Music

Moe. in State of ‘Profound Shock and Sadness’ After Deadly Car Crash Outside NYE Show in Rochester

Members of the band Moe. said they were in a state of “profound shock and sadness” on Monday (Jan. 1) after a deadly car crash outside their New Year’s Eve show at the Kodak Center in Rochester, NY that killed several.

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According to WABC, police are investigating the incident as a possible act of terrorism. The incident took place around 12:50 a.m. as around 1,000 people were leaving the band’s Dec. 31 show. Rochester Police Department officers were helping fans navigate the crosswalk outside the venue in the early morning hours when a Ford Explorer ran into a Mitsubishi Outlander that was pulling out of a nearby parking lot.

The force of the crash reportedly caused the two vehicles to plow through a group of pedestrians as well as two other vehicles, with a large fire breaking out as a result that took nearly an hour to extinguish, according to the report. Once the fire was extinguished, first responders reportedly found at least a dozen gas canisters in and around the Expedition, prompting a response from the Rochester Police Department’s Bomb Squad and Joint Arson Task Force, as well as the FBI.

Two people in the Outlander were killed and the unnamed driver was taken to Rochester General Hospital with non-life-threatening injuries, while a number of other pedestrians and a Rochester police officer were also struck by vehicles; one of the three pedestrians was hospitalized with life-threatening injuries while the other two are reportedly in non-life-threatening condition.

On Tuesday morning (Jan. 2), Syracuse.com reported that the total death toll had risen to three, including the alleged driver of the Expedition, whom the New York Post identified as Michael Avery, who reportedly died at 8 p.m. on Monday night.

The band released a statement in response to the crash, writing, “Last night’s events outside the Kodak Center have left us all in profound shock and sadness. On a night that was meant for celebration and togetherness, we are faced instead with a tragedy that defies understanding. Our hearts go out to the family and friends of those who lost their lives, and our thoughts are with those who were injured.”

Moe. thanked the first responders and venue staff for their “swift and courageous” actions securing the safety of fans, as well as their fans, the Famoe.ly, for their support and resilience. “In these moments of confusion and grief, we stand together in solidarity,” the note continued. “We believe in the power of music to heal and unite, and it is in this spirit that we will continue to move forward.”

According to WABC, at press time authorities were still not sure that the crash was a deliberate act of terrorism, but are investigating it as such until they can determine a cause of the accident. Law enforcement sources told the station that reported Expedition driver Avery was from Syracuse and that he drove his own vehicle to the Syracuse airport, where he rented an extra-large SUV. The Post additionally reported that Avery allegedly rented a hotel room in Rochester, where investigators are said to have found a suicide note.

At press time Billboard was unable to reach a spokesperson for the Rochester Police Department for additional information on the incident.

Investigators are reportedly combing through the Expedition driver’s social media, as well as interviewing friends and family in search of additional information that might provide clues about why there were so many gas canisters in the vehicle.

See the band’s full statement below.

Les McCann, Grammy-Nominated Jazz Pianist and Vocalist, Dies at 88

Leslie “Les” McCann, an exceptional jazz pianist, composer and vocalist who discovered a young Roberta Flack, and whose own works have been sampled by countless hip-hop artists, died last Friday (Dec. 29) at the age of 88.

Born into a musical family, Sept. 23, 1935 in Lexington, Kentucky, McCann would become one of jazz music’s “most gifted and influential artists,” reads a statement from Kevin Gore, president of Global Catalog, Recorded Music for Warner Music Group.

A self-taught pianist, McCann was an innovator in the soul jazz style, fusing jazz with funk, soul and world rhythms. He mastered all instruments before him, and enjoyed an unusual breakthrough, by winning a Navy talent contest, opening the door to an appearance on The Ed Sullivan Show.

An early hit came with “The Shampoo,” the 1963 instrumental cut with his trio for Pacific Jazz Records.

McCann would enjoy a fruitful relationship with Atlantic Records, releasing a dozen albums on the label from the late-‘60s through to the mid-‘70s.

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During that run, Atlantic released Swiss Movement, featuring McCann, frequent collaborator, saxophonist and labelmate Eddie Harris, and trumpeter Benny Bailey. The album earned a Grammy nomination for best jazz performance – small group or soloist with small group, and included the protest song, “Compared to What,” which McCann and Co. performed at the Montreux Jazz Festival in 1969.

Another career highlight would come in 1971, when McCann appeared with a starry cast of artists, including Wilson Pickett, The Staple Singers, Santana and Ike & Tina Turner, for an historic 14-hour concert in Accra, Ghana. The event was captured for the concert film Soul To Soul.

His ears might have been just as impressive as his hands. It was McCann who discovered and recommended Roberta Flack to Atlantic Records.

A stroke in the 1990s slowed McCann’s output. So he channeled his energies into painting and photography, and he recovered for a string of music releases, including Pump It Up from 2002.

Gore remembers McCann as a great of jazz, the creator of “timeless” works. “While we deeply mourn his passing,” Gore continues, “his music will live on in the hearts of millions of music fans across the globe.”

Michael Bublé Jingles to U.K. No. 1 With ‘Christmas’

Michael Bublé’s Christmas (via Reprise) proves it’s the gift that keeps giving as it heads back to No. 1 on the U.K. albums chart.

The festive hit lifts 2-1 for a sixth non-consecutive week at the summit, to close out the year atop the Official U.K. Albums Chart, published last Friday, Dec. 29.

Christmas first reached the summit of the national tally following its release back in November 2011, returning to the top for two weeks in December that same year, the Official Charts Company reports. Since then, the LP has logged time at No. 1 in January 2021 and December 2022.

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According to the OCC, Christmas is home to five of the top 40 biggest Christmas songs of the 21st century in the U.K. – “It’s Beginning to Look a Lot Like Christmas” (No. 1), “Holly Jolly Christmas” (No. 8), “Santa Claus is Coming to Town” (No. 15), “Christmas (Baby Please Come Home)” (No. 19), and “Jingle Bells” (No. 20) with the Puppini Sisters.

The Canadian crooner holds off Taylor Swift’s former leader 1989 (Taylor’s Version) (via EMI), which lifts 3-2; and The Weeknd’s The Highlights, up 9-3 (via Republic Records/XO), respectively.

As Brits handed out gifts over the festive season, compilations provided the soundtrack. Elton John’s Diamonds (up 12-4 via Mercury/UMR), ABBA’s Gold: Greatest Hits (up 15-5 via Polydor), Eminem’s Curtain Call: Greatest Hits (up 10-9 via Interscope), and Fleetwood Mac’s 50 Years – Don’t Stop (up 23-13 via Rhino) all climb the chart. It’s worth noting, ABBA’s career retrospective has now logged a staggering 1,130 weeks on the Official U.K. Albums Chart, and makes its first dent on the top 5 since September 2021.

Predictably, a batch of festive compilations made their mark. Bing Crosby’s Christmas Classics (UMR/Virgin) lifts 73-18, and Nat King Cole’s The Christmas Song (UMR/Virgin) rises 86-22, both new peak positions.

The top new entry belongs to vocal group Pentatonix, with their addition to the festive season’s playlist, The Greatest Christmas Hits (RCA), new at No. 64.

Christmas Rush: Holiday Songs Swamp U.K. Singles Chart

Wham’s “Last Christmas” is the last U.K. No. 1 of 2023, leading a top 40 that features a record-setting array of holiday singles.

“Last Christmas” logs a fourth consecutive week at No. 1 on the Official U.K. Singles Chart, and ends the year as one of the market’s top 20 singles, based on sales and streams captured by the Official Charts Company.

Released back in 1984, George Michael and Andrew Ridgeley snagged a piece of chart history when “Last Christmas” recently completed the longest journey to the coveted Christmas No. 1, completing its odyssey after 39 years.

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The British duo’s evergreen pop treat heads-up an all-Xmas top 5, outpointing Sam Ryder’s “You’re Christmas to Me” (unchanged at No. 2 via EastWest/Rhino), Mariah Carey’s “All I Want For Christmas Is You” (unchanged at No. 3 via Columbia), Ed Sheeran and Elton John’s “Merry Christmas” up 5-4 via Atlantic/EMI) and Brenda Lee’s “Rockin’ Around The Christmas Tree (up 7-5 via MCA), respectively.

“Last Christmas” became Wham’s fifth U.K. No. 1 when it summited on Jan. 1, 2021 – some 36 years after release. And in doing so, it discarded the unwanted record as the U.K.’s best-selling single to not hit the top.

The latest Official U.K. Singles Chart, published Friday, Dec. 29, is one for the history books, boasting a record 37 festive songs in the top 40.

The singles to buck the trend are Noah Kahan’s “Stick Season” (down 4-10 via Republic Records), the only non-Christmas song in the top 10; Jack Harlow’s “Lovin On Me” (down 8-27 via Atlantic), and Tate McRae’s “greedy” (down 17-37 via Ministry of Sound).

Finally, Cher scores her highest-charting single in the U.K. in over 22 years, as “DJ Play a Christmas Song” (Warner Records) lifts 20-18.

A week earlier, the pop icon established two new Official Chart records by becoming the first solo artist ever to score a top 40 hit with new material across seven consecutive decades, and the oldest female solo artist to crack the top tier.

“DJ Play a Christmas Song” is Cher’s highest charting track in the U.K. since “The Music’s No Good Without You” reached No. 8 in November 2001.

Post Malone Delivers Celebratory New Year’s Eve Show At Las Vegas’ Hottest New Resort: 7 Best Moments

At 10:20 p.m. on Dec. 31, the sold-out crowd at Las Vegas’ newest venue the BleauLive Theater At Fontainebleau started to chant: “Posty! Posty!” 

The audience was so encouraging that, as a result of its efforts, the superstar emerged soon after – ahead of the scheduled 10:30 start time – to begin his hits-filled New Year’s Eve show. 

As one of the first artists to headline the relatively intimate, 3,800-capacity space (after 16 years of star-and-stop delays, the Fontainebleau Las Vegas celebrated its long-awaited grand opening in mid-December) – Post Malone made sure to deliver. 

As expected, Posty – wearing jorts and a zebra print top – walked on stage with a red Solo cup in hand, which he promptly tossed into the crowd. The 90-minute set that followed included staples from his signature, vibe-based dance moves and a special guest appearance from one lucky fan, to loads of sparklers and pyro. And come midnight, a confetti cannon helped ring in the new year.

“It’s f—ing New Year’s Eve!” exclaimed Post after warming up with hits including “Better Now” and “Wow.” He then told the crowd he came to Vegas with “the most beautiful musicians in the world,” including a string quartet that helped bring his songs, especially those off his latest album Austin, to life. 

“I just wanted to say how f—ing beautiful and how f—ing special it is to have everybody come out,” he continued. “Let’s kick this new year off bitchin’.”

And thanks to the below moments, Post, along with his thousands of fans in attendance, made sure to do just that.

Selena Gomez Poses for Cozy Photo With Benny Blanco on New Year’s Weekend

It’s a happy new year for Selena Gomez, who shared an adorable new photo with Benny Blanco on Instagram Stories this weekend.

In the snapshot, the pair appear to be enjoying each other’s company and some fresh air. Blanco has his arms wrapped around Gomez and seems to be giving her a kiss, while the singer holds his arm and leans her head onto him. Gomez gives the camera a sweet smile.

Gomez and Blanco were also seen cuddling up together earlier in the week, in a date selfie.

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The singer and actress first confirmed that she and Blanco were dating on Dec. 7, about six months into their romance. In a reply to fans on Instagram, she wrote that he “is my absolute everything in my heart” and that she is at her “happiest” in the relationship.

Gomez soon made their relationship fully Instagram official by giving a spot on her main feed to photos with Blanco, including one in which he hugs her among friends, and one in which she leans back to kiss him.

Blanco co-produced Gomez’s “Single Soon,” which arrived in August and reached No. 19 on the Billboard Hot 100. They also worked together on Blanco’s “I Can’t Get Enough” with Tainy and J Balvin in 2019.

See the couple’s latest picture on Gomez’s Instagram Stories here before it disappears.

Taylor Swift Spends New Year’s Eve Watching Travis Kelce at Chiefs-Bengals Game in Kansas City

What is Taylor Swift doing New Year’s Eve? Cheering on boyfriend Travis Kelce in Kansas City, as the Chiefs take on the Cincinnati Bengals at Arrowhead Stadium.

The pop star, who is back at No. 1 on the Billboard 200 with 1989 (Taylor’s Version) and making history as the solo artist with the most weeks spent at No. 1 on the chart, was filmed by local fans and media arriving at the game Sunday afternoon (Dec. 31).

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Swift, with her hair styled in loose waves, a small braid and side-swept bangs, topped an all-black outfit with the same Chiefs jacket Kelce was seen wearing recently.

‘Tis the damn season for Swift to be in her football era. She was also spotted at the Chiefs’ Christmas game against the Las Vegas Raiders on Monday, with her family by her side.

Although the Chiefs were defeated — leaving Kelce to understandably admit he’s “had better” Christmases — the tight end said on the Dec. 29 episode of his New Heights podcast, “It ended well, with good Christmas cheer and great people. That’s always gonna save Christmas, no matter if you lose to the Raiders or not.”

See Swift’s New Year’s Eve arrival below, and check back in for updates after the game begins.

Ed Sheeran & Chris Hemsworth Wield Thor’s Hammer in Singer’s 2023 Year-End Photos Recap

Ed Sheeran is looking back on some of his standout memories of 2023.

On Sunday (Dec. 31), the British pop superstar shared a photo gallery on Instagram with numerous throwbacks of the past year, including one of him and Thor star Chris Hemsworth posing with the superhero’s hammer Mjölnir.

“2023 dump,” Sheeran captioned the carousel. “See ya in 2024 have a good one yeah nice one love you.”

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Earlier this year, the “Thinking Out Loud” singer gave Hemsworth a guitar in exchange for the God of Thunder’s famous weapon. The Australian actor documented the trade in a video on Instagram.

“Just an instrumental trade off between two blokes,” Hemsworth captioned the clip in February. “Ed Sheeran I’ll make this guitar sing like no other and you swing that hammer with all your soul.”

The photo dump also included a courtroom sketch of Sheeran’s testimony during his copyright dispute over Marvin Gaye’s soul classic “Let’s Get it On.” In May, a Manhattan federal jury cleared him on the allegations, allowing the star to avoid millions in potential damages.

Other reflective snapshots included Sheeran performing on the Today show, the time he crashed a couple’s wedding in Las Vegas, and numerous behind-the-scenes recording studio images.

Sheeran dropped his latest album, Autumn Variations, in late September through Gingerbread Man Records. The set, produced by the National’s Aaron Dessner, peaked at No. 4 on the Billboard 200.

The album arrived shortly after the North American leg of Sheeran’s Mathematics World Tour wrapped at SoFi Stadium in Inglewood, Calif. The Asia leg of his trek is scheduled to launch in January 2024.

Autumn Variations is the singer-songwriter’s second album this year, following Subtract, which debuted and peaked at No. 2 on the Billboard 200 albums in May. The album also launched at No. 1 on the Top Album Sales chart, with his largest sales week since 2017.

See Sheeran’s 2023 year-end post on Instagram here.

Half of the Billboard 200’s Top 10 Are Holiday Albums

It’s a merry and bright top 10 on the Billboard 200 albums chart dated Jan. 6, 2024, as half of the region is populated by holiday titles. The top 10 last hosted five seasonal albums on the Jan. 7, 2023, ranking.

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The Jan. 6, 2024, chart reflects the tracking week of Dec. 22-28, 2023.

Leading the holiday pack is Michael Bublé’s chart-topping Christmas, which climbs 4-2 with 78,000 equivalent album units earned (up 11%), according to Luminate. It’s the highest rank for the title in two years, since it spent two weeks in a row at No. 2 on the Jan. 1-8, 2022-dated charts. Christmas was released in 2011 and spent five consecutive weeks at No. 1 in 2011-12.

Nat King Cole’s The Christmas Song hits a new peak, rising 8-4 with 64,000 units (up 15%). The album previously peaked at No. 5 a year ago, on the Jan. 7, 2023, chart. The set includes Cole’s classic title track, along with Billboard Holiday 100-charting favorites including “Deck the Halls,” “O Come All Ye Faithful,” “Joy to the World” and “Caroling, Caroling.”

The classic multi-artist holiday album A Christmas Gift for You From Phil Spector jumps 14-7 — a new peak — with 56,000 equivalent album units earned (up 17%). The album, first released in 1963, previously peaked at No. 8 a year ago (on the Jan. 7, 2023, chart). It first reached the top 10 on the Jan. 8, 2022, chart, when it stepped 11-10. The album, produced by Spector, boasts familiar favorites heard during the holiday season that were initially recorded for the project. Among them are Holiday 100-charting hits including The Ronettes’ “Sleigh Ride” and Darlene Love’s “Christmas (Baby Please Come Home)” and “Winter Wonderland.”

Mariah Carey’s Merry Christmas jingles 10-8 with 56,000 equivalent album units (up 7%). The album was released in 1994 and peaked at No. 3 that December. The set houses Carey’s classic “All I Want for Christmas Is You,” which has topped the all-genre Billboard Hot 100 chart in each of the last five holiday seasons.

Rounding out the top 10 of the new Billboard 200 is Pentatonix’s The Greatest Christmas Hits, which vaults 60-10, a new peak, with 51,000 equivalent album units earned (up 147%). The 31-song set is the vocal group’s latest release, and it includes 23 earlier-released holiday favorites, along with eight new recordings.

The Greatest Christmas Hits marks Pentatonix’s 11th top 10-charting set, and its first since its last compilation, 2019’s The Best of Pentatonix Christmas, peaked at No. 7 on the Dec. 28, 2019, chart.

Here’s a recap of Pentatonix’s 11 top 10-charting albums on the Billboard 200, six of which are holiday sets: PTXmas (No. 7, 2013), PTX: Vol. II (No. 10, 2013), PTX: Vol. III (No. 5, 2014), That’s Christmas to Me (No. 2, 2014), Pentatonix (No. 1, 2015), A Pentatonix Christmas (No. 1 for two weeks, 2017), PTX Vol. IV: Classics (No. 4), PTX Presents: Top Pop, Vol. 1 (No. 10, 2018), Christmas Is Here! (No. 7, 2018), The Best of Pentatonix Christmas (No. 7, 2019) and The Greatest Christmas Hits (No. 10, 2024).   

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 6, 2024-dated chart will be posted in full on Billboard‘s website on Jan. 3, one day later than normal due to the New Year’s Day holiday on Jan. 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Taylor Swift Surpasses Elvis Presley for Most Weeks at No. 1 on Billboard 200 Among Soloists

As Taylor Swift’s 1989 (Taylor’s Version) ties up a fifth nonconsecutive week at No. 1 on the Billboard 200 (dated Jan. 6, 2024), Swift also carves out a new piece of chart history.

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Swift’s total weeks at No. 1 on the Billboard 200 — across all 13 of her chart-topping releases — now climb to 68 weeks, surpassing Elvis Presley for the most weeks at No. 1 by a soloist. He logged 67 weeks at No. 1 across 10 chart-topping albums spanning 1956-2002. Only The Beatles have more weeks at No. 1, with 132 weeks on top, across 19 No. 1 albums in 1964-2001.

Swift’s first No. 1 album came with Fearless, which spent 11 weeks atop the list in late 2008 and early 2009. She followed it with the chart-toppers Speak Now (six weeks at No. 1, 2010-11), Red (seven, 2012-13), 1989 (11, 2014-15), Reputation (four, 2017-18), Lover (one, 2019), Folklore (eight, 2020-21), Evermore (four, 2020-21), Fearless (Taylor’s Version) (two, 2021), Red (Taylor’s Version) (one, 2021), Midnights (six, 2022-23), Speak Now (Taylor’s Version) (two, 2023) and 1989 (Taylor’s Version) (five, 2023-24).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 30, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 27, one day later than normal due to the Christmas Day holiday on Dec. 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.