Music
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Once again, it’s Queen Bey’s world, we’re just living in it.Beyoncé made history on Friday (Nov. 8) when she landed 11 2025 Grammy Award nominations, setting a one-year record for nods for a woman artist. The Cowboy Carter star had previously shared the title with Lauryn Hill, who earned 10 noms in 1999; Bey got 10 as well in 2010.
She wasn’t alone in racking up multiple nominations, with Charli XCX, Billie Eilish, Kendrick Lamar and Post Malone tied for second place with seven nods and Sabrina Carpenter, Chappell Roan and Taylor Swift tied for third place with six nominations.
Records fell all over the place, with Swift’s The Tortured Poets Department marking her seventh album of the year nomination, helping her break a tie with Barbra Streisand for the woman with the most AOTY nods. Beyoncé also made history when Cowboy Carter got an AOTY bid, elevating the singer to the pole position on the list of Black artists with the most AOTY nominations as a lead artist; she was formerly tied with Kanye West and Kendrick Lamar on that list.
Bey has been up for the night’s top prize four other times, but to date has never won the award. In addition, Cowboy Carter has officially become the most Grammy-nominated album of all time, surpassing previous record-holders Michael Jackson’s Thriller and husband Jay-Z’s The Blueprint 3, which both earned 10 noms; her earlier albums Renaissance and Lemonade both earned nine AOTY nominations.
Lamar’s diss track “Not Like Us” snagged record and song of the year nominations, putting the Compton MC in a tie with Jay-Z for the most noms in each of those categories by a rapper. Roan and Carpenter both racked up nominations in each of the Big Four categories – album, record and song of the year and best new artist – marking the third time in Grammy history that two artists have achieved that quadfecta in the same year.
Eilish ran up her fifth record of the year nomination for “Birds of a Feather,” making the singer the first artist in Grammy history to roll up five record of the year nods before turning 23; Eilish will turn that age on Dec. 18. Grammy darling Swift got her record-extending eighth song of the year nomination for co-writing the Tortured Poets single “Fortnight,” a category she has yet to win in. Swift co-wrote “Fortnight” with Jack Antonoff and Post Malone, whose nomination marks his second in that category.
“Fortnight” is also up for record of the year, with Posty scoring additional attention in best pop duo/group performance for his Cowboy Carter duet with Bey on “Levii’s Jeans,” as well as best country duo/group performance for his smash single “I Had Some Help” with Morgan Wallen, which also got a nod for best country song.
Charli XCX might celebrate her Brat summer next year thanks to a record of the year nomination for her single “360,” as well as AOTY notices for Brat and best pop solo performance for “Apple,” among other noms.
For the full list of this year’s nominees, click here. The 67th annual Grammy Awards will take place on Feb. 2 at Crypto.com Arena in Los Angeles. Below, find the artists who have the most 2025 Grammy nominations.
Grupo Niche‘s “Cali Pachanguero” has transcended generations, cultures and language barriers. The fast-paced track, penned by the legendary Jairo Varela in 1984, took on a life of its own, becoming an unofficial anthem for Colombians around the world. Forty years later, the song continues to have a lasting impact not only on the new generation […]
Travis Scott‘s ‘FE!N,” featuring Playboi Carti, has surpassed 1 billion streams on Spotify, the streaming service announced on Thursday (Nov. 7). “Travis Scott and Playboi Carti’s FE!N is the newest member of the BILLIONS CLUB,” Spotify wrote on X and Instagram. “Thanks to all the fans.” Carti shared the infographic on his own Instagram Story. […]
Koe Wetzel and Jessie Murph’s “High Road” travels to the top 10 on Billboard’s Country Airplay chart as it rises two spots to No. 10 on the list dated Nov. 16. The song – each act’s first entry on the survey – increased by 17% to 17.5 million in audience Nov. 1-7, according to Luminate. […]
The Recording Academy has unveiled its nominations list for the 2025 Grammys, and some pretty huge names weren’t on it — at least, not in all of the Big Four categories fans might have been expecting. Though stars such as Taylor Swift, Billie Eillish, Beyoncé, Charli XCX and more all received wide recognition on the […]
It’s a tight race for album of the year at the Latin Grammys, where both commercially and critically acclaimed albums are vying for the award. This year, the 10 nominated LPs are Bolero by Angela Aguilar; Camilo’s Cuatro; Xande Canta Caetano by Xande De Pilares; Karol G’s Mañana Será Bonito (Bichota Season); García by Kany […]
Latto’s Sugar Honey Iced Tea Tour rumbled through Toronto on Thursday night (Nov. 7), and Drake popped out to make a surprise guest appearance. The Atlanta rapper and Drizzy teamed up for “Housekeeping Knows,” which arrived earlier this year as part of the 6 God’s 100 Gigs drop. While the track isn’t typically part of […]
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Karol G leads a Colombia all-star team, Zach Bryan stays prolific and XG take a step forward. Check out all of this week’s picks below:
Karol G feat. Feid, DFZM, Ovy on the Drums, J Balvin, Maluma, Blessd & Ryan Castro, “+57”
The first words uttered on “+57” are “Colombia gang,” and they are apt: this all-star collaboration, headlined by Karol G but making room for notable names across the Latin music community, honors the music of Colombia through sheer strength in numbers, as well as a hypnotic beat that never wears out its welcome across nearly 5 minutes.
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Zach Bryan, “High Road” & “This World’s a Giant”
Following the July release of The Great American Bar Scene, Zach Bryan is back this week with a pair of singles, “High Road” and “This World’s a Giant,” both of which present somber reflections of a man wrestling with demons and not ready to step outside amidst mournful strums and stately country production.
XG, AWE
If the breathless single “Something Ain’t Right” hinted at the promise of XG’s next era earlier this year, then its host project, AWE, fully realizes the Japanese group’s potential: AWE only run 23 minutes but features a slew of giddy pop moments and a sharp mix of the members’ respective personalities.
Ferg, Darold
Titled after his birth name, Ferg offers an intimate portrait of the A$AP Mob mainstay and the family members who helped shape his worldview, while also bringing in top-notch guests like Future, Coco Jones, Denzel Curry and Mary J. Blige, with the lattermost featured on back-half highlights “Casting Spells” and “Chosen.”
Charlie Puth, “December 25th”
As Charlie Puth is gearing up for a new album release next year, he’s unveiled a stocking stuffer to tide over fans before the calendar flips, with “December 25th” translating his wide vocal range, melodic gifts and penchant for classic pop nostalgia into a jingly, slightly melancholic holiday single.
Editor’s Pick: Griff, “Last Night’s Mascara”
“Would you look at me now?” Griff asks multiple times within the chorus of new single “Last Night’s Mascara,” the remnants of the pop singer’s tears still evident the next morning as she literally prays for resolution; like all of Griff’s best tracks, the emotional resonance of her voice guides the thematic construction and provides weight to every hook.
Nominations for the 2025 Grammy Awards were announced Friday (Nov. 8), with the Recording Academy recognizing a wide range of artists in the four dance categories.
The fields were introduced by Kylie Minogue during the Grammy nominations livestream, with the Australian icon last year being the first-ever recipient of the pop dance award, newly introduced to the ceremony in 2024 and now called dance pop.
The dance artists with the most nominations this year include Justice, who clocked a nom for recording and album with their 2024 singler “Neverender” and the album from whence it came, Hyperdrama. Four Tet is also a double nominee this year, in the album category for his release Three and its track “Loved.” Zedd also scored an album nomination for his first LP in nine years, Telos.
Meanwhile Charli XCX make three appearances in the dance nominations, with her club-ready Brat in the album category, the electro throwback “Von Dutch” in recording and the A.G. Cook remix of that same song in best remixed recording.
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See the complete list of dance related nominees below:
Best Dance/Electronic Recording
“She’s Gone, Dance On” – Disclosure
“Loved” – Four Tet
“Leavemealone” – Fred Again.. & Baby Keem
“Neverender” – Justice & Tame Impala
“Witchy” – Kaytranada Featuring Childish Gambino
Best Dance/Electronic Album
Brat, Charli XCX
Three, Four Tet
Hyperdrama, Justice
Telos, Zedd
Timeless, Kaytranada
Best Dance Pop Recording
“Make You Mine” – Madison Beer
“Von Dutch” – Charli XCX
“L’Amour De Ma Vie (Over Now Extended Edit)” – Billie Eilish
“Yes, And” – Ariana Grande
“Got Me Started” – Troye Sivan
Best Remixed Recording
“Alter Ego” – Kaytranada Remix – Kaytranada, Remixer (Doechii Featuring JT)
“A Bar Song (Tipsy) [Remix]” – David Guetta, Remixer (Shaboozey & David Guetta)
“Espresso” (Mark Ronson & FNZ Working Late Remix) – FNZ & Mark Ronson Remixers (Sabrina Carpenter)
“Jah Sees Them” – Amapiano Remix – Alex Antaeus, Footsteps & Mrmyish, Remixers (Julian Marley & Antaeus)
“Von Dutch” – A.G. Cook Remixer (Charli XCX & A.G. Cook Featuring Addison Rae)
In June, the Recording Academy unveiled a flurry of rule tweaks that will be implemented at the 2025 awards. Among these 10 changes, three were directly related to the dance/electronic categories, with a fourth also affecting those categories.
One of the changes involves an award that was introduced to the Grammys just this year, with the best pop dance recording category now being called best dance pop recording. This tweak is not just a matter of aesthetics, but meant to make the category more accurately reflect the well-established style of dance pop music it was created to showcase.
The next rule change involves the best remixed recording category, which has long focused on dance/electronic artists but was never an official dance/electronic category. That changes in 2025, with this category being moved from the production, engineering, composition and arrangement field into the pop and dance/electronic field
Sacramento Kings owner Vivek Ranadive has come to his superstar DeMar DeRozan’s defense and he’s channeling Kendrick Lamar’s “Not Like Us” anthem, possibly to needle Drake.
Seated near former Raptor and No Limit boss Master P, Ranadive was courtside at the Golden 1 Center in Sacramento, Calif., on Wednesday night (Nov. 6) wearing a black T-shirt inscribed with “They Not Like Us” as his Kings took on Drizzy’s Toronto Raptors.
Fans liked seeing the Kings owner stand up to Drake and defend DeRozan, who previously played for Toronto. Sacramento ended up throttling the Raptors 122-107 to improve to 5-3 on the young season.
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“This level of petty > > >,” one fan tweeted, while another called Vivek the “goat.”
For context, the Kings took on the Raptors over the weekend of Nov. 2 in Toronto, where Drake joined the TV broadcast and called DeRozan a “goof.”
On the same night, Vince Carter’s No. 15 went into the rafters, the 6 God — who is an official ambassador of the Raptors — trashed the idea of the franchise retiring DeRozan’s No. 10 one day. “If you ever put up a DeRozan banner, I’ll go up there and pull it down myself,” Drake said during the broadcast.
DeMar was asked about Drake’s comments in his post-game presser, which he brushed off. “He’s going to have a long way to climb,” the athlete quipped. “Tell him good luck.”
DeRozan spent nine seasons with the Raptors and delivered a close friendship with Drake, but Drizzy appeared to feel a type of way about DeMar — a Compton native — seemingly siding with Kendrick Lamar during their feud. DeRozan also made a cameo in the “Not Like Us” music video.
Joe Budden chimed in on the DeRozan-Drake beef, and while he understood Drizzy’s feelings toward the NBA star for seemingly switching up on him, he doesn’t appreciate how he’s navigated the conflict.
“I’m not mad at [Drake] for feeling — he should feel that way,” he explained on a recent episode of his eponymous podcast. “It’s never the conflict. It’s the inability to navigate the conflict … But all that standing at the game … the mumbling under his breath … You a b—h. I’m not about to sit here and do a bunch of unpacking. You went to the game and cut his eyes.”
“Not Like Us” arrived in May and proved to be a decisive blow in the Drake-Kendrick feud, which Billboard declared K. Dot the winner.
The Mustard-produced anthem has continued to haunt Drake and be part of pop culture throughout 2024, as it broke the record for most weeks at No. 1 on the Hot Rap Songs chart when it held firm for a 21st week at the apex in early October.
Drake has yet to respond to Vivek’s move, and he’ll have to wait until next year to see DeRozan again, as the Kings won’t make another trip to Toronto for the rest of the season.