Music

Here’s How Ariana DeBose Reacted to Critics Choice Awards Barb About Her Singing

Ariana DeBose wasn’t amused by a joke made at her expense during the 2024 Critics Choice Awards.

While presenting the best song award on Sunday (Jan. 14), Last of Us star Bella Ramsey and actor-singer Anthony Ramos introduced the nominees Billie Eilish, Lenny Kravitz and Dua Lipa as “some of the most famous voices in the music industry” before taking a dig at DeBose.

“Then there are the actors who think they’re singers: Jack Black, Ariana DeBose and Ken himself, Ryan Gosling,” Ramsey added.

The camera then cut to the Academy Award winner and Tony nominee, who appeared offended before moving on to a chucking Gosling, whose “I’m Just Ken” from Barbie took home the award.

DeBose — who was nominated for “This Wish” from Disney’s animated movie of the same title — later addressed the joke on social media.

“No, I didn’t find it funny,” the Broadway star wrote in her Instagram Stories on Monday (Jan. 15), adding “lol.”

DeBose received support from her outraged fans on X (formerly Twitter).

“Ariana DeBose, Oscar award winning, Tony nominated, OG cast member of Hamilton on BROADWAY…. “THINKS she’s a singer”?!? Who wrote this bit?! I want names #CriticsChoiceAwards, one fan wrote.

Another added, “The disrespect to Academy Award winner, Tony nominee, Broadway star, Ariana DeBose is WILD. The look on her face really said it all.”

Last year, DeBose received backlash on social media after performing an original rap in honor of the female nominees during the show-opening musical medley at the 2023 BAFTA Awards in London. During the rap number, the West Side Story star named-checked famous actresses like Bassett, Jamie Lee Curtis and Viola Davis.

See DeBose’s reaction to the Critics Choice Awards joke on her Instagram Stories here.

Lil Nas X Explains Religious-Themed ‘J CHRIST’ Artwork & Video Amid Backlash: ‘I’m Not Some Evil Demon Guy’

Lil Nas X is offering an explanation and apology to those offended by his new song “J CHRIST.”

On Monday (Jan. 15), the 24-year-old rapper shared a sincere video of himself on social media addressing the backlash from the religious-themed artwork and music video for the controversial new single, which includes the pop provocateur portraying Jesus Christ on the crucifix.

“I know I messed up really bad this time. I can act unbothered all I want, but it’s definitely taken a mental toll on me,” Lil Nas X said in the candid Instagram clip. “I’m not some evil demon guy trying to destroy everybody’s values and stuff like that. That’s not me.”

Lil Nas X begins the four-minute video by addressing the artwork and viral marketing push leading up to the release of “J CHRIST.” In one string of TikToks, he joked that he was releasing new gospel music independently. Another Instagram post saw him sharing a fake acceptance letter to Christian college Liberty University (university reps later said that they did not admit him for the fall 2024 semester). The rapper also drew intense criticism for his use of religious iconography, with commentators claiming that he was “mocking” and “disrespecting” Christianity.

“When I did the artwork, I knew there would be some upset people simply because religion is a very sensitive topic for a lot of people,” Lil Nas X said in Monday’s explanation clip. “But I also didn’t mean to mock — this wasn’t a f— you to the Christians. It was literally me saying I’m back like Jesus.”

The singer also apologized for a TikTok video of himself simulating the act of taking communion, where he’s seen taking shots of purple juice while scarfing down crackers in what appears to be a religious setting.

“I know given my history with the [‘Montero (Call Me by Your Name)’] video, anything that I do related to religion can be seen as mockery,” he said. “That just was not the case with this. I will say, though, with the communion video, with me eating the crackers and juice, I thought that video was going to lighten the mood to take it down less serious. I thought that was something we all wanted to do as kids, but I didn’t understand the idea of the reality of what it is.”

He added, “I didn’t mean it as a cannibalism thing, or whatever the freak. But I do apologize for that. That was overboard. Though I don’t agree with all of Christianity’s rules, I know not everybody follows Christianity by the book 100% or the world would be a lot crazier.”

On Friday (Jan. 12), Lil Nas X shared his much-hyped music video for “J CHRIST,” taking the Biblical title to its furthest extent. The clip opens with a series of celebrity lookalikes — ranging from Taylor Swift to Kanye West — as they climb the stairway to heaven. The Lil Nas-directed video then proceeds to show a series of callbacks to his hellish video for “Montero (Call Me By Your Name),” showing the oft-discussed pole to hell and a demonic Lil Nas X stirring a cauldron of arms and legs. Flying back up to heaven, he reunites with the Devil for a one-on-one basketball game where the rapper dunks the ball and celebrates with a cheerleading routine.

“With the video, there’s not disrespect there,” Lil Nas said in his explanation video. “I thought me clearly not being on the side of the devil in the video was the … I don’t know, there was an understanding there that I’m not trying to diss Christianity.”

He closed the heartfelt video with a positive message to his Christian fans. “I know this isn’t going to be an immediate swift, everybody moves forward. But I do want my Christian fans to know that I am not against you,” the singer said. “I was put on this earth to bring people closer together and promote love. That’s who I am.”

Watch Lil Nas X address the “J Christ” backlash on Instagram below.

Eagles Say Goodbye to the Road & Fallen Friends With 4 LA Forum Shows on Long Goodbye Final Tour

The Eagles are saying a lot of farewells on their Long Goodbye Final Tour — not just to life on the road, but also to the countless friends they’ve lost along the way.

So when they hit the Kia Forum in Inglewood, Calif., for four nights over the past two weekends (kicking off Jan. 5 and 6 and wrapping up this past Friday and Saturday), they might have been feeling especially nostalgic, considering their band formed right here in Los Angeles and they first played the venue 49 years ago, back in 1975. They also reopened the Forum as a concert space in 2014, playing the first six shows in the newly renovated arena.

“It’s good to be back here at the Forum,” Don Henley said. “We consider the Forum to be our home field. … They’ve improved the place a lot since then. Remember all those ugly yellow and orange seats?” he said with a laugh, recalling the slightly different color scheme when the Lakers played at the Forum before moving to Staples Center in 1999.

Throughout their 21-song set, the Eagles sprinkled in tributes to peers they’ve lost, including bandmates Glenn Frey and Randy Meisner. Of course, Frey died back in 2016, and his son Deacon Frey, now 31, has been filling in for his late dad (alongside Country Music Hall of Famer Vince Gill) in the band since their Classic West performance at Dodger Stadium in 2017. Founding member Meisner — who left the band after 1976’s Hotel California album — died this past summer, so this is the band’s first tour since.

“We’re going to dedicate this to the memory of Mr. Randy Meisner,” Henley said to introduce “Take It to the Limit,” which was the band’s only single to feature the bassist on lead vocals and peaked at No. 4 on the Billboard Hot 100 in 1976 and spent 23 weeks on the chart — their longest-charting hit on the tally. “Sing it with him,” Henley implored, as Gill took over on Meisner’s sky-high vocals.

Frey tributes were sprinkled throughout the night — basically any time Deacon and Gill took the lead on his signature songs — and after the mellow “Peaceful Easy Feeling” wrapped up, Glenn’s picture appeared on the big screen.

One unexpected tribute came when Henley told the crowd, “I think we’re going to take a little trip up to the mid-’80s right now. And we’re going to dedicate this next song to the memory of our dear friend, Mr. Jimmy Buffett.” The intro led in to Henley’s 1984 solo smash “The Boys of Summer” — a perfect fit to remember the late “Margaritaville” singer, who died in September and was the eternal boy of summer.

Steely Dan served as the opening act, doing a robust 12-song set and remembering some friends of their own, with lead singer Donald Fagen making sure to shout out his band co-founder Walter Becker, who died in 2017.

The Long Goodbye Final Tour picks back up Tuesday at Acrisure Arena in Palm Springs, Calif., and wraps up March 16 at Charlotte, N.C.’s Spectrum Center.

Eagles’ Long Goodbye Final Tour setlist for Friday, Jan. 12:

Seven Bridges Road
Take It Easy
One of These Nights
Lyin’ Eyes
Best of My Love
New Kid in Town
Witchy Woman
Peaceful Easy Feeling
Tequila Sunrise
In the City
I Can’t Tell You Why
Take It to the Limit
Life’s Been Good
Already Gone
The Boys of Summer
Funk #49
Life in the Fast Lane
Hotel California

Encore:
Rocky Mountain Way
Desperado
Heartache Tonight

Tony Orlando Sets Farewell Tour

Tony Orlando is hanging up his mic – but not before a final lap of North American shows.

Announced today (Jan. 15), Orlando’s Farewell Concerts kick off with dates across three consecutive nights at South Point Casino in Las Vegas, NV, Jan. 19-21; followed by shows at Niagara Falls, ON; Des Plaines and St. Charles, IL; Atlantic City, NJ; and Uncasville, CT.

His final performance in Vegas should be an emotional one, wrapping 51 years as a headliner on the Strip.

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As it stands, Orlando will call time on his 62-year concerts career on March 22 at Mohegan Sun’s 10,000-seat arena in Uncasville, Connecticut.

“We are honored that after such a historic entertainment and humanitarian career, Tony Orlando has chosen Mohegan Sun to host his final live performance,” comments Tom Cantone, president of sports & entertainment for Mohegan. “It’s now time for us to give him a standing ovation for entertaining over 100,000 fans at Mohegan Sun over the years, something that only Billy Joel has done, as he will be forever part of Mohegan’s entertainment family.”

According to reps, this will mark his 65th appearance at the venue over a 23-year period. During that impressive run, Orlando was also inducted into Mohegan Sun’s Walk Of Fame in 2010.

“I am so honored that my last concert will be at my favorite venue on Earth, Mohegan Sun Arena,” comments Orlando, paying tribute to the “flawless” work by Cantone, the stage crews, and the staff. “I also want to thank all my friends within the Mohegan Tribe for making me feel like family and for the opportunity to say goodbye,” he adds. “Thank you for making my dreams come true.”

Orlando is a two-time American Music Award winner and a recipient of the People’s Choice Award for best male entertainer. In 2016 he collected the Casino entertainer of the year award and the Bob Hope Award for Excellence in Entertainment from the Congressional Medal Of Honor Society, honoring his tireless efforts on behalf of veterans.

In 1990, the entertainer was awarded a star on the Hollywood Walk Of Fame, a permanent reminder of his outstanding achievements in the entertainment industry.

Tony Orlando – The Farewell Concerts
Jan. 19, 20, 21 — Las Vegas, Nevada – South Point Casino
Feb. 27, 28 — Niagara Falls, Ontario – Fallsview Casino
March 2 — Des Plaines, Ill. – Des Plaines Theater
March 3 — St. Charles, Ill. – The Arcada Theater
March 16 — Atlantic City, N.J. – Resorts Casino Hotel
March 22 — Uncasville, Conn. – Mohegan Sun Arena

Empire of the Sun’s ‘Walking on a Dream’ Strolls to Billions Award

Empire of the Sun’s “Walking on a Dream” jogs into APRA AMCOS’ The 1,000,000,000 List, an accolade that recognizes one billion streams clocked up across all platforms.

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Released as the project’s debut single in 2008, the track cracked the top 10 (peaking at No. 10) on the ARIA Singles Chart and won single of the year at the 2009 ARIA Music Awards, one of their four victories on the night.

The following year, at the 2010 APRA Music Awards, the song — written by Nick Littlemore, Luke Steele and Jono Sloan — was awarded dance work of the year and the trio jointly won the breakthrough songwriter award.

Littlemore and Sloan were on hand for a presentation at APRA AMCOS’ Sydney headquarters. The song’s publishers are Universal Music Publishing for Littlemore, Sony Music Publishing for Steele, and Kobalt Music Publishing for Sloan, who BMG previously published.



“It’s an evergreen record,” says Littlemore. “It’s new for every generation. It’s the hope as a songwriter or creator in any sense that you can continually reach the kids and give them something to play back.”

In the U.S., the song had a second life when it was synced to a Honda Civic commercial in 2016, driving it to No. 65 on the Billboard Hot 100 and powering it to No. 1 on Billboard’s Dance Club Songs, their second leader on the tally after 2013’s “Alive”.

Later, in 2022, the song soundbedded a five-year global campaign for Western Australia Tourism, and was nominated last year in the new ARIA Awards category of best use of an Australian recording in an advertisement.

Currently, according to APRA AMCOS, “Walking on a Dream” is 10-times platinum certified in Australia, and platinum in the U.S. and U.K.

“It is an honor to acknowledge ‘Walking on a Dream’, a song that retains its freshness and otherworldly sound no matter what year it is or where you are in the world,” comments Dean Ormston, CEO of APRA AMCOS.

The 1,000,000,000 List acknowledges APRA AMCOS songwriter members and their publishers, and takes into account streaming numbers from major services Spotify, Apple Music and YouTube.

It’s said to be the first award of its kind to celebrate a songwriter’s streaming achievement, and is the inspiration for the BPI’s BRIT Billion Award, which the U.K. trade association introduced in 2023.

Previous recipients of the APRA AMCOS Billions Award include Tame Impala’s Kevin Parker (for “The Less I Know The Better”), Flume (“Never Be Like You”), Troye Sivan and Alex Hope (“Youth”), Tones And I (“Dance Monkey”), 5 Seconds of Summer (“Youngblood”), and SHOUSE (“Love Tonight”).

See the full list here.

Shed Seven Creates U.K. Chart History With ‘A Matter of Time’

Shed Seven etches its name in the history books as A Matter of Time (via Cooking Vinyl) bows at No. 1 on the U.K. Albums Chart.

With its fast start, the aptly-named A Matter of Time becomes the Britpop era band’s first chart leader. According to the Official Charts Company, the York, England-formed outfit now claims honors as the rock band with the longest-ever gap between a debut album and first leader – now set at 29 years and 3 months.

The indie act this year celebrates the 30th anniversary since the release of that debut LP, Change Giver, which peaked at No. 16 back in 1994.

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Since then, Shed Seven (Rick Witter, Paul Banks, Tom Gladwin, Tim Wills and Rob Maxfield) has landed five titles in the top 10, including A Matter of Time, their sixth studio LP.

British 2 tone legends The Specials own the all-time record for the longest gap between their debut (The Specials from 1979) and first U.K. 1 (2019’s Encore), clocking in at 39 years, 3 months.

The leader at the halfway stage, A Matter of Time knocks over Lewis Capaldi’s Broken By Desire To Be Heavenly Sent (EMI), which returned to No. 1 the previous week on the release of an expanded edition. Capaldi’s sophomore set dips 1-2, while The Weeknd’s The Collection (Republic Records/XO) holds at No. 3.

Meanwhile, British pop-punk band Busted returns to the top 20 with former leader Greatest Hits 2.0 Busted Live). The hits collection bounces to No. 19 on the release of an extended Another Present for Everyone edition, which includes new single “One of These Days .

Finally, Dublin, Ireland garage-punk outfit SPRINTS lands at No. 20 with their debut release Letter to Self (City Slang), while U.S. singer-songwriter Teddy Swims paddles to a first ever U.K. top 40 album with I’ve Tried Everything But Therapy (Part 1) (via Warner Records). Featuring the top 10 hit “Lose Control” (up 14-6 on the Official Chart), Therapy lands at No. 24.

‘Saltburn’ Bumps ‘Murder on the Dancefloor’ to Its U.K. Chart Peak

“Murder on the Dancefloor” (via Polydor) is killing it in the U.K., where Sophie Ellis-Bextor’s 2001 pop number returns to its peak position.

Powered by its sync in Emerald Fennell’s dark feature film Saltburn, Ellis-Bextor’s solo hit rebounds 8-2, equaling its best position set more than 22 years ago.

According to the Official Charts Company, “Murder On The Dancefloor” doubles its highest-ever streaming week in the U.K. to date, accumulating 4.7 million streams over the seven-day cycle.

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The Saltburn effect can be seen further down the list as Mason and Princess Superstar’s “Perfect (Exceeder)” (Armada), which also appears in the film, vaults 40-26. The mashup cut originally peaked at No. 3 in 2006.

Another movie is having an influence on the U.K. top 40. Natasha Bedingfield’s breakthrough “Unwritten” (Phonogenic) bounces to No. 24 on the tally, published Friday, Jan. 12 — for its first stint in the top 40 in almost 20 years. “Unwritten” originally peaked at No. 6 in 2004, but writes a new chapter in its chart journey thanks to its use in Will Gluck’s rom-com Anyone But You.

The top new entry on the latest Official U.K. Singles Chart is Liam Gallagher and John Squire’s collaboration “Just Another Rainbow” (Warner Records), new at No. 16. It’s Gallagher’s highest-charting solo single yet and the sixth top 40 for the former Oasis and Beady Eye frontman. “Rainbow” is the first top 40 effort for Squire, guitarist with the enigmatic Manchester band The Stone Roses.

British rockers Bring Me The Horizon bag an eighth top 40 appearance with “Kool-Aid” (RCA), new at No. 21. It’s the Sheffield, England outfit’s highest appearance on the weekly tally since 2014’s “Drown” floated to No. 17.

Also, Drake’s “Practice” (Cash Money/Republic Records) cracks the top 40, some 13 years after its release. Originally appearing on Drizzy’s 2011 album Take Care, “Practice” debuts at No. 27 after igniting a new viral trend on TikTok. That effort lifts the Canadian hip-hop star’s career top 40 tally to a whopping 91.

At the top of the tally, Noah Kahan’s “Stick Season” (Republic Records) snags a second consecutive week at No. 1.

The leader at the midweek stage, “Stick Season” was the U.K.’s most-streamed track last week, with 7.5 million streams plays, the OCC reports.

‘I’m Just Ken’ and ‘Oppenheimer’ Win Music Awards at 2024 Critics Choice Awards (Full Winners List)

“I’m Just Ken” from Barbie won best song at the 2024 Critics Choice Awards, which were presented on Sunday (Jan. 14) at Barker Hangar in Santa Monica, Calif. One week ago, Billie Eilish and Finneas’ “What Was I Made For?” from Barbie won the Golden Globe in that category. With these mixed verdicts, we appear to have a genuine contest on our hands for the Oscar for best original song for the first time in three years. The last two years, “No Time to Die” from the James Bond film of the same name and “Naatu Naatu” from RRR won both of these run-up awards on their way to winning the Oscar.

This is the second Critics Choice Award in this category for “I’m Just Ken” co-writers Mark Ronson and Andrew Wyatt. They won five years ago for co-writing “Shallow” from A Star Is Born with Lady Gaga and Anthony Rossomando.

There doesn’t appear to be much of a contest for the Oscar for best original score. Ludwig Göransson’s work on Oppenheimer won best score at the Critics Choice Award just as it did at the Golden Globes.

The 29th annual Critics Choice Awards, hosted by a funny and sharp Chelsea Handler, aired live on The CW.

Oppenheimer was the top winner on the film side with eight awards (including best picture and best director), followed by Barbie, with six.

All three core cast members of Alexander Payne’s The Holdovers won awards – Paul Giamatti (best actor), Da’Vine Joy Randolph (best supporting actress) and Dominic Sessa (best young actor/actress).

The biggest shutout on the film side was Killers of the Flower Moon, which had 12 nominations, yet went home empty-handed. Maestro and The Color Purple were also shut out, despite eight and five nods, respectively.

The Bear and Beef were the top winners on the TV side, with four awards each, followed by Succession with three.

Two non-competitive awards were presented. Margot Robbie presented her Barbie co-star America Ferrera with the SeeHer Award. James Mangold presented Harrison Ford with the Career Achievement Award.

The show was executive-produced by Bob Bain Productions and Berlin Entertainment. The Critics Choice Association is the largest critics organization in the U.S. and Canada, representing more than 600 media critics and entertainment journalists. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association. For more information, visit: www.CriticsChoice.com.

Here’s the complete list of nominations for the 2024 Critics Choice Awards, with winners marked.

Film Awards

Best song

 “Dance the Night” – Barbie, written by Mark Ronson, Andrew Wyatt, Dua Lipa, Caroline Ailin

 WINNER: “I’m Just Ken” – Barbie, written by Mark Ronson, Andrew Wyatt

 “Peaches” – The Super Mario Bros. Movie, written by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, John Spiker

 “Road to Freedom” – Rustin, written by Lenny Kravitz

 “This Wish” – Wish, written by Julia Michaels, Benjamin Rice, JP Saxe

 “What Was I Made For” – Barbie, written by Billie Eilish, Finneas O’Connell

Best score

Jerskin Fendrix – Poor Things

Michael Giacchino – Society of the Snow

WINNER: Ludwig Göransson – Oppenheimer

Daniel Pemberton – Spider-Man: Across the Spider-Verse

Robbie Robertson – Killers of the Flower Moon

Mark Ronson, Andrew Wyatt – Barbie

Best picture

American Fiction

Barbie

The Color Purple

The Holdovers

Killers of the Flower Moon

Maestro

WINNER: Oppenheimer

Past Lives

Poor Things

Saltburn

Best acting ensemble

Air

Barbie

The Color Purple

The Holdovers

Killers of the Flower Moon

WINNER: Oppenheimer

Best actor

Bradley Cooper – Maestro

Leonardo DiCaprio – Killers of the Flower Moon

Colman Domingo – Rustin

WINNER: Paul Giamatti – The Holdovers

Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

Best actress

Lily Gladstone – Killers of the Flower Moon

Sandra Hüller – Anatomy of a Fall

Greta Lee – Past Lives

Carey Mulligan – Maestro

Margot Robbie – Barbie

WINNER: Emma Stone – Poor Things

Best supporting actor

Sterling K. Brown – American Fiction

Robert De Niro – Killers of the Flower Moon

WINNER: Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Charles Melton – May December

Mark Ruffalo – Poor Things

Best supporting actress

Emily Blunt – Oppenheimer

Danielle Brooks – The Color Purple

America Ferrera – Barbie

Jodie Foster – Nyad

Julianne Moore – May December

WINNER: Da’Vine Joy Randolph – The Holdovers

Best young actor/actress

Abby Ryder Fortson – Are You There God? It’s Me, Margaret.

Ariana Greenblatt – Barbie

Calah Lane – Wonka

Milo Machado Graner – Anatomy of a Fall

WINNER: Dominic Sessa – The Holdovers

Madeleine Yuna Voyles – The Creator

Best director

Bradley Cooper – Maestro

Greta Gerwig – Barbie

Yorgos Lanthimos – Poor Things

WINNER: Christopher Nolan – Oppenheimer

Alexander Payne – The Holdovers

Martin Scorsese – Killers of the Flower Moon

Best original screenplay

Samy Burch – May December

Alex Convery – Air

Bradley Cooper & Josh Singer – Maestro

WINNER: Greta Gerwig & Noah Baumbach – Barbie

David Hemingson – The Holdovers

Celine Song – Past Lives

Best adapted screenplay

Kelly Fremon Craig – Are You There God? It’s Me, Margaret.

Andrew Haigh – All of Us Strangers

WINNER: Cord Jefferson – American Fiction

Tony McNamara – Poor Things

Christopher Nolan – Oppenheimer

Eric Roth & Martin Scorsese – Killers of the Flower Moon

Best cinematography

Matthew Libatique – Maestro

Rodrigo Prieto – Barbie

Rodrigo Prieto – Killers of the Flower Moon

Robbie Ryan – Poor Things

Linus Sandgren – Saltburn

WINNER: Hoyte van Hoytema – Oppenheimer

Best production design

Suzie Davies, Charlotte Dirickx – Saltburn

Ruth De Jong, Claire Kaufman – Oppenheimer

Jack Fisk, Adam Willis – Killers of the Flower Moon

WINNER: Sarah Greenwood, Katie Spencer – Barbie

James Price, Shona Heath, Zsuzsa Mihalek – Poor Things

Adam Stockhausen, Kris Moran – Asteroid City

Best editing

William Goldenberg – Air

Nick Houy – Barbie

WINNER: Jennifer Lame – Oppenheimer

Yorgos Mavropsaridis – Poor Things

Thelma Schoonmaker – Killers of the Flower Moon

Michelle Tesoro – Maestro

Best costume design

WINNER: Jacqueline Durran – Barbie

Lindy Hemming – Wonka

Francine Jamison-Tanchuck – The Color Purple

Holly Waddington – Poor Things

Jacqueline West – Killers of the Flower Moon

Janty Yates, David Crossman – Napoleon

Best visual effects

The Creator

Guardians of the Galaxy Vol. 3

Mission: Impossible – Dead Reckoning Part One

WINNER: Oppenheimer

Poor Things

Spider-Man: Across the Spider-Verse

Best hair and makeup

WINNER: Barbie

The Color Purple

Maestro

Oppenheimer

Poor Things

Priscilla

Best comedy

American Fiction

WINNER: Barbie

Bottoms

The Holdovers

No Hard Feelings

Poor Things

Best animated feature

The Boy and the Heron

Elemental

Nimona

WINNER: Spider-Man: Across the Spider-Verse

Teenage Mutant Ninja Turtles: Mutant Mayhem

Wish

Best foreign language film

WINNER: Anatomy of a Fall

Godzilla Minus One

Perfect Days

Society of the Snow

The Taste of Things

The Zone of Interest

Television Awards

Best drama series

The Crown (Netflix)

The Diplomat (Netflix)

The Last of Us (HBO | Max)

Loki (Disney+)

The Morning Show (Apple TV+)

Star Trek: Strange New Worlds (Paramount+)

WINNER: Succession (HBO | Max)

Winning Time: The Rise of the Lakers Dynasty (HBO | Max)

Best actor in a drama series

WINNER: Kieran Culkin – Succession (HBO | Max)

Tom Hiddleston – Loki (Disney+)

Timothy Olyphant – Justified: City Primeval (FX)

Pedro Pascal – The Last of Us (HBO | Max)

Ramón Rodríguez – Will Trent (ABC)

Jeremy Strong – Succession (HBO | Max)

Best actress in a drama series

Jennifer Aniston – The Morning Show (Apple TV+)

Aunjanue Ellis – Justified: City Primeval (FX)

Bella Ramsey – The Last of Us (HBO | Max)

Keri Russell – The Diplomat (Netflix)

WINNER: Sarah Snook – Succession (HBO | Max)

Reese Witherspoon – The Morning Show (Apple TV+)

Best supporting actor in a drama series

Khalid Abdalla – The Crown (Netflix)

WINNER: Billy Crudup – The Morning Show (Apple TV+)

Ron Cephas Jones – Truth Be Told (Apple TV+)

Matthew MacFadyen – Succession (HBO | Max)

Ke Huy Quan – Loki (Disney+)

Rufus Sewell – The Diplomat (Netflix)

Best supporting actress in a drama series

Nicole Beharie – The Morning Show (Apple TV+)

WINNER: Elizabeth Debicki – The Crown (Netflix)

Sophia Di Martino – Loki (Disney+)

Celia Rose Gooding – Star Trek: Strange New Worlds (Paramount+)

Karen Pittman – The Morning Show (Apple TV+)

Christina Ricci – Yellowjackets (Showtime)

Best comedy series

Abbott Elementary (ABC)

Barry (HBO | Max)

WINNER: The Bear (FX)

The Marvelous Mrs. Maisel (Prime Video)

Poker Face (Peacock)

Reservation Dogs (FX)

Shrinking (Apple TV+)

What We Do in the Shadows (FX)

Best actor in a comedy series

Bill Hader – Barry (HBO | Max)

Steve Martin – Only Murders in the Building (Hulu)

Kayvan Novak – What We Do in the Shadows (FX)

Drew Tarver – The Other Two (HBO | Max)

WINNER: Jeremy Allen White – The Bear (FX)

D’Pharaoh Woon-A-Tai – Reservation Dogs (FX)

Best actress in a comedy series

Rachel Brosnahan – The Marvelous Mrs. Maisel (Prime Video)

Quinta Brunson – Abbott Elementary (ABC)

WINNER: Ayo Edebiri – The Bear (FX)

Bridget Everett – Somebody Somewhere (HBO | Max)

Devery Jacobs – Reservation Dogs (FX)

Natasha Lyonne – Poker Face (Peacock)

Best supporting actor in a comedy series

Phil Dunster – Ted Lasso (Apple TV+)

Harrison Ford – Shrinking (Apple TV+)

Harvey Guillén – What We Do in the Shadows (FX)

James Marsden – Jury Duty (Amazon Freevee)

WINNER: Ebon Moss-Bachrach – The Bear (FX)

Henry Winkler – Barry (HBO | Max)

Best supporting actress in a comedy series

Paulina Alexis – Reservation Dogs (FX)

Alex Borstein – The Marvelous Mrs. Maisel (Prime Video)

Janelle James – Abbott Elementary (ABC)

Sheryl Lee Ralph – Abbott Elementary (ABC)

WINNER: Meryl Streep – Only Murders in the Building (Hulu)

Jessica Williams – Shrinking (Apple TV+)

Best limited series

WINNER: Beef (Netflix)

Daisy Jones & the Six (Prime Video)

Fargo (FX)

Fellow Travelers (Showtime)

Lessons in Chemistry (Apple TV+)

Love & Death (HBO | Max)

A Murder at the End of the World (FX)

A Small Light (National Geographic)

Best movie made for television

The Caine Mutiny Court-Martial (Showtime)

Finestkind (Paramount+)

Mr. Monk’s Last Case: A Monk Movie (Peacock)

No One Will Save You (Hulu)

WINNER: Quiz Lady (Hulu)

Reality (HBO | Max)

Best actor in a limited series or movie made for television

Matt Bomer – Fellow Travelers (Showtime)

Tom Holland – The Crowded Room (Apple TV+)

David Oyelowo – Lawmen: Bass Reeves (Paramount+)

Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie (Peacock)

Kiefer Sutherland – The Caine Mutiny Court-Martial (Showtime)

WINNER: Steven Yeun – Beef (Netflix)

Best actress in a limited series or movie made for television

Kaitlyn Dever – No One Will Save You (Hulu)

Carla Gugino – The Fall of the House of Usher (Netflix)

Brie Larson – Lessons in Chemistry (Apple TV+)

Bel Powley – A Small Light (National Geographic)

Sydney Sweeney – Reality (HBO | Max)

Juno Temple – Fargo (FX)

WINNER: Ali Wong – Beef (Netflix)

Best supporting actor in a limited series or movie made for television

WINNER: Jonathan Bailey – Fellow Travelers (Showtime)

Taylor Kitsch – Painkiller (Netflix)

Jesse Plemons – Love & Death (HBO | Max)

Lewis Pullman – Lessons in Chemistry (Apple TV+)

Liev Schreiber – A Small Light (National Geographic)

Justin Theroux – White House Plumbers (HBO | Max)

Best supporting actress in a limited series or movie made for television

WINNER: Maria Bello – Beef (Netflix)

Billie Boullet – A Small Light (National Geographic)

Willa Fitzgerald – The Fall of the House of Usher (Netflix)

Aja Naomi King – Lessons in Chemistry (Apple TV+)

Mary McDonnell – The Fall of the House of Usher (Netflix)

Camila Morrone – Daisy Jones & the Six (Prime Video)

Best foreign language series

Bargain (Paramount+)

The Glory (Netflix)

The Good Mothers (Hulu)

The Interpreter of Silence (Hulu)

WINNER: Lupin (Netflix)

Mask Girl (Netflix)

Moving (Hulu)

Best animated series

Bluey (Disney+)

Bob’s Burgers (Fox)

Harley Quinn (HBO | Max)

WINNER: Scott Pilgrim Takes Off (Netflix)

Star Trek: Lower Decks (Paramount+)

Young Love (HBO | Max)

Best talk show

The Graham Norton Show (BBC America)

Jimmy Kimmel Live! (ABC)

The Kelly Clarkson Show (NBC)

WINNER: Last Week Tonight with John Oliver (HBO | Max)

Late Night with Seth Meyers (NBC)

The Late Show with Stephen Colbert (CBS)

Best comedy special

Mike Birbiglia: The Old Man and the Pool (Netflix)

Alex Borstein: Corsets & Clown Suits (Prime Video)

John Early: Now More Than Ever (HBO | Max)

WINNER: John Mulaney: Baby J (Netflix)

Trevor Noah: Where Was I (Netflix)

Wanda SykesI’m an Entertainer (Netflix)

Jo-El Sonnier, Grammy-Winning Cajun & Country Singer-Songwriter, Dies at 77

Jo-El Sonnier, the Grammy-winning artist from Louisiana who performed Cajun and country music, has died at age 77.

Sonnier passed away while on tour, Texas country music promoter Tracy Pitcox stated in a post on his Facebook account Sunday (Jan. 14).

He died after suffering cardiac arrest following a show at the Llano Country Opry in Llano, Texas, where he had played for over an hour and received a standing ovation as he ended his performance with his signature “Tear Stained Letter” and an encore of “Jambalaya.” Pitcox says the singer-songwriter “was air flighted to Austin where he was pronounced deceased.”

“It is never easy to lose a legend,” Pitcox said, “but he truly spent his final day doing what he loved — entertaining his fans with his loving wife, Bobbye, by his side.”

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Sonnier was born in 1946 to a French-speaking family in Rayne, Louisiana, where he showed an interest in music early on. At the age of three he began to play the accordion, and by age 11 was making his first music recordings. He recorded several singles and albums independently as a teen.

In the 1970s, he signed as a country artist with Mercury Nashville, but made the shift to independent label Rounder Records when he began recording Cajun music.

Sonnier returned to country in the 1980s, signing with RCA. He charted with singles including 1988’s “No More One More Time” and “Tear Stained Letter,” a track originally recorded by Richard Thompson. Actor Judge Reinhold (Beverly Hills Cop, Fast Times at Ridgemont High, The Santa Clause films) starred in the music video for “Tear Stained Letter.”

Sonnier moved to Capitol Records in the 1990s before making the return to Cajun music at Rounder Records.

Sonnier won a Grammy Award for best regional roots album, for The Legacy, in 2015. It was his first Grammy win, but fifth time being nominated.

In 2017, Sonnier and his sister-in-law Shirley Strange-Allen released a children’s book titled The Little Boy Under the Wagon, based the struggles Sonnier faced growing up autistic in the 1950s in South Louisiana. According to an interview with The Associated Press, he hoped that sharing his story would communicate an important message: “They need to know it’s OK to be different.”

“Once he figured it out and had a diagnosis, he saw ‘This is why the way I thought the way I did. This is why I didn’t fit in. This is why I focused on music 100 percent. This is why I don’t like crowds outside of music,’” said Sonnier’s wife, Bobbye.

“You want to leave something good behind and let somebody embrace that,” Sonnier said to the publication. “When you’re gone, that’s it. One day, we won’t be here. While we are here, let’s try to do the good.”



Taylor Swift and Brittany Mahomes Are ‘Twinning & Winning’ in New Photos From Chiefs Game

Taylor Swift and Brittany Mahomes have seemingly become game-day besties. Together, the pair coordinated in custom Kansas City Chiefs puffer coats to brave the blistering cold and support their significant others at Saturday’s (Jan. 13) game against the Miami Dolphins.

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The coats were made by designer Kristin Juszczyk, the wife of San Francisco 49ers fullback Kyle Juszczyk. Swift sported boyfriend Travis Kelce’s jersey number, 87, on hers, while Mahomes’ jacket displayed her husband Patrick’s number, 15.

“Twinning & Winning,” Mahomes captioned an Instagram photo collection from Saturday’s game, which ended in a 26-7 win for the Chiefs.

The Sunday Instagram post mostly consisted of several pictures of Mahomes with Swift, showing off their similar outfits. With a drink in hand, Swift was playful and silly in her poses next to Mahomes.

Juszczyk, who designed the ladies’ Chiefs outerwear, shared her reaction to them wearing her designs on Saturday with a behind-the-scenes video of herself making the coats. “An honor of a lifetime!!!!!” she wrote. “Thank you @taylorswift & @brittanylynne.”

Swift — who sat next to Kelce’s mom, Donna, at the game — wore her ’87’ coat with an all-black ensemble and Louboutin combat boots.

See the “twinning & winning” photos on Mahomes’ Instagram page here.