Music

22 Nov 2025

Billy Corgan Debuts ‘A Night of Mellon Collie and Infinite Sadness’ Opera in Chicago

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Billy Corgan debuted the long-anticipated operatic adaptation of Mellon Collie and the Infinite Sadness on Fri., Nov. 21, with the Smashing Pumpkins leader performing on opening night at the Lyric Opera of Chicago.

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The new production presents a symphonic and operatic reimagining of the band’s 1995 double album, which debuted at No. 1 on the Billboard 200 and marked a defining moment in the group’s commercial peak. Across the evening, selections including “Tonight, Tonight,” “1979,” and “Bullet With Butterfly Wings” were transformed for a full operatic cast and orchestra.

Corgan appeared as a featured vocalist throughout the performance, joined by soprano Sydney Mancasola, mezzo-soprano Zoie Reams, tenor Dominick Valdés Chenes and baritone Edward Parks. The Lyric Opera Orchestra and Chorus performed under conductor James Lowe, who has been one of Corgan’s key collaborators in reworking the score for the stage.

In a previous statement, Corgan said the process allowed him to reconsider the album nearly 30 years on. “It is thrilling to collaborate with Lyric head John Mangum, my musical partner James Lowe, and all of the artists at Lyric in reimagining this very special and historic album, and to discover how Lyric’s full operatic treatment is helping me experience my own compositions in powerful new ways,” he said.

“Opera and rock both tell stories of heightened emotions, and I am excited for both fans of my music and traditional opera fans to hear some truly inspired work; for the balance here is to honor both traditions in a magisterial way.”

Originally released in Oct. 1995, Mellon Collie and the Infinite Sadness earned seven Grammy nominations, including album of the year. It produced two of the band’s most enduring singles with “1979” (which peaked at No. 12 on the Billboard Hot 100) and “Bullet With Butterfly Wings,” the latter winning the group a Grammy for best hard rock performance. The album remains one of the Smashing Pumpkins’ most critically and commercially significant projects, certified diamond by the RIAA.

The Lyric Opera production continues its limited run in Chicago through the coming week.

22 Nov 2025

Jellybean Johnson, The Time Drummer & Prince Associate, Dies at 69

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Jellybean Johnson, the Minneapolis musician and producer who was the drummer for the Prince-affiliated funk-rock group The Time, has died. He was 69.

His cause of death is unknown. TMZ first reported Johnson’s passing, noting that he died Friday night (Nov. 21) according to a statement obtained by his family.

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Prince recruited Johnson (real name Garry George Johnson), who was self-taught on drums and guitar, in 1981 for The Time, an act born out of the city’s Flyte Tyme. They’d known each other since their high school years in Minneapolis.

“The drums are physical and violent for me while the guitar is spiritual and emotional,” Johnson said in a 2018 interview with Australian Musician. He also quipped to the publication, “When you live here in the cold, you stay in [in] the winter time and you learn how to play.”

As a member of The Time — and later, Prince’s The Family — Johnson helped establish the funk-rock, new wave and synth-pop hybrid that became known as the Minneapolis Sound. He appeared as a fictionalized version of himself in 1984’s Academy Award-winning Purple Rain and as himself in 1990’s Graffiti Bridge.

The Time had five top 10 hits on the Hot R&B/Hip-Hop Songs chart in the ’80s and early ’90s (when the chart was called Hot Black Singles), including “777-9311,” “Jungle Love” and “Jerk-Out,” which reached No. 1 in 1990.

Johnson is also known for his work as a producer, with Janet Jackson‘s 1990 Hot 100 No. 1 “Black Cat” among his credits — and he was an in-demand session musician.

Sheila E., a longtime friend and a frequent collaborator with Prince, remembered Johnson in an emotional post on Facebook Saturday morning, which she shared “with a heavy heart.”

“My dear friend Jellybean passed away a couple of hours ago,” Sheila E. wrote. “We are devastated by this news. I’m praying for his family and all the kids. He was a kind human being, extremely talented and funny. He had a great sense of humor and [was] an awesome guitar player.”

Directing her words toward her late friend, she added, “Yesterday was your birthday, I forgot to call you and I’m so sorry. I love u bean. Rest in peace and power.”

“I’m absolutely heartbroken!” The Family vocalist Susannah Melvoin wrote on Instagram. “My beautiful brother Jellybean Johnson has passed. This band was and is the kind of Family that believed we all rightfully belonged together in love, music and kindness. Jellybean was the master of loving you like no brother could! My big brother, who watched over me and anyone who he loved!”

Melvoin’s note continued: “I met him when I was 19 years old and he was already a seasoned musical savant at 28. He’d been in the Time and was masterfully put into a band that became what we lovingly and rightfully call the family. He went from being behind the drums to playing guitar in this band because he was a guitar player first and drummer second. Oxygen for him was the inhale and exhale of playing his guitar. I can barely get this out….his children and family members need our support and love. Please send it their way.”

“May you rest in all that is light and graceful,” she said to Johnson.

Johnson performed with The Time and Rihanna at the Grammy Awards in 2008, a performance that had him playing the drums to a click track. After being a career musician with his “own click track for 30, 40 years,” Johnson said it was difficult to pivot — “If you go back and watch that performance, it came off flawless, but, man, that week of practice was hell,” he said with a laugh, in a 2024 interview with Dancing to the Drum Machine author Dan Leroy.

“The guys in The Time always trusted me, as far as tempos and all that kind of stuff,” explained Johnson. “But there were a few times, like when I played the Grammys … I remember one time back in ’08, man, I played the Grammys, and Rihanna was on there with [The Time]. And she was just getting huge, and she had that ‘Umbrella’ song … And she had dancers, and she was doing this thing with us, and it was gonna be part Minneapolis, part her. She’s gonna be integrated with us — which means with me being the only drummer, I had to play to a click track. I struggled. I’m not gonna lie. I called every hotshot drummer, young drummers that I know, all my top drum friends. I mean, how do y’all do this? Because some guys, especially studio guys, they learn how to do that. Just deal with click tracks and all that kind of stuff. And I didn’t. I never had to really do that.”

He returned to the Grammys stage in 2017 and 2020 as part of tributes to Prince.

Johnson co-founded the non-profit Minneapolis Sound Museum in 2021, with the goal of preserving the history, culture and legacy of the Minneapolis Sound.

In 2022, he was awarded a Soul Train Lifetime Achievement Award with The Time.

22 Nov 2025

Alicia Keys Pops Up at ‘Hell’s Kitchen’ to Salute Yolanda Adams’ Broadway Debut, Talks ‘Beautiful’ New Holiday Song

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Alicia Keys had a busy Friday (Nov. 21). Not only did the 17-time Grammy winner release a new holiday song and guest on a single from an Italian vocal legend, but she made a special appearance alongside the cast of her semi-autobiographical Broadway musical, Hell’s Kitchen, at the Shubert Theatre. Keys was in the house to deliver a mini-set as part of an “encore sessions” performance, but she was also there salute to the Broadway debut of Grammy-winning gospel singer Yolanda Adams, who just joined the cast as Miss Liza Jane.

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After belting the “Empire State of Mind” finale with the cast, Keys and Adams took the stage together. “First of all, I’m grateful,” said Adams, hugging Keys. “All that dancing made me feel younger, but my feet say no. I have to thank Alicia for saying, ‘Hey, what do you think about…?’ And I’d already thought about it, and I tried it, and I love it.” When Adams left the stage, Keys was in her element, blissfully relaxed at an upright piano while crooning her cover of Prince’s “How Come U Don’t Call Me Anymore?”, duetting with cast member Durrell “Tank” Babbs on a gorgeous cover of Bonnie Raitt’s “I Can’t Make You Love Me” and singing “Underdog” before sending the ecstatic audience out into the streets of Manhattan (incidentally, not far from Hell’s Kitchen).

Just hours before dazzling Broadway, Keys spoke to Billboard about “Hell’s Kitchen’s a Merry Little Christmas,” which hit DSPs on Friday. She says the idea of a holiday song for her Broadway musical Hell’s Kitchen was broached a year ago. “For different reasons it didn’t come together,” she tells Billboard. “This year we knew we wanted to do it, so we put it together now.”

“Hell’s Kitchen’s a Merry Little Christmas” mashes up the standard “Have Yourself a Merry Little Christmas” with the musical’s opening number, Keys’ “The Gospel.” The recording features Adams along with principal performers including Amanda Reid, Phillip Johnson Richardson and Jessica Vosk.

“I love it so much,” Keys continues. “It’s such a beautiful version. Of course, the holidays are such a beautiful time to celebrate that warm, festive feeling. We wanted to bring some Hell’s Kitchen energy.”

The recording was produced by Adam Blackstone, Keys’ longtime collaborator who also serves as music supervisor and co-orchestrator for the musical. “Our process of bringing the music to life for Hell’s Kitchen has been so thrilling and exciting,” Keys says. “We had no idea that someone as phenomenal as Yolanda Adams would be joining the cast. The life of Hell’s Kitchen has just been such an incredible experience.”

With a book by Kristoffer Diaz, Hell’s Kitchen premiered at the Public Theater in late 2023, moving to the Shubert Theatre in March 2024. It was nominated for 13 Tonys, with Kecia Lewis, who played Miss Liza Jane, wining for best featured actress in a musical and Maleah Joi Moon, as Ali, taking home best actress in a musical at the 2024 Tony Awards. The original Broadway cast recording, featuring the three brand-new songs Keys penned for the musical, came out in 2024 and hit No. 1 on Billboard‘s Cast Albums chart.

The first North American tour, meanwhile, kicked off during October in Cleveland, with 30 cities on the schedule for its first year.

“That’s such a huge accomplishment,” Keys says. “And I’m so excited the country will get to experience it — even if you can’t come to New York — in a city near you. And this cast is unreal. I just can’t believe how good they are.”

The holiday song isn’t Keys’ only new music to drop on Friday. It coincides with the release of her feature on “L’aurora,” a new single by Italian vocalist Eros Ramazzotti. “It’s my first time singing in Italian,” she says. “It’s such a beautiful process to continue to learn and try things that are new and different, so I’m really excited about that.” Keys is also working on new material as she works toward a follow-up to her last studio album, 2021’s Keys, and 2022’s holiday effort Santa Baby.

“I’m writing right now, creating new music,” she says. “It is very, very special. I just feel like I’m getting better and better, so that’s all happening. There’s a lot of phenomenal things bubbling, but I just take my time — just like Hell’s Kitchen, just take my time putting it all together. It’s just a beautiful time of no limits. That’s how I look at everything.”

22 Nov 2025

Ornella Vanoni, ‘The Lady of Italian Song,’ Dies at 91

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Ornella Vanoni, a beloved performer who had a seven decade-long singing career with such international hits as “Senza Fine” and “L’appuntamento,” has died. She was 91.

In a post on X Saturday, Italian Prime Minister Giorgia Meloni expressed her deep sorrow for the loss of Vanoni, whose “unmistakable voice” left an imprint on Italian culture for generations. “Italy loses a unique artist who leaves us with an unrepeatable artistic heritage,” Meloni said.

Vanoni died of cardiac arrest at her Milan home, Italian newspaper La Stampa reported.

Vanoni recorded more than 100 albums with sales of over 55 million copies, vaulting her to iconic status among generations of fans and earning her the moniker “The Lady of Italian Song,” according to LaPresse newspaper.

Born in Milan in 1937, Vanoni’s first love was the theater, which culminated with performances on the Broadway stage in 1964. But her passion for music combined with what LaPresse described as a “highly personal and sophisticated performing style” and vast repertoire from jazz to pop led her to collaborate with some of the most important songwriters in Italy and abroad.

Vanoni’s partnership — and love affair — with famed Genovese singer-songwriter Gino Paoli produced the hit “Senza Fine” (Without End), which shot her onto the international stage in 1961.

Her later collaborations spanned a range of artistic talent including Gil Evans, Herbie Hancock and George Benson, according to Italy’s ANSA news agency.

Vanoni excelled in numerous prestigious music festival awards in Italy, including the country’s most popular Sanremo Music Festival in which she participated eight times, earning second place in 1968 with the song “Casa Bianca.”

Her talent extended into songwriting which was recognized when she twice won the prestigious Tenco Award — the only Italian singer to be awarded the prize as a songwriter and the only woman to have won it twice.

ANSA said Vanoni was much sought-after as a guest on television programs in her later years because of her unpredictable nature, the vast wealth of anecdotes she shared and her “complete indifference to political correctness.”

22 Nov 2025

Bad Bunny’s Debí Tirar Más Fotos World Tour Setlist: Every Song From the Dominican Republic Night One

Puerto Rican band Chuwi opened the first of two nights at a sold-out Olympic Stadium on Bad Bunny’s world tour.

Bad Bunny performs onstage during Bad Bunny:

Bad Bunny performs onstage during Bad Bunny: “No Me Quiero Ir De Aqui” Residencia En El Choli at Coliseo de Puerto Rico José Miguel Agrelot on July 13, 2025 in San Juan, Puerto Rico.

Cheery Viruet


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Bad Bunny kicked off his Debí Tirar Más Fotos World Tour Nov. 21 at Félix Sánchez Olympic Stadium in Santo Domingo, Dominican Republic, where he’ll play a second show tonight (Nov. 22).

The highly-awaited tour is Bunny’s official world trek, which will take him through Latin America, Europe and Asia after his historic 31-show residency in Puerto Rico.

Bad Bunny’s connection with the Dominican Republic is close. In 2022, he dedicated a Latin Grammy to the country after winning best urban fusion/performance for “Tití Me Preguntó.” That same year, he sold out two consecutive nights at the Olympic Stadium — and before that, he’d built a strong bond with the Dominican audience through collaborations like “La Romana” with El Alfa. He even gives them a shoutout in “El Apagón,” saying, “Si no me voy pa’ RD… un saludo a mis vecinos, ey (de lo’ mío’, ¿qué lo qué?)” –which roughly translates to, “If I don’t go to DR… a shoutout to my neighbors, hey (my people, what’s up?).”

So it was no coincidence that for these particular two shows, the preferred seating area in the stadium was named Los Vecinos (“The Neighbors”) in honor of this connection. The local production of the show was handled by businessman Gamal Haché, with a setup that took nearly two weeks to complete. For the first time outside of Puerto Rico, the show included Bad Bunny’s iconic “casita,” a key feature of his residency. Its presence at the Olympic Stadium not only added a visual nod to that historic time but also enhanced visibility for fans in the stands and VIP areas, while maintaining the intimate, theatrical vibe of the original show.

Here’s the complete setlist from Bad Bunny’s opening night of the Debí Tirar Más Fotos World Tour in Santo Domingo (note: the setlist may vary in other cities):

22 Nov 2025

Paola Jara & Jessi Uribe Welcome Baby Girl & More Uplifting Moments in Latin Music

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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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Paola Jara & Jessi Uribe Welcome Baby Girl

Música popular power couple Paola Jara and Jessi Uribe welcomed baby girl Emilia, the singers shared on social media. “One more reason to look up to the sky and thank God for His great kindness,” they wrote in a joint post on Instagram. The birth of their first baby together follows Jara’s first-ever Grammy nomination for Sin Rodeos, up for best música mexicana album (including tejano). Jara makes history as the first música popular female artist to compete in the category. Uribe made history last year as the first música popular artist to be nominated in that same category.

Rauw Alejandro’s Education Initiative

Last week, Rauw Alejandro carried out an educational initiative in ten schools in Puerto Rico, according to a press release, where students from various communities received an introduction to the history of bomba and participated in a dance class. The Puerto Rican star was not in attendance but surprised the students with a video message, inspiring a new generation to feel proud of their roots.

See part of the video message here.

Nicki Nicole Gets Emotional

Nicki Nicole couldn’t help but get teary-eyed as she shared the stage with Andrew Bocelli in her native Argentina. Nicki sang “Vivo Por Ella” with Bocelli, his 1995 song originally recorded with fellow Italian artist Giorgia. In what seemed like a pinch-me-moment for Nicki, she expressed a heartfelt message after their duet. “I’m really very excited. I can’t believe it. Let’s give him a round of applause because he’s a legend and it’s an honor to be here. Thank you.”  

Andrew Lloyd Webber Praises LUX

Andrew Lloyd Webber took to social media to praise Rosalía’s latest album, calling it “brilliant.” The English composer (Phantom of the Opera) went on to say that he had listened to the LP for about the fifth time and that it could be “the album of the decade so far.” He goes on to complement her vocals and that the set is “truly musical.” Adding, “It’s got all of these different tempi … it’s got all sorts of exciting sounds.”

Rosalía took to the comments section to thank Lloyd Webber for his positive review. “Thank you, maestro. I’m going to cry. God bless you and your wonderful compositions!”

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22 Nov 2025

Olivia Dean Calls Out Ticketing Companies Over High Resale Prices

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Olivia Dean has criticized major ticketing companies after fans flagged steep resale prices for seats on her newly announced Art of Loving Live tour.

The British singer addressed the issue directly on Instagram soon after general on-sale opened. In her first post, she told fans her team was “looking into” unexpected resale activity and warned followers to be cautious of comment-section sellers, calling many of them potential scams.

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“I’m sorry that there seems to be an issue with ticket re-selling and pricing,” she wrote. “My team are currently looking into it. It is extremely frustrating as the last thing I want is for anyone to be scammed or overcharged for our sho. Please be wary of buying tickets in the comment sections as it is most likely a scam.”

She continued, “@ticketmaster @livenation @aegpresents you are providing a disgusting service. The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible and we need to find a new way of making that possible. BE BETTER.”

Fans on social media reported long virtual queues and verified tickets appearing at significantly higher prices on secondary-market sites shortly after on-sale. Listings varied by city, with some resale amounts reaching several hundred dollars above face value.

Ticketmaster acknowledged Dean’s comments by reposting her Instagram story and stating it would cap resale on its platform at face value. “We support artists’ ability to set the terms of how their tickets are sold and resold. @oliviadeano, we will cap resale prices on our site at face value and hope other resale sites will follow,” they added.

The U.K. singer-songwriter and BRIT School alum currently holds four songs on the Billboard Hot 100 — her first four career entries — including the breakout “Man I Need,” which reached the top five on the chart dated Nov. 8. Her sophomore album The Art of Loving debuted at No. 8 on the Billboard 200 earlier this month, marking her highest entry on the tally to date.

Dean announced her 2026 tour last week, celebrating a major career milestone that includes her first headlining date at Madison Square Garden, as well as performing at Australia’s 2025 ARIA Awards. The North American leg begins in July in San Francisco before continuing through major U.S. markets and wrapping in Austin.

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21 Nov 2025

Rolling Loud Australia Unveils Full 2026 Lineup With Ken Carson, Tyga and More

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Rolling Loud has unveiled the full lineup for its 2026 Australia edition, confirming a heavyweight bill of U.S. rap acts alongside some of the country’s most prominent homegrown names.

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Rolling Loud Australia is set to take place across two cities in March: Sydney’s Centennial Park on March 7, and Melbourne’s Flemington Racecourse on March 8. The twin one-day events mark Rolling Loud’s first shows in Australia since 2019, and the first time the global hip-hop festival brand has expanded to a two-city format in the country.

Gunna will headline the two-city run, following Rolling Loud’s earlier confirmation that the rapper would anchor the event. Ken Carson joins him at top billing, extending the Opium-affiliated artist’s growing presence across the festival’s global footprint. Sexyy Red — previously announced — leads the second tier of performers.

The 2026 bill includes several major U.S. rap acts across its main stages. Sexyy Red, Tyga, Swae Lee, Lil Tjay, Ski Mask the Slump God, NLE Choppa, Quavo, Ian and rising rapper Osamason are among the international performers scheduled across the weekend. The lineup spans established touring names, TikTok-driven breakout acts and core Rolling Loud regulars who have been fixtures across the festival’s global editions.

In addition to the international programming, Rolling Loud Australia will feature a dedicated stage focusing on local artists from Australia and New Zealand. Acts announced for the regional platform include Hooligan Hefs, Youngn Lipz, Amarni, Day1, Lil Golo & Cult Shotta, 4ourttune and Jonny Chopps. While each city will include select local-only performers, the core lineup remains consistent across both dates.

Rolling Loud first debuted in Australia in 2019 with a one-day event at Sydney Olympic Park headlined by Future, Playboi Carti and Rae Sremmurd. That edition sold out quickly and became a key marker of the festival’s global expansion cycle. Its return in 2026 marks the brand’s first Australian event in seven years and the first time Rolling Loud has staged back-to-back shows in two Australian cities.

The announcement follows a period of continued international growth for the Miami-born festival, which recently added new editions across Europe, Asia and India. Rolling Loud India will take place later this month with a lineup headlined by Central Cee, Wiz Khalifa, Don Toliver and Karan Aujla.

Rolling Loud Australia 2026 will run in partnership with Primuse Entertainment as the local production partner. Further scheduling and site details are expected in the lead-up to the March events.

21 Nov 2025

Radiohead Make Epic Return to the U.K. With Greatest Hits Set in London: Best Moments

British music has had such a banner year in 2025, that Radiohead’s return has flown a touch under the radar. With Olivia Dean, Yungblud, Lola Young and RAYE all conquering the Billboard charts in the U.S., and Oasis putting on the biggest tour of the year, the return of the art-rock fivepiece after an seven-year absence feels low-key in comparison. There is no new music to plug, simply a run of shows in major European cities, and an unpredictable setlist – this is as understated as an arena-headlining band could ever dream to be.

That said, 2025 has still been notable for the group. Earlier this year they reassessed their 2003 album Hail to The Thief and worked with the Royal Shakespeare Company for a new production of Hamlet. Elsewhere “Let Down,” an album track from their 1997 opus OK Computer went viral and landed on the Billboard Hot 100 for the first time. Their Spotify monthly listener count now tops 44m users, higher than other British rockers such as Oasis, The Rolling Stones and even The Beatles.

All this comes despite a period of relative inactivity. The band’s last LP A Moon Shaped Pool was released in 2016 and the group completed touring for it in 2018. Yorke told The Times in an exclusive interview that touring was paused for Radiohead because “the wheels came off a bit,” but the fire has still burned. Since their hiatus, each member has embarked on solo projects, most prominently garage-rock side project The Smile featuring frontman Thon Yorke and guitarist Jonny Greenwood.

Last year, however, word of a comeback started to spread. Bassist Colin Greenwood let slip that the group had reconvened to rehearse their back catalogue, and rumours of a wider tour soon followed. A limited run of tour dates was announced in September, featuring 20 shows in Madrid, Spain; Bologna, Italy; London, England; Copenhagen, Denmark; and Berlin, Germany. 70 songs were touted as being in contention (the band have played 43 different tracks thus far) and the group announced they would be playing in the round for the first time.

The shows thus far have been a triumph, a rare chance for the band to look back at their discography and perform live without the necessity of promoting new music. This is a comeback that has proved as mysterious and thrilling as their studio material thus far. As the tour hit the halfway mark, Billboard was on hand to see the band’s first U.K. show in eight years. These were the best moments.

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21 Nov 2025

Santa Fe Klan Breaks Down 5 Essential Tracks From ‘Baile Cholo,’ His New Cumbia Vallenata Album

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Mexican rapper Santa Fe Klan takes a turn in his career with the release of Baile Cholo, a cumbia vallenata album featuring 26 songs that speak about love, heartbreak, loneliness, sadness, and pain.

“Since I was a child, before I started rapping, cumbia ran through my veins, so I always wanted to do something like this,” the artist tells Billboard Español. “It was a difficult mission and a lot of work on my part and the team’s, but today I can say we’re going to make everyone dance.”

Released on Thursday (Nov. 20) as his second album under Prajin Records, Baile Cholo was recorded in Monterrey, Mexico, a place that for many years has had a large Colombian and Mexican community dedicated to cumbia and vallenato.

The LP features multiple collaborations: Anaidita y Su Sonora on “No Hace Falta,” Alberto y Roberto on “Perro Lobo,” APV Passion Vallenata on “Nomás Lokeez,” Javier López y Los Reyes Vallenatos on “Bájate La Falda,” Los Kombolokos on “Tú Perfume,” and Toy Selectah, the renowned DJ from Control Machete, on “Y Si Nos Vamos.”

“This project comes from the heart. The collaborations aren’t for personal gain; rather, I’m supporting the people I’m collaborating with on the album,” Santa Fe Klan, whose real name is Ángel Quezada, says. “I’m opening the door for them to be known by my fans, just as they’re lending me their musical style and movement.”

Soon to turn 26 this month, the artist co-produced the set with Julián Villareal, blending raw lyrics — very much in Santa Fe Klan’s style — with the celebratory vibe inspired by the genre. “It’s a heartfelt gift for my fans,” he adds. “The songs are full of emotion, the kind of emotion that comes from the people in the neighborhood. Unity is strength to take this movement to the top.”

Below, Santa Fe Klan breaks down five essential tracks from Baile Cholo. To listen to the full album, click here.

Santa Fe Klan,

Santa Fe Klan, Baile Cholo

Courtesy