Music

Watch Kim Kardashian Re-Create Her ‘Search & Rescue’ Quote at Drake’s Los Angeles Concert

It’s a full-circle moment for Kim Kardashian. The reality television star attended Drake‘s concert in Los Angeles on Sunday night and was treated to none other than “Search & Rescue” — his song from earlier this year that samples a quote of Kim’s.

The SKIMS founder stood on the floor section of the concert and was seen wearing a slate-blue dress and silver accessories while passionately yelling the memorialized words: “I didn’t come this far, just to come this far and not be happy, remember that!”

The original audio of Kardashian hails from the the E! series finale of Keeping Up With the Kardashians in 2021, in which she talked about her relationship with ex-husband Kanye West. Ahead of the track’s arrival in April, fans speculated that Drake was taking a shot at West by using the quote, but the rapper’s father, Dennis Graham, clarified that was not his son’s intentions. “Drake is not trolling anyone, it’s just a song,” Graham wrote in a post shared by TMZ‘s Instagram. “Why try and create a Kanye and Drake beef again???????????????”

Sunday night’s Drake concert was an eventful one: The rapper brought out Bad Bunny, who attended the show with Kardashian and sister Kendall Jenner, to reveal that the pair has a collaboration that is set to arrive with his forthcoming album, For All the Dogs.

See Kardashian re-create her “Search & Rescue” quote below:

Megan Thee Stallion Slams ‘Haters’ After Tory Lanez Sentencing

Megan Thee Stallion is speaking out against “haters” following Tory Lanez’s 10-year prison sentence for shooting the “Savage” rapper.

During her set at Outside Lands Festival on Sunday (Aug. 13), Meg addressed the crowd and slammed those who didn’t believe her and accused her of lying, saying that her fans always stood strong. “I just wanna say, f— all my haters,” she said. “None of that s— you was doing or saying broke me. None of that s— y’all be doing or saying to the Hotties broke them. And I want all of the Hotties to put they mothaf—ing middle fingers up right now.”

Lanez’s (real name Daystar Peterson) 10-year prison sentence comes after he was convicted in December on three felony counts over the incident, in which he shot at the feet of Megan (real name Megan Pete) during an argument after a 2020 pool party in the Hollywood Hills.

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Following the sentencing, Lanez maintained his innocence to his “Umbrellas” fan group. “I have never let a hard time intimidate me,” he wrote. “I will never never let no jail time eliminate me. Regardless of how they try to spin my words, I have always maintained my innocence and I always will.”

He wrote that during his sentencing hearing, he took responsibility for “verbal and intimate moments that I shared with the parties involved,” but not for the shooting. “In no way shape or form was I apologizing for the charges I’m being wrongfully convicted of. I remain on the stance that I refuse to apologize for something that I did not do.”

Watch Meg address the haters at Outside Lands below.

Watch Slipknot’s Corey Taylor Perform the ‘SpongeBob’ Theme With Voice Actor Tom Kenny

Corey Taylor made a stop to a famous pineapple under the sea this week, and was joined by everyone’s favorite yellow sponge himself.

The Slipknot frontman has performed SpongeBob SquarePants theme song as a part of his set lists for years, and over the weekend, Taylor performed the Nickelodeon hit at the Huntington Comic And Toy Convention in West Virginia with a very special guest — Tom Kenny, the voice actor that portrays SpongeBob in the series.

“This is the most nervous I’ve ever been in my whole career,” Taylor hilariously told the audience in a video going viral on YouTube. “How the hell did I get here, guys?”

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Last month, Kenny unexpectedly made headlines when people confused him for Ethan Slater, who is reportedly dating Ariana Grande and who starred as SpongeBob in Broadway’s The SpongeBob Musical: Live on Stage. Kenny’s wife, Jill Talley, clarified that she’s still very much married to the voice actor under an Instagram post about Grande’s alleged new relationship posted by The Cut. 

“Hi everyone, I’m married to Tom Kenny (who voices SpongeBob on the TV show),” she wrote. “He is not dating Ariana Grande. I don’t know if Ethan Slater (who played SpongeBob in the musical) is or isn’t dating Ariana Grande. However, they’re both adorable and I totally ship it. Just wanted to set the record straight. P.S. as for me and Tom Kenny — we are celebrating our 27th wedding anniversary today.”

Watch Taylor and Kenny perform the SpongeBob theme song below.



Clarence Avant Remembered: Bill Clinton, Quincy Jones, Pharrell & More Pay Tribute

On Sunday (Aug. 14), the music industry lost a titan when Clarence Avant — dubbed the “Godfather of Black Music” — died at his home in Los Angeles at age 92.

“Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come,” Avant’s family said in a statement. “The joy of his legacy eases the sorrow of our loss.”

That legacy looms large: In the wake of Avant’s passing, artists, executives and political leaders have been reacting to the loss of the legendary executive, who helped launch the careers of important talents such as Whitney Houston, Janet Jackson, Bill Withers, Jimmy Jam and Terry Lewis, Sean “Diddy” Combs and Kenny “Babyface” Edmonds. Avant also mentored younger executives who became industry heavyweights themselves — among them, Antonio “L.A.” Reid and Sony/ATV chairman/CEO Jon Platt.

Avant’s contributions to the industry were so profound that he was inducted into the Rock and Roll Hall of Fame in 2021 and was honored by the Recording Academy with the Grammy Salute to Industry Icons award in 2019, among numerous other honors. But his contributions to the culture extended beyond music into various other realms, including politics (he famously slept in the Lincoln Bedroom in the White House after he helped Bill Clinton get elected) and sports, working with athletes such as Jim Brown (whom he helped transition into a Hollywood acting career), Jackie Robinson and Muhammad Ali.

Unsurprisingly, Avant’s death prompted a flood of tributes from luminaries across multiple spheres. Below you can find them all.

Bill and Hillary Clinton: “Hillary and I are deeply saddened by the passing of our friend Clarence Avant, whose legendary career brought artists and their music to millions of people. He also used his success to open doors of opportunity to new generations of entrepreneurs and promoters. He was skillful, savvy, warm, and wise. It was impossible to spend time with him and not come away feeling more positive and wanting to follow his example. We just loved him.

“We give thanks for his long, good life and our decades of friendship, and we’re grateful that his legacy will endure in the music he helped bring into the world, and in all those who were touched by his compassion, mentorship, and generosity. Our hearts are with Nicole, Alex and everyone else who loved and will miss him.”

Sir Lucian Grainge, chairman/CEO of Universal Music Group: “Clarence Avant’s extraordinary musical legacy has been felt for decades and will be felt for decades to come. He will be remembered as both a brilliant catalyst and protector of culture. His understated yet powerful influence transcended music, spanning the worlds of entertainment, sports and politics. I am profoundly grateful for his friendship and mentorship. We have lost an incomparable visionary whose brilliance, humor, irreverence, and love made the world a better place.

On behalf of everyone at UMG, we offer our deepest condolences to Nicole, Ted and Alex and to their entire family.”

Jon Platt, chairman/CEO of Sony Music Publishing: “It is difficult to process the loss of Clarence Avant. Clarence was an ally and mentor to me and many others who followed the trail he blazed. As one of the leading architects of the Black entertainment business, he expanded opportunities for executives of color and supported us along our journey. Clarence Avant positively impacted my life the moment he walked into it, filling a void that I did not know existed. Clarence is the closest person to a father that I ever had. He often would say, “Life is about numbers…you’re born with a number, and you leave earth with a number…”. And he was right, but what Clarence also showed me is life is about the number of lives you impact while you are here. I am forever grateful for Clarence’s tough love and encouragement. I am also thankful to Mrs. Avant, Nicole, Alex, and Ted for sharing Clarence with all of us.”

Sean “Diddy” Combs: “Clarence Avant was an irreplaceable force in the music industry. He was a mentor and a personal friend whose influence is unparalleled. His visionary approach and unwavering dedication broke barriers for black artists, propelling them to new heights. As we honor this trailblazer, we are reminded of his enduring legacy that continues to live on, inspiring a generation of artists and shaping the industry.”

Pharrell Williams: “Clarence Avant was a visionary and a transcendent spirit. He is the ultimate example of what change looks like, what architecting change looks like, and what the success of change looks like. He stared adversity in the face in climates and conditions that weren’t welcoming to people that looked like him. But through his talent and relentless spirit in the pursuit to be the best of the best, he garnered the support and friendship of people who otherwise wouldn’t look in our direction. He showed them what we can be, what we can do, and how much more we can all achieve if you give us opportunity. He has been behind so many musical greats, people in and across the entertainment industry, and I’m so honored to have known him. He was a Godfather, a Godfather to the Black dream and a Godfather to the American dream. There will never be another like him.

“It’s my hope and wish that others will see what he’s done and try to go even further, because that’s what he wanted and that’s why he did what he did. He wanted to inspire. While running an extraordinary race in his lifetime, he passed the baton to us. The question now is how we’re going to honor him and what we will we do with the baton. I give honor to GOD, my savior, and I give honor to his family, friends, and the countless people who have been impacted by his presence and time on this planet. Continued blessings and favor to Nicole, Alex, and Ted. Last but not least, his spirit is amongst the stars up in the heavens with The Master. Some people use the phrase “passed away.” I don’t because maybe the time has passed, but I don’t know that you’re away. Clarence went back up from whence he came…heaven. Blessings.”

Evan Lamberg, president of North America at Universal Music Publishing Group: “Clarence Avant was an incredibly positive life game changer for anyone that was lucky enough to be in his orbit. Besides being a great music man and entertainment executive, he was one of the greatest civil and human rights leaders of our time. The world is a much better place, for all of us, because of Clarence Avant. My deepest condolences to his beautiful family. May he rest in eternal peace.”

Irving Azoff: “We have lost the godfather. The business would look nothing like this if it weren’t for Clarence. He had the biggest heart of any of us despite him trying to hide it! What a great man.”

L.A. Reid: “In the wake of Clarence Avant’s passing, I find it difficult to put into words the depth of loss I feel. Clarence was not just a music executive and rights leader; he was one of a kind, a true original who possessed a genuine and profound care for others. My heart goes out to his beloved children, Nicole, and Alex, as well as to the memory of his late wife Jacqueline.

“Clarence’s legacy is etched in the indelible marks he left on the music industry and in his tireless efforts for the rights of us all. Yet, what truly sets him apart was his unwavering compassion and his ability to connect with all people on a personal level. He was the embodiment of sincerity, a rarity in a world often marked by pretense. His absence will leave a void that cannot be easily filled.

“As we come to terms with this loss, let us celebrate the impact he made on countless lives and the love he shared. My thoughts and sympathies are with Nicole and Alex, and I stand with them in this difficult time, offering my support and care. Clarence’s presence, his kindness, and his legacy will forever echo in our hearts. I will deeply miss him.”

Valerie Simpson, songwriter (Ashford & Simpson): “‘The Black Godfather’ I knew and I marveled at his deal making but during vacation times with Quincy he’d speak in his own way and say how much he loved Ashford & Simpson music. Clarence would let loose a vocabulary of cuss words – never before heard that would enlighten me and make me laugh – and I will miss that authenticity and life!”

Quincy Jones: “There will never be enough words to express how much Clarence Avant meant to me. He was my dearest friend, my brother, my confidant, my mentor, and my counsel for more than 60 years. Clarence always told me the truth in every aspect of my life, even when he knew I didn’t want to hear it…and in this business we all know what a rarity that is. There will never be another like Clarence Avant, and I will miss his presence every day.”

Clive Davis: “Clarence Avant was truly one of a kind. His passing is a great loss of someone who is irreplaceable. Clarence’s extraordinary contribution to music and the barriers he broke throughout his career are unrivaled. He was the mentor to all Black executives in the music industry for decades, providing invaluable guidance and support while always standing up for equal rights. Clarence was humane and fair and inspired love and respect from all who knew him. I personally loved him and will miss him forever.”

Kenny Gamble and Leon Huff (Gamble & Huff): “Clarence Avant was a great friend of ours. He definitely made his mark in the industry. He will be truly missed. We send our sincere condolences to his family.”

Berry Gordy: “With the passing of Clarence Avant the world has lost an icon, his family has lost their patriarch, and I lost a dear friend. Clarence earned his reputation as the Black Godfather for good reason. People, especially musicians and artists, went to him when they were in trouble and one way or another, he would fix the problem. Clarence was continuously engaged in the things that made a difference. He loved politics and was very involved with many charities.

“Of his numerous professional accomplishments – Clarence was most proud of his family – his beloved wife Jacqueline, his son Alex, his daughter Nicole and her husband Ted Sarandos. My heart goes out to them. Our Black Godfather may be gone – but he will never be forgotten.”

T.I.: “Maaaan, woke up this morning and couldn’t believe this news!! RIP to The Black Godfather Clarence Avant, thank you for all the wisdom you’ve shared and the path you paved for artists like myself.”

Roc Nation: “Clarence Avant isn’t just the “Godfather Of Black Music,” he is our cultural Godfather. Throughout his life, he burst through doors and tore down ceilings, changing lives and providing opportunities for generations. A true pioneer, a mentor and a champion, Clarence Avant is and always will be a giant among us.”

Rock & Roll Hall of Fame: “In Memoriam: 2021 Inductee Clarence Avant, known as “The Black Godfather,” was cool, savvy, confident, and fearless — someone who made the seemingly impossible possible. Avant served a variety of roles during his illustrious career, including manager, label owner, concert organizer, event producer, political fundraiser, and mentor. He was the quintessential impresario, with an uncanny ability to connect people, open doors, and provide opportunities for countless musicians, actors, and politicians. Hall of Famer Bill Withers perfectly summed up Avant’s impact: ‘He put people together.’”

Earvin “Magic” Johnson: “Rest in peace to the legendary, game-changing “Black Godfather”, and my great friend Clarence Avant. His accomplishments speak for themselves. As a former music manager, he founded two record labels and purchased the first fully black-owned radio station. He consulted many major studios in the 1970s and advised Presidents Jimmy Carter, Bill Clinton, George Bush and Barack Obama. He also served as chairman of the board at Motown Records, promoted Michael Jackson’s BAD tour and is responsible for discovering many of the most incredible music artists we know today.”

Kevin Liles, chairman/CEO of 300 Elektra Entertainment: “RIP Clarence Avant, Godfather of Black Music. You will be missed my friend. Rest in Peace.”

Ben Crump, civil rights attorney: “Clarence Avant — the Godfather of Black music — has died at 92. Known as the great connector in the industries of music, entertainment, and even in politics, he spent decades shaping Black culture and nurturing artists. His legacy will LIVE ON. Rest In Power, Godfather.”

Sherrilyn Ifill, former president/director-counself of NAACP Legal Defense Fund: “‘The Godfather’ has left us. This man was singularly responsible for helping so many Black artists get paid their worth. Also was a wonderful supporter & former board member of ⁦@NAACP_LDF. Rest in Peace & Power #ClarenceAvant.”

Reverend Al Sharpton: “#ClarenceAvant was a revolutionary. When people in the entertainment world were delegated to a near master/slave relationship, he broke through that wall of exploitation and made us respected business people. I can’t count the enormous amount of situations that he negotiated.”

Los Angeles Mayor Karen Bass: “Mr. Avant gave so much to Los Angeles — producing a sound that Influenced generations while ceaselessly fighting for civil rights and equal treatment under the law.
My thoughts are with the Avant family and all who mourn this massive loss.”

Barry Weiss, CEO of RECORDS: “RIP Clarence Avant. I can’t believe I’m actually writing this. This man was a true legend for real. A national treasure. He was like a second father to me. Complex, brilliant, a tough hard exterior but a beautiful soft thoughtful kind gentleman on the inside. He was always there for me and my father and we were always there for him. Nothing I can say here can come close to describing what an amazing person Clarence was. So I’II leave most of the words to the many others, the legions of industry executives and artists (not to mention the nation’s presidents) that Clarence helped. There’ll never be another like him. My last time hugging him in LA in February is a hug I’ll never forget. We all love you Clarence. Rest easy.”

10 Cool New Pop Songs to Get You Through The Week: No Rome, Sufjan Stevens, Trina & More

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These 10 tracks from artists including No Rome, Sufjan Stevens, Trina, Whitney and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.

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No Rome, “Deep Diving”



Alternative artist No Rome is gearing up for the release of his Blueboy Must Die mixtape (Sept. 8) and “Deep Diving” is the latest sampling. Though just one single, it can best be described as a sonic smorgasbord, abandoning structure and prioritizing experimentation — a risk that pays off in the form of fluttering beats, acoustic riffs and thumping, brassy live instrumentation. — Lyndsey Havens 

Jonny Yukon, “Jealous” 



Johnny Yukon’s writing resume — having penned tracks for Lil Wayne, Camila Cabello and more — reflects the range of influences on his own sound, too. With a discography rooted in R&B and hip-hop, Yukon’s interest in left-of-center pop peeks out on singles like “Moment” and “Whispers.” But his latest, “Jealous,” takes a sharper turn toward psych-pop, creating a hazy daydream, much like a Tame Impala song — no jealousy, just flattery here. — L. Havens

Turnstile, BADBADNOTGOOD & Blood Orange, “Alien Love Call” 



Proving just how versatile Turnstile truly is, the Baltimore punk band teamed with Canadian instrumental band BADBADNOTGOOD for a collaborative EP, New Heart Designs, that reimagines three songs off the former’s 2021 album Glow On. And while the reworked “Alien Love Call,” which features Blood Orange on both versions, strays the least from the original, the assist makes it feel even more ethereal — and drives home just how surprising the song was for a punk act to begin with. — L. Havens

Whitney, “Kansas” 



“Kansas” arrives as a surprise gift for fans of Whitney, as the band has been performing the track live to positive reactions for some time. The duo (Max Kakacek and Julien Ehrlich) has said “Kansas” is what ultimately morphed into “FTA” (off its 2019 album Forever Turned Around), and only recently did they decide to finish it as originally imagined. The result is a return to the raw and folky sound crucial to Whitney’s core, making it the perfect release after the act’s poppier third album Spark. — L. Havens

Mette, “Van Gogh” 



Rising R&B-pop artist Mette may be best known for starring in N.E.R.D. and Rihanna’s “Lemon” music video, but as she continues to release singles at a steady clip, that soon could change. Her latest, the groovy and playful “Van Gogh” — on which she asserts, “I could be Van Gogh if you’d be my muse” — arrives with news of her signing to RCA, signaling that this is just the beginning. — L. Havens

Daisy World, “ur soggy” 

As the lead single off a forthcoming debut album from newcomer Daisy World, “ur soggy” highlights the best of what she has to offer: confident sass delivered via gorgeous vocal runs and harmonies. And while the R&B-pop artist calls it a “silly little diss track” about rejection, when she sounds this smooth, it’s hard to imagine anyone turning her away. — L. Havens

Sufjan Stevens, “So You Are Tired”



For over two decades, Sufjan Stevens has been able to conjure magic when he picks up an acoustic guitar. “So You Are Tired,” the delicately heartbreaking lead single from upcoming album Javelin, begins with some somber piano, after which Stevens quickly transitions into strumming through his confusion and sadness. “Tired” recalls the intimacy of 2015’s Carrie & Lowell — Javelin is billed as his first true singer-songwriter album since then — but the tapestry of voices that enter the song harks back to early-career triumphs like Seven Swans and Illinois. – Jason Lipshutz

Yeule, “Ghosts”



Last year, Yeule’s Glitch Princess prodded at human identity with technical prowess and emotional curiosity; ahead of forthcoming album Softscars, they continue to explore those themes, as “Ghosts” adopts the perspective of a spirit looking in on our shared state of being (“If only I could be / Real enough to love,” they lament). Whereas the electro-pop of Glitch Princess was often adamantly experimental, the singer-songwriter sway of “Ghosts” is effective in its simplicity, making complex ideas accessible for a wider audience. – J. Lipshutz

Trina, DreamDoll and Supa Cindy, “Big Mood (Freestyle)



The same day Trina hit the stage at Yankee Stadium to celebrate #HipHop50 as part of the show’s Queens of Hip-Hop segment, the Southern rap legend dropped “Big Mood (Freestyle)” to demonstrate she’s still one of Da Baddest B-tches around. A collab with Bronx rapper DreamDoll and media personality Supa Cindy, the track’s subdued piano melody and laid-back beat allows the trio’s effortless yet hard-hitting flows to command your attention on this two-minute rush. – Joe Lynch

Sedona, “Domino”

Indie pop darling Sedona traded in the upbeat tempo of June single “Domino” and reinterpreted the meaning of the song for its acoustic version. The track’s biting lyrics cut even deeper with its drums stripped, with the singer openly discussing the painful dissolution of a relationship and its aftermath. “Taking sides it hurts so bad/ Solid footing just another scam/ Torn open again,” she softly croons on the track’s second verse, before setting up a solid chorus for the rest of the track to float on. – Starr Bowenbank

Hear Exclusive Northern Nights 2023 Sets From Big Gigantic, Megan Hamilton & Forester

Northern California’s Northern Nights festival celebrated its 10-year anniversary last month with a three-day woodsy bacchanal.

From July 14-16, the festival drew attendees to a campground in Piercy, Calif., a city at the center of Northern California’s Emerald Triangle, which is the United States’ largest cannabis producing region made up of Humboldt, Mendocino and Trinity Counties.

In addition to music and floats on the Eel River, guests of the fest were once again able to partake in Northern Nights’ cannabis offerings. For the first time in 2023, the festival allowed for sales and consumption to take place throughout the event, instead of one cordoned off area. Northern Nights organizers say that the marked the first time this model was used at a music festival. This year the festival also debuted its own proprietary cannabis strain.

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There was, of course, music as well. This year’s headliners were Big Gigantic, G Jones, Dr. Fresch, TOKiMONSTA, Mura Masa and Netsky, with the rest of the bass, jamtronica-focused bill rounded out by artists including Coco & Breezy, Daily Bread, Mary Droppinz, Random Rab and more.

Didn’t make it? Want to relive it? Memories of it all a bit hazy? Enter the Emerald Triangle of your mind with this trinity of exclusive sets from the weekend.

Big Gigantic

Always known for delivering a heady, hyphy good time, the Colorado-based duo made their Northern Nights debut with a headlining set made up of old music; not yet released music; collabs with artists, including Aloe Blacc; tracks by artists including Knock2, Steve Aoki and John Summit; along with some good old-fashioned body pummeling dubstep.

Megan Hamilton

The Minnesota-born producer performed a funky, playful set that got progressively deeper, harder and (wonderfully) weirder over its hour-long duration.

Forester

With their music written to intentionally mimic the grandeur of nature and evoke the feeling of being in the woods, the live electronic duo was right at home at Northern Nights, where they played an emotive, kinda sexy show featuring loads of their own music and remixes of The Neighborhood, RÜFÜS DU SOL and others.

Jung Kook & Latto’s ‘Seven’ Notches Fourth Week at No. 1 Billboard Global Charts

Jung Kook’s “Seven,” featuring Latto, logs a fourth week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 19). Three weeks earlier, the song became the first leader on the lists for a member of BTS as a soloist.

Marking another unprecedented feat, “Seven” is the first song since Global Excl. U.S. began in September 2020 to open with four consecutive weeks of 100 million-plus streams outside the U.S.

The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



‘Seven’ Scores 4th Week Atop Global 200

Jung Kook’s “Seven,” featuring Latto, posts a fourth week at No. 1 on the Billboard Global 200, with 111.7 million streams (down 10%) and 4,000 sold (down 68%) worldwide Aug. 4-10.

The song is just the second of 2023 to debut atop the Global 200 and spend at least its first four weeks at No. 1, after Miley Cyrus’ “Flowers” tallied its first six weeks on the chart at the summit beginning in January.

For a third week, three songs from the Barbie soundtrack, Barbie: The Album, chart in the Global 200’s top 10: Billie Eilish’s “What Was I Made For?” rises 4-2, Dua Lipa’s “Dance the Night” jumps 6-3, as both songs hit new highs, and Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, rebounds to its No. 6 best, from No. 7.

Elsewhere, Myke Towers’ “LaLa” lifts 5-4 on the Global 200, after reaching No. 3, and Taylor Swift’s “Cruel Summer” climbs 11-5, after hitting No. 3. The latter is the only song in the top 10 with gains in both worldwide streaming (49.1 million, up 7%) and sales (10,000, up 75%).

Jung Kook & Latto Make History Atop Global Excl. U.S.

Jung Kook’s “Seven,” featuring Latto, concurrently crowns the Billboard Global Excl. U.S. chart for a fourth week, with 101.9 million streams (down 10%) and 3,000 sold (down 50%) outside the U.S. Aug. 4-10.

As on the Global 200, the song is only the second this year to begin atop Global Excl. U.S. and spend at least its first four weeks at No. 1, following Miley Cyrus’ “Flowers” (six weeks, starting in January).

Meanwhile, “Seven” is the first song since Global Excl. U.S. began to premiere with four consecutive weeks of 100 million-plus streams outside the U.S., as its latest sum follows frames of 112.8 million (Aug. 12), 138.1 million (Aug. 5) and 196 million (July 29).

Myke Towers’ “LaLa” keeps at No. 2 on Global Excl. U.S., after it led the list for a week in July.

Also as on the Global 200, three songs from the Barbie soundtrack rank in the Global Excl. U.S. top 10: Dua Lipa’s “Dance the Night” pushes 5-3, becoming the highest-charting hit from the collection, Billie Eilish’s “What Was I Made For?” holds at its No. 4 high and Nicki Minaj and Ice Spice’s “Barbie World,” with Aqua, slips to No. 9 from its No. 6 best.

Plus, NewJeans’ “Super Shy” drops 3-5 on Global Excl. U.S., after reaching No. 2.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 19, 2023) will update on Billboard.com tomorrow (Aug. 15). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Gwen Stefani’s Teen Son Performed at Blake Shelton’s Oklahoma Bar

The apple doesn’t fall far from the tree!

Gwen Stefani‘s eldest son Kingston Rossdale — whom she shares with ex-husband Gavin Rossdale — hopped onstage at his stepdad Blake Shelton‘s bar and live music venue, Ole Red, on Friday (Aug. 11).

In a clip circulating TikTok, the 17-year-old is seen making jokes with the crowd before he delivers a full rock-tinged performance with a guitarist and keyboardist at the Tishomingo, Okla., bar. “Thank you, it means everything to me, really. I hope you guys had a great night, enjoy yourselves,” he’s seen telling the applauding audience after the performance, as Shelton gets onstage and gives Kingston a sweet hug.

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Along with Kingston, Stefani also shares Zuma and Apollo with Rossdale. The former couple were married for 13 years — and dated for nearly six years before that — but parted ways in 2015. Shelton and Stefani tied the knot in 2021, and have been going strong ever since. 

“I love my stepfather, and I looked up to him, and he’s like a father to me, so I have a good inspiration in my life for how to do this and the kind of stepdad I want to be,” Shelton previously explained in an interview with  KFROG’s The Ride with Kimo & Heather. “I also have a blast with it, I’m not gonna lie. I don’t take it so serious that I’m not enjoying this time, because I really am, especially now that we’re five years into this thing. I can’t imagine my life without these kids now.”

Watch Kingston’s performance below.

Jamey Johnson Joins Viral Hitmaker Oliver Anthony to Perform ‘In Color’

Singer-songwriter Oliver Anthony’s name was all over the interwebs this past weekend thanks to his viral hit “Rich Men North of Richmond.” A performance of the song shared by radiowv — a YouTube channel that highlights musicians around West Virginia — just five days ago now stands at over nine million views on YouTube. The song also hit No. 1 on the all-genre iTunes chart, and Anthony recently put his songs on streaming platforms, including Spotify, where he made songs including “Rich Men North of Richmond,” “Ain’t Gotta Dollar” and “I Want to Go Home” available.

On Sunday (Aug. 13), Anthony performed a free show Morris Farm Market in Barco, North Carolina — a show that Anthony noted on social media brought out enough people to fill 25 acres with cars.

“Thanks to everyone who stayed after for photos and to tell me your story. It means more than words can describe,” he wrote. He performed songs including “Rich Men North of Richmond,” and shared video of the packed crowd that showed up.

Anthony also got a huge surprise when he was joined by country singer-songwriter Jamey Johnson, who collaborated with Anthony on a rendition of Johnson’s 2008 hit “In Color.”

“I’m not sure I’ll ever top this moment where Jamey Johnson surprised me to sing his all-time classic with me on stage. What a legend,” Anthony later shared on X (formerly known as Twitter).

Johnson has been a strong supporter of new artists. He recently surprised Megan Moroney in a recording studio, where he invited her to make her Grand Ole Opry debut, and later joined her during a show in Pittsburgh to perform a few songs, including the late John Prine’s “Angel From Montgomery.” He also previously produced an album recorded by singer-songwriter Erin Enderlin.

Going to Karol G’s Mañana Sera Bonito Stadium Tour? Here’s the Full Setlist

Karol G kicked off her first-ever stadium tour at the Allegiant Stadium in Las Vegas last week on Thursday (Aug. 10).

The Colombian artist — who will continue the 15-date trek at the RoseBowl in Pasadena, Calif. tonight (Aug. 14) — performed nearly 30 of her biggest hits from her albums Ocean, KG0515, Mañana Será Bonito, and the recently-released Mañana Será Bonito (Bichota Season).

She kicked off the night with the Shakira-assisted “TQG,” which hit No. 1 on the Hot Latin Songs, Latin Airplay, Latin Rhythm Airplay, Billboard Global 200, and Billboard Global Excl. U.S. charts, followed by notable reggaeton bangers including “Mi Cama,” “Bichota,” “El Makinon,” and “Amargura,” to name a few.

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The Mañana Será Bonito stadium tour will visit key cities such as Miami, Houston and New York, and follows the artist’s history-making Lollapalooza performance as the first female Latin act to headline the festival in more than 30 years.

The Live Nation-produced tour also counts with special guests Young Miko, Bad Gyal, and DJ Agudelo888, who will be opening Karol’s shows on different occasions.

Last year, Karol’s arena $trip Love Tour became the highest grossing U.S. tour by a Latin woman in history, grossing $69.9 million across 33 shows in North America, according to numbers reported to Billboard Boxscore.

Karol G

Karol G

Alive Coverage

See the full setlist of Karol G’s opening night, below:

  • “TQG”
  • “Besties”
  • “Mi Cama”
  • “El Barco”
  • “X Si Volvemos”
  • “Tusa”
  • “Amargura”
  • “Bichotag”
  • “Oki Doki”
  • “Una Noche en Medellín”
  • “Sejodioto”
  • “Punto G”
  • “Bichota”
  • “El Makinon”
  • “Carolina”
  • “Gatúbela”
  • “Mercurio”
  • “Gucci Los Paños”
  • “200 Copas”
  • “Kármika”
  • “Ojos Ferrari”
  • “Cairo”
  • “Tus Gafitas”
  • “Mientras Me Curo del Cora”
  • “MAMIII”
  • “S91”
  • “Amargura”
  • “Mi Ex Tenía Razón”
  • “Provenza / Provenza (Tiesto Remix)”