David Guetta, Anne-Marie and Coi Leray’s “Baby Don’t Hurt Me” (No. 10), while K-pop girl group Fifty Fifty is flying to a new high of No. 7 with “Cupid”.

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All will be revealed when the Official U.K. Singles Chart is published Friday (May 19).

Calvin Harris & Ellie Goulding Extend U.K. Chart ‘Miracle’ For Fifth Week

It’s another chart miracle in the U.K., as Calvin Harris and Ellie Goulding’s throwback rave number bags a fifth non-consecutive week at No. 1.

According to the Official Charts Company, “Miracle” (via Columbia) is once again the most-streamed track of the week in the U.K., with 5.1 million plays, to lord over the chart published May 12.

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“Miracle” becomes Goulding’s longest-running U.K. leader, surpassing the four-week stretch at the summit for her 2015 hit “Love Me Like You Do.” It’s still some way off the eight-week reign of Harris’ 2018 hit “One Kiss” with Dua Lipa.

Holding at No. 2 on the latest tally is U.S. artist David Kushner’s viral effort “Daylight” (Miserable Music), while Ed Sheeran‘s former leader “Eyes Closed” (Atlantic) lifts 6-3, to complete the podium.

In the week that Sheeran’s Subtract album bows at No. 1 on the national albums chart, for his sixth straight leader, three tracks from it impact the singles chart, led by “Eyes Closed”.

Further down the list, “Boat” sails into the top 40 for the first time at No. 15, while new single “Curtains” opens at No. 16, lifting Sheeran’s tally of U.K. top 40 singles to 60. “Curtains” slowed in the second half the week, having set an early top 10 pace.

After becoming the first K-pop girl group to crack the top 10 on the Official U.K. Singles Chart, FIFTY FIFTY continues to fly with “Cupid” (ATTRAKT). It’s up 9-8, for a new peak.

Finally, in the wake of the coronation of of King Charles III, a protest song enters the U.K. top 10. The Krown Jewelz’ “Scrap The Monarchy” (Pegging Prince) starts at No. 9, for the week’s highest new debut. The punk act typically goes by the name the K**ts, which has landed pre-Christmas top 10s in each of the past three years.

Ed Sheeran’s ‘Subtract’ Shoots to No. 1 In U.K.

With a blockbuster sales week, Ed Sheeran‘s – (subtract) flies to No. 1 on the U.K. albums chart, extending his perfect streak.

The English singer and songwriter’s sixth studio LP notches 76,000 combined sales in its first seven-day cycle, easily the fastest-selling album in the U.K. this year, blitzing the 41,000 chart units shifted by Lana Del Rey’s Did you know that there’s a tunnel under Ocean Blvd.

According to the Official Charts Company, physical copies account for 71% of the Asylum set’s total, with an additional 10% from downloads. Subtract is also the best-seller on wax.

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In the end, Subtract won the chart race in a canter. By the midweek point, the LP had moved into a near-unbeatable position with more than 56,000 combined units.

Sheeran now boasts a perfect six No. 1s, dating back to his 2011 full-length debut +, then x (from 2014), ÷ (2017), No. 6 Collaborations Project (2019) and = (2021).

And with that unbroken string of leaders, Sheeran climbs the ranks of acts who’ve scaled the summit with every studio album. The “Shape of You” singer scoots past the 1975 on the list. Only Noel Gallagher with 10 albums, including his recordings with Oasis and as frontman of Noel Gallagher’s High Flying Birds; Brandon Flowers and Coldplay (with nine); and the Killers and Oasis (seven) are ahead of him.

Also new to the Official U.K. Albums Chart, published May 12, is Tunde with First Lap (via Tunde). It’s new at No. 4, for the Manchester rapper’s first top 10 appearance.

Also enjoying his first solo top 40 appearance is former Kasabian frontman Tom Meighan, with The Reckoning (Destruct). It’s new at No. 17. Meighan split with Kasabian in 2020 to deal with “personal issues,” he said at the time, leaving a group that had reigned over the chart with five albums. With guitarist Sergio Pizzorno taking-on vocal duties, the band last year added another No. 1 with The Alchemist’s Euphoria.

When Taylor Swift speaks, she scores. That’s precisely what happened when the superstar U.S. singer announced Speak Now would be the next to undergo a full rerecording. The 2010 collection (via Mercury) rebounds into the top 40 for the first time in 13 years, the OCC reports, up 54-23, and is one of six Swift albums impacting this week’s U.K. top tier. Speak Now peaked out at No. 6 following its original release. Speak Now (Taylor’s Version) is due out July 7.

Finally, Northern Irish rock trio Therapy? bags a sixth top 40 album and highest-charting title in 25 years, as Hard Cold Fire (Marshall) debuts at No. 29 on the latest tally.

10 Things to Know About Frank Sinatra, Who Died 25 Years Ago Today

Sunday (May 14) marks 25 years since Frank Sinatra died at the age of 82. That’s hard to imagine, because he remains an icon and a cultural force. His compilation Nothing but the Best reached No. 2 on the Billboard 200 in May 2008, a decade after his death. Jay-Z gave him a shout-out in “Empire State of Mind,” his 2009 smash with Alicia Keys: “I’m the new Sinatra, and since I made it here/ I can make it anywhere, yeah, they love me everywhere.”

Sinatra had major hits spanning 40 years, from “I’ll Never Smile Again” in 1940, which he recorded with Tommy Dorsey and His Orchestra, to “Theme From New York, New York” in 1980, in which he took a song Liza Minnelli had introduced three years earlier in the film of the same name and simply took it to another level. It became his final top 40 hit on the Billboard Hot 100.

Sinatra had four No. 1 albums on the Billboard 200 (which originated in 1956): Come Fly With Me (1958), Frank Sinatra Sings for Only the Lonely (1958), Nice ‘N’ Easy (1960) and Strangers in the Night (1966).

He topped the Billboard Hot 100 (which originated in 1958) twice — with “Strangers in the Night” (1966) and “Somethin’ Stupid,” a duet with his daughter, Nancy Sinatra (1967).

Sinatra won nine Grammys and an Oscar. His classic 1965 TV special Frank Sinatra: A Man and His Music won an Emmy for outstanding musical program, but he didn’t personally win for it and never officially won an Emmy. (I hate it when that happens!)

Here are 10 facts you should know about Sinatra.

Fans Choose BTS’ ‘The Planet’ as This Week’s Favorite New Music

BTS‘ “The Planet” has topped this week’s new music poll.

Music fans voted in a poll published Friday (May 12) on Billboard, choosing the group’s latest as their favorite new music release of the past week.

“The Planet” brought in more than 45% of the vote, beating out new music from the Jonas Brothers, Lil Durk and J. Cole, Shakira and more.

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The song, BTS’ first new music release to feature all seven members since they’ve been focused on solo projects and military service, is featured as the theme song for the new South Korean animated series Bastions.

BTS’ “The Planet” is an uptempo track with a sunny chorus about letting your colors shine. An animated music video accompanied the release.

Trailing behind “The Planet” on the poll is the Jonas Brothers’ The Album, with 18% of the vote, Lil Durk feauturing J. Cole’s “All My Life,” with 15% of the vote, and Shakira’s “Acróstico,” with 9% of the vote.

See the final results of this week’s poll below.

Beyoncé Shares Sweet Mother’s Day Tribute at Renaissance Tour Stop in Brussels

Beyoncé is showing appreciation to her mom on Mother’s Day.

Queen Bey took to Instagram on Sunday (May 14) share a loving post featuring a large photo of Tina Knowles-Lawson displayed onstage at the superstar singer’s Renaissance tour stop at Brussels’ King Baudouin Stadium. The post also included a short video of Knowles-Lawson excitedly cheering on her daughter from the side of the concert stage.

“Happy Muva’s Day,” Beyoncé captioned the gallery. “I love you so much Mama and I’m so grateful for all you do for me.”

The same sweet message also appeared on the homepage of Beyoncé website on Mother’s Day.

Beyoncé’s long-awaited Renaissance World Tour launched on May 10 in Stockholm, Sweden, with a jaw-dropping, three-hour showcase featuring dozens of career-spanning hits. The trek will continue throughout Europe until July 9, with stops in London, Barcelona, Brussels and Amsterdam before heading to Toronto for two dates at Rogers Centre.

The Renaissance tour then heads to the United States, starting with Philadelphia’s Lincoln Financial Field and making stops in Chicago, East Rutherford, N.J., Atlanta, Houston and more before concluding Sept. 27 at the Caesars Superdome in New Orleans.

The stint is in support of her 2022 album, Renaissance, which topped the Billboard 200 albums chart upon its release and won the Grammy Award for best dance/electronic album. Three of the project’s songs also won individual awards, with “Break My Soul” winning best dance/electronic recording, “Plastic Off the Sofa” taking home best traditional R&B performance and “Cuff It” winning best R&B song.

See Beyoncé’s Mother’s Day tribute on Instagram below.

Morgan Wallen’s ‘One Thing at a Time’ Spends 10th Week at No. 1 on Billboard 200

Morgan Wallen’s One Thing at a Time logs a 10th consecutive, and total, week at No. 1 on the Billboard 200 albums chart (dated May 20). The album bowed at No. 1 on the chart dated March 18 and has yet to depart the top slot. It equals the No. 1 run of Wallen’s last release, Dangerous: The Double Album, which also spent its first 10 weeks at No. 1 (Jan. 23-March 27, 2021-dated charts).

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One Thing at a Time earned 141,000 equivalent album units in the United States in the week ending May 11 (up 2%), according to Luminate.

As One Thing at a Time holds at No. 1, Wallen becomes the first male soloist to spend 10 weeks at No. 1 with back-to-back full-length albums, since the Billboard 200 began publishing on a regular, weekly basis in March of 1956. Only five acts — including Wallen — have notched consecutive No. 1s that ruled for at least 10 weeks. Wallen joins Adele (25, 10 weeks, 2015-16 and 21, 24 weeks, 2011-12), Whitney Houston (Whitney, 11 weeks, 1987 and her self-titled album, 14 weeks, 1986), The Monkees (More of the Monkees, 18 weeks, 1967 and its self-titled album, 13 weeks 1966-67) and The Kingston Trio (String Along, 10 weeks, 1960 and Sold Out, 12 weeks, 1960).

Wallen is now the third solo male artist overall to have at least two albums spend 10 or more weeks at No. 1 each. He joins Elvis Presley and Henry Mancini. The former did it four times with his self-titled album (10 weeks in 1956) and the soundtracks for Loving You (10, 1957), G.I. Blues (10, 1960-61) and Blue Hawaii (20, 1961-62) and the latter did so twice, with the soundtracks The Music From Peter Gunn (10, 1959) and Breakfast at Tiffany’s (12, 1962).

Further, Wallen becomes the only act with at least two country albums to have spent 10 or more weeks at No. 1. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

In total, nine acts — including Wallen — have at least two albums that have spent at least 10 weeks at No. 1. Wallen is now among elite company, standing alongside only The Beatles, Presley (four such albums each); Houston, The Kingston Trio (three each); Adele, Mancini, The Monkees and Taylor Swift (two each).

Also in the top 10 of the new Billboard 200, Ed Sheeran achieves his sixth top 10-charting effort as his new studio set, pronounced Subtract, starts at No. 2, while Korean girl group LE SSERAFIM notches its first top 10 (and second chart entry) with the No. 6 bow of Unforgiven.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 20, 2023-dated chart will be posted in full on Billboard‘s website on May 16. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 141,000 equivalent album units earned in the week ending May 11, SEA units comprise 134,000 (up 3%, equaling 179.33 million on-demand official streams of the set’s 36 songs), album sales comprise 5,000 (down 6%) and TEA units comprise 2,000 (down 5%).

Sheeran collects his sixth top 10-charting effort on the Billboard 200 as his latest studio album, (Subtract), debuts at No. 2. The set starts with 112,000 equivalent album units earned. Of that sum, album sales comprise 81,000 (making it the top-selling album of the week), SEA units comprise 29,000 (equaling 38.43 million on-demand official streams of the set’s tracks) and TEA units comprise 2,000.

The album was preceded by its lead single “Eyes Closed,” which debuted and has so far peaked at No. 26 on the Billboard Hot 100 dated April 8. Sheeran’s last three albums (Equals, No. 6 Collaborations Project and Multiply) were each led by top 10-charting singles before the sets dropped: “Bad Habits” (No. 2), “I Don’t Care,” with Justin Bieber (No. 2) and the dual lead singles off Multiply, “Shape of You” (No. 1) and “Castle on the Hill” (No. 6).

Subtract marks Sheeran’s biggest sales week since 2017, thus larger than any week posted by Sheeran’s last two albums (Equals and No. 6 Collaborations Project). Subtract also nets 10th-largest sales week of 2023 for any album, and the fifth-largest for a non-K-pop title.

Subtract’s sales were aided by its availability in both a standard 14-track and 18-track edition (digital download, CD and vinyl). The set was also available in nine vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target, Urban Outfitters and Walmart) and multiple CD iterations in collectible packages (including a signed CD, a version with a lenticular cover, a “textured sand” cover and a “Zine” CD package).

A trio of former No. 1s is next on the Billboard 200, as Taylor Swift’s Midnights is a non-mover at No. 3 (60,000 equivalent album units; up 4%), SZA’s SOS is stationary at No. 4 (54,000; down 4%) and Wallen’s Dangerous is steady at No. 5 (49,000; up 4%).

LE SSERAFIM debuts at No. 6 with Unforgiven, marking its first top 10 and second charting effort on the Billboard 200. The Korean pop girl group’s album enters the chart with 45,000 equivalent album units earned (up 691%). Of that sum, 38,500 comprise album sales, 6,500 comprise SEA units (equaling 9.04 million on-demand official streams of the set’s 13 tracks) and TEA units comprise a negligible sum.

The album was released to digital retailers and streaming services on May 1, and earned 6,000 equivalent album units in the week ending May 4 (not enough to debut on the Billboard 200). The set debuts on the chart following the release of its CD edition on May 5.

Like many K-pop releases, the CD edition of Unforgiven was issued in collectible CD packages (11 total, including exclusives for Target, Walmart and the Weverse webstore), each containing a standard set of bonus items and randomized photocards. Effectively all of Unforgiven’s first-week album sales were CDs, with a negligible sum generated by digital download album sales. The set was not available in any other retail format (such as vinyl or cassette).

While LE SSERAFIM has yet to chart on the Billboard Hot 100, the album’s title track — with Nile Rodgers — debuted at No. 61 on the Billboard Global 200 and No. 39 on the Global 200 Excluding U.S. chart (both dated May 13).

Swift’s chart-topping Lover rises 10-7 on the Billboard 200 (37,000 equivalent album units earned; up 8%), Bad Bunny’s former leader Un Verano Sin Ti jumps back to the top 10, climbing 11-8 (36,000; up 8%), Luke Combs’ Gettin’ Old falls 7-9 (nearly 36,000; down 3%) and Metro Boomin’s former No. 1 Heroes & Villains dips 9-10 (34,000; down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.