Music

Suga Reflects on Feeling Nervous Ahead of BTS’ U.S. Debut Performance: ‘I Experienced My Hands Shaking’

BTS is currently the biggest boy band in the world, but to ascend such heights, the septet needed to have a series of firsts before making their mark in the United States — something that led to member Suga experiencing serious nerves and doubts about the group’s future, he revealed in the Friday (Aug. 25) episode of his Suchwita show.

Suga was joined by South Korean soccer player Lee Kang-in, and discussed his life in recent weeks, particularly how he deals with pregame jitters before large stadium games. When the athlete said that he often feels sleepy before big matches, Suga reflected on a moment of nervousness ahead of BTS’ first performance in the United States.

“I’m the type that doesn’t get nervous much, but in 2017, we did our U.S. debut performance, and I experienced my hands shaking for the first time,” the K-pop star explained. “The pressure that I needed to do well here made me not be able to sleep at night.”

Lee then spoke about feeling the pressure of proving himself to be a good soccer player in light of switching to the Paris Saint-Germain F.C. team, to which Suga likened it to his own experiences with BTS getting international success and recognition for the first time.

“An athlete has to prove himself through his performance, while a singer does that on stage. For example, we received an award at this award show. We went to Billboard,” he recalled of the May 2017 show, before reflecting on their American Music Awards performance, which came in November that year. “When we first went up on the stage at the AMAs in 2017, since it was so big it wasn’t even a dream of mine. I never even thought of whether it’s possible or not.”

He continued, “After [the AMAs], I was really scared because I knew it was just the start. Since I knew this wasn’t a one-time thing, the pressure of what we need to do in order to create what results [we wanted] slowly crept up on me. So after the AMAs, I cried a lot. [I wondered,] ‘Where do we go from here?’ Because no one could tell us what to do now … we worked like crazy. Even people around us worried that this might be a one-time thing. There was a lot of talk that there would be nothing afterwards.”

The hard work ended up paying off. BTS earned its first chart entries on the Billboard Hot 100 chart in 2017. The following year, the septet had three more entries with tracks “Fake Love,” (No. 10) “IDOL” (No. 11) and “Waste It On Me” (No. 89). BTS further cemented its status as the world’s biggest boyband after hitting No. 1 on the charts with “Permission to Dance,” “Dynamite” and “My Universe,” earning multiple Grammy nominations and more.

Watch Suga’s full Suchwita episode in the video above.

Friday Dance Music Guide: The Week’s Best New Tracks From ARTBAT & John Martin, John Summit, ISOxo & Ninajirachi & More

This week in dance music: The Chainsmokers broke the record for the highest ever attendance at a show (18,798 people) at the L.A. State Historic Park, we spoke with the Founder of Burning Man’s Mayan Warrior art car, which burned down this past April, Diplo announced the death of his mother and Alesso collab’d with BTS’ Jung Kook.

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And of course, there’s new music too. These are the best new dance tracks of the week.

ARTBAT, “Coming Home”



The Label: Warner Music Group

The Spiel: John Martin (of “Don’t Your Worry Child” fame) lends the same intensely anthemic mood to the latest from Ukrainian duo ARTBAT. Released in conjunction with Independence Day Of Ukraine, which the country celebrated yesterday (August 24) — and which obviously takes on deep meaning given the country’s ongoing conflict with Russia — the song obliquely addresses the war, with lyrics about coming home to your mother, your brother, your sister and your lover. “We’ll walk in the streets like we used to do,” sings Martin, “there will be something new to believe in.” On the track the Kyiv-based duo expertly balance progressive and mainstage sounds, even adding a children’s choir for maximum poignancy.

The Artists Say: “This is a very personal record for both ourselves and John,” ARTBAT wrote on Instagram, “and we’ve written this with our homeland in the forefront of our minds, with a message of hope and positivity for all.”

The Vibe: Tearjerker.

John Summit With MKLA, “Fade Out”



The Label: Off the Grid/Darkroom Records

The Spiel: The commercial trance resurgence launched earlier this year by Calvin Harris extends today with John Summit’s “Fade Out.” A collaboration with silky-voiced Toronto-based singer MKLA, the track is urgent, sophisticated and as earworm-ey (in a good way) as the rest of most recent Summit’s output — namely “Escape” with Hayla and his edit of Kaskade and deadmau5’s “I Remember.”

On Twitter, Summit’s label Off the Grid noted that “Fade Out” will be “our last single as off the grid records,” indicating a name change is coming after Summit and Off the Grid faced recent legal issues in regards to a California-based event promoter also called Off the Grid. It’s an apt way to fade out, indeed.

The Artist Says: “Been working on this one for a while.. it’s a trance inspired tune hope u guys like,” Summit wrote on Twitter.

The Vibe: 4 a.m. on the dance floor.

Mochakk, “Jealous”



The Label: CircoLoco Records

The Spiel: Brazilian producer Mochakk has been steadily rising this year, an upswing that gets a major boost today with his latest, the wonderfully unhinged “Jealous.” The late Loleatta Holloway does a lot of the heavy lifting here, with the producer heavily sampling the singer’s 1977 song “Dreamin,” weaving her insanely powerful vocals with his bounce-ey, funky house production that’s fun, fresh and accessible and — as evidenced by this moment from his Coachella set this past April — simply just slaps.

The Artist Says: “If you asked Pedro from 2 years ago if he believed he would be announcing his very own release with [CircoLoco Records] and [Rockstar Games] in 2023, he would definitely tell you to cut the bulls–t! This track has probably been my most anticipated release so far, with the most support pre-release and I’m so stoked to say it’s finally coming out.”

The Vibe: No bulls–t.

ISOxo & Ninajirachi, “SHYPOP”



The Label: 88Rising Records

The Spiel: Emerging San Diego producer ISOxo throws the kitchen sink at it on his latest, “SHYPOP,” melding drum & bass and hyperpop and hints of mainstage and hardstyle into a very high BPM production that’s simultaneously hectic and spare. Vocals come from Australian fav Ninajirachi, who sings, “I want to be smarter, but I don’t know where to start. I want to say things from the heart, but my words come out so wrong, I stumble.” While the sound is far out, the sentiment is widely relatable. The track comes from ISOxo’s forthcoming debut album, kidsgonemad!.

The Artist Says: “Creating SHYPOP came from a sentimental place that’s been driving the meaning behind some of my music. It touches on the insecurities I’ve felt both as an artist and in life, wanting to push myself to be better.”

The Vibe: Machinistic, deeply human, totally fun.

Nosaj Thing, Jacques Greene & Ouri, “Too Close”



The Label: LUCKYME

The Spiel: L.A. favorite Nosaj Thing links with Toronto mainstay Jacques Greene and Montreal-based producer, DJ and multi-instrumentalist Ouri. Together they deliver something as sophisticated and vibey as you’d expect, with “Too Close,” melding D&B and deep house into a mood at once mellow and urgent.

The Vibe: Pretty, with a hint of heartbreak.

All of J. Cole’s 2023 Features Ranked

Earlier this year, J. Cole made his intentions loud and clear on Lil Durk’s “All My Life”: “Lately, I just wanna show up and body some sh-t.” To his credit, Cole has been living up to his word, treating the rap circuit like a demolition derby.

A proven features savant, this is familiar territory for the Dreamville commander, who had a torrid run in 2018 with his sea of verses. Slinging out gusty bars for 21 Savage’s Grammy-Winning song “a lot,” 6LACK’s “Pretty Little Fears,” and Wale’s “My Boy,” Cole’s penchant for destruction stems from his competitive edge. Since his early mixtape days in the late 2000s, Cole has always used guest appearances or freestyles as target practice and a way to improve.

More than 15 years later, he continues to employ that same system as he readies his upcoming release, It’s A Boy, the follow-up to his 2021 Billboard 200 chart-topper The Off-Season. He’s already made a trio of Billboard Hot 100 appearances this year, on songs alongside R&B star Summer Walker, BTS alum J-Hope and rap hitmaker Lil Durk. The latter teamup, “All My Life,” proved to be an immediate smash, debuting at No. 2 on the Hot 100 in May — tying “My Life,” his 2021 single alongside Morray and 21 Savage, for the highest peak Cole has yet reached on the chart — and still hanging strong in the top 15 three months later.

Below, Billboard ranked Cole’s best 2023 features, including the two he dropped today with Gucci Mane and Burna Boy.

SZA Snuggles With Justin Bieber, Benny Blanco & More in New ‘Snooze’ Video

SZA rounded up some of the hottest male stars for her new music video for “Snooze” released on Friday (Aug. 25).

In the sultry Bradley J. Calder and SZA-directed clip, the superstar lays in the grass, rolls a joint in bed, plays video games and more with co-stars Justin Bieber, Benny Blanco, Beef actor Young Mazino and Power Book II: Ghost star Woody McClain.

“Snooze,” which was featured on SZA’s groundbreaking sophomore album, S.O.S., notched the singer her second No. 1 on Billboard’s R&B/Hip-Hop Airplay chart as “Snooze” topped the list dated July 1. “Snooze” likewise is SZA’s second career champ on Mainstream R&B/Hip-Hop Airplay. She first led with the two-week No. 1 “Shirt” in February.

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Upon its release back in December, S.O.S. immediately debuted at No. 1 on the Billboard 200, her first chart-topper. With more than 400 million streams in the U.S. during release week, S.O.S. became the second-largest streaming week for a female artist and third-largest of 2022 among all albums.

The album enjoyed a non-consecutive 10-week run atop the Billboard 200, and in the middle of that stretch, she kicked off the aptly titled SOS Tour, in which SZA took over arenas across the country. According to figures reported to Billboard Boxscore, the SOS Tour grossed $34.5 million and sold 238,000 tickets.

Watch the “Snooze” music video below.



Billie Eilish Attends Jesse Rutherford’s Listening Party Following Breakup

When Billie Eilish‘s rep told Page Six earlier this year that she and Jesse Rutherford had “split amicably and remain good friends,” they really meant it. The 21-year-old pop star showed her support for her ex-boyfriend at his recent listening party, as captured in photos and video shared by the Neighbourhood frontman on Instagram.

In a video taken at the bowling alley party, the former couple danced together to one of Rutherford’s new songs, one of 11 on his Aug. 18 solo album &ONE. The track, “TURN HEEL,” features a callout to his ex-girlfriend-turned-pal — “I just got a text from Billie” — which Eilish proudly sings in the clip.

Eilish was also tagged by the 32-year-old rocker in a photo from the night, smiling next to a friend holding a balloon animal. “best listening party ever,” Rutherford captioned his Thursday (Aug. 24) post.

Although Rutherford just posted the pictures, the listening party actually took place closer to &ONE‘s release earlier in the month. Eilish shared a couple snaps from the night on Instagram Aug. 14, and a photo of her at the event started circulating on Twitter a couple days prior.

The ex-couple’s platonic hangout comes shortly after she assured followers in an Instagram Stories Q&A that she and Rutherford — who dated for about seven months before calling it quits in May — were “Very very good friends only. My homie forever.” The “Bad Guy” singer also recently gave a shoutout to his band’s 2015 album Wiped Out! in an interview about her favorite records with Dua Lipa.

Before their split, Eilish and Rutherford’s romance caused a bit of stir thanks to the pair’s 11-year age gap — something they themselves seemed to poke fun at last year with a divisive couple’s Halloween costume, for which the younger star dressed up as a baby and Rutherford an old man. The controversy was reignited earlier this month when fans thought Rutherford was speaking on his relationship with Eilish in another one of his new songs, “POV,” with lyrics deemed inappropriate by some listeners: “She been listening to me since 2013/ I know she’s got daddy issues, welcome to the family/ She said, ‘Jesse, baby, won’t you write a song about me?’/ I said, ‘I got a whole album, I could drop it next week.’”

Liam Payne Hospitalized for ‘Serious Kidney Infection,’ Postpones Tour

Liam Payne has been hospitalized and is postponing his tour, the former One Direction member announced on his social media accounts on Friday (Aug. 25).

“It’s with a heavy heart I have to tell you that we have no other choice but to postpone my upcoming tour of South America,” the singer wrote. “Over the past week I’ve been in hospital with a serious kidney infection, it’s something I wouldn’t wish on anyone, and doctors orders are that I now need to rest and recover.”

“I was beyond excited to come play for you guys,” his message continued. “To all of you who have bought tickets: I’m so sorry. We’re working to re-schedule the tour as soon as we possibly can, but for now we will be refunding the tickets – so please look out for updates from your point of purchase.”

Accompanying the post on Instagram and X (the social media platform formerly known as Twitter) was a video message from Payne himself. “This really is the last news that I want to tell you,” he begins glumly, explaining that he had been feeling unwell before his hospitalization. “I’ve just been advised that now is really not the right time to be out on the road trying to recover from this. I have the best people around me trying to help me to recover as I speak. But yeah we’re going to have to reschedule it all.”

He went on to ask fans to keep an eye out for information on how to get their money back before concluding, “I’m looking forward seeing you guys soon. Hopefully we’ll put put on an even bigger and better show.”

The singer was set to perform in Peru, Colombia, Chile, Brazil, Argentina and Mexico in September.

See Liam Payne’s video message and announcement below:

Sabrina Carpenter Makes Eras Tour Debut, Covers Selena’s ‘Dreaming of You’ in Mexico City: Watch

Sabrina Carpenter made her Eras Tour debut Thursday night (Aug. 24) in Mexico City, an opening performance for Taylor Swift she christened with a cover of one of the most famous Mexican-American artists of all time: Selena Quintanilla.

Performing in front of thousands of fans at Foro Sol, the first of four stops Swift has planned for the venue, Carpenter looked sparklingly confident running through her setlist of Emails I Can’t Send tracks, including Billboard Hot 100 hit “Nonsense,” “Read your Mind” and deluxe track “Feather.” Known for improvising a new “Nonsense” outro at her concerts, the 24-year-old rising pop star quipped, “If you are a Swiftie you’re mi gente. Let me hear make some noise DF.”

Before Swift came out for her three-hour performance, Carpenter also squeezed in a cover of “Dreaming of You,” Selena’s 1995 hit. “There’s nowhere in the world I’d rather be/ Than here in my room
dreaming about you and me,” the former Disney star sang as her audience cheered her on.

Thursday night’s show kicks off more than a year of international dates Swift has planned for her blockbuster Eras Tour run, with Carpenter slated to open for all of the upcoming shows in Latin America, Australia and Singapore. Paramore will then take over as the support act for the “Anti-Hero” singer’s dates in Europe, after which seasoned Eras Tour veteran Gracie Abrams will return for a second U.S. run.

Carpenter’s kickoff show follows her global Emails I Can’t Send Tour, which began in September 2022, a few months after the release of the musician’s top 40 album of the same name. It also comes on the heels of her newest release, a remix of Fifty Fifty’s “Cupid,” which arrived last week.

Watch clips of Sabrina Carpenter’s debut Eras Tour performance below:

Here’s What (and Who) J Balvin Obsessed Over While Making His New Album

While J Balvin still hasn’t shared the name of his upcoming album, he notes that he had decided on the title before he recorded a note. “My albums have always started with their names,” the Colombian star says. “That way, we let ourselves be guided by the vibe.” In the past, he has mostly used one-word titles: Jose (2021), Colores (2020), Oasis (2019), Vibras (2018) and Energía (2017).

He says that the mood of his latest, arriving this fall, was sheer joy. Recorded at RAK Studios and Abbey Road during a monthlong stay in London, Balvin’s first full-length album in nearly two years features a variety of producers, including Tainy, Mura Masa, Michaël Brun, Hear This Music/DJ Luian, Mambo Kingz and Súbelo NEO. The project also boasts “precisely” curated collaborations, including tracks with Stormzy and Anuel AA.

“I like to explore other cultures and genres,” he says. “But as far as my DNA and my essence, I represent Medellín, Colombia.”

London Nightlife

Coming out of the pandemic, Balvin and his team looked around at a world mired in negativity. “The vibe wasn’t right for inspiration,” Balvin says. “We decided, from within ourselves, to focus on giving happiness to our listeners and change the vibe from negative to positive.” A key element was London’s vibrant club scene, which became a living, breathing experiment to discover and test beats. Balvin and his team hit two or three clubs every weekend to take inspiration from dancefloors and observe what fans were connecting with. And, on occasion, he would even play demos. “We wanted to see fan reaction,” he says, “and it was amazing.”

Usher

Though Balvin has known the veteran hit-maker for years, their first collaboration was the result of a chance encounter during Paris Fashion Week in July. “When I saw him, I had that flashback to the songs that defined my childhood,” recalls Balvin, who, on the spot, asked Usher if he could sample his 2004 smash “Yeah!” in a new track that wasn’t even done yet ­— and whose title he hasn’t yet divulged. “He said of course, but then I thought, ‘It’d be great to actually do something with him.’ Recording the track and filming the video with someone so legendary fills me with nostalgia and gratitude. I think this song will have huge global impact.”

Work-Life Balance

Balvin and girlfriend Valentina Ferrer welcomed son Río in June 2021. “Having my son has changed my perspective, but my competitive spirit, that drive to improve as an artist and a person, is part of my day to day,” says Balvin, who often takes Río on his global travels. Daily workouts, he says, are also key — as is maintaining mental health, a topic he has been outspoken about. In that regard, his new album is a way to actively put positivity to work: “It’s not just talking about mental health, but actually applying the concept,” he says. “This album is a mood that will make people happy just by listening to it. I’m contributing by raising serotonin levels.”

This story will appear in the Aug. 26, 2023, issue of Billboard.

Ben Gibbard Is Pulling Double Duty on the Fall’s Hottest Indie Rock Tour

Late last year, Ben Gibbard was staring down a pair of significant milestones: Death Cab for Cutie’s breakthrough album, Transatlanticism, would be turning 20 in 2023, as would Give Up, the lone full-length that Gibbard and electronic artist Jimmy Tamborello released as The Postal Service. Death Cab’s management suggested separate 20th-anniversary tours, but Gibbard envisioned a two-for-one nostalgia jamboree.

“I was like, ‘People are going to lose their minds if this is one tour,’ ” he recalls. “And I think the initial response and ticket counts were certainly a vindication of my approach.”

Indeed, the Give Up/Transatlanticism joint tour will bring both indie touchstones to arena and theater crowds beginning Sept. 5, with stops at New York’s Madison Square Garden and two hometown gigs at Seattle’s Climate Pledge Arena among 31 scheduled dates (up from 17 when the tour was announced in December). Gibbard will naturally pull double duty — performing Transatlanticism front-to-back with Death Cab and all of Give Up with Tamborello and Jenny Lewis, who provided backing vocals on six album tracks.



For Gibbard, the tour will revisit the most pivotal year of his career. Death Cab, which formed in 1997, famously came close to breaking up in late 2001 after touring and recording at a breakneck pace. The subsequent downtime gave a then-25-year-old Gibbard the space to craft the foundation of Transatlanticism, as well as work with Tamborello on an indie-pop side project by mailing CD-Rs to each other (hence the name The Postal Service).

“All of a sudden, I found myself with a lot of time to meander creatively,” recalls Gibbard, now 47. “I felt very confident, and maybe a little bit cocky. I could musically wander and explore the space, and it was very fruitful for me.”

Give Up turned into a blog-adored cult classic, while Transatlanticism took Death Cab “from indie-rock popular” to “popular popular,” as Gibbard puts it. Although Give Up peaked at No. 45 on the Billboard 200 and Transatlanticism at No. 97, they’ve earned 1.8 million and 1.1 million equivalent album units, respectively, according to Luminate.



Looking back, Gibbard is grateful that his breakthrough with both albums occurred a half-decade into his career. “We had [already] gone through some very difficult times together, and come out the other end,” he explains. “I can’t say with any certainty that if things were like they are now — a band puts out a three-song EP and is selling out shows and has people putting cameras in their faces — there’s no way we would have survived that.”

While Death Cab was just on the road in support of its 10th album, 2022’s Asphalt Meadows, the upcoming tour will mark The Postal Service’s first concerts in a decade, since Give Up turned 10. For Gibbard, these Postal Service shows will be slightly different — unlike in 2013, Give Up will be played in order, without B-sides or covers — but performing again with Tamborello and Lewis will be just as fulfilling.

“These are two of my best friends, that I get to spend extended time with on this trip,” says Gibbard. “We get to celebrate this record that we made, that became this kind of lauded moment in indie rock — but also, it’s a celebration of our friendship.”

A version of this story will appear in the Aug. 26, 2023, issue of Billboard.

Jonas Brothers Reimagine Switchfoot’s ‘The Beautiful Letdown’: Stream It Now

The Jonas Brothers definitely didn’t let Switchfoot down. As part of a special anniversary edition of the latter band’s breakthrough 2003 album The Beautiful Letdown, Joe, Nick and Kevin Jonas have released their version of the influential record’s title track.

Produced by John Fields, “The Beautiful Letdown (Jonas Brothers’ Version)” dropped Friday (Aug. 25), featuring the three brothers replicating Switchfoot’s original slow-burning alt-rock recording. Complete with whirling strings and call-and-response vocals, the track marks the third cover contributed by a guest artist to be released off Switchfoot’s upcoming 25-track celebration album, The Beautiful Letdown (Our Version) [Deluxe Edition].

“We grew up listening to their album The Beautiful Letdown, and ‘Meant to Live’ was a huge influence for us,” said Joe in a statement on behalf of his brothers. “‘Twenty Four’ was the first song that me and Kevin ever played together. This album has incredible significance for us on an emotional level but also sonically it was a big part of our sound.”

“The guys in the band have always been so supportive of us,” the DNCE frontman added. “Thank you for inspiring us and we are so happy to be part of this project singing one of our favorite songs ‘The Beautiful Letdown.’”

The Jonas Brothers cover follows reimagined recordings of Beautiful Letdown songs from Jon Bellion, who put his spin on “Meant to Live,” and Ingrid Andress, who recorded her take on “On Fire” for the project. Those three covers will appear alongside upcoming contributions from One Republic’s Ryan Tedder, Dayglow, Twenty One Pilots’ Tyler Joseph and more on The Beautiful Letdown (Our Version) [Deluxe Edition], which will follow Switchfoot’s May 2023 re-release The Beautiful Letdown (Our Version).

The original The Beautiful Letdown album came out in 2003, marking Switchfoot’s very first entry on the Billboard 200. More than a year after its release, it peaked at No. 16 on the chart.

“The first time we met the Jonas Brothers was on our tour bus somewhere in the middle of the country,” said Switchfoot frontman Jon Foreman. “This was at least a decade ago and I had never heard of them before. (Apparently I live under a rock!) They seemed like wonderful, talented young men … From the beginning, I’ve been impressed by their musicality and talent.”

Stream the JoBros’ cover of Switchfoot’s “The Beautiful Letdown” below: