Music

What Oliver Anthony Music’s ‘Rich Men North of Richmond’ Has in Common – and Doesn’t – With 2023’s Other Hot 100 No. 1s

Thanks to only guitar and vocals, and lyrics that have commanded the attention of the both the right and left politically, Anthony Oliver Music’s “Rich Men North of Richmond” soars in at No. 1 on the Billboard Hot 100 (dated Aug. 29).

How do the song’s characteristics compare to those of other hits that have topped the Hot 100 this year?

Here is a comparison of the nine songs that have notched their first weeks at No. 1 on the Hot 100 in 2023, including “Richmond,” noting both key commonalities and – more so – differences between the first eight No. 1s and the latest leader.

Most similarities and variances apply to all Hot 100 top 10s, not just No. 1s, this year, as well.

First, here are this year’s Hot 100 No. 1s, listed chronologically, per their first weeks atop the chart:

  • “Flowers,” Miley Cyrus
  • “Die for You,” The Weeknd & Ariana Grande
  • “Last Night,” Morgan Wallen
  • “Like Crazy,” Jimin
  • “Kill Bill,” SZA
  • “Vampire,” Olivia Rodrigo
  • “Seven,” Jung Kook feat. Latto
  • “Try That in a Small Town,” Jason Aldean
  • “Rich Men North of Richmond,” Oliver Anthony Music



Commonalities Between “Rich Men North of Richmond” and the Other 2023 Hot 100 No. 1s:

  • “Richmond,” at a brisk 118 beats per minute, is in line with the average tempo of a 2023 Hot 100 No. 1 song: 106 BPM. Of this year’s No. 1s, 67% are over 100 BPM.
  • Its short run time – 3:05 – fits with that of other No. 1s this year. It’s just four seconds shorter than the 3:09-length average among leaders.
  • The song has a familiar and easy-to-follow song structure: Verse – pre-chorus – chorus – turnaround – verse – pre-chorus – chorus – outro.
  • The first chorus in “Richmond” hits 32 seconds into the song, only eight seconds earlier than the average No. 1.
  • The song’s title appears in the chorus, where the listener commonly expects to find it. The titles of all but two No. 1s this year are heard in the chorus – Jimin and SZA don’t sing the lyrics “like crazy” or “kill Bill,” respectively, in those songs at all.

Differences Between “Rich Men North of Richmond” and the Other 2023 Hot 100 No. 1s:

  • “Richmond” is the only Hot 100 No. 1 of 2023 credited to a single writer, Oliver Anthony (real name Christopher Anthony Lunsford). Over the past decade, such leaders have been rare, although two reigned last year: Glass Animals’ “Heat Waves” (written by frontman Dave Bayley) and the Encanto ensemble hit “We Don’t Talk About Bruno” (Lin-Manuel Miranda).
  • “Richmond” sports raw, old-school, demo-like production, including clipping and background noise. While this notably contrasts with the more polished production of the other No. 1s, it provides an organic quality that bolsters the song’s emotional connection, along with Anthony’s emotive, passionate vocal performance.
  • It’s the only No. 1 this year to possess country-folk, singer-songwriter and Americana influences.
  • Controversial, political and lifestyle-themed lyrics are central to “Richmond.” “Try That in a Small Town” is the only other 2023 No. 1 that’s similar in that sense. The majority of the other leaders feature a tried-and-true love/relationships theme.
  • “Richmond” goes against the grain of short song titles. Over the past decade, only 6% of No. 1s have featured five or more words in their titles. However, this is a clever title, with the rhyming quality of “rich men” and “Richmond,” helping it to connect easily and be remembered.
  • It’s the only No. 1 this year that features only one instrument in the mix. And while acoustic guitar is featured in roughly half of 2023’s leaders, including the three country No. 1s (“Richmond,” “Last Night” and “Small Town”), it’s the only song that uses a resonator guitar (identified by its big metallic plate), which adds to its organic allure.
  • “Richmond” is the only No. 1 of 2023 that kicks off with a verse as opposed to an intro. However, the benefit is that it immediately grabs listeners’ attention and hooks them in with its striking opening lyrics (“I’ve been sellin’ my soul, workin’ all day …”) Additionally, over the last decade only 5% of top 10s opened with a verse; in 2023, just one other song has: PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2.”
  • Plus, “Richmond” is the lone No. 1 this year that doesn’t include a “D” (departure) section in its framework, such as a bridge or a bridge surrogate section. A common core form of hit songs is: Verse – chorus – verse – chorus – D section – chorus, with the bridge being the post popular “D” section type.

David and Yael Penn are the co-founders of Hit Songs Deconstructed. In 2022, Hit Songs Deconstructed and fellow song analysis platform MyPart partnered to launch ChartCipher, a new platform analyzing hit songs, as defined by Billboard’s charts.

Friday Music Guide: New Music From Selena Gomez, Miley Cyrus, Zach Bryan, BLACKPINK and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Selena Gomez’s new “Single” is here, Miley Cyrus waxes poetic on her youth, and Zach Bryan drops another affecting opus. Check out all of this week’s picks below:

Selena Gomez, “Single Soon” 



Although Selena Gomez has been plenty busy over the past few years — with her starring role in Only Murders in the Building, her Spanish-language project Revelación, her cooking show Selena + Chef and her remix of Rema’s summer smash “Calm Down,” among other endeavors — a proper follow-up to her great 2020 album Rare has remained elusive. Within that context, “Single Soon” functions as both a promise of new music on the horizon, and a delicious first bite: unlike the sweeping emotion of Rare lead single “Lose You to Love Me,” “Single Soon” shrugs off a relationship and looks ahead to giddy independence with oversized synths and a sing-along melodies (Gomez does, in fact, perform karaoke to the song in its music video).

Miley Cyrus, “Used to Be Young” 



Miley Cyrus’ mammoth 2023, led by her longest-leading Hot 100 chart-topper “Flowers,” doubles as the 10-year anniversary of her Bangerz era, back when hits like “We Can’t Stop” and “Wrecking Ball” firmly removed her from her Disney Channel days. “Used to Be Young,” which appears on an expanded edition of her Endless Summer Vacation album, finds Cyrus reflecting on how she’s evolved to the point where now her wild days are in the rearview mirror: “You tell me time has done changed me / That’s fine, I had a good run,” she admits, tapping into the pop balladry that she’s utilized her entire career, from “The Climb” to “Wrecking Ball” to “Flowers.”

Zach Bryan, Zach Bryan 



In the midst of a wild run of country songs and artists near the top of the Hot 100, Zach Bryan, one of the genre’s biggest breakout stories of the past few years, has stayed steadily successful, with “Something in the Orange” spending months on the chart while his album American Heartbreak remains in the Billboard 200’s top 20. Whereas American Heartbreak was a marathon — 34 songs, most of them gorgeously written, over a two-hour run time — his new self-titled full-length is a 54-minute sprint through grief, bitter memories, love stories and formative travels across the country; Bryan’s lyricism is as affecting as ever, the arrangements are more thoughtfully rendered, and Zach Bryan immediately establishes itself as one of the strongest country projects of a topsy-turvy year.

BLACKPINK, “The Girls” 



“The Girls” catches BLACKPINK at a celebratory moment: the new single, which launched as part of their popular mobile game The Game and comes in the midst of U.S. stadium dates, allows the K-pop quartet to flex a bit after all of their successes. On a stopgap single that sounds just as fresh as their best cuts from Born Pink, BLACKPINK praises girl power by exuding strength in numbers — over bouncy pop production and crackling percussion, all four members sharpen their individual skills while complementing one another on the hook.

Burna Boy, I Told Them… 



With his album Love, Damini last year, Burna Boy scored a real, world-spanning smash, as “Last Last” grew into the Nigerian superstar’s signature hit; with the follow-up I Told Them…, Burna tries to catalog his journey to household-name status while also crafting a more fully formed full-length statement. Guests ranging from J. Cole to GZA to Dave to Seyi Vibez make for inspired ways of switching up the album’s energy, but the solo run of songs in the middle of the track list, beginning with the boisterous “Big 7” and ending with the sensual “City Boys,” showcases why Burna Boy is able to gaze down from the heights he’s scaled and declare “I told them so.”

Editor’s Pick: Victoria Monét, Jaguar II 



The title of Victoria Monét’s new project is a bit deceptive — after all, the original Jaguar was a 2020 EP that found a fervent fan base but didn’t deliver the veteran singer-songwriter as a commercial artist. Jaguar II may be a sequel in name, but the full-length stands on its own, head and shoulder above its predecessor in every way: the interpretations of R&B, funk and soul are markedly more distinct, the Kaytranada-produced “Alright” sounds like a surefire hit, and Monét generally comes across as more comfortable commanding each track, conjuring a handful of dazzling moments while announcing her real, undeniable arrival.

How the Hollywood Strikes Affects the Music World

The ongoing dual Hollywood strikes, by the American actors’ union SAG-AFTRA and the Writers Guild of America, have brought the movie and TV businesses to a grinding halt as the historic work stoppage appears headed into the fall — and perhaps beyond. The impact has already been felt on the red carpet, as actors have had to skip new interviews or promotional appearances for some of the summer’s biggest blockbusters, as well as their upcoming projects.

When Troye Sivan spoke with Billboard recently, the singer was happy to talk about his summer single, “Rush,” but was unable to discuss his work on the HBO drama The Idol, which had wrapped its run weeks earlier. “I am in total support of the strike and am holding strong with everyone in waiting it out and making sure that everyone gets treated fairly,” Sivan said, adding that he also could not discuss his upcoming starring role in the coming-of-age drama Three Months.

Sivan’s statement was pitch-perfect, according to SAG-AFTRA chief negotiator Duncan Crabtree-Ireland, who says that artists are expected to avoid promoting music created for film, TV and streaming under the old contract during the strike. They also cannot enter into any new music licensing agreements or approve any new tracks for film or TV projects and must cease promoting songs already licensed.

The work stoppage over issues including streaming residuals and stricter safeguards against the use of artificial intelligence has shuttered all late-night talk shows for the longest stretch in modern history. It has also raised questions about Saturday Night Live’s 49th season — expected to start in September, though a representative said there wasn’t an update on a return to air — cutting off crucial promotional avenues for rising and established musical acts.

A number of major awards shows that typically feature music performances and presenters have been put in limbo by the action that began May 2, when Hollywood writers walked out, followed by members of SAG-AFTRA (which represents actors, announcers, broadcast journalists, singers and others), who joined them on July 14 to create the first dual strikes by the two unions since 1960.

The just announced 16th annual Academy of Country Music Honors will air Aug. 23 on Fox with returning host Carly Pearce, while the 2023 MTV Video Music Awards had announced a Sept. 12 airdate just as the first strike began. A representative said the latter is still planned for the Prudential Center in New Jersey, but could not comment on whether that date might change or if the broadcast could go ahead with an unscripted show, as the Tony Awards did in June. The 2023 Billboard Music Awards are scheduled for Nov. 19.

“They are not supposed to facilitate any promotion of work done under this contract, which includes going to an awards show and accepting an award,” Crabtree-Ireland says of musicians who are also SAG-AFTRA members. He noted that it’s “virtually impossible” to find a workaround, as the rules require artists to skip red carpets, interviews and accepting their trophies onstage.

A representative for the 96th annual Academy Awards, slated to take place March 10, 2024, had no comment on the strike’s impact. Similarly, a representative for the 2024 Grammys said the show slated for Feb. 4, 2024, at Los Angeles’ Crypto.com Arena is expected to go forward, but additional information isn’t available.

In the meantime, streaming services and networks are judiciously doling out already completed movies and series, like the slate at Paramount+. It includes an Elvis Presley documentary and a Biz Markie biopic; a new CBS game show, Superfan, in which die-hard supporters of artists including LL COOL J, Shania Twain and Pitbull compete for the title of ultimate fan; and the third season of Fox’s celebrity edition of Name That Tune, featuring JoJo Siwa, the Spice Girls’ Mel C, Darren Criss and Debbie Gibson.

The trickiest tightrope for musicians who also act might be social media, according to Crabtree-Ireland: “They can tweet about anything else they want, so long as they are not promoting work done under the [current] contract.”

This story will appear in the Aug. 26, 2023, issue of Billboard.

AQUA Announces Barbie World Tour: Here Are the Dates

You wanna go for a ride back to the ’90s? AQUA is here to deliver. The Danish dance-pop group announced its Barbie World Tour on Friday (Aug. 25) with dates across the United States in an appropriately pink photo. The trek kicks off in Seattle at the historic Paramount Theatre on Nov. 12, and wraps right before Christmas, on Dec. 20 at Los Angeles’ Hollywood Palladium.

The tour comes on the heels of the band’s headlining shows at Irving Plaza in New York City and The Belasco in Los Angeles in late June and early July, respectively.

“We’ve been working for this for 27 years! Performing two sold out shows in NYC and L.A. this summer was a dream come true, and to be able to come back soon for a nation-wide tour is absolutely insane,” the trio said in a statement. “We cannot wait to meet everyone for the first time, face to face.”

The tour comes as AQUA’s 1997 hit “Barbie Girl” off its debut album, Aquarium, has found renewed interest with the arrival of the mega blockbuster Barbie movie, which boasts a current box-office total of $1.3 billion, according to The Hollywood Reporter. Nicki Minaj and Ice Spice’s “Barbie World” song from the film’s soundtrack samples AQUA’s Billboard Hot 100 No. 7-peaking tune; the new track — which the trio is credited on — from the rappers debuted at No. 7 on the all-genre tally dated July 8. It became Minaj’s 23rd top 10, and Ice Spice and AQUA’s second.

The Spotify Fans First presale begins Monday (Aug. 28) at 10 a.m. ET. The general public will be able to buy tickets starting Wednesday (Aug. 30) at 10 a.m. ET.

Check out AQUA’s announcement below for the Barbie World Tour dates:

Jason Aldean Announces New Album ‘Highway Desperado’: Here’s When It Arrives

Jason Aldean, who recently notched his first Billboard Hot 100 hit with the controversial song “Try That in a Small Town,” is gearing up to release his 11th studio album, Highway Desperado, on Nov. 3.

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The project marks Aldean’s first since his double album, Macon, Georgia, which released in 2021 and 2022. The new set is spearheaded by songs including “Small Town,” “Tough Crowd” and a newly released track, “Let Your Boys Be Country.”

Overall, the project takes its inspiration from the 46-year-old entertainer’s hard-charging touring lifestyle and loyal fanbase he’s amassed over nearly three decades of touring and performing. The rest of 2023 will find Aldean on the road on his Highway Desperado Tour.

“I think when I look back on it, I built my career early on my live show, and have been on the road touring since I was 18 years old,” Aldean said in a statement. “For us, touring is our favorite part. Getting on the bus and going town to town and playing our shows and doing our thing and seeing the fans … the title for the tour and album was really inspired from that,” shared Aldean.

“Try That in a Small Town” marked a new high for Aldean on the Hot 100, besting a previous top seven song placement with 2011’s “Dirt Road Anthem,” which was written and previously recorded by Brantley Gilbert and Colt Ford. Since issuing his debut single “Hicktown” in 2005, Aldean has earned 25 No. 1 Country Airplay hits.

Three-time ACM entertainer of the year winner Aldean had a hand in writing three of the new album’s 14 songs, and he reunites with his longtime producer Michael Knox on the project. Aldean is a co-writer on “Hungover in a Hotel,” “Breakup Breakdown” and the album’s title track. He also reunites with several of his longtime writers, with Kurt Allison and Tully Kennedy each contributing to a dozen of the song’s 14 tracks, John Morgan writing eight songs on the album and Neil Thrasher and Jonathan Edwards each contributing to four tracks.

Jason Aldean 'Highway Desperado'

Jason Aldean ‘Highway Desperado’

Courtesy Photo

See the full tracklist for Highway Desperado below:

  1. “Tough Crowd”
  2. “Let Your Boys Be Country”
  3. “Knew You’d Come Around”
  4. “Hungover In a Hotel”
  5. “Try That In a Small Town”
  6. “Whiskey Drink”
  7. “Whose Rearview”
  8. “I’m Over You”
  9. “Rather Watch You”
  10. “Breakup Breakdown”
  11. “Get Away From You”
  12. “Changing Bars”
  13. “From This Beer On”
  14. “Highway Desperado”

Ariana Grande Shares ‘Yours Truly’ Live Performances of ‘Honeymoon Avenue’ & ‘Daydreamin”: Watch

Ariana Grande just released the 10th anniversary edition of her debut album Yours Truly, and she plans on keeping the party going all week — starting with two videos of her recording live versions of two of the set’s core tracks, “Honeymoon Avenue” and “Daydreamin’.”

Filmed in London, both videos find the 30-year-old pop star — still blonde from working on the Wicked adaptations — performing the throwback tracks with a full band and mini orchestra. Per Grande fashion, she nails every high note and improvised riff, looking stunning in a blue two-piece dress and a half-up hairdo that pays homage to her 2013 signature style.

More live performance videos are on their way, with “Baby I” arriving Sunday (Aug. 27), “Tattooed Heart” and “Right There” on Tuesday (Aug. 29), and “The Way” on Wednesday (Aug. 30). In between, Grande will share videos answering fan questions, behind-the-scenes clips and a merch capsule.

The audio tracks for all six of the live performances have already been released as part of the Yours Truly anniversary edition, which dropped at midnight Friday (Aug. 25). Grande also uploaded all the tracks to YouTube, after which fans quickly noticed a subtle tribute to Mac Miller, her “The Way” collaborator and late ex-boyfriend.

In the video for “The Way” audio, Miller — who passed away in 2018 — is credited on the cover artwork. At the end of the song, the rest of the image fades, leaving a spotlight on his name.

“she left only mac miller’s name shining at the end,” tweeted one fan. “the most beautiful tribute.”

Miller, real name Malcolm James McCormick, was a rapper and record producer from Pittsburgh. He and Grande began dating in 2016 after they first united for collaborations on a “Baby It’s Cold Outside” cover and “The Way,” before splitting amicably in 2018. “Unconditional love is not selfish,” the “Positions” singer wrote in her breakup announcement. “It is wanting the best for someone even if at the moment, it’s not you.”

Watch Grande’s “Live From London” performances of “Honeymoon Avenue” above and “Daydreamin’” below:



‘Such a Breath of Fresh Air’: Ariana Grande’s ‘Yours Truly’ Collaborators Reflect on 10 Years of Her Debut Album

A single spotlight illuminates an otherwise pitch-black stage. As the camera zooms in, shadows transform into a vision in red. Donning a glittery red evening gown and sporting her instantly signature half-up half-down hairdo, Ariana Grande’s meticulously manicured fingers cradle a Shure 55S microphone stand.  

She opens her debut American Music Awards performance with a fluttery a cappella rendition of the chorus of “The Way,” the lead single from Yours Truly, her debut studio album. After a flurry of rapid-fire riffs from the joint school of Mariah Carey and Christina Aguilera, Grande launches into “Tattooed Heart,” a Truly deep cut. By the end of the night, which included a win for new artist of the year, the doo-wop ballad would become the crux of the defining performance of the Yours Truly era, as well as the soundtrack for Grande’s very own A Star Is Born moment. 

On August 30, 2013, Ariana Grande properly introduced herself to the world with her debut album, a 46-minute fusion of doo-wop, ‘90s hip-hop & R&B, dance-pop, and musical theatre. Yours Truly debuted atop the Billboard 200 with 138,000 copies sold in its first week, surpassing initial predictions of 110,000-120,000 copies. Grande became just the 15th female artist in Billboard history to debut atop the Billboard 200 with their first album.  

In the ten years since then, Grande has moved 19.4 million album units in the U.S. and garnered over 23.6 billion streams across lead artist credits, according to Luminate. Yours Truly has sold 650,000 pure copies and earned 2 million equivalent album units. The album’s songs collectively have earned over 1.65 billion on-demand streams in the U.S. This Friday (Aug. 25), Grande released a deluxe digital version of the debut set, featuring additional live versions of six of its tracks, with more commemorative festivities planned for the album’s anniversary throughout the week to come.

As her first formal artistic statement outside of her role as the lovably ditzy Cat Valentine on Nickelodeon’s Victorious and Sam & Cat, Yours Truly, and its resounding commercial and artistic success, immediately announced Grande as not just a successful young actress-turned-singer, but also a certifiable Top 40 force, sitting alongside the likes of other 2013 Billboard 200 chart-toppers like Lady Gaga and Katy Perry. “Seeing [“The Way”] sitting up there with those songs from ‘established’ artists, to see her do that and then she just kept putting them out,” reflects “The Way” co-writer Jordin Sparks, a hitmaker, Grammy nominee and American Idol winner in her own right. “I feel like that was such a breath of fresh air, to see a new artist break and [for] them to be amazing.” 



Written by Sparks, Harmony Samuels, A-Rod and Sevyn Streeter, “The Way” is where it all began for Grande — and where everything changed. “The Way,” a bubbly homage to Mariah Carey’s most perfectly balanced R&B/rap collaborations, arrived on March 25, 2013, along with a rap verse from the late Mac Miller, and a playful, balloon-laden, Jones Crow-helmed music video that arrived three days later. 

Sparks wrote the song about a relationship she was in at the time, working with a track produced by Grammy-nominee Harmony Samuels. “I know that I had said I wanted to do a ‘90s R&B throwback kind of feel,” Sparks says. “I remember us jamming to a few songs” — including Big Pun and Joe’s “Still Not a Player,” whose lift of Brenda Russell’s “A Little Bit of Love” provides the backbone of “The Way.” (Miller even quotes parts of Big Pun’s 1998 hit in his verse.) The song’s allegiance to the magic of ‘90s R&B and hip-hop collaborations made it an easy triumph, earning all credited writers a BMI Pop Award. “You know when you get with a group of people and everybody’s on the same page?” Sparks muses. “That’s what it felt like writing [“The Way”].” 

“The Way” was originally written for Sparks’ own album, but from what she has heard, “Somebody played [the song] for [Grande], and she just fell in love with it… She put her vocals on it, she got Mac [Miller] to get on it, she shot the video, that girl was so proactive!” Once Sparks eventually heard Grande’s version of the song, she remembers thinking to herself, “I’m just so grateful somebody who can sing and actually interpret the lyrics is singing this.”

Harmony Samuels, a Grammy-nominated producer who worked on five Yours Truly tracks, notes that “The Way” had existed for about a year before Grande got a hold of it. He recalls Grande’s label tapping him to work on her album after being impressed by his work with Kelly Rowland around the same time. He had initially written “The Way” with the intention of building on Mariah Carey’s legacy — “We hadn’t had a big voice on radio in a minute,” he says — so he intentionally chose Sparks to write the song for. His recollection of events lines up with Sparks’: Grande heard the song in a studio session, fell in love with it, and the rest was history. “One thing I love about Ariana Grande,” he gushes, “she knows what she wants.”

Just as the song helped Grande and Miller garner Top 40 legitimacy, Sparks also reaped meaningful benefits from the song. “[The success of “The Way”] opened me up to be able to have more opportunities to be able to write more, and for people to take my pen seriously,” says Sparks. “I’m really, really grateful.” 


https://youtube.com/watch?v=_0TLyjDI20Y&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

“The Way” may have been Yours Truly’s lead single, but its most important role was course-correcting the impact of “Put Your Hearts Up,” the purposely neglected bubblegum pop bop that technically served as Grande’s debut solo single. Grande quickly, and understandably, buried “Hearts” before formally launching her album campaign with “The Way,” a comparatively more mature track that widened her potential audience from her pre-existing Nickelodeon fans to teens and young adults. Add that Big Pun reference and Grande’s flashy vocals, and her music was suddenly of interest to the parents of those kids and teens as well. “We were able to give a very authentic, mature album without losing the essence of her youth,” says Samuels. (He also notes that while her label “wasn’t too keen” on “The Way” as a lead single, she pushed for it anyway, foreshadowing a similar situation during her Positions era seven years later.) 

“The Way” absolutely delivered on its course correction attempts: While “Hearts” never touched the Billboard Hot 100, its follow-up debuted at No. 10, eventually peaking at No. 9 ten weeks later. The song’s success was proof that Grande’s hard work and dedication had amounted to something fantastic. “She’s a hardworking girl,” remembers Samuels. “She would leave set after a 12-hour day at work and come to the studio and cut records. She’d be in the studio for six, seven hours. She inspires you to want to go hard and write better songs.” 

While “The Way” is a worthy entry point to the story of Yours Truly, “Honeymoon Avenue” is equally apt. As the song that opens Grande’s first album, “Honeymoon” is a towering moment in her catalog: Stirring strings open the track, soon giving away to layers of staccato hums that cement the album’s heavy doo-wop influence. “‘Honeymoon Avenue’ was originally an up-tempo song,” Grammy-nominated producer Tommy Brown reveals. “We went through a lot of different versions creating it, and then it was given to Leon [Thomas], Babyface and The Rascals, and then they did their thing on it… It was one of the ones.”  



Brown, who has since become a key collaborator of Grande’s, “really hit it off” with her at a writing session for Nick Jonas. As he recalls, there wasn’t even an album in mind when the pair crafted their first song together: “Honeymoon Avenue.” “When we originally did it, the production was a little more doo-wop-y — I think as the record progressed over time, it took a more halftime, slower urban route,” he adds. “But it was always the same song.” 

Brown and Grande also joined forces for “Daydreamin’,” another doo-wop-indebted track that also briefly served as the album’s title track. “I feel like the production kind of took a turn there,” Brown remembers. “It was like doo-wop-electronic! I worked on that production with Matt Squire… he brought a more electronic vibe and brought a more classic soulful vibe.” Brown would go on to work with Grande on each of her six studio albums, but Yours Truly marked the first Billboard 200-topper for both artists. “Now there’s a wall of about 30 of them out there,” Brown says. “And I’m happy that that [Yours Truly] is the first one that started the journey.” 

Grande’s incorporation of doo-wop on Yours Truly was instrumental to the album’s success and became the bedrock of her early sonic profile. While she debuted at a time when more established pop stars were flirting with doo-wop influences, Grande’s specific stylings set her at the forefront of her class. “This isn’t something that just figured itself out,” says Samuels. “She’s intentional. Everything is intentional, she has it planned.” He recalls Grande spearheading the merging of the two styles based on her studio sessions with other key Yours Truly producers like Babyface and The Rascals. In addition to merging whimsical ‘50s pop with seemingly disparate styles, Grande echoed those fusions in her styling for the Yours Truly album campaign, with her then-trademark look (a small crop top, a large floral skirt, sky-high pumps, and the half-up half-down ponytail) merging contemporary styles with hallmarks of 1950s women’s fashion. 



“Daydreamin’,” along with “Honeymoon Avenue” and “Tattooed Heart” are the most obvious doo-wop moments on Yours Truly — but even more ‘90s R&B-indebted tracks like “Piano” and “Baby I” take pointers from the tight harmonies of the ‘50s pop style. Grande’s style of big-voiced doo-wop-influenced pop even inspired several artists to recreate and capitalize on her and her collaborators’ innovations — most notably Meghan Trainor, who released her doo-wop-indebted Title album in 2014 and guested on Charlie Puth’s “Marvin Gaye” the same year. Grande herself would draw on Yours Truly’s doo-wop foundation for later tracks like “Moonlight” (Dangerous Woman, 2016), “Raindrops” and “R.E.M.” (Sweetener, 2018), and “Imagine” (Thank U, Next, 2019). 

Ten years later, it is quite incredible how clear the throughline is from “The Way” to the version of Grande that is currently celebrating Yours Truly’s decade anniversary. The R&B/pop template she established with “The Way” echoes across her discography — most notably in 2020’s Positions — and the song also became the first of three official collaborations with Miller, who she dated and remained close friends with until his untimely passing in 2018. Another former beau, Big Sean, appears on “Right There,” which helped fulfill plans for “The Way” from before the song even got to Grande. (“I really wanted to get Big Sean on the [“The Way”],” Sparks recalls. “I thought he would fit perfectly.”) 

Meanwhile, the Nathan Sykes-assisted blue-eyed-soul ballad “Almost Is Never Enough” paved the way for future Grande collabs – particularly her four duets with The Weeknd. The EDM bent of 2014’s smash hit “Break Free” can be heard on “Better Left Unsaid,” and hip-hop’s influence on the album permeates the rest of her discography. And, of course, “Honeymoon Avenue” was the first of countless collaborations between Grande, Brown and Victoria Monét, the start of a partnership that has earned several Hot 100 No. 1 hits and Grammy nominations. “The process of watching her work and working with artists who know what they want is A1,” says Brown. “I always felt like she knew what she wanted.”



The final guest artist on Yours Truly, Grammy-nominated singer-songwriter MIKA, appears on the album’s most directly prophetic song: “Popular Song.” Featuring a writing credit from Priscilla Renea (a.k.a. Muni Long, of “Hrs & Hrs” fame), “Popular Song” interpolates “Popular,” from the musical Wicked, the film version of which Grande is currently wrapping up. She will star as Glinda the Good Witch in the two-part film, the same character (originated by Tony winner Kristin Chenoweth, one of Grande’s mentors), who sings “Popular” in the Broadway musical. Given Grande’s Broadway roots — she launched her career with the 2008 Broadway musical 13 — the musical theatre bent of Yours Truly is unsurprising, and it courses through the rest of her discography, from 2016’s Jason Robert Brown-assisted “Jason’s Song” to the theatricality of 2019’s “Fake Smile.” 

Ten years removed from its debut, Yours Truly stands as a terrific body of work. The work of an artist with a sharp vision and even stronger resolve, Ariana Grande’s debut album marked the arrival both of one of music’s most successful pop stars and a new era of pop stars (Sam Smith, Tori Kelly) marketed on the strength of their voices and their ability to traverse pop, R&B and hip-hop. Many of the album’s key players — Tommy Brown, Muni Long, Mac Miller, Victoria Monét, Leon Thomas III, etc. — all went on to reach even greater critical and commercial heights in the years following Yours Truly. “I’m just happy to be invited to the party,” says Brown. Samuels adds, “I’m so proud of all [her] achievements and growth,” Samuels adds. “The vision was to always have someone who could be in that space and create that kind of energy and she’s done exactly that. 

With each subsequent album, Grande continues to call back to Yours Truly — a testament to both the enduring quality of the record and how perfectly she was able to capture the essence of her artistry at the start of her ten-year journey toward becoming a Grammy-winning, record-obliterating modern pop icon. “I think I kind of knew in my gut that she was going to be massive,” Sparks says. “I just knew.” 

Here Are the 10 Biggest Hot 100 Hits You Can Invest In With JKBX

If you could invest in songs performed by Beyoncé, Adele, Taylor Swift or Ed Sheeran and earn a piece of the money generated every time that song is played, would you?

JKBX, a new music investing platform (pronounced “jukebox”), is betting fans and investors will. Starting Sept. 12, it will list around 100 songs written by everyone from OneRepublic’s Ryan Tedder to Diplo to the members of rock band American Authors for fans to reserve their investments.

Billboard scrolled through the initial batch — which includes songs performed by Beyoncé, Adele, U2, Justin Bieber, Travis Scott, Ellie Goulding, Jonas Brothers and more — and selected the top 10 biggest chart hits, based on their rank on the Billboard Hot 100.

Over the coming months, JKBX says it plans to add more songwriters and songs. As these investments await final approval from the U.S. Securities and Exchange Commission (SEC), JKBX notes that early adopters will not have to put money down now; they can open accounts on JKBX and reserve royalty shares linked to the songs, which will be non-binding until it gets a green light from the SEC.

It is worth noting that the music industry looks at many factors to determine how much revenue a song is expected to earn — where a song ranked on our chart is merely one. But if JKBX clears the remaining SEC hurdles and its offerings and platform take off, financial experts say that royalty shares in hit songs like those below could prove a sound investment.

Take a look at the 10 biggest Hot 100 hits that will be available through JKBX below.

BTS’ Jung Kook Collabs With Alesso for Dance Remix of ‘Seven’: Stream It Now

Jung Kook is showing ARMY what devotion is. The BTS member added another layer of collaboration to his new hit song “Seven” by dropping a dance-heavy remix with Swedish DJ and producer Alesso on Friday (Aug. 25).

The latest version of the song that features Latto adds waves of synth bass and rhythmic variation that help the track — according to the press release — “encapsulate the sound of sizzling summer nights.”

Since the BTS singer dropped the original version of “Seven” on July 14, the song has found success on the Billboard charts. It debuted at No. 1 on the July 29-dated Billboard Hot 100, making Jung Kook the second member of the K-pop band to top the all-genre tally. (Jimin was the first when his single “Like Crazy” debuted at No. 1 in April.) “Seven” also marked the first time that rapper Latto reached the summit of the chart.

The song has also topped the Billboard Global 200 and Billboard Global Excl. U.S. tallies for five weeks to date. “Seven” reaching No. 1 on both charts also marked the first time that a BTS soloist topped the two lists.

But Jung Kook’s single on the Aug. 26-dated Global Excl. U.S. list isn’t the only one by a BTS member in the top 10. V’s two latest solo songs — “Love Me Again” and “Rainy Days” — debuted at Nos. 6 and 8, respectively. The achievement makes V the fifth member of BTS to have songs in the tally’s top 10 as a solo artist.

Check out Jung Kook’s “Seven” remix with Alesso below:



Bebel Gilberto Breaks Down 5 Essential Songs from Her Love-Letter Album to Father João Gilberto

Bebel Gilberto embodies the essence of bossa nova’s modern evolution. Last Wednesday (Aug. 16), the singer-songwriter showcased this on stage at a sold-out show at Poisson Rouge, nestled in the heart of New York’s storied bohemian neighborhood Greenwich Village, where she gave audiences an early preview of her latest album João (out Friday, Aug. 25), a heartfelt tribute to her late Brazilian father, João Gilberto.

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As the daughter of the bossa nova legend — and also of Brazilian music icon Miúcha — Bebel’s art is deeply rooted in her musical heritage. Yet the singer has carved a distinct path of her own, fusing traditional Brazilian rhythms with electronic flourishes and global influences. On João, she brings it all back home. With her ethereal voice and innovative production, Bebel effortlessly transcends the classic genre, reimagining the sonic boundaries of Brazilian music with a New York state of mind, and a thrust for cultural exploration.

Last week on stage, the Brazilian chanteuse — who wore a vintage-style black Prada dress and her carefully messy hair pinned up — was a musical force: spunky yet elegant with a dashing sense of humor. “Sorry, but for some reason I’m feeling Beyoncé,” she said as she gave the sound engineers feedback to take out some reverb. Applying red lipstick, she declared, “I’m not just bossa nova, I’m punk. I lived in New York City for 29 years.” She then proceeded to invite a cute shih tzu dog on stage while crooning, “I love you.” For the encore, she came out sipping on a Corona, while her mellifluous melodies weaved an intricate tapestry of emotions. 

New York City was just one stop of her international João Tour, where she’ll make her way to major cities like Los Angeles, San Francisco, Quebec City, Stockholm and London. Recorded at Reservoir Studios in New York, João was created alongside producer Thomas Bartlett, with Bebel gathering a collective of musicians such as her nephew drummer Chico Brown, as well as guitarist Guilherme Monteiro and music arranger and trombone player, Clark Gayton.

Billboard Español caught up with the artist to discuss five essential songs from João.

“Adeus América”

I would start with the opening song, “Adeus América.” It’s a song that I discovered through my father’s voice. He had done a live presentation [of it] at the [19th] Montreux Jazz Festival, the legendary Montreux Jazz Festival [in Switzerland]. He was coming back to Brazil after being in the United States, and touring around the world for the last 20 years. The fact that he sang that song [to me] inspired me to open the album with it. It was the first song I recorded.

The guitar is from Guilherme Monteiro, who’s been touring with me. He did incredible work, researching my father’s chord changes, dissecting the way that daddy played, and the right vibe. I love the production by Thomas Bartlett — who was super open, opinionated, as he’s not Brazilian, you know? It was like a trip into my dad’s music. I have deep love for “Adeus América” in particular, and I love the result. It is catchy and I hold it in my heart. It’s one of my favorites.

Editor’s note: the original song was recorded in 1985, and released two years later on the album Live in Montreux

“Eu Vim Da Bahia”

My second selection is “Eu Vim Da Bahia,” a song that’s on another album from my dad’s, which is known as the White Album [Ed. Note: It’s João Gilberto’s 1973 self-titled album]. “Eu vim da bahia” in English means “I came from Bahia.” The original song is from Gilberto Gil, who actually shares the same name as my father, and people kept confusing them. Gil’s recording has a totally different vibe.

When daddy did it, it was so intense — and it tells the story of Bahia, the background, why he came from Bahia and why he wants to come back. It’s also a nostalgic song, and I believe that is one of my best interpretations. I was a big fan for a long time, but I never thought I was going to one day record it. It was one of the songs that I easily did. I’m very happy with my vocals. It took me two or three takes; it wasn’t a big effort. I really took a trip on it and it was really beautiful. I love the results.

“É Preciso Perdoar”

“É Preciso Perdoar” is one of the most beautiful songs of the album, and maybe my favorite song ever. My father also recorded it on that same White Album and it’s been recorded by Cesária Évora, [Ryuichi Sakamoto and Caetano Veloso] on the Red Hot & Rio album that got so famous, [where] David Byrne also participated. But the words reflect the state of mind that I am currently in.

There is also an electronic effect that Thomas did. It’s really beautiful, and I think it captures the mantra that the song has. I’m very courageous to take the chance to re-record such a classic. I have beautiful drummers playing on it. One of them is my nephew, Chico Brown, Carlinhos Brown’s son. He did incredible work and programming. I also really love Guilherme Monteiro’s guitar. 



The video is really beautiful. When I created the vibe, I wanted to do a little bit of acting on it. [The song has] very deep words. I decided to do something inspired by Sinéad O’Connor’s “Nothing Compares 2 U” [music video]. Later, she left us. I wish she knew. She inspired so many people around the world, and probably she didn’t even know that.

“Undiú”

That one is my father’s composition. It’s an instrumental song my father created on his guitar.  My father loved yoga and he loved mantras. He really practiced yoga as [much as] the guitar. His obsession with religion was also the way of playing the guitar. That song sounds like a mantra, it’s beautiful. Thomas Bartlett also plays accordion on that song. It’s quite psychedelic in a way. I’m very happy to take that step away from the classics and do an untouched song from my dad.

“O Pato”

The fifth one is called “the duck.” It’s a song that my father got very famous for at the beginning of his career. It’s very funny; it sounds like a song from a cartoon. I was involved in all the arrangements and invited this great, incredible trombone player, Clark Gayton, who developed all the arrangements with me. It sounds a little playful — [to have] the horns, which are adorable, playing against the guitar and the drums. I love it. It sounds a little funky and childish at the same time. It’s very fun and I’m very happy that I recreated such a classic in a totally different approach.

Full stream of João below: