Music

Drake Brings Out Bad Bunny During Los Angeles Concert to Announce New Collab

A new Drake and Bad Bunny collaboration is on the horizon. During the “Jumbotron S–t Poppin” rapper’s Sunday night (Aug. 13) concert in Inglewood, Calif., he brought up Bunny for a special announcement during his set, much to the delight of concert attendees.

“I wanna tell y’all something, because y’all are L.A. and we love you,” Drake told the crowd during a brief break between songs. “It’s been like six years since me and Benito did a song, so we got a song coming for y’all on my album and it’s real.” Billboard has reached out to Drake and Bad Bunny’s representatives for comment and any additional information.

The rappers last worked together on their collaborative track “Mía,” which was released in 2018. The song marked a few feats for each artist: “Mía” peaked at No. 5 on the Billboard Hot 100 and became Bunny’s first top 10 single as a lead artist; and the single marked Drake’s 26th top 10 on the chart. The song also marked the first time Drake sang entirely in Spanish on a track. The new track (the title of which is unknown) will appear on Drake’s forthcoming studio album, For All the Dogs (release date TBD).

Elsewhere during Drake’s concert, Bad Bunny made headlines for attending the show alongside Kendall Jenner and packing on PDA during the show. The couple went to the concert with Jenner’s older sister, Kim Kardashian.

See video footage from Drake announcing his new Bad Bunny collaboration below.

Here’s Why Fans Think Ed Sheeran Is Teasing New Music With Cryptic ‘Autumn Is Coming’ Messages

Ed Sheeran can’t stop reminding fans: “autumn is coming.” And while it’s certainly possible that the pop superstar is just really, really passionate about the fall season, Sheerios are pretty sure that he’s actually teasing the arrival of a new project.

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Let’s back up. Sheeran has been cryptically dropping the phrase “autumn is coming” for a couple weeks now, using it to caption a number of Instagram photos and videos. Funnily enough, one of the pictures was a meme of the musician standing in front of a fall landscape, with all of the leaves replaced with hundreds of pictures of him and his ginger hair.

Then, on Sunday (Aug. 13), the “Bad Habits” singer shared a montage of clips from his time in Minneapolis, where he recently broke U.S. Bank Stadium’s attendance record with his Mathematics Tour. In the caption, he wrote: “Had an absolute blast. Left some clues around the stadium about autumn coming. Did you know autumn is coming?”

While in Minneapolis, Sheeran also worked a shift at the Lego store in Mall of America, where he sang a surprise performance of his 2013 hit “Lego House.” He also passed out his own custom Lego figurine, which wears a shirt reading — you guessed it — “Autumn is coming.”

But that’s not all. Fans also noticed that at his Aug. 5 Kansas City show, Sheeran sported a jersey emblazoned with the number 9 and, in place of his last name, “Autumn.” Then, one week later, at his Minneapolis show, he wore a jersey with the number 29, this time printed with the word “Variations.”

With the potential clues in place, fans online are trying to connect the dots. “Autumn Variations?” theorized one fan on Twitter. “Autumn is coming! 9/29, 29/9 aka September 29?”

“I’m throwing this out there now that Autumn Variations is coming on September 29 based on the clues given by Ed this weekend in Minneapolis,” tweeted another fan.

If fans are correct and Ed’s unconfirmed next album does come out this fall, it’ll be his second LP to drop this year. In May, he released Subtract (stylized ““), which debuted at No. 2 on the Billboard 200.

See what Sheerios are making of Ed Sheeran’s “autumn is coming” mantra below:

Morgan Wallen’s ‘Last Night’ Claims 16th Week Atop Hot 100, the Most Ever for a Non-Collaboration

Morgan Wallen’s “Last Night” adds a 16th week at No. 1 on the Billboard Hot 100 songs chart. The song breaks out of a tie with Harry Styles’ “As It Was” for the sole longest No. 1 run for a non-collaboration, while overall tying for the second-longest reign in the Hot 100’s 65-year history.

Plus, SZA’s “Snooze” jumps from No. 15 to No. 10 on the Hot 100, becoming her eighth career top 10, and the fifth on her album SOS.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Aug. 19, 2023) will update on Billboard.com tomorrow (Aug. 15). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.



Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 59.6 million radio airplay audience impressions (down 11%) and 26.3 million streams (down 2%) and sold 5,000 downloads (down 22%) in the Aug. 4-10 tracking week, according to Luminate.

As “Last Night” leads the Hot 100 for a 16th week, it surpasses Harry Styles’ “As It Was,” from 2022, for the longest command ever for a song by an act with no accompanying artists.

Among all songs, “Last Night” matches the second-longest rule in the Hot 100’s history, which dates to the chart’s Aug. 4, 1958, inception.

Longest-Leading Billboard Hot 100 No. 1s:

  • 19, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, beginning April 13, 2019
  • 16 (to date), “Last Night,” Morgan Wallen, March 18, 2023
  • 16, “Despacito,” Luis Fonsi & Daddy Yankee feat. Justin Bieber, May 27, 2017
  • 16, “One Sweet Day,” Mariah Carey & Boyz II Men, Dec. 2, 1995
  • 15, “As It Was,” Harry Styles, April 16, 2022
  • 14, “Uptown Funk!,” Mark Ronson feat. Bruno Mars, Jan. 17, 2015
  • 14, “I Gotta Feeling,” The Black Eyed Peas, July 11, 2009
  • 14, “We Belong Together,” Mariah Carey, June 4, 2005
  • 14, “Candle in the Wind 1997”/“Something About the Way You Look Tonight,” Elton John, Oct. 11, 1997
  • 14, “Macarena (Bayside Boys Mix),” Los Del Rio, Aug. 3, 1996
  • 14, “I’ll Make Love to You,” Boyz II Men, Aug. 27, 1994
  • 14, “I Will Always Love You,” Whitney Houston, Nov. 28, 1992

“Last Night” also passes “As It Was” for the longest No. 1 Hot 100 stay of the 2020s so far. Here’s an updated look at the longest-leading hits each decade (with songs, on average, having logged longer No. 1 runs since Luminate data began contributing to the chart in late 1991).

Longest-Leading Billboard Hot 100 No. 1s by Decade:

  • 2020s: 16 weeks (to date), “Last Night,” 2023
  • 2010s: 19 weeks, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
  • 2000s: 14 weeks, “I Gotta Feeling,” The Black Eyed Peas, 2009 / “We Belong Together,” Mariah Carey, 2005
  • 1990s: 16 weeks, “One Sweet Day,” Mariah Carey & Boyz II Men, 1995-96
  • 1980s: 10 weeks, “Physical,” Olivia Newton-John, 1981-82
  • 1970s: 10 weeks, “You Light Up My Life,” Debby Boone, 1977
  • 1960s: 9 weeks, “Hey Jude,” The Beatles, 1968 / “The Theme From A Summer Place,” Percy Faith and His Orchestra, 1960
  • 1950s: 9 weeks, “Mack the Knife,” Bobby Darin, 1959

“Last Night” first led the Hot 100 in March, becoming Wallen’s initial No. 1 on the chart, and has logged a record-tying five distinct stays on top: March 18; April 15-22; May 6-July 8; July 22; and Aug. 12-19.

The song rebounds to No. 1, from No. 3, for an 18th week atop the Streaming Songs chart; rises 7-4 following a week atop Digital Song Sales; and dips 4-6, after reaching No. 2, on Radio Songs.

The single also tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for a 25th week, the sole fourth-longest domination since the chart became an all-encompassing genre ranking in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 weeks at No. 1 in 2017-18.

“Last Night,” which crowned the Country Airplay chart for eight weeks and crossed over to No. 5 peaks on both Pop Airplay and Adult Pop Airplay, additionally claims an 11th week atop Billboard’s Songs of the Summer chart, having led each week since the list returned. (Meanwhile over the weekend, Wallen made news for his hairstyle change. Mull it over here.)

Luke Combs’ cover of Tracy Chapman’s “Fast Car” notches a fifth week at its No. 2 Hot 100 high.

Notably, after topping Country Airplay for five weeks, “Fast Car” leads Adult Pop Airplay for a second frame and becomes Combs’ first top 10 on Pop Airplay (12-10). It’s the first song by a lead solo male to have hit No. 1 on both Country Airplay and Adult Pop Airplay and reached the Pop Airplay top 10; among all acts, four songs previously achieved the feat, as it follows Gabby Barrett’s “I Hope” (featuring Charlie Puth on its pop remix; 2020); “Meant To Be” (2018); Lady A’s “Need You Now” (2009-10); and Faith Hill’s “Breathe” (1999-2000).

Taylor Swift’s “Cruel Summer” pushes to a new No. 3 Hot 100 high, from No. 4, four years after its release on her 2019 album Lover, as it’s now being promoted as a single, while she has been performing the song on her The Eras Tour. It likewise climbs to new No. 3 bests on both Radio Songs (68.1 million, up 6%) and Digital Song Sales (7,000, up 85%), while rebounding 19-5, also a new highpoint, on Streaming Songs (18.2 million, up 14%), as it wins the Hot 100’s Sales and Streaming Gainer awards.

Rema and Selena Gomez’s “Calm Down” ascends 6-4 on the Hot 100, after reaching No. 3, as it posts an eighth week atop Radio Songs (88 million, down 1%). It tops the Billboard U.S. Afrobeats Songs chart for a  milestone 50th week, extending the longest reign since the ranking began over a year ago.

Gunna’s “Fukumean” lifts 7-5 on the Hot 100, after hitting No. 4, while ruling the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a fourth week each.

Olivia Rodrigo’s “Vampire” rises 9-6 on the Hot 100, five weeks after it debuted as her third No. 1; Dua Lipa’s “Dance the Night” twirls 10-7 for a new high; Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, holds at No. 8, after reaching No. 7, as it takes top Airplay Gainer honors (26.1 million, up 54%); and Miley Cyrus’ “Flowers” returns to the top 10 (12-9), after it led for eight weeks beginning in January.



Rounding out the Hot 100’s top 10, SZA’s “Snooze” surges 15-10, with 61.9 million in radio reach and 1,000 sold (each sum essentially even week-over-week) and 10.4 million streams (down 1%).

The song is SZA’s eighth career Hot 100 top 10 and the fifth on her album SOS, after “Kill Bill,” which led for a week in April, marking her first No. 1; “Nobody Gets Me” (No. 10, December 2022, concurrent with the set’s launch atop the Billboard 200 albums chart); “I Hate U” (No. 7, December 2021); and “Good Days” (No. 9, February 2021).

SZA has also hit the Hot 100’s top 10 as featured on Doja Cat’s “Kiss Me More” (No. 3, July 2021); with Kendrick Lamar on “All the Stars” (No. 7, March 2018); and as featured on Maroon 5’s “What Lovers Do” (No. 9, November 2017).

Meanwhile, Babyface is one of the co-writers and co-producers of “Snooze.” The legendary talent, who has notched five Hot 100 top 10s as a recording artist and first reached the region in the 1980s, places in the top 10 as a writer for the first time since Drake’s “Fair Trade,” featuring Travis Scott, hit No. 3 in September 2021. “Fair Trade” samples Charlotte Day Wilson’s 2019 single “Mountains,” which Babyface co-wrote.

Apart from samples, Babyface appears in the Hot 100’s top 10 with a newly composed song for the first time since P!nk’s “Most Girls,” which he produced and co-wrote, hit No. 4 in November 2000. (That also marked his last top 10 rank as a producer until “Snooze.”)

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Aug. 19), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Aug. 15).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Chuck D Calls on Eric Adams to ‘Free Kidd Creole’ During Public Enemy’s Hip-Hop 50 Bronx Concert

New York City was popping over the weekend with #HipHop50 concerts and parties celebrating the NYC-spawned art form that began at DIY parties in housing projects and has grown into the most popular genre of music in America.

While Friday (Aug. 11) night’s Yankee Stadium concert featuring A-listers and neglected genre pioneers understandably got the most shine, ITSALLBLACKMUSIC’s 5X5 Block Party series ensured that each borough’s role in hip-hop’s evolution was honored, too. On Saturday (Aug. 12) at 1520 Sedgwick Avenue in the Bronx, luminaries from Public Enemy to KRS-One to Talib Kweli made damn sure the birthplace of hip-hop was rocking for the genre’s 50th anniversary.

Chuck D was listed on flyers as one of the Bronx concert’s headliners, but with Flavor Flav joining him on stage, Public Enemy was in full effect outside the residential building that hosted a storied breakbeat-heavy set in a rec room by DJ Kool Herc on Aug. 11, 1973. (That party, put on by Herc and his sister Cindy Campbell, is one of many key events in the genre’s genesis, but for purposes of the global #HipHop50 celebrations, their party at 1520 Sedgwick is the reason Aug. 11 is celebrated as birthday of hip-hop.)

Unapologetic as always, Chuck D said Public Enemy was offered a spot at the all-star Yankee Stadium concert but turned it down when KRS-One asked the group to make sure the Bronx birthplace got its dues on the anniversary. “F—k Yankee Stadium,” Chuck D concluded.

In between classic cuts like “Bring the Noise,” “911 Is a Joke” and “Fight the Power” (which still pack a wallop thanks to Chuck and Flav’s runaway-train energy), Chuck D demonstrated to the audience — a cross-generational swath of current residents, former locals trading tales of the not-necessarily-so-good-old-days and younger fans who needed Google Maps just to find the spot — that PE remains as politically outspoken as ever.

Chuck asked people to take out their phones, then reminded everyone that phones can be used to track your location and store data about you. He also shouted out imprisoned hip-hop pioneer Kidd Creole of Grandmaster Flash & the Furious Five (not to be confused with the lead singer of Kid Creole and the Coconuts, another Bronx legend) and claimed the retired rapper, whose real name is Nathaniel Glover, was “railroaded” by the system.

“Free Kidd Creole,” Chuck said, adding that “someone needs to talk to [NYC Mayor] Eric Adams” about the situation.

In April 2022, Glover was found guilty of manslaughter and sentenced to 16 years in prison for stabbing a homeless man, who later died in a hospital, in 2017. Glover’s attorney argued the stabbing was in self-defense, alleging Glover felt threatened after the man approached him around midnight in midtown Manhattan.

8 Must-Hear New Country Songs: Carly Pearce, Cody Johnson, HunterGirl & More

This week in country: Carly Pearce offers up a tribute to the genre, Cody Johnson honors a life-changing, steadfast love, Carrie Underwood sees what’s good — and what’s missing — in an ex’s new relationship, and HunterGirl elevates a career-surging story.

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Meanwhile, O.N.E the Duo bring sass and substance to their new release and Ingrid Andress teams with Switchfoot in this week’s batch of new music. Check it all out below.

Carly Pearce, “Country Music Made Me Do It”



“I wear my hair a little too high/ and my heartbreak on my sleeve,” Grammy winner Pearce declares on this new release, her warm, dusty voice succinctly wrapping her musical lineage (from Loretta Lynn to Dolly Parton to Barbara Mandrell) into a single verse.

Digging deeper, and working again with Josh Osborne and Shane McAnally, Pearce artfully lays the blame for a litany of life choices on the imprint left on her by decades of country music. Early heartbreaks, flirtations with whiskey, her small town-to-ballgown journey of stardom, divorce and more are laid at the proverbial feet of three chords and the truth.

Since her debut single in 2017, Pearce has forged her commitment to the genre with her twangy vocals, Opry performances, traditionally oriented instrumentation and songs like “Dear Loretta” and “What He Didn’t Do.” With her new release, this CMA female vocalist of the year winner is simply saying it ever more boldly.

Cody Johnson, “The Painter”



Johnson became a CMA Award-winning juggernaut last year with “‘Til You Can’t,” an ode to making the most of every moment and cherishing time with loved ones. Here, he reprises his sentimental tone, offering a glorious ode to a lover who brings a kaleidoscope of colors to his life, someone who “finds the beauty in the thrown away and broken things.”

As with “‘Til You Can’t,” Johnson may not be a writer on this song (that distinction goes to Benjy Davis, Kat Higgins and Ryan Larkins), but he proves yet again that he possesses a keen ear for great song and a standout lyric.

HunterGirl, “Ain’t About You”



“Strumming strings used to feel like breathing/ Now it takes your breath away, counting years and counting reasons it won’t work,” HunterGirl sings, laying dreamy vocals over reverberating chords, elevating the doughty struggle of turning a passion into a viable career.

HunterGirl crafted this song solo, just weeks before her career-pivoting audition for American Idol, in which she earned runner-up status.

William Michael Morgan, “In Walked You”



Morgan first broke through with “I Met a Girl” back in 2015, earning a No. 2 hit on Billboard‘s Country Airplay chart. Though subsequent singles failed to replicate that early success and Morgan parted ways with his former label home in 2019, he continues issuing his sterling brand of neo-traditional country. His latest, written by Shane McAnally, Josh Osborne and Ross Copperman, proves a perfect foil for Morgan’s smooth, ’90s country-indebted voice. The softly swinging melody, burnished fiddle and guitar — and gentle meet cute tale of love in a barroom — should excite any fans of George Strait and Alan Jackson.

Carrie Underwood, “Give Her That”



Her ex-lover has moved on to a new relationship, giving his new love roses, love and possibly even a diamond ring — but she knows he’ll never be able to give away the time he previously had with her. Over rippling, R&B-tinged guitar, Underwood sings of cataloging items and moments both simple and profound — an old Lynyrd Skynyrd band shirt, his mama’s necklace. Sonically, this track doesn’t break new ground, but rather fits comfortably within the bounds of her upcoming deluxe version of Denim & Rhinestones, out Sept. 22.

Steep Canyon Rangers, “Recommend Me”



This venerable bluegrass outfit takes inspiration from a literary title (Wiley Cash’s When Ghosts Come Home) on this new song. Vocalist Graham Sharp’s warm, cracked vocals convey a tale of two characters who are committed to one another, no matter what trials they have had to traverse. Atop subdued, shimmery fiddle and guitars, the song’s lyrical apex comes as one of the characters reaches a stark realization: “Once I thought that in my arms/ This world might never do you harm/ And all this time I could not see It’s been you protecting me.”

“Recommend Me” is is an early glimpse into SCR’s upcoming album Morning Shift, out Sept. 8 on Yep Roc Records.

O.N.E the Duo, Blood Harmony



This mother-daughter duo’s debut album finds their familial harmonies soaring over a churning of pop and R&B, yet dripping with country twang, fiddle and harmonica. Sultry R&B and searing fiddle team up as they take on “”Jolene and Jezebel” in “Hoedown.” “Hearts Like Mine” feels more down the center, reminiscent of the pop-inflected country currently dominating radio, while the muddy, bluesy “River of Sin” is a stellar harmony showboat. The smoky “One Minute to Midnight” oozes sex and soul. Overall, a top-shelf offering for those who prefer smooth R&B Southern style, and shot through with tantalizing harmonies.

Ingrid Andress with Switchfoot, “On Fire”



Twenty years after the release of Switchfoot’s breakthrough album The Beautiful Letdown, they give the project a refresh, welcoming artists to reimagine many of the album’s tracks — including this vibey take on “On Fire.” “Hearts Like Mine” hitmaker Andress supplies her smooth, serene voice to this track, working with her longtime co-producer Sam Ellis to bring a more polished, cleaner rendering than the original, but one that still evokes a crush-struck yearning.

Jonas Brothers Kick Off Tour With 67-Song Setlist & Surprise Jimmy Fallon Appearance

Just one night after Hip Hop 50 Live rocked Yankee Stadium, Jonas Brothers took over the iconic New York City venue on Saturday (Aug. 12) for the opening night of their massive “Five Albums. One Night. The World Tour” trek.

The band’s latest world tour, which currently boasts a whopping 94 shows, features a setlist comprised of every song from each of their previous four studio albums — 2007’s Jonas Brothers, 2008’s A Little Bit Longer, 2009’s Lines, Vines and Trying Times and 2019’s Happiness Begins — as well as selections from 2023’s The Album, standalone singles such as “What a Man Gotta Do” and “Leave Before You Love Me,” and solo tracks like Nick Jonas’ “Jealous” and Joe Jonas’ (by way of DNCE) “Cake by the Ocean.” As Nick Jonas told People, “It’s our most ambitious show we’ve ever put on, in the sense that building out five albums in one night was a challenge that I don’t think we fully understood after we’d already put it on sale.” He continued, “It’s amazing to just go back and look at the road that brought us to this moment now.”

As it has often been for the past decade-and-a-half, it was a family affair. Nick Jonas’ wife, Citadel star Priyanka Chopra Jonas, attended the tour’s opening night show, and she brought along their 18-month-old daughter, Malti Marie Chopra Jonas, to soundcheck. “From soundcheck to the stage with my girls. Yankees night one was beyond words,” Nick captioned a photo of him and his daughter sitting behind a drum kit. Joe Jonas’ wife, Emmy-nominated actress Sophie Turner, was also in attendance, standing alongside Chopra Jonas as the two took in the show together.

The celebrity appearances didn’t stop with the immediate Jonas Family. During the band’s second night at Yankee Stadium, Jimmy Fallon surprised fans with a sing-along to The Killers’ “Mr. Brightside.” “Huge thanks to @jonasbrothers for giving me the surprise guest spot on ‘The Tour’ tour. And thank you to @yankeestadium for turning it into the world’s biggest karaoke party. This is one of those nights I will never forget,” Fallon posted on X (formerly known as Twitter) on Sunday night (Aug. 13).

In addition to Fallon, Grammy-winning gospel music superstar Kirk Franklin and Grammy-nominated producer and songwriter Jon Bellion joined Jonas Brothers for the first nights of The Tour. Both Franklin and Bellion appeared for a rendition of “Walls,” the lead single from The Album, which peaked at No. 3 on the Billboard 200 back in May. Jonas Brothers even brought out their former security guard Robert “Big Rob” Feggans to rap his fan-favorite verse on “Burnin’ Up” (No. 5), one of the band’s several Hot 100 top ten hits to appear on the setlist. Jonas Brothers’ other top ten hits on The Tour setlist include 2008’s “Tonight” (No. 8) and 2019’s “Sucker” (No. 1).

Following their two sold-out Yankee Stadium shows, Jonas Brothers have announced a fifth hometown show at Prudential Center in New Jersey. Check out some videos of their performances below.

Bad Bunny & Kendall Jenner Pack on the PDA at Drake’s L.A. Concert

Un Verano Sin Ti? More like “un verano con Kendall.” Bad Bunny and Kendall Jenner were captured on video in full couple mode at Drake‘s Sunday night (Aug. 13) concert at SoFi Stadium, the latest chapter in their blooming spring/summer romance.

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In clips recorded by fans at the show, the model and the Latin music star can be seen dancing while holding hands, whispering things into each other’s ears and wrapping their arms around each other’s necks and waists.

At one point, Benito seemingly said something to the Kardashians star that was so funny, she collapsed to the floor laughing.

Videos of the couple exiting the concert also made their way online, showing that they had a chaperone in Jenner’s famous big sister, Kim Kardashian. Dressed in a blue bodysuit, the Skims founder was seen at Bad Bunny’s side as the group pushed through the packed venue. Jenner and her beau were also seen posing for Kardashian as she snapped photos of them in the stands.

The “Me Porto Bonito” singer has reportedly been dating the model since early this year, with their relationship really heating up in the spring. The two looked extra cozy in April while at Coachella together, and in May, they were all lovey-dovey while sitting courtside at a Lakers game together, wearing matching snakeskin boots.

Benito and Kendall have also been spotted on a number of dates over the summer, though they still haven’t officially confirmed their romance. Bunny seemingly explained why in his June Rolling Stone cover story, telling the publication: “I know something is going to come out. I know [people are] going to say something. People know everything about me, so what’s left for me to protect? My private life, my personal life. That’s the only answer. In the end, the only thing I have is my privacy.”

See clips of Bad Bunny with Kendall Jenner at Drake’s concert below.

Britney Spears Sensually Pole Dances to Nine Inch Nails’ ‘Closer’: Watch

Britney Spears is putting her dance skills to the test with a brand new apparatus. On Sunday (Aug. 13), the “…Baby One More Time” hitmaker revealed that she recently purchased a hot pink dancer pole, and put it to work in a video posted to her Instagram.

The clip finds the 41-year old donning a two-piece, leopard print bikini with matching gloves and black-heeled boots, dancing to Nine Inch Nails’ grinding 1994 industrial rock single, “Closer.” Spears sensually dips and dances around the pole, occasionally using the apparatus to nail a spin or straddle as Trent Rezor’s urgent voice provides the soundtrack for her pole-formance.

“I wanna f–k you like an animal/ I wanna feel you from the inside/ I wanna f–k you like an animal/ My whole existence is flawed/ You get me closer to God,” Reznor sings, as Spears dances with reckless abandon. “Got this pole two days ago and last night was my first time on it !!!” she captioned her post.

The pole dancing video is the latest in Spears’ dance series — last week, she posted a clip of her dancing to Janet Jackson’s 1993 track, “If,” noting that she “was a little pissed” on the day she filmed the video. The week prior, she posted a video of her performing a contemporary dance to Indila’s “S.O.S.” in her living room.

The singer also recently released her latest collaboration with the Black Eyed Peas’ will.i.am, “Mind Your Business,” her second piece of new music since the end of her 13-year conservatorship and the follow-up to last year’s “Hold Me Closer” duet with Elton John.

Watch Spears’ new pole dance below.

BTS’ V Stars Alongside His Adorable Pomeranian Yeontan in Concept Photos Previewing ‘Layover’ Solo Debut

V may be about to embark on his solo career, but that doesn’t mean he can’t bring a buddy with him. In a couple dozen new concept photos previewing his upcoming debut album Layover, the BTS band member costars alongside his pet dog, Yeontan.

In some of the snaps, V — real name Kim Tae-hyung — poses with Yeontan in his arms, looking adorable in front of the camera. In one, the Pomeranian looks on as his owner strikes a pose with an electric guitar; in another, Yeontan tries on Tae-hyung’s red baseball cap.

“Yeontan is the most happiness dog ?” commented one ARMY member.

And while Yeontan definitely steals the show, Tae-hyung does appear without his sidekick in many of the images. The moody photoshoot alternates between black and white and color pics and shows the 27-year-old singer modeling a variety of looks, from a plaid short suit to a “Funk” sweatshirt.

The concept images arrive as V gears up to release Layover in September, his first full album apart from the K-Pop boy band that made him internationally famous, BTS. Last week, he gave fans a taste of the six-track record by releasing two new singles and music videos: “Love Me Again” and “Rainy Days.”

The first song showed off V’s smooth R&B skills, while the second leaned more relaxed pop. Also on the upcoming album: “Blue,” “Love Me Again,” “Slow Dancing,” “For Us” and a bonus track piano version of “Slow Dancing.” 

V’s solo debut follows individual releases from fellow BTS members, including Jung Kook’s “Seven” featuring Latto — which topped the Billboard Hot 100 — Suga’s April album D-Day and Jimin’s March EP FACE.

See V’s Layover concept images below:

Watch Jennifer Lopez Casually Crush ‘I Will Survive’ at an Italian Bar While on Vacation

Even while chilling in a pub on vacation Jennifer Lopez can’t help being the star of the show. In a video posted by the Taverna Anema e Core (Heart and Soul) in Capri, Italy over the weekend, the singer/actress dazzles the crowd in the crowded bar when she busts into Gloria Gaynor’s 1978 disco anthem “I Will Survive.”

In the clip from Saturday’s impromptu performance, Lopez, casually wearing an awards show-worthy sparkly silver dress, gamely hops into the fun when the song comes on the karaoke machine, holding a tambourine in her left hand and belting out the empowering lyrics while seated alongside a fellow patron.

And, because she’s a pro, Lopez hung on to the mic for a raucous run through one of her own, “Let’s Get Loud” from her 1999 debut album, On the 6.

Though husband Ben Affleck wasn’t anywhere to be seen in the karaoke video, Lopez was clearly having a blast in another video she posted from the summer getaway in which she chows down al fresco on some delicious ravioli while Dean Martin’s “Mambo Italiano” plays in the background.

Lopez has been gearing up to release her as-yet-unscheduled ninth studio album, This Is Me… Now, the sequel to her 2002 This Is Me…Then collection. She recently teased her latest ode to Affleck, “Midnight in Vegas,” an homage to the couple’s 2022 Sin City wedding. It’s at least the third song she’s written to honor her actor hubby, following up on the 2002 album’s “Dear Ben”; “Dear Ben Pt. II” is slated to appear on Now.

Check out video of the wild night out from the tavern’s Instagram below.