Music

Morgan Wallen’s ‘Last Night’ Marks 25 Weeks Atop Hot Country Songs Chart

Morgan Wallen’s crossover smash “Last Night” spends a 25th week atop Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated Aug. 19).

The song passes Walker Hayes’ “Fancy Like” (2021-22) and Florida Georgia Line’s “Cruise” (2012-13) as the sole fourth-longest-ruling leader since the survey became the genre’s main chart in October 1958.

“Last Night,” authored by John Byron, Ashley Gorley, Charlie Handsome and Jacob Kasher Hindlin, drew 59.6 million radio airplay audience impressions (down 11%) and 26.3 million streams (down 2%) and sold 5,000 downloads (down 22%) in the Aug. 4-10 tracking week, according to Luminate.

Here’s a look at the 10 longest-leading Hot Country Songs No. 1s since October 1958. Wallen is the only soloist with two titles on the list, while duo Florida Georgia Line is the only other act with two. (All songs but one below have reigned since the chart adopted the all-genre Billboard Hot 100’s multi-metric methodology in October 2012.)

Longest-Leading Hot Country Songs No. 1s (since 1958):

  • 50 weeks, “Meant To Be,” Bebe Rexha & Florida Georgia Line, beginning in December 2017
  • 34, “Body Like a Back Road,” Sam Hunt, February 2017
  • 27, “I Hope,” Gabby Barrett, July 2020
  • 25, “Last Night,” Morgan Wallen, February 2023
  • 24, “Fancy Like,” Walker Hayes, July 2021
  • 24, “Cruise,” Florida Georgia Line, December 2012
  • 21, “10,000 Hours,” Dan + Shay & Justin Bieber, October 2019
  • 19, “You Proof,” Morgan Wallen, May 2022
  • 19, “The Bones,” Maren Morris, March 2020
  • 19, “Walk on By,” Leroy Van Dyke, September 1961



Concurrently, “Last Night” leads the Hot 100 for a 16th week. It surpasses Harry Styles’ “As It Was,” from 2022, for the longest command ever for a song by an act with no accompanying artists.

Wallen’s ninth Country Airplay leader dominated that chart for eight weeks and crossed over to No. 5 peaks on both Pop Airplay and Adult Pop Airplay.

Wilson Shines

Lainey Wilson adds her fifth Hot Country Songs top 10, as “Watermelon Moonshine,” which she co-penned, pushes 11-10. The song advanced by 31% to 7.6 million official U.S. streams and sold 3,000 downloads Aug 4-10.

On Country Airplay, the track pushes 19-17 for a new best (12.6 million in audience, up 7%).

Wilson has a second track on Hot Country Songs, her collaboration with BBR Label Group labelmate Jelly Roll “Save Me,” which pushes 22-20 after reaching No. 18 last month. It drew 5.9 million streams (up 12%) and sold 3,000. On Country Airplay, it ranks at No. 49 (1.4 million, up 16%).

Travis Barker’s New ‘Time Flies’ Tattoo Celebrates Conquering Flying Fears With Kourtney Kardashian’s Help

Travis Barker has added yet another tattoo to his already massive collection, and his latest body art is a commemoration of a heartwarming milestone for the 47-year-old rocker.

On Sunday (Aug. 13), the blink-182 drummer shared a photo of himself getting the words “Time Flies” tatted on his right wrist in a since-expired Instagram Story. The phrase appears to be a nod to how Barker’s wife, Kourtney Kardashian, has helped him overcome his fear of flying more than a decade after being involved in a fatal plane crash.

In September 2008, a plane carrying Barker, Adam “DJ AM” Goldstein and four other passengers crashed during take-off, killing all aboard except for Barker and Goldstein. The following year, Goldstein died of an accidental drug overdose, leaving Barker, who always had a fear of flying, as the sole remaining survivor of the fatal crash. Following the accident, Barker suffered burns on 65% of his body and spent 11 weeks in the hospital. He now suffers from post-traumatic stress disorder, and he did not fly on a plane again until 2021, a few months after he met then-girlfriend Kardashian.

“Just flew for the 30th time since my plane crash,” the Grammy-nominated artist posted on Threads on July 12. “Wouldn’t be able to tour or enjoy life again the way I do without the healing love of my amazing wife. I love you.”

The couple, who married in last May, are expecting their first baby together. Barker has two children from a previous marriage to model Shanna Moakler, and Kardashian has three children from a previous relationship with media personality Scott Disick.

Check out a picture of Barker’s new tattoo here.

Drake Goes Off On Male Fan For Wrestling a Woman Over Rapper’s Sweat Towel: ‘Are You Dumb?’

After a male concertgoer wrestled a female fan to the ground in order to forcefully take Drake‘s sweat towel from her — which Drizzy had thrown to her as a gift following his recent L.A. show — the rapper wasn’t about to let her take the L.

In fan videos chronicling the moment, which went down seconds after Drake finished his second of four performances at the Kia Forum, the “Rich Flex” rapper can be seen tossing his towel to a woman watching him exit from the upper level. Immediately after the terry tribute, a male fan instigates a tug-of-war for the rag, pulling the woman to the ground.

Turns out, that’s actually a great way to earn yourself a scolding from the man of the hour. “Are you dumb?” Drake yelled angrily as he watched the scene unfold. “I’mma send someone up there.”

The five-time Grammy winner is halfway through his four-night run at the Forum, with his third show at the venue slated for Tuesday night (Aug. 15). Kim Kardashian was in attendance at his Sunday night (Aug. 13) performance, as were Kendall Jenner and Bad Bunny, looking very much in love. At one point, Bunny joined Drake onstage and the two announced to the crowd that they’re teaming up for a collaboration on Drizzy’s next album.

Drake will be on the road with his joint It’s All a Blur Tour with 21 Savage through early October, hitting up arenas in the U.S. and Canada before closing out with a final show in Columbus, OH. The trek marks his first North American tour in five years, following 2018’s Drake & The Three Migos Tour. In 2019, he toured through Europe with support from recently imprisoned rapper Tory Lanez and Radio 1 DJ Tiffany Calver.

Watch Drake intervene in a fan scuffle over his sweat towel below:

Don Toliver, Yung Miami and More Slated For Sean ‘Diddy’ Combs’ 2023 REVOLT WORLD

Don Toliver, Moneybagg Yo, Yung Miami and Mr. Eazi are among the talent lineup set for Sean “Diddy” Combs’ upcoming REVOLT WORLD. The reimagined REVOLT Summit, presented by Walmart, will take place Sept. 22-24 in Atlanta.

Embodying this year’s theme, “We Are Hip-Hop,” the additional talent announced thus far includes Jeezy, G Herbo, Joey Bada$$, Omarion, Juvenile, Tank, Tee Grizzley, Saucy Santana, Queen Naija, Lauren London, Young M.A, Uncle Waffles, Jozzy, Curren$y, Babyface Ray, Tyler Lepley, Maiya The Don, Dvsn and Royce Da 5’9”. This year’s slate of keynotes, panels and performances will also feature conversations with key executives and personalities such as LVRN’s Amber Grimes, Apple Music’s Walter Tucker and sports journalist/author Jemele Hill. 

Live viewings and tapings of REVOLT’s various hit series are on the bill as well. The show menu includes Caresha Please, The Jason Lee Show, Drink Champs with Noreaga and DJ EFN, Assets Over Liabilities with Rashad Bilal and Troy Millings and Big Facts with Big Bank, DJ Scream and Baby Jade.

In a release announcing the event, REVOLT chairman Combs said, “REVOLT WORLD was created to celebrate the global impact of hip-hop and introduce a new live event category that represents the highest level of entertainment, education and opportunity. Our vision was to build on the tremendous success of REVOLT Summit and deliver a first-of-its-kind event that reimagined the intersection of culture, community and connections with the most influential leaders across generations.”

Added REVOLT CEO Detavio Samuels, “We are thrilled to present this extraordinary lineup of talent at REVOLT WORLD who share our mission to provide access, knowledge and opportunities that amplify our culture’s influence. From industry icons to visionary thought leaders, these individuals embody the spirit of creativity, empowerment and change that REVOLT stands for. Together, we will ignite conversations, spark inspiration and create a lasting impact on a global scale.”

More REVOLT WORLD talent will be revealed closer to the event’s September dates. For additional information about REVOLT WORLD and to purchase tickets now, visit revoltworld.com.

Don Toliver, Yung Miami and More Slated for Sean ‘Diddy’ Combs’ 2023 REVOLT WORLD

Don Toliver, Moneybagg Yo, Yung Miami and Mr. Eazi are among the talent lineup set for Sean “Diddy” Combs’ upcoming REVOLT WORLD. The reimagined REVOLT Summit, presented by Walmart, will take place Sept. 22-24 in Atlanta.

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Embodying this year’s theme, “We Are Hip-Hop,” the additional talent announced thus far includes Jeezy, G Herbo, Joey Bada$$, Omarion, Juvenile, Tank, Tee Grizzley, Saucy Santana, Queen Naija, Lauren London, Young M.A, Uncle Waffles, Jozzy, Curren$y, Babyface Ray, Tyler Lepley, Maiya The Don, Dvsn and Royce Da 5’9”. This year’s slate of keynotes, panels and performances will also feature conversations with key executives and personalities such as LVRN’s Amber Grimes, Apple Music’s Walter Tucker and sports journalist/author Jemele Hill. 

Live viewings and tapings of REVOLT’s various hit series are on the bill as well. The show menu includes Caresha Please, The Jason Lee Show, Drink Champs with Noreaga and DJ EFN, Assets Over Liabilities with Rashad Bilal and Troy Millings and Big Facts with Big Bank, DJ Scream and Baby Jade.

In a release announcing the forthcoming event, REVOLT chairman Combs said, “REVOLT WORLD was created to celebrate the global impact of hip-hop and introduce a new live event category that represents the highest level of entertainment, education and opportunity. Our vision was to build on the tremendous success of REVOLT Summit and deliver a first-of-its-kind event that reimagined the intersection of culture, community and connections with the most influential leaders across generations.”

Added REVOLT CEO Detavio Samuels, “We are thrilled to present this extraordinary lineup of talent at REVOLT WORLD who share our mission to provide access, knowledge and opportunities that amplify our culture’s influence. From industry icons to visionary thought leaders, these individuals embody the spirit of creativity, empowerment and change that REVOLT stands for. Together, we will ignite conversations, spark inspiration and create a lasting impact on a global scale.”

More REVOLT WORLD talent will be revealed closer to the event’s September dates. For additional information about REVOLT WORLD and to purchase tickets now, visit revoltworld.com.

revolt world

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Taylor Swift Extends Artist 100 Longevity Record to 76 Weeks at No. 1

Taylor Swift spends a record-extending 76th week at No. 1 on the Billboard Artist 100 chart (dated Aug. 19), thanks to the continued success of her latest album, Speak Now (Taylor’s Version), as well as 10 additional albums on the Billboard 200 and five songs on the Billboard Hot 100.

The set ranks to No. 4 in its fifth week on the Billboard 200 with 60,000 equivalent album units earned Aug. 4-10, according to Luminate, after spending its first two weeks at No. 1. It became Swift’s first re-recorded album, of three that she’s released so far, to notch its first two weeks at the summit.

Also boosting Swift’s Artist 100 standing are 10 additional albums on the Billboard 200. This is the fifth week (all consecutive) that Swift has landed 11 titles on the survey. Four weeks ago, she became just the third act – and first woman – to chart at least 11 in a single week, following The Beatles and Prince.

Here’s a recap of Swift’s current Billboard 200-charting titles.

Rank, Title:
No. 4, Speak Now (Taylor’s Version)
No. 5, Midnights
No. 6, Lover
No. 9, Folklore
No. 13, 1989
No. 15, reputation
No. 18, Red (Taylor’s Version)
No. 24, Evermore
No. 30, Fearless (Taylor’s Version)
No. 144, Taylor Swift
No. 181, Speak Now

Swift also boasts four albums in the Billboard 200’s top 10 for a third time. Last month, she became the first living artist to achieve the feat in nearly 60 years.



On the Hot 100, Swift charts five songs: “Cruel Summer” (up 4-3, a new high), “Karma” featuring Ice Spice (20-13), “Anti-Hero” (31-18), “Blank Space” (a re-entry at No. 49) and “I Can See You (Taylor’s Version) (From the Vault)” (76-63).

“Blank Space,” Swift’s seven-week Hot 100 No. 1 in 2014-15 from her album 1989, has been gaining in recent weeks, as she has been performing it on The Eras Tour, and ahead of the Aug. 9 announcement of her re-recorded 1989 (Taylor’s Version), due Oct. 27.

Rounding out the Artist 100’s top five, Travis Scott drops to No. 2, Morgan Wallen rises 4-3, Luke Combs lifts 5-4 and Post Malone falls 3-5.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Luke Combs Sets Growin’ Up and Gettin’ Old Tour For 2024, With 25 New U.S. Stadium Shows

Reigning CMA Awards entertainer of the year Luke Combs is gearing up for a double-header of a tour next year, when his Growin’ Up and Gettin’ Old Tour launches in April.

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The 25-show outing will visit 13 cities, with nearly every city getting two nights — Fridays and Saturdays — of shows.

The tour kicks off April 12-13 in Milwaukee, WI. Combs will also play two nights at New Jersey’s MetLife Stadium, Los Angeles’ SoFi Stadium, Jacksonville’s Everbank Stadium and Phoenix’s State Farm Stadium, before wrapping with two shows in Houston at NRG Stadium on Aug. 9-10.

Since his breakthrough hit “Hurricane” spent two weeks at the pinnacle of Billboard’s Country Airplay chart back in 2017, Combs has become known for his wellspring of hits, becoming one of the biggest country music sensations of his generation. But with this tour, he continues doubling down on introducing fans to other musicians he loves, from contemporary country acts, to those that lean more into the Americana and Red Dirt genres.

The Friday night lineup of shows will feature Combs’ headlining set, in addition to guests Charles Wesley Godwin, Hailey Whitters, The Wilder Blue, Cody Jinks and The Avett Brothers. The Saturday night opening acts will include Jordan Davis, Colby Acuff, Drew Parker and Mitchell Tenpenny.

“We got an opportunity to do two shows in some U.S. markets on the World Tour, but when I found out we were going to be able to do two shows for most all of the cities on the 2024 tour, I decided I wanted each show to have their own unique set up of openers, as well as my own unique setlist,” Combs said in a statement. “I thought this would give people an opportunity to come to both nights if they want, but see two completely different shows.”

He added, “With country music being such a wide genre and being a huge fan of it all myself, I wanted to open up my stage to acts that lean into Outlaw, Americana and Red Dirt on Friday nights, as well as having a night with people I have toured with in the past, who are more contemporary country,” he explained. “I’m super excited to have both groups be out on the road with me for the Growin’ Up and Gettin’ Old Tour!”

The tour takes its name from Combs’ recent pair of albums, 2022’s Growin’ Up, and its 2023 companion Gettin’ Old, and will follow his current 44-show World Tour, which visits three continents and 16 countries, and continues through the fall with concerts in Europe and Australia.

Combs recently helped country music make history on Billboard’s Hot 100 chart, as his rendition of Tracy Chapman’s classic “Fast Car,” alongside Morgan Wallen’s “Last Night” and Jason Aldean’s “Try That in a Small Town,” recently commanded the top three slots on the Hot 100, the first time in the chart’s history that three country songs had reached that milestone. “Fast Car” also spent five weeks atop the Country Airplay chart, and two weeks atop the Adult Pop Airplay chart.

Tickets for the Growin’ Up and Gettin’ Old Tour go on sale to the general public on Aug. 25 at 10 a.m. local time here, while Combs’ fanclub members will have access to a presale beginning Aug. 23 at 10 a.m. local time.

See the full list of dates below:

April 12 – Milwaukee, WI @ American Family Field

April 13 – Milwaukee, WI @ American Family Field

April 19 – Buffalo, NY @ Highmark Stadium

April 20 – Buffalo, NY @ Highmark Stadium

April 27 – University Park, PA @ Beaver Stadium

May 3 – Jacksonville, FL @ EverBank Stadium

May 4 – Jacksonville, FL @ EverBank Stadium

May 10 – San Antonio, TX @ Alamodome

May 11 – San Antonio, TX @ Alamodome

May 17 – Santa Clara, CA @ Levi’s® Stadium

May 18 – Santa Clara, CA @ Levi’s® Stadium

May 31 – Phoenix, AZ @ State Farm Stadium

June 1 – Phoenix, AZ @ State Farm Stadium

June 7 – Salt Lake City, UT @ Rice-Eccles Stadium

June 8 – Salt Lake City, UT @ Rice-Eccles Stadium

June 14 – Los Angeles, CA @ SoFi Stadium

June 15 – Los Angeles, CA @ SoFi Stadium

July 19 – East Rutherford, NJ @ MetLife Stadium

July 20 – East Rutherford, NJ @ MetLife Stadium

July 26 – Washington, D.C. @ FedExField

July 27 – Washington, D.C. @ FedExField

August 2 – Cincinnati, OH @ Paycor Stadium

August 3 – Cincinnati, OH @ Paycor Stadium

August 9 – Houston, TX @ NRG Stadium 

August 10 – Houston, TX @ NRG Stadium 

R&B/Hip-Hop Fresh Picks of the Week: UMI, Headie One, frex & More

Hip-hop officially turned 50 years old late last week, but it’s never too late to celebrate the genre that has soundtracked Black life in America over the past five decades. With Fresh Picks, we intend to highlight those next up in R&B and hip-hop, and this week we have a range of sounds to do so — from R&B rhythms by frex, UMI and Elmiene to rap anthems by DavidTheTragic (with Kenny Mason), Devin Malik and Headie One.

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Don’t forget to check out our August picks so far in the Spotify playlist, linked below.

Freshest Find: frex, “Hoodie Back”



frex wants her hoodie back ASAP. The Pennsylvania native details a situation that’s all too familiar — the classic story of someone keeping a memento following the end of a relationship. “When the love dries up, I want my s–t back,” she shared on the inspiration for the new single. “I made ‘Hoodie Back’ with [artist/producer duo] Mulherin and [producer/songwriting duo] Trackside. I wanted something with open instrumentation, and they were in the mood for early 2000s drums, so we meshed it together.”

UMI, “happy im”



“I wrote this song to remind myself to stop running from love — that life is meant to be sweet. Think less, love more,” wrote UMI. On “happy im,” gentle acoustic guitar glides over a stripped-back drumbeat while the Seattle native’s emotionally charged delivery enchants as her lyrics seamlessly flow between Japanese and English. “Happy I’m falling for you. Happy I love myself too,” she sings, serenading her partner and herself.

Äyanna, “Say You Love Me”



“Say You Love Me” is an anthem for love. The R&B/pop fusion relishes in Äyanna’s knack for combining those sounds along with soul and beyond. “‘Say You Love Me’ is my favorite song in the project. To me, it feels like the perfect stadium love song to sing,” she shares. “I wanted to know what an R&B ballad would sound like if it was inspired by ‘Sunflower’ by Post Malone, which was one of my favorite songs at the time. Every time I hear or sing this song, it takes me back to where I was when I wrote it — experiencing love for the first time.” “Say You Love Me” will appear on her upcoming EP.

Elmiene “Mama”



Elmiene returns with a new confessional track, “Mama.” Co-written and produced with Sampha the track sees the Oxford-based singer baring his soul as he reckons with his imperfect existence, asking: “Would you mourn a sinner mama? Could you love my demons mama?”

DavidTheTragic feat. Kenny Mason, “Let’s Play”



DavidTheTragic and Kenny Mason are a dynamic duo. The two linked again for their new single “Let’s Play” where the former raps about playing the game when it comes to modern hookup culture. Mason slides in around the 35 second mark, rapping about being on a mission to go out with the money.

Devin Malik, “LINK DUCKER”



Devin Malik is a link ducker, or one who ducks links. On the self-produced hi-hat and clap heavy new track, the California rapper/producer sounds off for two and half minutes about not taking s–t from anybody and getting money. “Barely touch my phone because it always be something/ Unless it’s ’bout some bread, then like Miss Tubman, I’m running,” he raps.

Headie One, “More Money More Problems”



Produced by long-time collaborator M1OnTheBeat and Deggzy, “More Money More Problems” is the embodiment of Headie One’s street-smart lyrics. On the drill track, he recounts his journey from the streets of Tottenham to rap superstardom, while paying homage to The Notorious B.I.G. and Nipsey Hussle.

Adele Sweetly Stops Las Vegas Show to Help Couple With Baby Gender Reveal: ‘That Was Amazing’

Adele has issued a stern warning to fans who would dare to throw any objects up at her on stage during her Las Vegas residency. But nobody said anything about signs. Though it’s apparently verboten to bring placards into the singer’s Weekends with Adele residency at the Colosseum at Caesars Palace, one sneaky couple secreted one in over the weekend that read “Adele will you do our gender reveal?,” and it was totally worth it.

In a video shared on his TikTok and Instagram, Chris Dare and wife Shantelle Lord managed to stop the show and rope Adele into helping them with their big announcement. The singer — mother to 10-year-old son Angelo with her ex — invited the New York couple up the front of the stage and after getting their names, she told the audience, “Shantelle and Chris are having a baby,” before finding out that Shantelle is 18 weeks along and had waited to find out the baby’s gender until they attended Adele’s show.

“No one’s really allowed signs in here, I’m just obsessed that you got one in,” Adele told the couple. “I’ve never done this,” she added while taking a slip of paper from the pair. “Oh my God, I think it’s [the note] like from a doctor!” Asking if there was anything in particular they wanted her to say and making sure they had someone filming the blessed moment, Shantelle told the singer, “I’m just honored that you’re going to do this for us. We’ve known since 12 weeks and we have been waiting for this moment.”

The latter comment drew an audible “awwww” from the crowd and compelled Adele to take a seat on the stage so she could properly rip open the envelope. “So… Shantelle and Chris are having a baby… BOY!” she said as the couple exploded into excitement, with Chris raising his arms in triumph and both sneaking in a quick hug with the singer.

“That was amazing! I’m so happy for you,” Adele said weeping as the couple kissed. “That’s so emotional. Oh my God! If and when I get pregnant will you do my gender reveal?” In a 2022 Elle interview, Adele said she “definitely” wants more kids some day,” but is currently focused on her residency, which runs through November.

Check out the reveal below.

No College? No Problem. Grammy U Expands Eligibility to All Who Are Actively Working Toward a Career in Music

In an effort to make its Grammy U program more inclusive and accessible, the Recording Academy is no longer requiring that applicants be full-time college students — or college students at all. It has now added a second path to membership for individuals aged 18-29 who are actively taking an alternate path toward a career in music.

As before, full-time students of any age qualify. They must be currently enrolled in an accredited college, university or trade school full-time (nine credits) and pursuing associate, bachelors, masters or PhD degrees.

But now there is a second option: professional/creative, which is open only to people aged 18-29. This option is for professionals or creatives pursuing a career in music as well as students studying at college part-time or taking any certificate course or program.

“For many years, Grammy U has invested in the development of emerging young music creators and professionals by providing resources and a supportive ecosystem committed to helping them thrive in the music industry,” Recording Academy CEO Harvey Mason jr. said in a statement. “With this expansion, Grammy U is ensuring that membership will be more inclusive and accessible for the next generation of music creators and professionals, no matter their career path.”

Jessie Allen, who was in the first Grammy U class of 1,000 students in 2006 and has headed the program for the past two-and-a-half years as Grammy U senior director, notes, “Not everyone has the same path to success. … Everyone has their own story. Maybe they are having financial hardships and they can’t go to college full-time. Maybe they are just taking a different route and they want to be on tour all year. Maybe they started their own business right after high school – if they went to high school, even. This is what we’re looking at from an inclusivity standpoint and also just making sure that we are representative of what the actual industry looks like. That is why we are making the change.”

Does Allen think this change will make Grammy U membership more representative in terms of having more women or more people of color? “All of the above,” she replies. “By taking away the college requirement, that just opens the door to the whole, entire emerging music industry of creators and professionals.”

Allen says the old rule was too restrictive and sometimes confounding even to people at the Academy. “We often saw people who were in technical school. Is that full-time? Is that accredited? We thought, ‘You are really taking that step for yourself. You are pursing music. You are taking a certificate program or you’re a part-time student.’ That was when we [decided], ‘Let’s not make this such a grey zone.’ [Before, we sometimes thought], ‘We can’t really let them in, but we should be letting them in.’”

Allen says the rule change was “a natural evolution.”

“This is one of the most organic things that has happened in my time at the Academy,” says Allen, who joined the full-time Academy staff 10 years ago as project manager for the Florida chapter. Allen credits Tammy Hurt, chair of the Recording Academy’s board of trustees; J. Ivy, a fellow trustee; and Ruby Marchand, chief awards & industry officer, for spearheading the change, which required a vote of the trustees.

“It was the easiest yes from the Academy,” she says. “It was almost like, ‘Yes, we all know this needs to be happening.’”

While the Academy is broadening access, it is not simply throwing the doors open to all who want to join Grammy U. Applicants must document what active steps they’re taking to build a career and must provide a letter of recommendation from someone in the industry.

“I would say ‘active’ is the most important word here,” Allen says. “We’re looking to see that you’re taking your career seriously and that this is something that you’re really invested in. [You can do that by documenting that] you’re playing regularly in your area or maybe you’re releasing music.”

In recent years, the Academy has been keenly sensitive to being inclusive, but it added a strict age requirement on this new, second option of Grammy U membership. That being: Anyone who has turned 30 is ineligible. Isn’t that inconsistent with the Academy’s overall philosophy of inclusivity?

“The room that you’re in when you’re in a Grammy U program event is a room of your peers,” Allen says, by way of explaining the age restriction. “We want to make sure that the programming and the opportunities we’re offering match. …As they grow later into their careers, there are still places for them at the Academy. But our programs are really tailored to this place in somebody’s journey and creating that peer community. While we want to be as inclusive as possible, we also want to make sure that everyone feels like they are having relatable opportunities in that room.”

Later, Allen doubles back to this point. “Just because you can‘t be a full-time member of Grammy U doesn’t mean that there aren’t other ways that we can support you; have you volunteer and have you part of our community until you are hopefully ready for voting or professional membership.”

Earlier this year, a Grammy U alumnus, Michael Repper, won a Grammy for best orchestral performance for conducting the New York Youth Symphony. Other Grammy U alumni include musician, singer and songwriter Jake Wesley Rogers; singer/songwriter Megan Winsor; Naledi Nyahuma Seck, VP of DEI at The Orchard; Erin Hanson, director of content partnerships at Audible; and Christine Busanelli, Esq., MBA–entertainment lawyer.

Allen, 35, is one of “at least a dozen” Grammy U alums who have joined the Recording Academy staff, by her count. The Miami-based executive is one of two full-time Grammy U staffers, along with Cat Sornmayura, project manager.

Grammy U dues are a one-time payment of $50 for four years of membership. The program just added a renewal feature where members can renew for $50 for each additional year.

“The idea is that you are pretty close at this point – we hope—to moving into voting and professional membership,” Allen says. “We wanted to create that bridge where you are still with us; still getting the benefits as you go into the next phase of your career.”

Grammy U has had more than 32,000 members since its inception. Grammy U finished this past year with more than 6,000 current members. Approximately 1,500 students were accepted during the 2022-23 program year which is primarily from August – May.



Grammy U members cannot vote for the Grammys or vote in chapter elections, but they can submit awards proposals and participate in select chapter events and Academy-wide initiatives like District Advocate, in addition to dedicated Grammy U programs.

There are 14 Grammy U representatives across the Recording Academy’s 12 chapters. The representatives co-produce all events and oversee membership within their chapters, with the help of more than 100 Grammy U “ambassadors.” In the 2022-23 program year, the membership program hosted more than 80 events and programs locally and nationally.

Events this past year include separate master classes with Jacob Collier, Armani White and Andrew McMahon; SoundChecks featuring such artists as Steve Lacy, Lizzy McAlpine, Stephen Sanchez, Gracie Abrams, Carly Rae Jepsen, MUNA, Sabrina Carpenter and Death Cab for Cutie; an all-day conference in Miami focused on Latin music creators and professionals; and mentorship programs with executives from such companies as Sony Music Entertainment, Universal Music Group, Warner Music Group, SiriusXM and ASCAP.

For more information about Grammy U and how to apply, visit grammyu.com.